Caray, Caray!

Capítulo 155: In which Alonso learns the truth


Reprise: The Sandoval family gathers in María’s hospital room. She holds one baby in each arm, the infants so placid one wonders if someone might be dipping their binkies in great grandma’s sherry.


Part One: Alonso’s Story


Beware of Grinches Bearing Gifts
Alonso is in his studio admiring the generous bouquet of red roses he plans to bring to his ternura when an unexpected – and unwelcome – visitor appears. It’s Ximena, in full Grinch mode. She just stopped by to give him a little wedding gift, she tells him. And she smilingly places an envelope within the bouquet. Her parting shot:
Disfruta tu boda y vive y goza cada uno de tus días como si fuera el último. Bye!
(Enjoy your wedding and live and enjoy each day as if it were the last. Ciao!)

The envelope, please.
When she is gone, Alonso opens the envelope. As he reads its contents, his eyes widen. Then we watch as all his joy vanishes and is replaced by uncomprehending horror. Now he knows the truth: he is dying. In the light of this truth, he makes new sense of María’s apparent change of heart. Now he understands why she chose him over Max and why Max stepped aside unprotestingly. His response? Rage and anguish. He sweeps his photos off the table and repeatedly slams the bouquet of roses until the petals carpet the floor, all the while screaming with increasing violence: ¡No puede ser! (It can’t be!)

Alonso sinks to his knees and appeals to heaven:
¿Qué hice? ¿Qué te hice yo para castigarme de esta manera?
(What did I do? What did I do to you to make you punish me like this?)
It was all a lie! God, no!

He curls up on his side, claws at the floor and sobs as he holds a photo of María: ¡Todo fue una mentira! (It was all a lie!)



TIEMPO DESPUÉS (SOME TIME LATER)

A wedding that feels like a funeral
The wedding guests gather outside the church. They chat in small groups.

Millie knows there’s something fishy going on (A mí me huele muy mal, it smells bad to me). Why is María marrying that photographer when she’s obviously in love with Max? Both Napo and Millie turn to Nati: You know something, don’t you? But Nati just chatters nervously and feigns ignorance.

The vecindad gang is there, laughing and flirting, oblivious to the dark undercurrent.

Fabián, accompanied by Luci, asks Cruz and Fer how married life is going. Mal. Muy mal, answers Fer (Badly. Very badly). And then she adds unpleasantly: I suppose that makes you happy.

Luci is stung by Fer’s unexpected nastiness and hastens to assure her that neither she nor Fabián would take pleasure in her unhappiness. Fer’s response: ¡Tú cállate hipócrita! (Shut up, hypocrite!) Cruz squirms.

Leonela straightens Max’s tie. He looks so handsome, she tells him. She can’t understand why he isn’t the groom. He brushes off the remark so irritably that she wonders why he even bothered coming to the wedding. Then Osvaldo walks up, puts an arm around Max’s shoulder and tells him he’s very proud of him. You don’t really know what a great person your son is, Os tells Leo.

Victoria holds Dr. Voice’s arm and laments that María has still not forgiven her. Heri advises Vic not to judge her – remember how much María has suffered . Yes, Vic readily acknowledges. And unfortunately she herself was her tormentor (verdugo, literally executioner).

Toni offers an interesting theory to explain why Victoria didn’t sense the llamado de la sangre when she met María: Bernarda jammed the bloodlines. (Se interpuso volviendo sordo tu corazón, she came between you and deafened your heart.)
[For a moment, I’m distracted by an image of a shrunk-down wet-suited Bernie speeding along the superior vena cava directly to Victoria’s heart where she places a small signal jammer. Raquel Welch in Fantastic Voyage, anyone?]

Vic still can’t understand why Bernarda, the most perverse human being she has ever known, isn’t in jail for Tomasa’s murder. It’s because they saddled all the blame on Fausto, says Oscar.

Fausto, in his jail cell, has heard that today María marries Alonso. He prays for their happiness.

Bernarda lets her hair down.
When Juan Pablo comes to call, his mother is still in her jammies, her hair loose down her back. (Maybe she’s so depressed over Victoria’s and María’s escape that she no longer has the energy to put her hair up in its scary Doña Demente rolls. Hold the phone... Is that a half-empty carton of Chunky Monkey she kicks under the bed when he comes in?) Each expresses surprise that the other isn’t going to María’s wedding but neither is willing to say more than “I have my reasons”. Juan Pablo is there to ask two things:

His first question: How does she feel?
Her ill-tempered reply: How do you think I feel after being in that terrible prison?
JP doesn’t blink. He reminds her she was there for good reason, but that’s not what he wants to talk about.

His second question – and he wants the truth: Did she have anything to do with kidnapping María Desamparada and Victoria?

This question unleashes a torrent of self-righteous rant – How dare he ask such a thing! She raised not a priest (sacerdote) but a crow (cuervo), a vulture to pluck her eyes out! [cuervo vulture, specifically ‘crow’ or ‘raven’ can also be a derogatory slang term for ‘priest’.]

JP is impervious to the rant and not susceptible to her emotional blackmail. Unfortunately, he knows the extent of her wickedness even if he is constrained by the seal of the confessional from speaking out. In the end, it's not he but God who will be her judge.

Bernie raises a hand to smack him but he grabs her wrist and tells her: You’re not going to lay a hand on me again. I won’t permit it. It’s a failure of respect for me as a man, as a son and as a priest. She jerks her fisted hand back and glares at her son.

Now we’re back at the church in time to see Alonso drive up in the wedding jeep. Max watches sadly as the smiling groom walks jauntily towards the church only stopping to greet Dr. Heri with a handshake and a hug. Alonso is ready to marry ‘til death do us part’, he tells the doc. And he thanks him for everything. Heri senses something isn’t quite right.

Meanwhile Fabián and Luci try to make sense of Fer’s earlier outburst. It reminds Fabián of the old, snobby, bratty, capricious Fer. She and Cruz must be having problems. [Obvio, Fab! Sheesh.]

Pip dances up to them (and brings his silly song with him). You’d think this was a wake, not a wedding, he says. Check out the long faces! Fabián says he feels for Vic – after everything she went through to find her daughter and now the girl rejects her.

Toni tells Vic to be strong.

Osvaldo and Heriberto agree they need to talk. It’s time for them to stop behaving like a pair of adolescents.

Cruz asks Max why he let María get away when it’s obvious they still love each other.

All eyes turn to the black car decorated with white flowers that pulls up in front of the church. Max steps forward, opens the door and extends his hand to help the bride out of the car. But Alonso moves in: Allow me, Max, he says. This is my moment. Max steps back. The small crowd applauds at the appearance of the bride. I’ll see you at the altar, says Alonso and he leaves María with Nati.

María explains to her friend that Juan Pablo won’t be officiating – he wouldn’t lend himself to this farce, he said – but Padre Jerónimo was more understanding. He’ll be performing the ceremony.

Now Osvaldo steps up, and, telling María how lovely she looks, offers to walk her down the aisle and give her away.

The two proceed slowly and gravely to the altar while we hear an instrumental (thank God!) rendition of Ave María.

Rox and Xi slip into the back of the church just as Jero begins to read the vows. First he addresses the bride:
María, ¿aceptas por esposo a Alonso, para serle fiel y estar a su lado en lo prospero y en lo adverso hasta que la muerte los separe?
(María, do you accept Alonso as your husband, to be faithful to him, to be at his side in prosperity and adversity until death separates you?)

There’s a long pause. For a moment, Max looks like he’s going to charge right up to the altar to reclaim his woman but Cruz puts a reassuring, “down boy” hand on his shoulder and he subsides. Finally we hear María’s response: Sí, acepto.

Alonso’s star rises... and sets.
Now it’s Alonso’s turn. The question is read. There is an even longer pause as he looks at María, then upward, then turns away. The Alonso song plays (♪Ya no puedo quedarme un minuto más sin ti...♪). And then at last we hear his answer: No. No acepto.

Gasp! Jaws drop open all around the little chapel, except at the very back where Rox and Xi giggle. Jero, incredulous, thinks maybe Alonso didn’t hear the question. But Alonso assures him he heard just fine: You asked me if I wanted to marry María Desamparada and I answered ‘no’.

Then Jero gets angry. How dare Alonso answer so cynically! Why did he agree to this mockery (farsa) in the first place?

Because of ignorance, Alonso answers, and he holds up an envelope. I didn’t pay attention to some lab tests. And then a friend (and here Rox and Xi can barely control their delight – oh, this is going so much better than they expected!) did me the favor of cluing me in to what was going on.

