Wednesday, January 17, 2007

Duelo de Pasiones - Jan 16 2007 - In which Emilio croons and Alvaro rants...a lot.

Alvaro has caught Soledad trying to sneak out of the hacienda. She is carrying a big purse and a heavy, cumbersome suitcase. Some sneak. Alvarado asks her where she thinks she's going, to town to meet her lover? They bicker about who's causing whom more pain. Soledad tells him if he thinks she's a traitor then it's best they separate. Alvaro doesn't buy this extremely sound logic. He says she won't get away so easily. "How are you going to stop me?" she demands. He thrusts his hip out and shows her his gun. She is impactada.

Mexico City - Mariana's friend Malena asks Mariana if she thought that Alvaro had discovered her with Jose. Mariana says yes, but luckily Adela, keeper of the keys, said he was angry at someone else. She was frightened for a while, especially when she heard a gunshot, but luckily Jose escaped. He's looking for work up North. He's a good man. He wants to settle some business so that she no longer has to depend upon Alvaro.

Malena says none of this would be happening if Mariana's father had left her part of his fortune instead of leaving everything to Alvaro. Money is the least importantthing says Mariana. Jose has compensated her with his love and tenderness. But for her papa Alvaro was always the favorite one. Furthermore, both papa and Alvaro treated her mother very badly and Mariana doesn't know why. Malena looks around suspiciously as if she might know something.

The one thing that worries Mariana is her daughter Marianita. She doesn't look well. Tomorrow she'll take her to the doctor and then she never wants to be separated from her.

Soledad tells Alvaro to go ahead and kill her. Alvaro tells her if she insists on leaving he will kill not her but her daughter. "Are you crazy?" she asks, "She's your daughter too!" Alvaro shakes his head and has a flashback...he asks little Alina (maybe 3 yrs. old) to play with him but she wants to ride her pony and Soldedad lets her. It is proof of their mutual perfidy! (I admit I laughed out loud that a grown man would hold something like this against his daughter for all these years, but I guess we need to advance the plot. I just started laughing again as I wrote this.)

Back in the present Alvaro tells Soledad to shut up. Her father was right. He warned him about her but Alvaro believed in her, why, why? Soledad caresses his face and begs him, "Please Alvaro, please!" But Alvaro remains hard. She can remain there with or without her daughter, her choice. Soledad wants to know what he is planning but he orders her to return to her room, she'll find out very soon what his plans are. Deflated, she grabs her bags and returns to her room. (Um...I can think of at least 25 things I would be doing if I were Soledad and going up to my room would NOT be one of them.)

Alejandro tells the servant Adela that he wants to talk to her and Sergio. Adela gives him a card from Mariana. It says she left last night for Mexico City. He wonders why nobody told him, however he is happy that she is with Malena. It's better that Mariana not be at the hacienda right now.

Alina's godmother Blanca is fussing, she tells Alina not to go to the ocean, it's very dangerous. (?) Alina wants Blanca to keep trying to locate Soledad, she's worried about her mother. Alina says she spent the whole night thinking about Emilio, he's going to the beach too! Blanca tells Alina to be careful with that young man, don't believe everything he says. Boys always lie when they want something. "Emilio's not like that," Alina gushes. Even though they just met she knows this because her heart tells her. I'm guessing first boyfriend.

Emilio is packing for his trip to the coast. He's sure he'll run into Alina because he knows the parents of Sofia (Alina's friend). Just then the phone rings. Angel answers. It's Thelma, Emilio's "girlfriend." Emilio shakes his head and finger at Angel who speaks into the phone, "No, Emilio's not here, he left early. Where? Gee, he didn't tell me." Emilio tells Angel the only thing that interests him is Alina Montellano. He grabs his bag and leaves. Angel, with wool scarf around his neck, coughs.

Thelma's aunt or friend or roommate is singing "Figaro" which irritates Thelma (and me). The friend wants to party and Thelma wants to pout. The friend wonders if Thelma no longer interests Emilio. "Of course I interest him," Thelma insists, "he loves me and I'll be Mrs. Valtierra sooner than you think!" The off-key friend reminds Thelma that Emilio is a real ladies man. They have a conversation that I didn't fully understand.

The friend advises Thelma that she needs to marry soon because the fortune her parents left her will soon be gone. Thelma needs to marry a rich guy if she doesn't want to be poor. Thelma insists money isn't important to her. She wants Emilio and he has to want her, and she always get what she wants.

