Tuesday, March 29, 2011

Triunfo del Amor #77-78 3/28/11 What if a miracle occurred but you couldn’t see it cuz you left your glasses in your other bag?


Hi all: Novela Maven had some problems posting her recap - it was all one paragraph! It seemed to be ok when I posted it so that is what we did. Enjoy!

Triunfo del Amor, Mon. 3-28-11: What if a miracle occurred but you couldn’t see it cuz you left your glasses in your other bag?
Part One: The Aftermath of the Crash
Part One of this evening’s program is a bitter pill more easily swallowed in summary form than in a scene-by-scene recap. [If this ain’t a Llorathon, Doris, then I don’t know what is!]
We open with a reprise of the crash that killed Scuzzy and left Fer gravely injured. We get another peek at Doña Demente posing like a saint with a broken neck (if only.) Sandoval kith and kin gather at the hospital and spend a very long, anguish-filled day and evening waiting for news about Fer.
Let’s just take it as a given -- Victoria weeps. She weeps in grief and guilt and despair. She is inconsolable. Toni, Oscar and Pip are there as true friends. Max is there as her rock. Juan Pablo comes later to offer solace and prayer.
Ximena and Roxana are there to protect their investment.
But Xi can hardly disguise her boredom. She looks at her nails a lot and occasionally rolls her eyes. What a bitch.
Padilla grieves alone.
Meanwhile the solitary Rodolfo Padilla visits his son at the morgue. He is also wracked with anguish – and hate! He vows to get even for his son’s death.
Fer is rushed into surgery.
She has so many injuries that Victoria doesn’t know exactly what the doctors will be doing. But this much she does know: the surgery will be dangerous and long and there are no guarantees of survival: No sabemos si podrá resistir la cirugía. (We don’t know if she’ll be able to withstand/survive the surgery.)
Were you wondering what JuanJo looked like as a baby?
Here’s the good news: Milagros was able to salvage his baby album and we all get to chuckle over his pompitas (cute little tushie).
The folks sheltering at the church dispensary talk about the accident. After all, the three bomberos, Napo, JJ and Cruz were the first on the scene. Cruz is having a hard time keeping it together.
Where's Osvaldo?
Max tries to phone Osvaldo (it seems he ended up in New York). Unfortunately he is in a cabin in the woods, [Really? A cabin in the woods?] a place with no phone reception, so they are unable to get the news to him immediately. [Apparently the place is so remote, even corazonadas can’t get through.]
Xi calls Gui to gloat.
Ximena takes advantage of Max’s absence to sneak off and call Guillermo. Gui is coldly sarcastic about Fer’s condition. But when Xi points out (with some pleasure) that Osvaldo will surely come running home to take care of his daughter and then will realize that Gui has defrauded him and then Gui will go to jail -- well. Gui understands he has to get to the hospital and play the part of loyal family friend so Osvaldo won’t even think of distrusting him or asking for an account of his investment.
Cruz and Fabián give their life blood to the love of their lives.
When Gui gets to the hospital, Max tells him they are going to need more blood donors for Fer. But Cruz, who has just arrived, red rose in hand, overhears this and declares himself ready to donate as much blood as the señorita needs. Bleed me dry! Me too, declares Fer’s other surviving suitor, Fabián. [Good thing, too. There’s no telling what kind of cooties Gui carries in his bloodstream. I mean aside from pure malice, which may or may not be bloodborne.]
After donating blood, Cruz and Fabián have a man-to-man talk. Fabián admits that even though he has loved Fer for as long as he has known her, she never took him seriously. Cruz says he’s just a simple gardener and has no chance with Fer at all. But Fabián reminds him that Fer doesn’t care about money. This is a contest of feelings and hearts. They renew their gentleman’s pact – each will fight fairly for the love of his life.
Max is there for Victoria. Now María is there for Max.
María decides to go to the hospital to comfort Max even if she is risking an unpleasant encounter with Victoria or, even worse, with Ximena. She lucks out, though, and she and Max are able to spend a few minutes together and he gets to cry on her shoulder. Later, María confesses to the folks from the barrio that she feels something special for Fer -- she can’t explain it, it feels familial, as if Fer were the sister she always longed for.
Those made homeless by the fire have a place to live.
Napo and Millie have gone to visit Alma and the baby and bring back news that there is room for all of them in Alma’s vecindad.
Juan Pablo rushes to Victoria’s side.
Padre Jerónimo hear about Fer’s accident in the news and tells Juan Pablo about it. JP rushes off to comfort Victoria. When she tells him that Fer’s fate is in God’s hands, he is glad to hear she has come back to her faith. Apparently no one has told him there are no atheists in foxholes. Or intensive care waiting rooms.
The operation is over.
Fer survived. They will have to wait and see if there are complications. (But it would be a miracle if there are none.) Still, everyone is relieved at the news. And Fer is taken to recovery. Victoria maintains a bedside vigil and is there when Fer wakes up and asks for her father. The doctor is called and he examines her. She seems to understand him and answer his questions appropriately. But the reflex response in her knees is absent; and she has no reaction to painful stimulation to the soles of her feet.
The prognosis:
The doctor takes Victoria and Max aside and gives them the news: Fer is out of danger. But tragically: La Srta Fernanda Sandoval no volverá a caminar. (Miss Fernanda Sandoval will not walk again.)
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Entr’acte: Coming soon! Triunfo’s exciting sequel -- Amor Asqueroso! In which JuanJo and Xi discover they are almas gemelas (soulmates) when their paths cross in rehab. Drawn together by their Mommy fixation, and their hatred of Max Sandoval (Oh? You didn’t think JuanJo was thinking “Eat mierda and die, Güerito” when Super Guapo rescued Nathy from the bridge, or snatched María from the flames while the bomberos stood by with their hoses dangling uselessly?). In a stunning homage to his tour de force transvestite role in La Madrastra, Guillermo adds a pair of red heels to his cache of red gloves, black wig and shades and together with Paquita la del Barrio croons that crossover sensation, “I Love a Naco” (sung to the melody of “La Cucaracha”). A NovelaMaven/Telerisa Production.
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Part Two: After the aftermath