He goes on:
Thank you, friends, for being here and for sharing an unforgettable day with me. I’m sorry I didn’t say anything before but then Max and María’s sacrifice wouldn’t have the value it does right now. This envelope contains a terrible (horroroso) truth.

For a long time, I was estranged from God. I rebelled against everything. But now I feel at peace. I’ve accepted Him. And I’ve moved beyond all feelings of evil, anger and rage – anything that blackens and taints the soul.

(These words of light and faith send Xi and Rox scurrying out of the church like roaches. They grouse about the stupid turn of events.)

Al continues:
I know now that a person’s destiny is guided by designs that many times are beyond our comprehension.

If I’m not marrying my ternura, it’s not because I don’t love her –

Here he turns to María and brushes a tear off her cheek: I adore you, he says. And I know you love me – although not the way I would have liked.

Still addressing María directly he breaks off for a goofy aside, a mishmash of literary allusions:
You weren't alone in your odyssey. You had your faithful companion, your Sancho Panza – and that’s Max: the person I thought was my enemy, my nemesis. I never gave him a chance to show me the goodness of his heart. I’ll always be grateful to him.

[What does this crap even mean? But by now even the normally curmudgeonly Mr Maven is ferklempt and willing to cut the guy some slack: “I know it’s shlock... and yet ... sob...” And that, Ladies and Carlos, is when you know you’re being manipulated by the best – You know it’s shlock ... and yet... sob]

Turning back to the congregation:

-- The real reason I don’t want to marry María Desamparada is because I don’t want to do this couple harm. Theirs is love’s real triumph.

He holds up the envelope:
It says in here that I’m dying. I understand that you two just wanted to give me a few more minutes of happiness. And you accomplished that, ternura, and I’ll be forever grateful to you both. He ends:
Con eso me quedo... y discúlpame, con eso me voy.
(With that I’ll abide and... excuse me, with that I’ll leave you.)

Alonso walks slowly back up the aisle, pausing to exchange a tearful, filial hug with Dr. Heri -- Dr. Heri the father Alonso never had, Alonso the son Dr. Heri lost. Flanked by shadowy images of his best times with María, he walks toward the light and fades into whiteness.


Part Two: A few pesky details still outstanding

Grrrr....Why did I let you talk me into leaving María?
After that tearful epiphany in the church, it’s a little anticlimactic to get back in the car with Osvaldo, Vic and Fer.

[Pues, ni modo. Pull yourselves together, would you? There are still lots of cranky, cruel, crazy and confused people running around in this novela and they are counting on us to sort them out.]

Vic grouses that Os convinced her to leave when she should have stayed back with María. Fer notices that Os didn’t seem all that surprised by what happened. He admits that Max told him about the plan from the beginning – although he never thought it was a good idea.

Victoria asks the driver to take them back to María’s place. Her daughter needs her. Fer chimes in that she wants to be with her sister too.

Meanwhile, Max brings María back to the vecindad. He gets the curious neighbors to back off. He’ll be there for her whenever she is ready, he assures her. He understands she needs to be alone right now. Nati will help her change out of the gown.

Sadistic Girls Just Want to Have Fun
Rox and Xi are in their car too. Xi suddenly cracks up – What a hoot that was! Mama’s reality check: with Alonso out of the picture, there’s nothing to keep Max from marrying that girl. Xi’s not worried. She’ll think of something.

Rox thinks they should head to Bernarda’s and give her an update. She’d be glad to hear the latest. And it's worth the effort to keep her happy; after all, they are still living with her. Xi grimaces at the thought.

All Sales are Final
As it turns out, Bernie isn’t home right now. She’s closeted with Gui in his retreat and the two are watching a movie together. It’s a private screening of the doctored DVD he sent to the police, the one incriminating the three thugs for hire – and only them.

She appreciates his gift for placing blame but isn’t distracted from her own agenda. Before he can ask if she wants her popcorn buttered or plain she tells him she wants her money back since his kidnapping plan tanked. No can do, says Gui. It’s all invested in the opening of Othello. Not my problem, says the Bernster (who, by the way, is back in fighting trim, hair rolls, pearl earrings and all). Pay up!

In that case, says Gui, I guess I’ll just have to be honest with the authorities and give them the other DVD, the one that shows who was behind the whole thing.

And here he plays the version starring La Dementa.

You’re trying to blackmail me? she asks.

Take it however you like, he replies. It’s not in your best interest (no le conviene) to pressure me.

The Bernster looks at him appraisingly, perhaps mentally measuring up his coffin size: You’re cleverer than I thought.

Gui looks satisfied with himself.

No hubo boda (There was no wedding).
When Jerónimo gets back to the parish church, Juan Pablo asks him how the wedding went. There was no wedding, he says. Alonso refused to marry María Desamparada.

The eternal ebb and flow of Sandovals and their groupies
And back at the vecindad, Max leaves and Victoria arrives. Fer hangs back a little to give her mother and sister some time alone.

María hears a knock at the door and tells Nati that she doesn’t want to see anyone. Not even your mother? asks Vic, poking her head inside. María turns away.

Back outside, Osvaldo takes the opportunity to ask Fer what the heck is going on with her and Cruz. She wheels away, telling him she doesn’t want to talk about it. And she’d prefer to be alone.

Now Dr. Voice comes along. Os wants to know what he’s doing there.

♪A partir de hoy...♪
Victoria tries to console María. She knows it’s not the first bad patch in her life and she’s sorry she couldn’t be with her for those hard times in the past.

Now she sits down across the table from María and takes her hands. She says:
Pero a partir de hoy quiero ser parte de tu vida. Puedo brindarte todo el amor y todo el apoyo que en tantos años no te di.
(But from this day on I want to be part of your life. I can offer you all the love and support that I didn’t give you during all those years.)

I want to be alone. I think...
María insists she wants to be... needs to be ... alone. So much has happened in such a short time. She needs time to think.

Victoria respects her decision. She’s her mother and she’ll be there waiting for her. Always.

Victoria quietly heads for the door, dabbing away a tear. María looks up and for a moment it seems as if she is going to call her back. But she says nothing, just lets her leave.

Credits roll over scenes from the past and we realize how much we have aged since this all began.

Labels: triunfo

Today's episode is covered in Melinama's Recap #5 at this link.

On YouTube, haguilar78's clips for Cap 20 start at this link.

Thank you, Carlos, for today's picture. If you can't beat em', stomp away in a huff.

Labels: Alborada

Labels: triunfo

Herederos del Monte is in its últimas semanas and according to the station promos, Flor Salvaje is on deck as its replacement. The new novela is being produced jointly by Telemundo and RTI in Colombia. Starring Mónica Spears, a gorgeous former Miss Venezuela, the novela also features several actors familiar to fans of El Clon, most notably Roberto Manrique (Alejo in El Clon). Further down the cast list are Indira Serrano (Dora in El Clon); Geraldine Zivic (Cristina in El Clon); and Juan Pablo Raba (Said in El Clon). And Herederos fans will recognize José Luis Reséndez (José del Monte).

The Flor of the title, Amanda Monteverde, is driven by desperation to look for work in a down and dirty cabaret where she will find love and lust and envy and friendship and malice – (there is even a character named ‘Alicia’ whom everyone calls ‘Malicia’!)

So. As we’ve learned – sometimes to our delight, as in the case of La Reina del Sur, but more often to our chagrin, as in Aurora – it’s the writing, stupid. Stay tuned.

La Casa de al Lado: I’m still following this one but for how long, I don’t know. The plot twists have become irritating rather than suspenseful or shocking. We’ve all remarked, in one way or another, that there are no truly likeable characters even if there are a few pretty good actors. There’s not even a good musical hook, a theme song that grabs you and keeps you watching, even when you know the song is better than the show. I just know it’s not a good sign when a lead character walks suicidally into the water (Like Ignacia did last night in what I can only assume is a weird homage to Virginia Woolf) and all I can think is: You’re not gonna sink – you have to put stones in your pockets! Sigh.

Fans of Mi Corazon Insiste and Herederos – a fresh page for your thoughts.

Labels: casa-lado, herederos, insiste, telemundo

Summary: This week the threat of a French invasion becomes closer to reality. The lines are being drawn politically. Not only do the Spanish have to deal with their enemy, the French, but, they also have to deal with the creoles who are demanding more self-rule. The creoles still think that they can create local home-rule governments with Spain. Pola’s luck changes as she is taken in by an old friend and later meets her revolutionary mentor, Carbonel. María Ignacia must repent in a convent, but she is still clueless. Juliano continues to be punished at the hands of a crazed Cata. And, the viceroy and vireina can see the writing on the wall while Leandro begins to see the light.