Split screen of Alina and Emilio flying to and arriving at the coast. Emilio is in his rental convertible either singing with a phantom backup chorus or lip-synching with the radio to the tune Quien Sera? (AKA "Sway"). He's really getting into it as he fantasizes about Alina. As the song ends he screeches to a halt, faces the camera as it closes in on his face and says "Won't it be Alina who gives her love to me?" He peels out again as the 60's style music concludes. It's incredibly cheesy and so far my favorite scene. Someone get me my hot pink sunglasses and polka-dot scarf.

Alvaro tells Adela and Sergio that Soledad is not allowed to leave her room. He asks Adela if she ever saw anything between Soledad and the foreman Jose. "Never!" Adela insists. Alvaro presses, clearly Adela is Soledad's accomplice. He reminds her who is in charge as he juts out his jaw and hip for emphasis. He walks out as if his boots hurt his feet.

Alina and Sofia are hanging out at the beach hoping to run into Emilio. Meanwhile Emilio calls Sofia's house and is surprised that they're not there. He wonders where they are. (Um...how about the beach?) A treat for the gentlemen, Alina and Sofia are walking along the windy beach in their bikinis and sarongs.

Adela tells Santiago that the patron has become loco. Sergio says Alvaro always has his reasons. (Yeah, what she said, loco.) Adela asks Sergio if he thinks it's right to lock up Soledad. Surely he doesn't believe Soledad and Jose were lovers? Sergia says where there's smoke there's fire. Jerk. They go on a bit more but Sergio ends it by saying the patron pays them to do what he says.

After Sergio leaves, Alfonsina, wearing a bright orange halter top-peasant blouse-table doily thingie, steps out from behind the door. Adela tells her to get back to work but Alfonsina says Adela shouldn't be talking about Alvaro. The patron would be very mad to know that Adela was talking about him behind his back. Alfonsina smirks. Adela harrumphs.

Alina and Sofia are in their bikinis having fruity rum drinks and yummy-looking shrimp cocktails. Alina is STILL talking about how enchanting Emilio is. Suddenly we hear music and masculine crooning. Any moment now I expect Frankie Avalon to come walking around the corner, but no...Emilio is nearby.

Sofia tells Alina that Emilio's parents were good friends with her parents. His parents died in a plane crash and now he lives with his brother whom he adores. Angel isn't like Emilio. He's not as handsome. (What a dumb thing to say.) Alina goes on about Emilio in his uniform but it's just too sappy for me to repeat.

Scene change to Emilio (crooning continues in background). He has a flashback to when he met Alina. "Yes, I like her, I like her a lot!"

Alvaro visits Soledad in her chamber/prison. I'm already weary of these two. "What do you plan to do with my daughter?" she asks. "Aha! YOUR daughter! You said it, that proves it!" says the crazy man. He says HER daughter cannot live the life of a Montellano; she is the daughter of a foreman and that's how she's going to live. As of right now the lives of Soledad and HER daughter are going to change forever. Blah blah blah. Soledad tells Alvaro he's going to regret this, he's not to lay a finger on their daughter, not while she, Soledad, is alive. Alvaro says she should have thought of this before betraying him and having a child with another. "This is going to cost you a lot, Soledad!"

Alina's godparents Blanca and Elias are talking about moving to Canada. Blanca wishes she could take Alina with them, she's loved having her live with them for the past three years. Elias says Alina has her own parents and Alvaro probably wouldn't let her travel anyway. Blanca says, "Alina would be your daughter if Soledad had decided to marry you." Elias tells Blanca that he is happy with her by his side. "Liar," she says. "No really," he answers. They kiss. Hmmmm...?

Alvaro stalks out to the field to rant and whack plants with a machete. He tells Hugo that he plans to go to his ranch in Sierra Escondido. It will be a great place to lock up Soledad, no phones, no lights, no motorcars, not a single luxury. Hugo wonders about Alina. Alvaro has the perfect place for her. He'll keep her close enough for Soledad to suffer as she sees Alina. (I think that's what he said.)

Now even Hugo thinks Alvaro might be going too far. He asks how is all this Alina's fault? She's innocent. As Alvaro whacks Hugo tells him not to cut off his nose to spite his face. More of the same crazy talk from Alvaro, Alina was only a tool to win and torture him. Hugo tells him not to act crazy. Alvaro brandishes his machete and says he is rabid with jealousy, he's going to unload the woman who deceived him! Hugo shakes his head, the patron is a nut case.

Sundown in Cancun, Quintana Roo - Emilio is still looking for the girls. They are in the disco having drinks. Alina doesn't want to dance because she's worried about Soledad. Suddenly Emilio shows up, he and Alina are ga-ga about each other. She agrees to dance with him, guess she forgot about mom. In an unusual twist it is the guy, Emilio, who dances while the girl, Alina, stands like a petrified log. Shake it Emilio!