Of prayers and threats and Christians who aren’t very. And of lies repeated so often they begin to sound like truth. Victoria weeps. Bernarda rants. Juan Pablo prays. Max stands strong. María stands stronger. Padilla threatens. Guillermo slimes. Ximena whines and rolls her eyes. And Fer needs her daddy. Want more? Read on.
Victoria falls on Max’s chest and weeps for her daughter.
Juan Pablo is praying for Victoria when he feels a hand on his shoulder. It’s his mother and she has come to deliver her latest LoonyGram:
All the tragedy that Victoria has suffered is a punishment for your leaving the priesthood.
JP buries his face in his hands and then looks up and tries valiantly to talk to his mother as if she were a normal person, just maybe a little slow on the uptake: He. Did. Not. Abandon. The. Priesthood. He only left temporarily to care for his daughter. Still a priest, ma, still a priest! Get it?
A Slender Thread of Hope
The doctor explains to Victoria and Max that Fer’s spinal cord (la médula espinal) is severely damaged. But can’t anything be done? asks Max with some insistence. The doctor concedes there is one slender thread of hope:
Tu hermana tiene una posibilidad de volver a caminar después de varias terapias y unas cirugías muy dolorosas.
(Your sister has a chance of walking again -- after several treatments and some very painful surgeries.)
Victoria weeps. The doctor tells them they have to be strong and brave.
Poor Juan Pablo. Bernie’s not listening to you. She rants on: He’s the one who doesn’t understand that evil has overtaken his soul. This temporary leave stuff is just a pretext – every day he gets more attached to the frivolity of the world and more estranged from his priestly duties.
¿Te das cuenta que Dios, para castigarte a ti tortura a Victoria?
(Don’t you realize that God, in order to punish you, is torturing Victoria?)
Take a deep breath, JP. You can do it. He gives it another try: God doesn’t inflict torture, Mother! You are very wrong!
He tenses when she stands behind him, puts her hand on his shoulder again and tells him:
If you care so much for Victoria, don’t keep bringing down God’s wrath on her --
-- and here JP turns around to look directly into her evil eyes --
-- o lo lamentarás toda tu vida.
(or you’ll regret it all your life.)
Max sits at Fer’s bedside and weeps. Hermanita! [So? A man can stand strong and still weep. Have you learned nothing from Sweet William Levy?]
Victoria is in the hospital chapel multi-tasking. She weeps and prays. She asks God:
¿Qué te hice para castigarme así? ¿Qué te hice para que olvidaras de mí?
(What did I do to you to make you punish me like this? What did I do to you to make you forget me?/Why did you forget me?)
JP joins her in the chapel and assures her that, now more than ever, God is with her. She is incredulous: How can he say that when the doctors have just told her that daughter is paralyzed? But her daughter is alive, he reminds her – and the boy who was with her is dead.
Meanwhile Doña Demente tries her hand at consoling that dead boy’s father. She tells the sobbing Rodolfo Padilla:
Deje usted de atormentarse. Mejor piense que su hijo ya está descansando en los brazos del Señor.
(Stop tormenting yourself. It would be better to think that your son is now resting in the arms of the Lord.)
He treats her hollow piety with the scorn it deserves:
You think that’s consolation? When Victoria Sandoval’s daughter is alive?
Padilla vows he won’t rest until Victoria feels the same pain that is choking him right now.
[Wow. So he doesn’t blame the moron scorpion guy for provoking the crash. And he doesn’t blame Bernie for hiring scorpion guy. He blames Victoria!]
Bernie understands his thirst for vengeance. [Does she ever!] And today is his lucky day – she has a plan to help him get even!
JP continues to offer solace and encouragement to Victoria. She can’t give up now when her daughter needs her the most. What comfort can you possibly offer? she replies despairingly. He answers: The most beautiful solace of all: faith.
Set aside your arrogance and pride. Learn to forgive.
God has failed me, insists Victoria.
No, says JP: Tú has pedido mucho. Un milagro.
(You asked for a a great deal -- a miracle.)
Well I didn’t get it, sniffs Vic. No, corrects JP, you couldn’t see it, which is different.
Fer needs you now and you can’t abandon her. But afterwards – once this crisis is over -- pray that you recognize the miracle that was so close to you -- and yet you never saw it! [We’ll give you some hints: Orphan. María. Doll-that-trumps-DNA. Llamada de la sangre. Sort of looks like you. Stubborn like you. Give up? Well don’t say we never helped you, Vic!]
Victoria narrows her eyes and seems to takes his words to heart.
At the makeshift dormitory in the church dispensary, Napo and JJ snore loudly; dogs howl; Nathy pulls a pillow over her head in a futile attempt to block the noise. Cruz stands by, wide awake; and María holds her glittery heart locket that evidently survived the fire and thinks of Max.
Back at the hospital, Max asks his mother: When are we going to break the news to Fer? Vic tells him they aren’t going to say a word to her (or to anyone else) about her paralysis. The doctors gave them hope and that’s what they’ll act on – no matter what it takes. [So you decide: optimism and courage – or yet another Big Lie that will isolate Fer from the people she loves?]
Victoria and Max are back at Fer’s bedside. Victoria will spend the night with her daughter. And Max will accompany them both.
The Gang Takes its Leave
The waiting room crowd starts to thin out. Xi is exhausted. She’ll go back home with Mama Rox – she doesn’t want to be alone in Casa Sandoval. Gui bids a smarmy adios to mother and daughter.
Toni and Fabián agree it’s time for all of them to get out of Vic and Max’s hair. While Oscar and Pip are bickering about who gets to go with Toni, slimeball Gui outmaneuvers them both. Oscar can take Pipino home, suggests Gui, as he leaves with Antonieta. But Oscar leaves in a snit (which only seats one) so Fabián has the honor of driving Pip home.
Max, while walking Juan Pablo out, remarks that he’s surprised that Victoria seems so close to God. She’s never been religious. She used to be, says JP. Max is startled to hear JP talk about his mother’s past – he didn’t know they knew each other way back when. It all seems a little odd to him. JP assures him that very soon he’ll understand.
Just before JP leaves, Max asks him about María. Max needn’t worry, he tells him. She’s fine and all the people affected by the fire have found a place to live. JP is gratified when Max says he has also been feeling a need to be closer to God. And he tells Max to take comfort in the fact that: Los hombres se pueden olvidar de Dios pero Dios jamás se olvida de los hombres. (Man may forget God but God never forgets man. (Which sounds more profound and less sexist in Spanish!))