MONDAY

Pola wanders around Santa Fé looking for work. She comes upon two men who are trying to load carts with heavy sacks and offers to help them, but they tell her it is not work for a woman, and they are not inclined to help beggars. She tells them she is not a beggar and points out that she is wearing a very fine hat that was her father’s.

At the mansion Francisco rants at Alejo that he should have married off Leandro because it would have been so much less trouble. Alejo answers that he wasn’t trying to escape – it was just going to be a few days and that he was just trying to help her (Pola). Do you think that I am capable of robbing María Ignacias’ honor? So, Francisco pulls out the letter accusing Alejo of robbing Pola’s honor. Who wrote this, he asks. The priest, he is told. Alejo doesn’t believe Pola would do it.

Pola wins over the admiration of the two drovers when she figures out a way to lift the sacks by having her horse pull them into the wagon.

Francisco and Alejo continue with their heart-to-heart. You don’t know anything, says Francisco. Alejo asks why didn’t you tell me about this letter. As if this woman had honor sneers Francisco. It is a lie says Alejo. So, says Francisco, is it true that she has a letter of engagement? Yes, says Alejo. The only way to solve these problems according to Francisco is to marry María Ignacia.

Not only has Pola won over the drovers, she has won over the crowd with her cleverness. This girl is persistent and finally the drovers give in especially when they find out that she can read and do arithmetic. She only wants food and a place to live.

At Domingo’s Cata and Nicolasa share snipes. Juliano will never forgive you says Cata. Nic retorts with a I see how you look at Juliano. You are dying for him.

Francisco goes to see his “friend” the governor. His debt is enormous. He fled Honda to get away from the royal accountant. No, he denies, I came here for the wedding. What you are doing, he tells the governor, is illegal. But, if Alejo doesn’t marry, it (the dowry) will have to be returned. Francisco asks the governor where can he find motivation to continue to support him. The governor suggests that 3500 pesos is sufficient motivation, and he’ll keep his mouth shut about Francisco’s defalcation.

In Santa Fé Pola helps the drovers by selling fruit. She sees Sámano and turns away from him, raising suspicions in the drovers that she has something to hide. They want to know why she left Guaduas. Finally, they think she left Guaduas to find a husband.

Once again in Guaduas, Juliano is punished by being tied to a tree and whipped because Cata accused him of looking at her.

Back at Santa Fé, Sámano concludes that he was right – he thinks the creoles have gone to the vireina for help.

Pola and the drovers talk about Sámano. They hope he goes back to Spain. They don’t even know what a creole is. Pola tells them it’s the Spaniards born her. She wants to find Don José María Carbonel. They don’t know him. The Spaniards, they say, only marry “purebloods”.

In prison Tonito asks for food. The name José María Carbonel comes up – maybe he will help. When we get out of here, swears Don Antonio, they will pay. If I get out, I will not seek vengeance, but I will work so that everyone has freedom.

Baraya goes out to Hacienda Nariño and tells Magda that Don Antonio is a prisoner in Cartagena and that Tonito is with him. Magda wants to go to Cartagena. She is outraged because they took everything and because they don’t have anything to eat. I will help you, says Baraya. The viceroys must help us form our own junta.

Meanwhile two of the revolutionaries pay a little visit to the vireina. She can’t stand them and vocally opposes any junta. However, they play their trump card and let her know that they know about her lover and that if she doesn’t cooperate, they will tell her husband about her dalliances.

The other governor visits Nariño in prison. Nariño demands to know the charges against him, but he is only told that he had copies of the French manifesto. But, he already spent 10 years in jail. And, without more, the governor tells him that Tonito is being set free today. Tonito doesn’t want to leave his father, but Don Antonio tells him to look for a local noble (?) who can help get him released.

The vireina pretends ignorance, and calls them canallas and asks if they think the viceroy will believe them. They insist that she can help them form a government while Fernando VII regains his liberty.

At the mansion Gaspar plays the piano and Alejo approaches him. Gaspar tells him to go away, but Alejo insists on talking to him. Alejo tells Gaspar that María Ignacia pulled off this dirty deed with the help of his father and that his father wanted to save him from the mestiza. What type of man is going to marry my daughter, asks Gaspar.

In Guaduas Juliano keeps pressing Nicolasa to admit what she did and why. Finally, he walks away and tells her he is trying to forget it.

Gaspar tells Alejo that this will not keep him from saving María Ignacia’s honor. But, she did not lose her honor, says Alejo. That mestiza – is she from Guaduas – that is why the governor said you were not a man of honor. Alejo tells him that he will be a model husband. This end of the conversation is overheard by María Ignacia who pipes in with our wedding is only a week away. A furious Gaspar leaves them alone. She asks – you didn’t say anything to my father? No. Then she tells Acacia that both of them are furious with her. It would be impossible for my father to cancel the wedding, she remarks.

Later, in conversations with his wife, Francisco denies taking 6500 pesos. How are we going to tell Alejo about the dowry? Francisco had to return the dowry. It was the fault of the girl from Guaduas. The money had to go to her and her family, he lies. Next time, he advises Alejo, don’t write. Alejo tells himself that this cannot be happening to him.

Francisco – at last we are getting rid of the mestiza.

In Santa Fé Pola receives her day’s wages from Facundo the drover. He agrees to let her work tomorrow, and she wants to know how to find Carbonel.

Alejo goes for a ride. He pulls out the scarf Pola had given him so many years ago and rips it up. I can’t believe there is such a woman so fake. I can’t take it any more.

TUESDAY

The revolutionaries tell Don Jorge that he should have seen her face – meaning the vireina. They will form a junta unless Sámano stops them. Baraya tells Jorge that he told Magda about Nariño. They want to free Nariño. They say they don’t want independence from Spain. They want an independent government and equality. Don Jorge says but that doesn’t include the mestizos and blacks. We can see cracks forming in this little group already. Carbonel gets annoyed and leaves, but they ask his pardon.

At the royal palace the vireina talks to Sámano about an escarmiento (a lesson, warning) – it would teach them a lesson. Sámano says he is watching them and that they are planning. But, the people are with the king. They love the king. The vireina tells him that love is weak (amor es débil). She thought that once Nariño was in jail it would all be over. Sámano – Don Jorge is one of them.

In the prison Tonito is freed. A nobleman by the name of Don Enrique Somogar is helping him. He wants to write his mother for help. Don Enrique knows of Nariño and admires his ideas and brilliance.

Eusebia tells Ignacia as they approach the church that she is marrying an intelligent and handsome man. Gaspar – this could be a dream or a nightmare. Alejo and Leandro wait for the bride in the church. The governor also arrives. Alejo’s mother whispers a thank you in his ear and tells him he is a good son. Leandro tells Alejo that if you are here it is because you realize that Pola is not for you. Alejo tells him to shut up. Francisco is just delighted as Ignacia walks down the aisle. Gaspar hands her to Alejo and they walk up to the altar.

In Santa Fé Pola sells fruit. Pedrito recognizes her and tells her that he misses her. Doña María Matea looks at Pola and says you are a grown woman.

In the church, Ignacia promises Alejo that she will be the best wife and that he will be very comfortable and taken care of. He says I know that.

Baraya speaks his mind at the barracks. Our enemies aren’t just the Spanish, but the French, too. There are spies listening, like Iglesias. He warns that soon troops will arrive from France and claim this land. Then we will form a junta.

At the church, Gaspar flashes back to his conversation with Alejo – but, my daughter never lies. Alejo – but, she did. It is all a lie about the girl whose honor he supposedly took.

The priest begins to ask each of them if they take each other, etc., etc., Francisco knows this part by heart and is saying it out loud. But, before the “I do’s”, Gaspar stands up and stops the ceremony.

He thanks everyone for coming, but this wedding will not go on. My daughter committed a grave error. Her loss of virtue was a lie. Gaspar won’t let her do a dishonest thing. She told a lie to force Alejo to marry her. Ignacia says it was a mentirita (a little lie). Gaspar will not forgive her. Alejo tries to talk to Gaspar, but Gaspar says it is over.

Francisco tells the governor that this will all be resolved. The governor says he hopes so. Ignacia wants the priest to finish the ceremony, but, without her father’s permission, he refuses to do so. Alejo – I told your father to save my good name. Ignacia – you have killed me for a mestiza.

In Cartagena, Samogar and Tonito try to see Nariño, but, they are denied pemission to enter. Outside they see what appears to be very important people walking down the street. It is the commissioner of this region and the local wig-wearing governor. Tonito begs for help for his father. The commissioner know of Nariño as a brilliant man and a lucid thinker. He tells the governor that he hopes what they are telling him about the treatment prisoners get is not true.