Soledad weeps on her bed. She has a flashback of being young and kissing Alvaro. Her dad says she's a discgrace and she's not going to marry Alvaro, not while he's alive. Young Soledad vows that Alvaro loves her, he's a good man and the love of her life; nothing will separate them! (Feh.)
Adela arrives with some tea and tells Soledad that Alvaro went on a little trip. Soledad begs Adela to help her look out for her daughter.

Back in Puebla Orlando tells Thelma that Emilio has disappeared but Thelma thinks Orlando knows where he is. Orlando says it's been days but Emilio is probably at the Cabaret called The Devil's Cavern. Emilio is a regular there. He likes Coral, one of the dancers. Orlando tells Thelma that Emilio is a hardened ladies man. "Thelma I love you and Emilio doesn't deserve you," Orlando says as he tries to kiss her. Thelma turns her head away and wonders, "A dancer, eh?"

At the Devil's Cavern men are whistling, pounding and yelling "Coral, Coral, Coral!" Coral leaps onto the table wearing black and red fringe. Her hair is Run-Lola-Run Red. She shakes her bootie and drives the men wild.

Adela asks Soledad what more can she do? Sergio is guarding the house and she must obey the patron. Soledad says that's OK, she doesn't have any hope anyway. What a couple of wimps! I would be so out of there by sunrise. But wait...Adela returns. She says she'll forget to lock the door. Well it's a start anyway.

Soledad grabs a wad of cash and, oh no, not the gigantic suitcase again! Think stealth, not clunk clunk clunk down the stairs!

Back at the Devil's Cavern Coral is chatting up an elderly patron. She sees Orlando and asks about Emilio. Unfortunately Orlando hoped to find Emilio there. He wonders where his friend is.

Santiago dozes at the bottom of the stairs with a gun in his hand. Soledad, wearing a long cape and carrying a big purse AND her heavy suitcase starts to descend the stone stairs. She sees Santiago and turns back.

Border town of Juarez, Chihuahua - (The following conversation was very slangy and difficult for me to understand. If anyone can add some enlightenment please comment!) Jose is in a bar with some shady-looking dude. I think he's a coyote. The shady dude tells Jose the cost to get across is five here and five on the other side (Five hundred? I don't know what the going rate is these days.) The bad dude tells Jose when he has enough dough then they can talk. Jose asks about going across on foot. Bad dude (BD) says that's how the illegals get hunted and filled with lead. When Jose gets enough money he is Jose's best chance. BD says he'll help Jose get one of the many maquiladora** (assembly or shipping) jobs that are found along the border. If he applies himself he'll get what he needs. After Jose leaves BD's pal walks up and asks if Jose gave him the "billete," slang for bill I think. BD says not yet but soon. They will follow Jose very closely.

Marianita has a bad fever. Malena thinks it's serious but Mariana hopes not, she doesn't have money to pay for a doctor and medicine. Malena suggests calling Alvaro for money but Mariana refuses. Alvaro would never forgive her for having Jose's child. Get some backbone lady!!

The doorbell rings at the house of Alina's godparents. It's Alvaro and he's looking for a good lawyer. He wants to do whatever is necessary to take his surname away from Alina. The godparents are impactados but I'm wondering, this guy is a landowner, doesn't he already have a lawyer or lawyers?

Soledad is now trying to sneak down the back stairs, staggering under the weight of her gigantic luggage. She sees something that shocks and startles her. It is Sergio of course. Busted. She begs him to let her go but he says he's only following orders.

Sofia is out walking on the beach with three guys she just met at the disco. She tells them she's afraid of the water so of course they start to throw her in. She cries for help and Emiliano singlehandedly beats the guys to a pulp. He manages to keep his entire outfit sparkling white throughout. Our hero! However he did not sing while beating them up. Maybe next time.

Godfather Elias tries to calm Alvaro down but Al insists Soledad was unfaithful. He shows Elias the letter. Elias says the letter doesn't mention Soledad's name, Alvaro should be very certain before accusing her. Alvaro says the proof is that Jose, coward that he is, ran away. Elias continues to urge Alvaro not to accuse Soledad, he needs more proof. Alvaro asks himself "Could I be wrong? But her father made me doubt her. I've not had peace of mind since that day. Am I letting that influence me?"

Soledad is back in her room and begging Adela to help her, she's worried about Alina. Adela says as hard as the patron is surely he wouldn't lift a finger against the girl. Adela says she's going to pray to God that Alvaro opens his eyes and sees things clearly. That's all she can do, it's better than nothing. Technically, I think that would be nothing.