Guillermo Softens Antonieta for the Kill
I really needed a glass of wine, Toni confides to Gui as the two sit in her apartment, sipping companiably. She doesn’t know how Victoria managed to withstand everything that happened today. Victoria is a very strong woman, says Gui. And admirable, adds Toni. There are a lot of admirable women, agrees Gui, and you are one of them.
Over Toni’s modest objections, Gui persists: Ever since I met you, you’ve been Victoria’s shadow. Don’t you realize you shine as brightly as she does? I’m not flattering you, he says, even as he is laying it on with a trowel – I’m just telling you the truth. Then leaning in for the kill shot, he asks: Why didn’t you ever get married, Antonieta? She tells him her situation is the same as his. She just hasn’t found the right person – although, she adds wistfully, she thought she had met the ideal man, but he has always been in love with someone else.
Gui sidles up to her and says in her ear:
Debe estar ciego. Eres tan hermosa.
(He must be blind. You’re so beautiful.)
What is this? He’s leaning in for a kiss! I scream loudly enough to bring Mr. Maven running in from the other room! [He assesses the scene briefly, mutters something about earplugs and leaves.]
Toni, Toni, do you know where that mouth has been??? She ignores me! Their lips touch briefly and then Gui apologizes sheepishly (or perhaps wolfishly) – he couldn’t resist! Toni bids him a prim goodnight but before he leaves, he notes with satisfaction how her finger traces the path of his kiss on her lips. And when he is gone, she permits herself a small smile.
Rox Gets to Know her Daughter a Bit Better.
I hate hospitals, Xi whines to Rox. Those damn Sandovals and their drama. She’s tired of listening to Victoria crying and screaming all day. [Yeah well, who isn’t?]
[Here she pauses to pop another teratogen. And the thought crosses my mind – what if she isn’t pregnant any more?]
So do you want a divorce? asks Rox. If I could get some money out of Max – well, yeah, says Xi.
And then what? asks Ma Rox. Cuz frankly sweetcheeks, I don’t think you’ve got the maternal instinct. If you stay married, Victoria and Max will take care of the kid and you can do what you want with your life.
It was a terrible (pésimo, literally, the worst) idea to get pregnant by Max, whines Xi. Terrible.
Rox disagrees. A pregnancy is the best way there is to trap a man – it worked with your father!
Well it didn’t work with Guillermo and it didn’t work the time before either, says Xi. Huh? Rox does a doubletake: You mean this isn’t your first pregnancy? Of course not, answers Xi. And since it didn’t work the first time, I had to get rid of the kid.
Now Rox stares at her mad daughter with something akin to horror. Said daughter rolls her eyes.
Who the Devil Let this Woman in My House?
Suddenly a putrid, sulfurous stench pervades la Casa Sandoval. Victoria and Toni rush downstairs to investigate. Doña Demente has come calling! She tells Victoria:
Vine a ver tu cara de sufrimiento. Ya me enteré que tu otra hija estuvo al punto de perder la vida.
(I came to see your suffering face. I just found out that your other daughter almost died.)
What a bad mother you are, she rants on. It’s obvious you never loved your daughters. Toni stands up for her friend: If anyone loves her family and children, it’s Victoria! Bernie smirks nastily: Of course. That’s why her husband cheated on her with another woman.
Get out, commands Victoria.
I’ll go, says Bernie, but not before I tell you this:
Aquí no termina tu castigo; todo lo que te está pasando es por haber provocado la ira de Dios. ... Por tu culpa Juan Pablo abandonó el sacerdocio.
(Your punishment doesn’t end here; everything you’re suffering is a result of your provoking the wrath of God. … It’s your fault that Juan Pablo has left the priesthood.)
Victoria is puzzled – Juan Pablo left the priesthood? Demente rants on. God will punish you, Victoria – and if He doesn’t, I will! With my own hands! Stay away from Juan Pablo!
That’s not possible, retorts Vic. We have a daughter together. That’s a link that will join us for the rest of our lives (de por vida). Victoria catches Demente’s arm as it is raised to strike. Now, Vic says, she understands their mutual hatred – it’s mother against mother. Practically spitting the words in her face, she tells Bernarda:
Yo le voy a demostrar que yo soy mejor madre que usted. Un día me va a ver con mis hijas llenas de amor y de felicidad mientras usted se va a hundir en su soledad.
(I’m going to show you that I’m a better mother than you. One day you’re going to see me with my daughters, all of us filled with love and happiness while you’re going to be submerged in your loneliness.)
Now get out of my house!
[Okay. Time out. Victoria, this isn’t mother against mother. This is crazed, serial killer against basically normal person turned bossy and cranky by life’s hard knocks. Come on. Bernarda makes Joan Crawford look like June Cleaver. Who isn’t a better mother?]
Demente smoothes an eyebrow and leaves.
It is morning at the hospital and María joins Max. They hug. Fer is in very bad shape, he tells her. Be strong, says María. Right now you’re the pillar of your family and you need to be there for your mother and sister.
Doña Demente isn’t happy to see Juan Pablo packing up all his clothing to donate to the people who lost everything in the fire. She’s even less pleased when he mentions in passing: Some of us are moving to a vecindad in the parish.
Are you crazy, Juan Pablo? explodes Bernarda in a decidedly non-saintly fashion. For that bastard child of yours?
Juan Pablo once again tries to talk to Bernarda as if she were a normal person. He tells her he was with María Desamparada for her first prenatal ultrasound: He saw his grandchild. And he realized how great is the work of God. His grandchild, he repeats. And after that experience, he can’t understand how she can fail to love her grandchild, María Desamparada. She answers: You don’t know my real feelings for that girl – and then adds softly, almost to herself -- who is so much like me.
Love that Ennobles the Soul and Cheapens the Prose
Max and María hug. Love is what helps us through the most difficult moments, she tells him. It’s the light that shines through our darkest nights. It’s the source of more bad cliché-filled writing than any other emotion. [Oh wait. She didn’t say that last part. Sorry.] Smoochies. They set off to see Fer.
Where the Devil Did You Get that Cross?