Back at the barracks, Iglesias fills Sámano in on Baraya’s conversation. They will have a surprise because they will not have the support of the military. And, the viceroys will not know how to manage the situation. He now thinks he is closer to being viceroy himself.

In Guaduas not much has changed. Gertrudis is still making fertility tea for Cata and Nicolasa realizes that is what Bernarda was asking her about. Cata continues to lurk and spy upon Juliano. When the cápataz catches her, she lies and says she is looking for Domingo.

When the royal party reaches Nariño’s cell, he is barely alive. Tonito tells him that they wanted him to die. The commissioner is not amused.

Acacia tries to console Ignacia who wants to die. If it wasn’t for that woman, this wouldn’t have happened. She will regret she ever put eyes on Alejo Sabarain.

Doña Matea finds out that Pola does not have help from anyone. Not even her brother who doesn’t want to have a mestiza for a sister. Pola tells Doña Matea that she came to Santa Fé for her father – to fight injustice.

Magda breaks down and cries when she reads Tonito’s letter. The younger mean son asks her why doesn’t she ask Don Jorge Tadeo for help. He thinks his father is a traitor and that their entire family has turned their back on them because of him.

At Don Jorge’s his little wife calls him tío which annoys him as was intended. She says I’ve heard that you and your friends are planning to do the same thing as the Quiteños. Be careful what you say, he cautions her, it could cost your life. She will make sure her father knows about this.

In Popayan, Don Jorge Losano wants to talk to the governor about the war in Quito. It seems that the governor wouldn’t let Losano go to Quito. So, we hop over to the palace where the vireina calms the viceroy because this situation makes him nervous. She is still his wife, she says. He doesn’t know what to do. Sámano, she says, thinks they cannot do it without military support.

Sámano rallies the troops. Baraya is right in front. Baraya asks to speak. He tells Sámano that he is not well informed because he says that the junta was formed to protect the interests of the king. Sámano spits in his face. Sámano reminds them that treason is punishable by death.

Ignacia still carries on about lying so that Alejo wouldn’t run off with that woman. Gaspar remarks that we are lucky that Alejo never touched her. I believed him.

Alejo tells Francisco not to blame him that the wedding didn’t take place. Francisco tries to slap Alejo, but Alejo grabs his hand in mid-air.

For Francisco this isn’t over – there will be a wedding or they will answer for it. Gaspar pipes in, yes, Don Francisco, yes.

WEDNESDAY

Gaspar offers Alejo a part of the dowry, but Alejo declines any of it. You are a man of honor, says Gaspar. It hurts me that my daughter will not spend her life with a man like you.. Francisco, however, disagrees. A letter arrives for Gaspar – the troops are arriving from Quito.

Pola tells Doña Matea what she plans to do and that Nariño will return and that she will fight. Doña Matea invites Pola to live with them.

Tonito tries to feed his father. Nariño says that it is true that they tried to starve me to death.

The Comisiondo: the Junta of Cadíz wants to enforce the bond between the peninsulares (Spaniards) and the Americans. He orders that a doctor and medicine be brought to Nariño. The governor tells him that he will not go against the viceroy’s orders – No, says the comisiondo – I will take care of it.

In Popayan Don Losano tells the governor that he has no right to detain him(apparently Losano was on a mission to peaceably form some kind of government in Quito). The governor says that the viceroy is far from here and that he is in a better position to judge the situation. Quito says the governor has been disloyal and my opinion counts here. Losano claims tha the Quiteños demonstrated their loyalty and willingness to preserve the rights of the king. The governor disagrees and tells him that I am responsible for my acts and then he bids Losano good bye.

Alejo is out in the street with many soldiers. His friend José María Arco shows up and asks about why Alejo is so dressed up. It was for the wedding. With a smile, Alejo reports that he did not get married.

Ignacia still holds out hope that Gaspar will change his mind. Her mother, Eusebia, knows better, but she will try, but she tells Ignacia to forget Alejo. Ignacia says that if she can’t have Alejo, she will have no one. Do you prefer to be an old maid? asks Eusebia. Yes, says Iggy.

So, says Arco – you don’t want the perfect home. You want Pola. Arco tells him about the sacking of Quito. The army will be marching into Santa Fé in the morning. Arco tells Alejo in confidence that he does not agree with the governor, and that he asked for a transfer for personal reasons. As to the question of Pola, Alejo prefers not to talk. He was fooled by her. Well, says Arco, if I see her, I will fall in love, and you will not say anything.

Pola tells Facundo that she has found work and a place to live and she thanks them for saving her life. But, she will still help them with the paperwork.

The colonel reports to the governor: we have taken everything. We have taken prisoners. The governor wants to eradicate the problem. The colonel reminds them that some of these prisoners are from noble families and are well-respected in the community. Francisco breaks in.

At Doña Matea’s, Petra the maid doesn’t like the idea that Pola will be staying with them. Pola tells Matea that she has forgotten how beautiful the house is. She then shows her fascination with a clock.

The governor tells Francisco that he has to return the entire dowry. But, you have the dowry, says Francisco. What I confiscated is what you took. It was owed to the Casa de Rentas de España. Why don’t you admit that you are in ruin? Francisco insists that Alejo was going to marry Ignacia, and he demands that Gaspar pay the entire dowry.

Gaspar claims that it was Alejo’s idea to return the dowry. Gaspar also thinks that Governor Tacón is too harsh with the Americans. To Eusebia he says look where we are now twe have to be careful what they say in our own house.

The governor needs the help of influential people like Gaspar. The governor is going to punish the people of Quito severely, and, he will not return the dowry – you can keep 3500 pesos he tells Francisco. OK says Francisco – but, forget the rest of the debt. Further, if Alejo asks, tell him it went to the girl from Guaduas. Now Francisco wants 5,000 pesos. And, the governor will tell Gaspar that he has lost 3,000 pesos.

Doña Matea’s husband has been in Spain for a year, but they love America. But, for her the future is uncertain. We are not in agreement with the way Spain treats people here, she tells Pola. Pola asks if she sympathizes with Nariño. If Nariño takes power, nothing will happen to us. If only all Spaniards were like you, says Pola. And, like the boy of the medal, adds Matea.

At the mansion, Acacia invites Don Francisco and family to dine with Gaspar and Eusebia and José María Losano, Marqués de San Jorge. Losano was a representative of the viceroy who was supposed to go to Quito to calm things down, but, he was prevented from doing so by the governor.

Francisco is beside himself because he can’t believe that Alejo offered to return the dowry. Alejo contends that it was a promise, not a robbery. Alejo asks about the 2,000 pesos that had been set aside. María Teresa tells him it was used for their education which shocks Alejo. Francisco turns it around and blames it on the mestiza.

The revolutionaries realize that what happened in Quito could happen to them. Sámano knows everything. Baraya tells them about how Sámano spit on him. Does this mean we have lost the support of the military and of the people? Don Jorge pipes in with “…are you saying that the only possible leader of the revolution is Nariño?...”

Tonito begs for just a minute with his father. Nariño is now a little better. Tonito vows not to leave Cartagena until his father is free. What are you hiding from me asks his father. It is better that you know the truth, and he shows him the letter from Magda.


Magda gets grief just by walking down the street. She tries to sell the boots, and the buyer won’t deal with her because he thinks she is not a decent woman.


Doña Matea and Pola continue their conversation about Nariño and his family problems. Matea tells her that Nariño recognized the two girls as his own children when any other man would not have done so. He is different. So, who can judge his wife? Pola’s observation: So many times we are judged by those who do not know how things are.


Tonito tells his father that he has to get him out of prison so that he can show his mother that he made the right decision. Write to your mother and tell her we are OK and that we miss her.

On the street, Magda is insulted and vows to her sister that no one will talk to her in that tone again. Her sister believes that Don Jorge’s wife has poisoned everyone’s mind against her. She is not going to the palace to talk to the viceroy.

Alejo muses on his father’s words. See what kind of woman that mestiza is, and next time be careful of what you write. Then he remembers Pola, that she went to Santa Fé by herself to say goodbye to him and that she said I will always believe in you, but you will not believe in me.

Matea offers Pola a very nice dress that Pola thinks she can alter to fit her. The maid does not look happy. Matea says Pola’s husband will be happy she can sew. Pola hopes she will be valued because she loves him and that she is honest and truthful.

The marqués says that Quito was a real catastrophe. Francisco gets in an argument with him. Alejo asks if it was true that you were prevented from going to Quito. Yes, he says, it appears that Governor Tacón did not want to negotiate. Francisco insists that they deserved what they got. But, says Losano, according to the Manifiesto de la Junta de Sevilla, you are wrong.