Elias and Blanca whisper very loudly behind the door that Alvaro has crazy ideas and he quite possibly deserves to be cuckolded. Alvaro hears and gets all blurry and dizzy and their voices sound funny. After his head clears Alvaro insists to Elias that he's not wrong about Soledad and nobody can convince him otherwise. They are all in cahoots with Soledad. He doesn't believe in anything except the words of Don Manuel, Soledad's dad, who warned him against her. Alvaro's eyes bug out and he shouts to Elias, "Now where is that damned bastard Alina?!?!?"

**The following is from my dictionary: Maquiladora = bonded assembly plant set up by a foreign firm near the US border. In the 1980s many non-Mexican companies set up assembly plants in areas along the US-Mexican border. They were attracted by the low wages, special tax concessions and the proximity to the US market. They produce many kinds of products, but usually by assembling parts manufactured elsewhere, and by law they must re-export 80 percent of their production. Today these maquiladoras are an important source of income for Mexico and they employ more than a million Mexicans, mostly women. The managers are usually foreigners, whereas the hourly-paid workers, who have little job security and few benefits, are Mexican.

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Comments:
If Mr. Pretty Boy Emilio is going to break into song at any given moment of emotion, I am going to change to a telenovela on Telemundo. Cheesey 60s EXACTLY! And I know whereof I speak because I remember the 60s (most of them). I don't think I can stay with this one. Elvis has left the building.
 

Alvaro really needs to get some help and probably meds for his paranoid delusions. Aside from the orange flashbacks there seem to be these white/silver watery flashbacks that mean that he is overhearing something and interpreting within his paranoid delusion. That seemed to be the case with the workers in the first epi and Blanca and Elias' conversation in the kitchen. Alvaro seemed to be mellowing out until that happened.

I actually burst out laughing when Emilio broke into song in his car. It sort of broke the tension in this otherwise very dark novela.

Alina is certainly very different from his other conquests. Thelma and Coral are almost masculine, tough looking women while Alina is very delicate feminine and petite.
 

Thelma is so ghastly, it's hard to see why somebody would even go on a second date with her. In fact, I'd think one would pardon himself to go to the bathroom and escape out the window. She is so patently evil! Emilio, singing dunderhead? Remember they say tenors have lovely voices because their skulls are empty = good resonating chambers.
 

Sylvia, thanks for the delightful recap and editorial comments! Thanks, also, for the vocab research as a lagniappe.

I still don't get why someone with a lung bacteria can breathe on his brother with no mask. Emilio must have the constitution of a horse not to be infected by now.

Álvaro is one strange dude. Makes you wonder what Soledad and Alina have had to live with all these years, or is this a recent thing. His overseer, Hugo, seems like his sounding board, as does Elias (I am surprised he isn't screaming at Elias about wanting Soledad, too, given Blanca's comment about Alina being his if he'd married Soledad. More to come on that, I bet).

Alfonsina is BIG trouble. Sergio is, too. Sergio makes me wonder if Álvaro hires men who are just as chauvinistic as himself, or if they become that way working for him. Of course, Hugo seems to have it together, he just can't influence the patron with logic any more than Elias or Soledad can. I can see lots more to come with Alfonsina and Sergio.

I guess it's not a wonder that Al is such a chauvinist, given how his father left him everything and left Mariana out in the cold, dependent on her not-so-loving brother. That's his training so he's just true to his upbringing by Papa (your mother did me wrong, so pass the "love" on to all the women in your life, son).

I thought Thelma and her pal were candidates for the Cuartel de las Feas except they're too mean and the Feas are all nice folks. But Thelma and her pal are still feas--in every sense of the word.

It's a dark one, indeed!

Jeanne
 

Great job Sylvia! I haven't watched this one yet, but I swore to watch every episode for the first few weeks at least to really learn the characters before my schedule forces me back to once or twice a week. I have to watch this one to see girls on a beach, before all we have is people locked up in caves or whatever. I wonder if the entire run of the show can have Soledad once or twice a show try to walk down the stairs only to be stopped? It could be a road runner/Wile E. Coyote thing.
 

Thanks Sylvia!

Im slightly in shock that this novela is starting off like this. Especially with the headlines that Ludwika and whats his name have made in the press. I was thinking that surely this show must be good. Ha! How wrong was I.

Well you did a good job satirizing the show. I thinks its the only way to make this half way palatable.

Funny info on tenors and their empty heads!
 

Man, I figured he'd sing again, but sure didn't think it would be that soon!!! How funny!
 

Ellen, I certainly can't blame you for bailing on Duelo; based on the one episode I saw (last night's) it does seem odd. For me the cheesy scenes were the shining stars, but what do I know? I have four pink flamingos on the back of my boat. It's hard to get cheesier than that!