Bernie looks at the little carved crucifix in Juan Pablo’s room. She tells him she has always been curious to know where it came from. JP tells her Victoria gave it to him the day he was to leave for the seminary. The day you sinned, she says. She grabs it and says: I’m going to throw it away! Then she abruptly sets it back down and edges away, rubbing at her hand where it was touching the crucifix: ¡Me quemó la mano! (My hand is burned!)
Oh puhleez, says JP. The only thing hurting you is your conscience. And you’re not going to live in peace until you face the truth. You are the one who has caused me the most pain – and you continue to do so by rejecting my daughter. JP picks up the crucifix – look, Ma, no burns! – and kisses it. Ingrate, mutters Bernie as JP leaves, arms full of clothes for the needy. The devil has entered his body, she says. He is no longer my son.
Sister Visits Sister
Max and María go to Fer’s bedside. She’s so young, says María gazing sadly at Fer. She was always so restless (inquieta), says Max, a whirlwind (un torbellino). She loved to challenge life, he says, beginning to sound disturbingly like he’s reciting a eulogy. María bends down to kiss Fer on the cheek. When she looks up, she sees Victoria glaring at her from the doorway. What are you doing here? Vic asks icily.
Words You’ll End Up Eating
How dare you come here? spits out Victoria. What are you trying to do? Mock my pain? I’m here, answers María simply, because the man I love is suffering and he needs me at his side. Victoria tells her to get out – her son doesn’t need her. Ever since she appeared in their lives, they’ve been dogged by tragedy:
Maldigo el día que te conocí!
(I curse the day I met you!)
I hope you remember all these insults, María tells her. I feel it in the bottom of my heart -- one day you’ll regret what you said and you’ll be on your knees begging me for forgiveness. María leaves with her dignity intact and Victoria is left spitting tacks.
But her berrinche is cut short when Fer starts to moan. Where am I? she says. She opens her eyes and looks at Victoria and Max:
¿Dónde está mi papá? (Where’s my dad?)
Good Works
Juan Pablo is letting off a little steam, sawing wood in the carpentry workshop. Padre Jerónimo comes by to congratulate him for getting Victoria back in touch with her faith and bringing her some consolation. He is also happy to hear that María Desamparada is “opening up like a flower” in her pregnancy (su dulce espera, her sweet time of waiting). And what about Domingo? asks Jer. The next time he goes to look for him, says JP, he’ll bring some help. That way Domingo won’t be able to refuse to get back on the right path. Just then, the parish boys – big and little – show up. JP wants to make a deal with the guys …
Be It Ever So Humble
Nathy and María are moving their few salvaged scraps into their shabby rooms in the vecindad. María once again tells Nathy that she feels an inexplicable bond between herself and Max’s little sister.
A Bitter Awakening for Fer
Fer is agitated. Where am I? she asks again. I can’t move, I can’t move, she repeats in panic. I don’t feel my legs! I can’t move! Max and Vic desperately try to calm her. They don’t know how to answer her questions. Apparently, the truth is out of the question. The Big Lie kicks in. And Fede? asks Fer. Where’s Federico? I want to see him!
The Wrath of Padilla
At that precise moment, Rodolfo Padilla swoops in, swept along in a miasma of hatred and menace. You won’t see him again, he sneers. Federico is dead! And you killed him!
Max throws Padilla out of his sister’s room.
The medical team rushes in to attend to Fer who, by now, is completely hysterical.
Outside the room, Victoria lashes out at Padilla: How dare you come here! The only one responsible for your son’s death is you!
And Max tells him angrily: My sister wasn’t driving! Your son was!
Padilla keeps repeating that it was Fer’s fault. And he’s going to avenge his son’s death – Ojo por ojo y diente por diente! (an eye for an eye and a tooth for a tooth).
I’m not happy your son died, says Victoria, but maybe now you can understand my pain at losing my daughter.
I’ll get even, raves Padilla, even as Max is bodily removing him from the hospital wing.
Once he is gone, Vic turns to Max and tells him: I’m so confused! I feel that all of this is a punishment from God. I’m paying for my sins.
[Oh no! Bernie has done it – she finally got into Victoria’s head and has her believing her crazy, blasphemous lies!]
El padre Juan Pablo… begins Max. Victoria interrupts him:
¡El padre Juan Pablo ya no es un sacerdote!
(Father Juan Pablo is no longer a priest.)
How does she know? Doña Bernarda told her. ¡Ay caray! (Oy vey!)
When Rudy Met Memo
Now Guillermo, who has been watching the Padilla/Victoria/Max Show with naked curiosity, runs after the departing Padilla. You and I have a lot in common, Gui tells him.
If you trust me, I can help you get even with the Sandoval family.
Getting Ready for Company
Nathy and María are undaunted by the unpromising appearance of their tiny and resoundingly empty place in the vecindad – it just needs a little tidying up.
The First Visit
The girls are surprised when the guys from the parish show up at the door with new tables and chairs from the workshop. This is the deal Juan Pablo made with them earlier: he’ll be working as a carpenter to pay for the pieces. And the padre is going to be living in the vecindad, one of the guys tells them.
And then we get a glimpse of clean-shaven Padre Beyond Hottie in his black t-shirt, hair freshly shampooed sans Dippity Doo, mopping the sweat from his brow, hard at work in the carpentry shop.
The Second Visit
María is a bit disconcerted when Juan Pablo arrives at her door holding out a bouquet of flowers. It’s just that she’s not used to seeing him outside of his role as “Father”. But I am a father, he corrects her, your father. Then he hugs her and kisses her brow. She stands stiffly and appears uncomfortable with his gesture.
The Third Visit
Max shows up, misreads the awkward and tender scene between this Ordinary Man Who is No Longer a Priest and the woman he loves. He demands an explanation. Juan Pablo asks for a moment alone with Max. JP looks Max in the eye and says simply:
Yo amo a María Desamparada con todo mi corazón.
(I love MD with all my heart.)
[Or maybe he said: "Punch me in the face." I'm not sure.]
Max, nostrils flaring, grabs JP’s lapels, and pushes him against the wall. Let me explain, JP pleads. Yes I love María Desamparada, but not the way you think:
María Desamparada es mi hija! ¡Es sangre de mi sangre! ¡Es carne de mi carne! (MD is my daughter! She is blood of my blood, flesh of my flesh!)
[Um. Maybe it would have been better to say that first. Ya think?]
Cue the kayak!