Eusebia tells María Teresa that now she has a real problem because now her son will go after that mestiza. Alejo tells the marques that he was at Funes – the battle says the marques – no, says Alejo – a massacre.

Francisco insists that they need a lesson and can’t stand to have Alejo in the room and demands that he leave – then he wants Leandro to leave, too. But Leandro, spineless twit, backs off, pledges allegiance to his father and the royalists and is allowed to stay. No one can be against Governor Tacón in this room.

Alejo starts to write a letter to his parents – it begins: “…with great difficulty I have decided…”

Another revelation. In Guaduas Cata finds out that the so-called fertility tea is really an aphrodisiac. It sends her into paroxysms of laughter and then tears. Juliano finds Nicolasa in better health, but she sends him away. She doesn’t want to sleep with him or any other man.

When Pola shows up in the maid’s room at Matea’s, the maid threatens her and tells her that she has one week to find someplace else to say.

Gaspar apologizes to the marqués for the disastrous evening. As he is leaving the mansion, Alejo stops him and asks for a few words and begs pardon for his father.

Alejo asks about Col José Dupré. Dupré is in command in Quito to maintain order. Then, asks Alejo, who is in command of the troops that are returning to Santa Fé. I am, says the marqués. Then asks Alejo: will you permit me to go with you to Santa Fé?

THURSDAY

The marqués ask Alejo if he has permission from his superiors. Alejo at this point did not, so the marqués says no. Alejo presses him and states that he does not want to fight his own countrymen, and if he is found to be a deserter he will assume full responsibility. He is not of the same opinion as the governor and has earned his enmity. OK, says the marqués, I will await you at dawn at the cuartel (barracks or where soldiers are billeted).

After seeing a white hot scene full of lust and love between Juliano and Cata, she awakes and we learn it is one of her demonized repetitive dreams. She tells Domingo that it is from the water that Gertrudis gives her to sleep.

What are you doing? asks Leandro of Alejo. One favor. What I can’t take, please send to Santa Fé. You are my brother, but I don’t trust you. Leandro says he will not say anything – just luck – and if I were in your place, I would do the same. But, the Indian, she was living with slaves. At last I understand who this woman is. Alejo tells Leandro that he hopes he finds a wife and too bad our father never allowed us to be brothers. He then gives Leandro a letter to give to their parents.

Alejo then goes to Ignacia’s bedroom. She says you know we are not supposed to be together. I came to say goodbye. I am going to Santa Fé. I think it is the best thing for us. You are a woman who could have any man. Stay here, she begs. One day you will find the ideal husband. Don’t you understand that I love you, she says. Alejo tells her that she has been prepared to be a good wife and you will be when that person arrives. She slaps him. It is not your fault nor mine, replies Alejo. If it wasn’t for the mestiza you would not go. I am not going to look for her. I hope you will be happy, says Alejo. You are my happiness, she replies. After he leaves she vows “…if that woman thinks that she is going to walk away with him she is mistaken…”

Cata whips herself for being a sinner. She is in the family chapel when Domingo enters. Prayer is enough, he says. Then he has a premonition that her peculiar behavior is caused by her being pregnant.

In Popayan Alejo tells Arco that he is going to Santa Fé.

Generous Matea gives Pola a pair of earrings and tells her she is a very beautiful woman and that she will find a husband.

Francisco and Gaspar are at the governor’s palace. Francisco tells the governor that Alejo had no right to go to Santa Fé. The governor says it is desertion. Then Francisco says that my son, Leandro, is a much better soldier. Perhaps that marqués gave him permission. The governor insists that Álferez Alejo Sabaraín belongs to the Popayan guard. He had no right to march off to Santa Fé with the marqués. He is going to notify the Santa Fé guard of Alejo’s desertion.

The governor tells them about the tragedy in Quito (for Gaspar’s benefit). The people of Quito went crazy. Many died, including the majority of the junta. You must find out what happened to these people says Gaspar. There were many distinguished people in that group.

Pola says she will not marry. You can’t fight, says Matea, that is for men. Without Alejo, I don’t want to marry. I will certify your chastity, says Matea, so that you can marry a white man. My ambition is not to marry either a white or a black man. I want to meet Carbonel. He already has a wife, says Matea.

Francisco and the governor continue scamming Gaspar on the pretext that they are there to return the dowry to Gaspar. Alejo said to return it. But, where is he to complete his promise. It cannot be returned now – all the money goes to the Sabarraín family – all 5,000 pesos. 3,000 is enough says Francisco. (Remember, he had received a 2,000 peso advance.) No, says the governor, 5,000.

Juliano chides Nicolasa for working. She can’t sleep all day in spite of what the galeno (doctor?) told her. Meanwhile Cata’s dreams continue day and night.

In Cartagena, Báltasar arrives at the same prison as Nariño. Neither he nor Nariño know why they are in prison. He and Nariño think they have little chance of getting out alive.

Petra reminds Pola that she has a week to leave. Pola sees Facundo who remarks that he is surprised to see her looking so pretty.

Pola sees the soldiers marching into Santa Fé. She finds out they are Losano’s troops returning from Popayan. He was supposed to bring a solution to Quito. Don José María Carbonel tells her that many of the people were put in prison. She just misses seeing Alejo. Arco is very happy at what he sees in Santa Fé, and he flirts shamelessly with every woman he sees – here, I will find a wife, he says. Believe me, says Alejo, the last thing I want to think about now is marriage.

In Popayan Ignacia thinks Alejo is returning to the mansion, but it is her father and Francisco. Acacia tells her that he is not going to return and that she has to accept it. Gaspar says that there was a tragedy in Quito and that it was all planned. Francisco warns him to be careful about what he says. Eusebia asks about the dowry. Francisco tells her that the governor will follow the law, i.e., he gets to keep the dowry.

Cata can’t get over it. She spies on Juliano chopping wood – but, Nicolas spies on her spying.

Sir , please wait, says Pola to Carbonel. Can I speak to you about Nariño? It is true. I saw him in Guaduas. He was a prisoner, and he told me to look for you. Now, can we talk?

The marqués sends Alejo to talk to Sámano. Sámano: So, are you a deserter? No, says, Alejo, I am better utilized here by you. He would rather die than desert his majesty.

Pola tells the man she wants to fight. She tells him Nariño wants to fight against injustice. He is a little late, says Carbonel. I am not rich and I have little authority. What about José Antonio Galán. How do you know him? May father fought with him.

Sámano tells Alejo that he has confidence in those who trained in Spain. Sámano is impressed by Alejo’s record and that he was in Madrid during the tragic time.

María Teresa tells Francisco that the money has covered his bad deeds and that it belonged to Alejo. He is more your son than mine, says Francisco. She is going to pack since she believes that they have nothing more here.

Gaspar tells Eusebia that they should go on a trip – to Spain, no there is war. Then let’s go to Lima, Perú. He wants to get away from here and the governor who becomes more of a tyrant everyday. Don’t talk like that – if the governor finds out…What about María Ignacia? Will she go, too. María Teresa needs to reflect in a convent. Eusebia mutters, ..poor girl.

María Teresa: this is their house. Don’t make me feel more ashamed. I prefer to ask my brothers if we can live in one of their houses. Isn’t Eusebia your cousin?

Gaspar and Eusebia then announce that they are going on a trip to Lima. María Teresa tells them that they are leaving, too, - going back to Honda. Too bad, says Eusebia. We had hoped you would stay here while wewere gone. Then Francisco changes his mind – we will stay here and take care of the house while you are gone. Awkward Silence.

Losano arrives back at his ranch and meets María Tadeo. He tells her about what happened in Quito. Did you know that my husband is part of a little “junta” group.

He finds Don Jorge and tells him that he could be imprisoned for what he is doing. Jorge, however, thinks he is hedging his bets because if one brother gets caught, the other brother can be the savior. Does that include Nariño asks Losano. First, he has to be here and then he has to be willing. I don’t know which is more difficult for him, says Don Jorge.

Báltasar tells Nariño that the Americans in Cartagena are planning a junta and that the military will help. This must happen soon, says Báltasar, our liberty depends on it.

At the viceroy’s palace a letter arrives for the bewigged made up old man. My God. My God. Is all he says.

Sámano tells Alejo that if he is accused of being a deserter, he will tell the authorities that Alejo is part of his troops and that he need peninsulares he can trust. Alejo admits that he is an American. Then you are manchado de la tierra. That is an insult says Alejo, please do not call me that name.

Pola sees Sámano but not Alejo. She and Carbonel turn away so that Sámano cannot see them.