Alvaro's extreme paranoia/sexism and all the women's inability to deal with it is what really bothers me. I come from a family where women are in charge so I cannot even fathom this. I was practically leaping out of my chair every time Soledad, Mariana or Adela flinched.

Angel hacking...agreed, I would be walking around with gloves and a rebreather if I lived with him. Maybe he has some uncontagious form of disease or better yet, maybe he is misdiagnosed.

Ha ha! Love the comment about tenors having empty heads! I'm sure they're not all like that but Emilio + Thelma + Coral??? Yep, empty.
 

Thelma and Coral are officially in the running for the Golden Thong Award for the Skankiest Temptress on a Telenovela.
 

ROFLOL--You are GREAT, Sylvia. I think that I am going to LOVE this one---it's kind of a Mexican ''Gidget Goes Hawaiian''-''Viva LasVegas''-''Beach Blanket Bingo'' -''Where the Boys Are''...I'm looking for Frankie, Elvis, Ann Margaret and Annette to appear. Did you notice that Alina's godparents are actors who were in ''Alborada''?---he was Hip's father and she was the ramera in whose house Diego installed Hip.[She kept wiping the sides of her mouth when she talked...remember??? I also saw Felipe's wife [Carmela???], but I don't know her character's name. I am confused about these names--Sergio, Santiago, Alejandro???--who are these people??? I enjoyed the singing and the beach and the disco and the tabledancing...fun.'' I can hear the sound of violins..long before ...they begin... Sway me now !!!!''~~~Susanlynn, swaying
 

Wow Susanlynn, you are GOOD to recognize all those faces.

The only reason I could keep the names straight (if I did) was because Carmel posted a list of characters on her website that I used as a cheat sheet. I added a few to my copy last night. There are five that begin with "A" which is very confusing. I really need to work on streamlining my recaps. This one was way longer than it deserved to be.
 

Sylvia~~I thought that your recap was great. I watched last night [missed the first night, but I read the recap.] I still can only pick out a few words. I have a student from Mexico and several other Spanishspeaking students this semester, but none of them are watching this novela...the one girl watches ''Fea.'' As for picking out the familiar faces , I have a pretty good memory for faces....probably because I am a ''visual learner''. I loved that woman who played the ramera?/madame? in ''Alborada''. She really made an impression with her small part....and she is a tall woman. It will be interesting to see where this show goes.~~~Susanlynn, just glad that ''Heridas'' is history and I don't have to watch those people anymore
 

I'm kind of glad this isn't the highest quality show, that would make all of our writing very boring to do. However, while the characters are certainly welcome to be as idiotic as the ones from Heridas, I hope the stories at least make sense in their continuity, if not common sense (like trying to sneak out of the house with 90 pounds of luggage). I'm sure I just feel that way though because my interest in these shows is to learn Spanish and to mock.
 

"... my interest in these shows is to learn Spanish and to mock."

That is what makes you perfect for us, Chris. This is the spirit in which our blog was created!!!
 

Personally, I like that idea of EACH AND EVERY episode featuring Soledad trying to escape down a flight of stairs with all her Samsonite. If you had ever seen me pack for a trip [even a 2-day getaway to Cape May] , you would know that Soledad and I are true kindred spirits. Also, I felt very-Soledad today as I dragged my rolling backpack filled with books up and down 3 flights of stairs at school. I'll bet those folks I passed were wondering why I was laughing!!~~~Susanlynn, packing for her trip into the world of the telenovelas
 

Chris--

...."trying to sneak of the house with 90 pounds of luggage" AND a coat so long she's just got to trip over it at least once.....

Jeanne
 

Maybe Al's a little confused (crazy)because after reading the letter he suddenly realized after all these years that his daughter looks NOTHING like him and darn little like his wife either! Could it be that Miriam has been switchin' babies on all these telenovelas for years? Oh well, Sergio Goyri does play mean guys well (Piel de Otono)and is pretty much a cowboy at heart, so I'll probably stay with this one at least longer than the dog it just replaced (nothing personal Lucas, you couldn't help that the writers sucked).
Thanks for the recap and we look forward to more!
 

This was excellent, Sylvia, thank you! I wasn't able to catch the dancer's name but now I know: Coral.

I have to say, I love the cheesy '60s stuff, even if it's very Austin Powers. Actually, maybe that's why I like it. I find Emilio's character totally unbelievable, but that tenor=empty head thing would explain a lot.

As for Alvaro: Sergio Goyri is so scary and true-to-life in this kind of role. I'd like to see him play a hero sometime to see if he can carry that off, too.
 

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