Labels:


Monday, March 28, 2011

La Fea Más Bella #273-274 3/29/11 No hay patrón sin cliente. (You can't be a patron without a client.)

Capitulo 273.
Read Beckster's original recap, then come back here to discuss it.

1. Origel tells the cuartel that if his reporter finds Aurora at the address, they win the contest.

2. Carmina and Esther probe into Aldo’s personal life, claiming it’s for the book. No dice.

3. Sara, Marta, and the reporters interrupt the commercial shoot.

4. Even Fernando recognizes the importance of the Full Circle theme! He says, “Lety is copying me. She’s doing what I did when I was president. Now all the pieces of the puzzle are coming together.” He believes Lety has another man.

5. Fern goes to the shoot. Jax steps up and cancels the contract. He watched the pilot and it was a dud and his company doesn’t want to sponsor it, so they don’t need the commercials. Fernando boldly takes charge and announces, “We’ll produce a TV show for you!” Jax is so impressed by Fern’s boldness that he accepts. And Lety gazes at her hero. Jax tells Fern to make sure the show is a good showcase for RetroMod.



6. Lety tells Caro that she’s going to support Fern in any way she can. Another failure would hurt him too much. Omar and Luigi tell Fern it’s impossible, but he’s confident his company can do it. Caro promises her support.



 


 


7. In Reception, Fernando dances around the subject, trying to ask Lety if she had a date with another man. Fernando follows Lety into the elevator, they exit into the vortex side-by-side, and walking across the vortex, Lety drops behind Fernando.