FRIDAY

In Cartagena the commissioner is very unhappy with the governor. Be warned because he is responsible for all people. The governor whines that he is just doing the will of the viceroy.

In prison, Nariño pleads with the guard for a little more food. Báltasar gives him some of his food and drink.

Cata watches Nicolasa who wants to know why Juliano is not at the siembra (planting). He was ordered to stay here. Nicolasa confesses that she was wrong about what she to the baby. You are a good man. You will forgive me. They kiss. Domingto catches Cata watching them. What is going on here, he demands. You are not looking at them. Do that to me, he says. Then, get to work.

In the Santa Fé barracks Alejo rallies the troops of what happened in Spain at the hands of the French. They killed women and children, and this will happen if this land falls to the French. We are the most powerful army in the world. Viva España! Viva España, the troops shout out.

Sámano chimes in that Sabaraín serves as an example. More Viva España!

The commissioner says that as soon as he gets to Santa Fé, he is going to do the impossible and free Nariño. He is in favor of a junta that will avoid our falling into the hands of the French.

Gaspar tells Ignacia that she is not going on the trip with them, but that she is going to a convent. It is for time for you to reflect. I did what you prepared me to, and you ruined my wedding. Gaspar is still angry with her for lying. If I go into the convent, will you help me recover Alejo? Gaspar is now impatient with her and tells her that she just doesn’t get it.

Cata tries to start an argument with Juliano. Have you forgiven the woman who tried to kill the baby? OK, you don’t have to reply, but you have to objey. …..Finish the stone wall (cerca) today.

Whose idea was it to send me to the convent, asks Ignacia of her mother. How long? A few months, may a year. If you are repentant, you father will let you marry. With Alejo? No, but, maybe he will think about you and return. Los Sabaraín are going to stay in the house while we are away. Since I was a child you taught me to prepare to marry Alejo. It is all I thought about. Do you think I can think this way with another man? Finally: If I cannot marry Alejo, I will not marry anyone else.

Alférez Péres Delgado to Baraya: There is talk of a junta. The troops understand that they will defend the king. Will they support Samáno? I think so says Delgado. There is also some talk that they are looking for a creole leader – Nariño.

Báltasar asks Nariño if he will fight against Spain. Nariño philosophizes about his interests and ideals and that he still has some doubts. Báltasar says some men give up their personal ideals for the benefit of the greater ideal.

In Guaduas Vivianito denies that he has a sister named Pola. Bernard: she will come for you. Bernarda asks Ciro where is Juliano? It seems that Juliano is still picking up rocks in an attempt to finish the stone fence.

At the palace, the viceroy removes his wig, and the vicereina wants to know what happened. It is France. The war with France is lost, and the French will soon be here. These lands are Spain’s and it will have the same fate as Spain. They kiss (yuck).

Domingo tries to make love to Cata, but she turns away. He tells her how good she smells (huele). Then, are we back to the other night when you looked like you were enjoying it. Don’t say that, she says, it is a sin. She blurts out a how can I love someone like you. Sometimes I think I made a mistake with you. You have everything, but still treat me like a peon.

At the barracks Alejo calls out to Álferez Iglesias for something. Iglesias smart mouths him. You must punish him says Arco(?) No, I don’t want to make enemies. They are both the same rank, and Iglesias is threatened by Alejo’s presence in the unit.

Petra tells Pola that that man (Carbonel) will never look at you. Who? That man you were with. What were you talking about?

Juliano tries desperately to finish the fence. Cata comes out in her nightgown. She removes it and says: don’t say anything negro. Juliano grabs the nightgown and tries to put it back on her. If Domingo sees this, he says, he will kill me. I have a woman. I want you to do the same things to me as you do to her. How dare you refuse me? I love Nicolasa. You have to obey me. A slave has to obey, but this, no. He runs away.

At the palace the viceroy tells the vireina that he is sorry and that she has made him feel so good these last days. You are a patient woman (if he only knew the truth). You have a husband who cannot satisfy you.

Juliano returns to the barn and lies down next to Nicolasa. He tells her he was finishing the fence. Did something happen? No, he lies. She still refuses to kiss him in her current state.

A letter arrives at the mansion, and Leandro reads it. It is from Pola. She denies having anything to do with the demand. You did not rob my honor ….

At the same time Alejo walks down a street and thinks he sees Pola – but it is a different girl.

Don’t look for me in Guadas, Pola continues in the letter. I am in Santa Fé. Ignacia comes on the scene and asks if there is any news.

At the palace, the vireina’s lover breaks in and asks why she hasn’t replied to his messages. I must speak to you urgently. When I am ready, I will receive you in the salon. It takes three maids to help her get dressed – you know – wig, hoop skirt, crinoline slips, makeup, etc.

Juliano is whipped again at Cata’s orders. Why? He looked at me ugly says Cata. Did he do anything to you asks Domingo. No. He looked like he was obsessed with me.

Ignacia looks at the letter. To Leandro’s relief she does not know how to read. Leandro plans to hold the letter for Alejo. You are nervous says Ignacia. Bad news. We are losing the war in Spain. You know Alejo well, she replies. But Alejo doesn’t confide in me. I don’t deserve it. Why does he prefer to be with the mestiza and not a woman like me? It is impossible to explain. He saw her and fell crazy in love.

The vireina is now dressed and ready to talk to Sr. Portacorreo, her lover. Have you gone crazy? They embrace and kiss. What am I doing? Do I have to be more explicit. You have done nothing. But, she says, we are in the mouth of the people. They (the junta) have threatened me.

Domingo now takes a turn at whipping Juliano. Nicolasa wants to know why they are whipping him again. Vivianito grabs Domingo’s arm and stops him. My father never hit anybody. Cata tells Domingo that that is enough. If you ever look at my wife again, says Domingo, I will kill you.

Portacorreo tells the vireina that she feels the same as he does. But, what is more important is that she cannot risk the wealth that they have gained in this country. Leave as discreetly as possible. Please respect the vireina and leave me. He resists and she calls the guards to remove him. He shouts out then return the quinta (country house, villa) to me.

Leandro says to Francisco. This isn’t our house. If your brother hadn’t done this – well, the problem of the dowry is solved. Because the marriage was annulled, Gaspar lost the dowry. Alejo thinks it went to the girl in Guadas. Father, he is your own son. It could have been me. No, Alejo is the mala raza americana of your mother. Leandro walks out. Francisco calls him to return, but Leandro keeps going.

In the street Pola runs into Arco. Hello, señorita, he says. Do I know you, asks Pola. Yes, I am your future husband.

Labels: LaPola

Casa de la Barrera: Arturo tells Teresa he’s done all he can to convince her he’s sorry for his betrayal. He sees she’s not ready to forgive and sees no use in delaying the divorce any further. He wants to maintain some sense of dignity. She tells him she won’t fight him for anything (well, let’s not get ahead of ourselves here, Tere) and that her father has resigned his job. He doesn’t want to talk about that now. He just wants her to know how much he loves her and he’ll never regret having done so, but it’s clear to him he can’t stop (detener) her. If she wants to go ahead with the divorce, go for it. He leaves and reaches for the stairs where he all but collapses in tears. So sad. Tere looked as though she would have liked to go after him but holds herself back. Luisa finds her brother sitting at the bottom of the stairs. He tells her he doesn’t want to lose Tere, he just can’t. He gets a hold of himself and says he better leave before he reneges on what he just agreed to do. They both leave the house.

Genoveva’s house: Geno and Ruben are talking about BebéBigote. Ruben makes it sound as though he’ll only take the child if it’s a boy. He’s always wanted a boy. Geno tells him he should take custody in either case. They need to raise that child because who knows how much money Espe will come looking for if they don’t. Ruben says he agreed to take financial responsibility but that Espe also wants him to be responsible for the child’s education. Geno thinks there are many women who’d be happy with just the financial help. There are many single women who will kill themselves to support and educate their children only to find out they can’t do either. His conscience is clear. He tried to approach Espe in good faith but she refused. Geno’s convinced Espe has an ulterior motive: she must want Ruben to divorce Mayra and marry her. What Espe doesn’t know is that Ruben owes 45 million pesos to his wife. She tells him she’s the only woman who understands him and can help him.

Casa Chavez: Johnny and Pati are trying to distract Refugio from her worries over Teresa when Armando comes in. He tells her of his discussion with Arturo and how he wanted to bring Teresa home with him but she told him leaving the house could be seen as abandonment in divorce proceedings. He made it very clear to Arturo that he and Refugio will support Teresa no matter what. Oh, and one more thing, he quit his job.

Hospital: Espe talks to Mariano about Ruben. She’s convinced he won’t change and he won’t be a good father for her baby. Duh! He won’t recognize him as his own and won’t dedicate his time to him. Mariano thinks it’s good that Ruben at least wants to provide child support but Espe thinks her child doesn’t deserve that. She knows Mariano thinks it’s a good idea for Mayra and Aida to know about the babdaddy’s true identity. Mariano repeats it’s best for the truth to come out. Espe is convinced her future residence at la vecindad, where Juana and Refugio can both help her, hinges on Mayra and Aida being kept in the dark. She pleads with him not to tell them.

Casa Chavez: Refugio’s proud of her man for quitting his job. After all, how can they continue to take money from the man who hurt their daughter. They talk about money troubles. Johnny and Pati talk about helping them with rent for Pati’s room and Pati helping with the laundry Refugio takes in.

Casa de la Barrera: Teresa tells Juana Arturo agreed to the divorce and she’s very sad about it. She tells her he stopped begging for forgiveness. Juana asks if that’s what she really wants. Teresa tells her that until that morning all she wanted was to be free in order to…(she hesitates) to be done with all this. But everything changed for her a short while ago. Juana thinks she should attempt to reconcile with him if she’s having second thoughts. Teresa refuses, saying she can’t go back now; it’s a matter of pride, of dignity. Anyone who crosses her path will pay; Juana should know that by now. Juana understands but doesn’t think it wise at this time to “ponerte los moños!” (literally= don’t put on your ribbons, meaning don’t get in a huff). Juana understands, saying she knows what it’s like to think you’re losing the love of your life (thinking they’re talking about Arturo). Teresa says today the love of her life told her to go to the devil. (she’s talking about Mariano). Juana refuses to accept this and urges her to go to Arturo and tell him how much she loves him. She’ll then see how quickly everything will be as it once was. Tere disagrees, saying she can’t go back as far as Arturo is concerned and she can’t recover what she had before she met him.

Hospital: The conversation has turned to the topic of Barrera marriage. Espe knew that marriage was in trouble because Teresa never stopped loving Mariano. Mariano agrees but apparently not enough to marry him. Instead, she opted for Arturo and the lifestyle he offered. Espe tells him Teresa once confided that she would try to fall in love with Arturo. Mariano scoffs at this statement. Espe asks if Mariano plans to try again with Teresa once she’s divorced. Negative, he doesn’t know what he feels for her now. It’s now his turn to seek out other opportunities and see other women.

Casa Chavez: Johnny and Pati have made dinner and insist on waiting on Armando and Refugio. They talk more about how life’s gonna be in their home once they’re married.

Casa de la Barrera: Teresa’s telling Juana of her dreams before she met Arturo. She had dreams of succeeding on her own, getting married and living happily ever after. But her dreams never came true. Juana tries to reason with her, reminding her she excelled in her studies and her work. Her marriage may not have been successful but it may be a question of working at it and giving it a chance. If she’s intent on divorce, so be it, but she recommends that Tere be absolutely certain. She wonders if it might not be such a bad idea to go on that European vacation. Tere would like nothing more than to go on that trip to see all those countries and travel like a queen but she doesn’t want the type of marriage where the unfaithful husband buys his wife expensive gifts to make up for his infidelity. She wants someone who knows that he will lose her if he’s unfaithful. Juana thinks she says this because she’d be incapable of betraying her husband, even in thought. HA! Teresa continues, saying she wants someone who thinks only of her and confesses she was very hurt by everything that happened with Arturo. Juana thinks this is proof of her love for Arturo. Teresa has picked up a rose and is crushing it in her hands as she says this has really hurt her pride (orgullo), her vanity (vanidad) because he was supposed to have eyes only for her. Juana sees Teresa reacting with so much anger and jealousy that she feels she should give her husband another chance. Teresa refuses, saying she’s too proud. Arturo’s going to pay for what happened with Paloma. Not only will she divorce him, she’s going to take everything she can from him. Dramatic music. Juana looks scared. Teresa looks defiant. Viewerville saw this coming.
Restaurant: Aurora has arrived at Martin’s restaurant asking for a table for two if he’ll join her. She’s so darn cute. Of course Martin joins her. He’s not as stupid as Mariano. Aurora tells him she’s been thinking of him and wanting to talk to him. She misses him and wants them to be together again. She wants to explain what happened with Mariano. Martin feels he understands, possibly better than she does. She tells him she really likes him. Martin accepts this but says he loves her and that’s the difference. He promised he’d be patient and it’s all a process. As part of that process it’s his task to give her the freedom to determine what it is she wants. She says she wants to be with him. He feels it would be so easy to accept that and have things go back to the way they were. He enjoys being with her but doesn’t want her to regret her decision. She and Mariano are both unattached at the moment. Does she want to reconcile out of guilt? She does feel guilty for talking to Mariano without first talking it over with Martin. He feels that compensating for this guilt she feels is not love. He tells her he’s decided to go away. He’ll be studying Food Administration in France for two months.

Casa de la Barrera: Teresa clarifies that “taking everything” is just a saying. It’s just that she’s very angry with Arturo and that’s why she said she wants to take everything. She is owner of half of his firm although she hasn’t really accounted for all the cases. Maybe it’s time she review the bookkeeping. She tells Juana she can continue to work alongside him after the divorce. He’s the best male attorney (abogado) in Mexico; she will become the best female attorney (abogada). So she’ll have to separate the professional from the personal. Juana thinks that’s a problem considering Teresa’s jealousy even though Paloma is dead. How will she feel when she sees him with another woman. Teresa responds, “How about how he’ll feel when he sees me with another man?” She’s not wasting any time. For her, when something’s over, it’s forever. “Ser o no ser, y yo soy.”

Restaurant: Martin says the time has come when all couples don’t know what to say. Aurora tells him he’s been someone very important in her life. He understands but he want to be the most important and he may yet be. He jokes she can always come running through the airport as they do in romantic films, screaming, “Martin, Martin! I want to tell you, you’re the love of my life.” She’s crying and he reminds her he was willing to take the risk. He may not have walked away with the prize but at least no one can take away what they’ve had together.

House o’ Hunk (or is it House o’ Hunks?): Luisa and Arturo have returned and tell Fernando that Teresa has decided she wants a divorce. Arturo says he tried to show some dignity and fortitude (fortaleza) and agreed to grant her the divorce. Luisa thought they’d surely be able to work things out in Europe. Arturo thought so also but also understands Teresa will never understand why he had that moment of weakness. Luisa suggests they can possibly still work things out during the divorce proceedings. He plans to keep trying but he can’t continue to let Teresa see him so defeated (derrotado) and ruined (deshecho). He wonders what’s to become of his life. He can’t think of himself without her by his side. Fernando sits there with a shifty-eyed look on his face. Hmmmm, I smell trouble.

Hospital: Aurora arrives for her rounds still dressed in her fancy dinner duds but looking forlorn. Mariano asks if he can help and she tells him of Martin’s European studies. She doesn’t want to discuss further and walks away.

Morning at Vecindad: Espe notices Juana is depressed as she’s looking at a picture of her deceased husband. Besides being handsome, he was very noble (recto) and accomplished (cumplido). In contrast, Aurora’s father turns out to be a married man and Cutberto keeps finding himself kissing Griselda. The two men combined don’t equal one. For now, she’s on strike (huelga) and plans to dedicate herself to other things, like her sewing. She hands Esperanza a package, it’s a maternity blouse with the word Bebé emblazoned across the top and a blue arrow pointing to the tummy. (I, for one, HATE those). Juana tells her she needs to prepare herself for the inevitable gossip that will begin once she starts wearing maternity clothes. Espe doesn’t care. She will proudly tell them with her head held high (con la frente alta) that she plans to be a single mother. She thanks Juana and they embrace.

Martin meets with Hector and tells him he always had good intentions toward Aurora. Hector’s appreciative of Martin’s behavior toward his daughter. Martin had hoped to one day marry her but things didn’t turn out the way he had hoped. Hector’s sad to hear this. He thinks Martin is an extraordinary man and had hoped things would work out. Martin says they’re giving themselves some time to see what happens and for the time being, he thinks it best he leave for awhile. He gives Hector his itinerary saying he’s the only one who will have them. He jokes Aurora may someday miss him so much or be in the need of love….

Casa Chavez: Armando and Teresa reminisce about the days when Teresa and Rosita were still home with them. Armando thinks perhaps Teresa will soon be living with them again. (don’t hold your breath, Pops) Refugio would love to have her back but also thinks that if she still loves Arturo, she should fight for her marriage. Armando doesn’t think that will happen. She’s very disappointed. Armando is on his way to the office to put things in order and put in his resignation.