8. Esther and Carmina walk Aldo home. Carmaniac surprises him with a beso en la boca as a goodbye.

9. Ali gives Marcia the honor of paying for the hall, food, and music for her wedding. Marcia refuses the honor. So Ali calls her papi, and it appears that he offers to pay half her expenses, but Ali could’ve faked the call. Ali tells Tom the news. She intentionally breaks his glasses.

10. Fern tells Lety that he committed Conceptos to do a TV show, and he nervously asks if she approves. Marcia walks in, “How could you do such a thing? We know nothing about TV shows!” and smashes his dream. But Lety says, “We can learn, can’t we?” Fern is so thrilled, he can hardly breathe. He jumps up and says, “Then you support me, Lety?” Lety puts her stamp of approval on the project. Marcia decides to support his project too, and Fern impulsively gives her a big hug, then he sees Lety’s face, springs back, and gives Lety a big hug too.

11. Ahh, but who will bell the cat? IOW what will their show be about? They throw out suggestions. Marcia leaves. Fernando suggests a show about pirates, and he imitates Fernando Colunga.




12. Then Fernando gets serious.
F: Um, um, I have a question for you, Doña. Why did you support me so much?
L: It makes sense. I have confidence in you. And you have a good eye for business.
F: No, but tell me the truth, okay?
L: The truth?
F: Yes. You already know very well what I’m talking about, don’t you? Are you still in love with me? Accept it, Doña Lety, because I can’t live without you.

13. And they almost kiss.




Capitulo 274.
Read 5ft Latina's original recap, then come back here to discuss it.

1. Fern and Lety almost kiss, but they spring apart. Lety claims that she loves Aldo very much. Fern says forget it ever happened. He admits he’s impulsive, and he got carried away because she supported him so much. She says he deserves it. He says he’s trying with all his might to respect her decision. She warmly says she understands and says he doesn’t need to apologize.

2. The executives meet to brainstorm plot ideas. Fern says the show should be about the great Casanovas of history.

3. Paula wins the drawing. She’ll get the trip to Acapulco from the Aurora contest.

4. Fern works late on his plot idea. Lety checks in on him. Aldo follows and asks if she’s ready to leave; he’s cooking for her tonight (I’m thinking it’ll be leftovers since he didn’t get to enjoy what he had prepared for last night). Lety decides to stay to help Fernando, and Fernando tries to conceal his delight until after Aldo leaves.

5. Paula nervously tells Jaimito that Saimon is now her novio. No worries – Jaimito says Saimon is the best dad she could’ve found.

6. Fern tells Omar that he finished the script but he’s worried that it’s not good enough.

7. Tom is worried on his wedding day. He has not yet met Ali’s papi who is supposed to pay for half the wedding. Tomasa overhears the cuartel say that Ali is divorced. She stops the ceremony. In the sacristy, Ali says she’s paid for her past errors, but she’ll give Tomasa grandchildren. Tomasa accepts and the priest takes their vows. With only one witness.

8. Fern spends the reception capturing ideas to add to his script.

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La Fea Más Bella #271-272 3/28/11 A costume party, a slumber party, and a transfer of power.

Capitulo 271.
Read k-Fuego's original recap, then come back here to discuss it.

1. Jax says Lety must be there to sign the contract. Fern tries to reach her and finally calls Aldo, who says Lety said she was going to the Jax meeting (remember, Lety told Fern she was going out with Aldo). Lety arrives but then Jax wants Aurora. Lety pushes him and signs the contract, then leaves and changes into Aurora.

2. Omar stops Aurora in the hall. He begs her to give him another chance. He’ll do anything for her. He’ll be her slave. She tells him to disappear. Aurora signs the contract and leaves.

3. At the publisher’s office, Carmina wants to work with Aldo face to face, not by e-mail.

4. Jax describes the project. RetroMod will sponsor a TV show. The Aurora commercials will tie into the pilot, and will continue through the series. Lety faints.

5. Luigi gives Ali her wedding gift – a whip and handcuffs. He mentions that Tom is Aurora’s agent, and he asks Ali to find out what she can about Aurora’s tastes.

6. Omar tells Lety that he’s suffering because he loves Aurora and she doesn’t love him. She’s making him pay for all he’s done. Fern has an especially happy smile for “his Lety” because they just signed the contract to earn the money to get Conceptos back from Aldo to get Lety back from Aldo.

7. Ali tells the cuartel that she can marry in the church because her first marriage was not in the church.

8. Aldo harshly interrogates Lety about where she went, and Fern steps in to defend her. Lety says she was simply late, and Aldo claims he was just worried for her. GSNAK. He informs her that she is coming to his house tonight to celebrate the start of the new book.

9. Fern tells Luigi to start the commercials, stat! Lui tells him that he has to film them off site, and this is news to Fern. Omar begs Aldo for his job back.

10. Fern finds Omar taking liquid therapy. Fern thinks that Omar isn’t really in love, he’s obsessed, because Aurora’s the first woman to blow him off. Omar asks, “What good is love, if it only makes you suffer?” Fern accepts that maybe he’s right. F: You know what we need to do? O: Suicide? F: That’s one option. I tried it once. But if you don’t do it with conviction, it really hurts. No. They decide they should renounce women. They won’t let any women in their life.


Capitulo 272.
Read Alma's original recap, then come back here to discuss it.