House o’ Hunks: Arturo meets with Martin, clarifying the outcome of Paloma’s fortune. It will all be put toward the children’s foundation, as Paloma would’ve wanted. He explains he wanted to separate himself from all things Paloma. Martin is in agreement and will contact Ruben to settle everything before he leaves for France and will remain in contact with Ruben from there. He feels they need to continue supervising the construction of the pediatrics wing. Arturo already spoke with Hector who as Hospital Director will continue to supervise both Aurora and Mariano. Martin is clear on everything although he’s not very familiar with Ruben. Arturo advises him he’s left Ruben with authorization just in case; however, if he and Teresa divorce there shouldn’t be any problem with him resuming the reins. (ruh-roh) Martin wishes him the best.

Hospital: Teresa’s come knocking at Mariano’s office and she doesn’t get the warm reception she was hoping for. Mariano tells her he made it very clear they have nothing left to talk about. She asks him if it’s true they aren’t going to give it another try. No, he tells her. He’s not going to give her another try at hurting him. She doesn’t understand how he can say that. Without Arturo between them, they can be happy. She starts to talk about his burgeoning career and he interrupts her. He tells her to stop making plans that involve him. She can do what she wants with her life but she will not make him responsible for his divorce. She tells him she’s made her decision to divorce Arturo. Adelante (go for it), he tells her, but do it for yourself. He can’t and doesn’t want to promise her anything. He gets up and opens the door, asking her to please leave. As she leaves, she turns to him and tells him he’ll regret this because the only person now standing in the way of their happiness is him. She walks out, he closes the door behind her as their theme song plays. He’s muy pensativo. She hesitatingly walks away, stops, then turns to look back. I will not hesitate to say I am very proud of Mariano. Is this finally it? Will he stick to it this time or is it too soon in the novela to hope for this?

Casa Grump: Grumpy Granpa is back in Pati’s room, crying. I do feel sorry for the old codger as he looks around the room and stands at the bars at her window saying not even these bars could hold her. He wasn’t able to save Pati. The only thing he accomplished was her mother hating him even more.

Vecindad: Pati and Refugio are wearing matching aprons. Pati is helping her with the laundry on the roof. Johnny arrives with the paperwork necessary to get married hoy mismo (today)! Juana arrives on the rooftop and is very gloomy indeed. She tells Refugio she hasn’t forgiven either Cutberto or Hector so she’s free….and very much alone. Refugio is on team Cutberto, telling her to give him another chance.

Hospital: Hector the Director tells Aurora her mother is nowhere to be found. It’s as though the earth swallowed her up. For one thing or another that he’s not too sure about, the divorce is stalled (atorado) and he doesn’t know how long that will be. He notes her sadness and they talk about Martin leaving. She’s very confused but she knows she likes him very much. Hector poses a question: What if he told her to go to the airport and Martin asked her to marry him now or lose him? What would she say? Aurora says she’s not ready to marry. Hector asks what her response would be should Mariano ask her. Aurora says she wouldn’t be able to do that to Martin. That’s not what he asked, he says, but her response tells them what they both already know. She likes Martin. She misses him and wants him by her side but she doesn’t love him enough to consider him the love of her life. He advises her to let him go. Aurora cries as she nods her head.

Vecindad: Gris arrives toting a suitcase. Cutberto greets her telling her he’s found her a job. She tells him she just came by to tell him she’s going back to her pueblo. If that’s what she wants, he’s happy for her and wishes her the best. He also asks her forgiveness if he hurt her feelings. She confirms he did hurt her. She wanted nothing else but to be the mother of his children, but, sigh, oh well. He tells her not to worry, she’ll find someone who will father her children. She’s glad they’re not parting on bad terms. She reaches out to give him one last goodbye kiss. I knew it! Juana sees them as she’s coming down from the rooftop. Gris and Cutberto say they’ll miss each other. She asks if he’ll accompany her to the bus station. He tells her he’ll not only accompany her, he’ll carry her suitcase and pay her fare. Juana witnesses them leaving arm in arm. Refugio asks what she’s looking at. Juana answers, “The proof of my stupidity, but that’s over.” Every man comes up with something. What she needs to do is to continue being the respectable widow. She wipes away a tear and walks away.

Hospital: Aurora agrees Hector has a point. It wouldn’t be fair to run to Martin and ask him to stay when she can’t return his feelings. Some say one person in a couple will love more than the other, but Aurora feels that love should be mutual (mutuo) otherwise, it won’t work. Now she asks how things are going with Juana. He tells her Juana will be nothing more than a friend so long as he isn’t divorced. He knows she has another suitor, Cutberto el Mariachi. He notices she already knew this. She tells him Cutberto has always been after her but she isn’t interested. She advises him not to stay away from Juana.

Arturo visits Ruben’s office. They chat a little about the improved relationship between Ruben and Mayra. Ruben’s still uncomfortable with Mayra’s notion of being a business woman (mujer de negocios). He feels this novelty (novedad) will soon pass and things will return to normal. Arturo asks if this includes Espe, does he wish to have her as his lover again? Things are difficult, Ruben says. He offered to stay with her so long as they are discreet. Arturo’s not surprised she refused the offer. Ruben is sure she still cares for him but she wants the complete fairytale (cuenta de hadas). She wants him to be close to the child, to educate him, but he’s not in a position to do that in his current situation. He can’t divorce Mayra without serious consequences. It would affect his image. He assures Arturo, one way or another, he will look after his son. He’ll have everything he deserves.

Vecindad: Teresa whines to Aurora about Teresa’s marital woes. She ends by telling her Teresa expressed her love for Mariano. Aurora wonders if Teresa is planning to return to Mariano.

Ruben’s office: Arturo tells Ruben about the pending divorce. Ruben comments on how expensive the relationship with Teresa turned out to be. Arturo resents this, saying Ruben knows how much he loves her. Ruben spews out another of his misogynist views: with an ocean (océano) of possibilities, why did he settle for one mermaid (sirena) in his pond (piscina)? Arturo responds by saying it’s clear they do not share the same views about relationships, so it’s best to leave it at that. He changes the subject to that of Paloma’s foundation. He tells him Paloma’s entire fortune will go to the foundation. He also clarifies that he gave Ruben run of the foundation to placate Teresa. Should they end up divorced, he plans to resume at the helm. Ruben points out the irony in all this. Teresa and Paloma both would have done anything for him and in the end he’ll end up alone. Arturo just sighs in frustration.

Vecindad: Aurora and Refugio continue their visits. Refugio feels Teresa rushed into marriage. She feels they should have dated longer. Aurora asks again about Teresa going after Mariano. Refugio thinks that if Teresa is divorced it’s possible Mariano and she can be happy. Refugio thinks Teresa still loves Mariano and Aurora thinks Teresa still loves Mariano. There’s a knock on the door and our hero Mariano comes in. Aurora seems uncomfortable and tries to make a quick getaway. He mentions her sadness over Martin and reminds her he’s there for her. She thanks him but says he can’t help with this and she leaves.

Casa de la Barrera: Teresa is on the phone with the accountant, Amadeo, making plans to discuss the bookkeeping at the law offices. Fernando has come to see her about the divorce. She tells him she just can’t forgive Arturo. Fernando asks if she’s very sure. Arturo’s his best friend and knows he loves her very much. She asks what he would think of a woman who would reconcile with a cheating husband. He would think that woman loved her husband very much. Teresa disagrees, saying he would look at that woman in a different light. If she forgives Arturo, no man will think the same of her. That’s not true, he says. She’s a marvelous woman and any man can see her worth. Everyone except Arturo, she says. Oh, turn on the crying machine. Through tears, she says that what he did hurt her more than she could have imagined. She feels devalued (desvalorizada), bitter (amarga). She embraces him as the guitar goes into the wah-wah mode. Of course, Fernando folds her into his arms. What a sap (bobo)!

Vecindad: Meddling Mom talks to Mariano about Teresa’s intent to divorce Arturo. He’s aware of that but he assures her their problems weren’t caused by him. She tells him how much she’s always cared for him and how she always felt he’d make Teresa happy. Mariano tells her that was another time (época). She asks if he no longer loves Teresa. He tries to tell her things aren’t what they were before. He had nothing to do with Teresa’s separation and he doesn’t think he can go back to her. Refugio looks a little disappointed.

Casa de la Barrera: Teresa pulls away and tells him this is very difficult for her. Fernando thinks that before divorcing, Arturo and she should try something else, perhaps therapy. The b!tch then turns to him, gets very close (kissing close), and asks almost in a whisper, “truthfully, is that what you want? For me to return to Arturo?” The heat is on, Fer baby. You’re gonna fall!

Labels: Teresa