1. Marcia walks into the boys’ apartment and announces that she’s moving in. The boys are stunned. Fern is worried that she wants to restart something with him, but at least she’ll keep the place tidy. Marcia orders them to pitch in. She also claims the master bedroom.

2. Tom and Ali go to the church for marriage instruction. The woman reminds them of the sanctity of marriage and the importance of children.

3. Things are heating up at Aldo’s, and it looks like he’s gonna’ have better luck than he had at San Miguel Regla. Lety says that as a famous chef, he has many beautiful women chasing him. Aldo says there’s only one woman in his life. Just then, Carmina shows up in something low and strapless. Forward, much? We see Aldo doesn’t save all his angry glares for Lety. Carmina says that she had questions about the book, but she came with wine rather than a notebook. Lety decides she wants to leave too, despite Aldo’s protests.

4. The boys’ slumber party. Where do I begin? Who gets the bed? Fern tries to cheat at chin champu, but that doesn’t work. He tries a pobre mio face. Tampoco. He’s afraid that if he sleeps in the living room, Marcia will jump him during the night. Tampoco. So he climbs into bed with Omar and they settle in, until Fernando hollers, “Don’t spoon me!!!”

5. In the morning, Omar is caressing Fern’s foot, dreaming that it’s Aurora. Fern says Omar talks in his sleep. Omar says Fern grinds his teeth which means he has worms.

6. Because she’s jealous, Lety asks Aldo to cancel the meeting with Carmina. He assures her of his undying love. GSNAK. Carmina and Esther agree on Aldo’s hotness.

7. Fern arrives at work with Marcia just like the old days, but Fern clarifies. Omar lives with them, and Marcia adds that they’re like tres hermanos. Both Marcia and Aldo are surprised that Lety didn’t seem jealous.

8. Fern proudly tells Aldo that thanks to the expo and los tres hermanos selling their assets, Conceptos can pay Aldo half the debt. Aldo’s in no hurry, but Fern is very eager to get control of his company back. Fern asks Lety to help him with the forms for the transfer, and she says, “Yes, I’ll help you.”

9. Ali is sure that Marcia moved in with Fern to win him back, but Marcia corrects her. She wants to play Wendy to Peter Pan and the Lost Boy (Fern & Omar).

10. Lety tells Fern she can’t go to the shoot because she has something personal to do. Although Fern tries seven ways to Sunday, she refuses to say more. See the transcript. She asks him to not tell anyone she left. She just wants him to be happy, and he asks if she’s happy. She says her life has gotten complicated. Fern concludes that maybe Lety is seeing another man.

11. At the shoot, Aurora tells Luigi to go fetch her an herb tea and kiwi salad.


Spanish Lesson. Lety's Stepping Out.
L: Can I ask you a favor? Just take my messages. You don’t need to tell anyone I left the building.
F: Ahh! Not even Aldo? (He’s flirting and she giggles.)
L: No, not even him.
F: Wait! (Serious.) You believe me, don’t you? That I have absolutely NOTHING to do with Marcia.
L: Yes, that’s what I’m given to believe. Don Fernando, the only thing I want is for you to be happy.
F: And you, Lety, are you happy?
L: Almost always. But there are moments when.. All of a sudden, my life has gotten very complicated. (Lety leaves. Fern talks to himself in the cave.)
F: How could her life become complicated? It’s about work, right? No, she said it was something personal. I don’t understand. She has her life very much in order. She’s transparente (no hidden agenda; what you see is what you get). Nobody can think ill of her. Nor suspect her of something done in secret. That’s the opposite of me, when I was seeing two or three women at the same time. Yeah, my life sure was complicated. Ah, but what times those were. When Lety protected me so no one would discover my infidelities. (It suddenly dawns on him.) NO!!!

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Saturday, March 26, 2011

New telenovela Teresa: cast of characters.



Aarón Díaz es MarianoMariano - Aarón Díaz: Handsome, noble, sensitive, generous, a hard worker; jealous and proud. He drives a taxi to support himself, which embarrasses Teresa. He was raised poor but with much affection; he soon learned he wouldn't get what he wanted unless he worked for it. He abandoned his study of medicine to become a driver when his mother became ill. Afterwords, he resumed his career in order to be able to marry Teresa, but he realized that being professional, hard-working and honorable would not be enough to keep her.



Angelique Boyer es TeresaTeresa - Angelique Boyer: Sexy, intelligent, self-confident, tenacious, direct, but too vain, proud, ambitious, calculating and hurtful. She is very aware that men are drawn to her and uses it. She has good taste and decides to study not just to get ahead academically but to be able to rub elbows with people of the world. She's convinced she was born in the wrong place because her origin is humble - her father is a mechanic and her mother washes clothes. She blames all her problems on poverty, without realizing that she is so ambitious nothing will ever satisfy her.



Sebastián Rulli es ArturoArturo - Sebastián Rulli: Attractive, intelligent, cultivated, distinguished lawyer and professor. Some of his students fear him, all except Teresa who always has an intelligent response to his questions. When he was very young his parents were assassinated; investigations suggested that his father was involved in fraud. Instantly people turned their backs on him, even his fiancee. For fear of being deceived and suffering again he decided not to get personal with any woman.



Ana Brenda es AuroraAurora - Ana Brenda Contreras: Pretty, sweet, refined, and with good taste, generous, of good sentiment, nevertheless she lacks fortitude. She is somewhat ingenuous and believes Teresa is really her friend. She falls in love with Mariano but discovering he loves her friend, she steps aside. Incapable of telling him her interests lie elsewhere, she studies medicine to please her father.



Fernanda Castillo Luisa - Fernanda Castillo: Romantic, dreamy, timid, rather than exhulting in her beauty it sees she wants to hide it and not attract attention. She loves her brother and sees him as a father. Learned to take care of the house and responsibities she shouldn't have to shoulder. Teresa helps her grow confident in herself and improves her self-esteem by helping her dress better and behave differently.



Silvia Mariscal es RefugioRefugio - Silvia Mariscal: A good, moral man, conservative, self-effacing, humble, uneducated but no fool. He loves his two daughters, but he feels closer to Rosita than to Teresa. He always fights with Armando for the marked preference he has for Teresa. Refugio tries to deny that Teresa has taken the wrong road.



ArmandoArmando - Juan Carlos Colombo: Uneducated but a good man, a mechanic with no grand aspirations, but seeing that his daughter does have them, he decides to help her. He loves his wife and adores Teresa because she was his first daughter after they'd tried to get pregnant for a long time - also because she's pretty, healthy and strong, while Rosita is weak and timid/depressed.



Cynthia KlitboJuana - Cynthia Klitbo: A seamstress by trade, a widow who is congenial, happy and comical, always helping the neighbors. She never was able to have children and her husband died, leaving her a pension on which she can live decently. She's the "rich one" in the neighborhood. She always wanted a daughter and has sort of adopted Teresa, tolerating and aiding her in all her caprices.



Fabiola CampomanesEsperanza - Fabiola Campomanes: Pretty, sweet and helpful, but has low self esteem. It was hard but she managed to pay for her schooling as a nurse, but never has practiced her profession. She lets everybody think she's working in a hospital as a nurse to explain the money she has - which really comes from her lover Rubén.



HéctorHéctor - Oscar Bonfiglio: Serious, paternal, strict, a distinguished doctor, talented and affectionate. Born to a middle class family, with his work he's made a lot of money. Despite being a millionaire he's never stopped working for public institutions and helping the poor.



Manuel LandetaRubén - Manuel Landeta: Audacious, wealthy, a hypocrite with double standards. Married to Mayra for 20 years, a rich submissive woman whom he can manipulate to his own ends. While he gives people to believe he is a decent lawyer, a good husband and father, in reality he cheats on his wife. But when he meets Esperanza, he thinks it will be easy to have a fling with her; in time he understands he wants her too much and cannot leave her.



AídaAída - Margarita Magaña: She's pretty but short, which has her almost traumatised. She wears designer clothes and is jealous and arrogant. She's rich, spoiled, and superficial, everything has been handed to her on a silver platter. she lives with her parents and thinks they have an ideal marriage. She wants Paulo for her boyfriend because he's the best partido? at the school. She envys Teresa for being prettier and smarter.



AlejandroPaulo - Alejandro Nones: Handsome, rich, loves football and plays well. He loves Teresa but not enough to keep her when he finds out she's poor. He has a weak character and is controlled by his mother, to the point of getting engaged to Aída just to bother Teresa.



Juan SahagúnRamón - Juan Sahagún: Mariano's father - simple, honorable, centered, humble, a hard worker with good values, defender of women, he detests machismo. He dreams of seing his son, his greatest pride, becoming a doctor - he's sure it will happen. The neighborhood feels like a family due to the attentions of Refugio and Juana.



Luis Fernando Peña es 'El Johnny'El Johnny - Luis Fernando Peña: The second son of Nachita the caretaker; he works as mechanic's assistant in Armando's shop. He's serious, responsible, a hard worker. Like Esperanza, he's had to work since childhood to help with expenses. He loves Fabi, the daughter of the workshop's owner (who will never allow his daughter to go out with Johnny).



Daniel Arenas es FernandoFernando - Daniel Arenas: Born in Spain, he's been in Mexico for five years, studying to be an engineer; he's inherited his father's construction company. He is part of the "jet set" but is neither arrogant nor snobbish. He's an excellent catch: sexy, healthy, adventurous, he loves to travel, he loves music, food, good drink, his yacht, and golf.



Jessica Segura es RositaRosa - Jessica Segura: Teresa's younger sister, weak and not as attractive. She's excited about her quinceanera (15th birthday) when she'll dance with Johnny. She knows her father doesn't love her as much as he loves Teresa and though she always wants to earn his approval, she has no resentments. She likes gymnastics, but can't take part because of a heart defect.

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Who wants to blog TERESA? TdA is moving to 10 pm

Honestly, I wouldn't know about this if one of my kind and loyal bloggers hadn't alerted me. Triunfo del Amor will air for two hours this coming Tuesday; then on Wednesday it moves to 10 pm and we have the premiere of Teresa at 9 pm.

Current TdA bloggers and anybody interested in Teresa: Please respond to me directly (caray@mappamundi.com) and let me know what you're planning (if you are a current blogger) or that you're interested (if you want to hop on board). THANKS

UPDATE: Vivi tells me that both Llena and Eva are also in their final chapters! There will be a brief period of overlap - she suggests that if somebody wants to move to Teresa but is still hard at work on the previous novela, "discussion headers" could be posted until the previous show wraps up.

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