Tuesday, June 17, 2008

Fuego, Monday 6/16 (#35): All roads lead away from home

It's morning in the city of Serdán, or is it Lerdán - I told you I can't read those curly letters. If I knew something about agriculture I'd tell you what's planted in the field we're looking at too, but as far as I can tell it could be anything from tires or gophers or anthills or some type of small tree.

Eva wakes Sofía, who reports that she feels great, but quickly adds that she hasn't forgotten Eva's problem. She asks if Eva found out anything about her child. Eva says she's not sure whether it's real or a just a dream, but she's just sure that Rosario is hers. Sofía gapes. Eva says Rosario keeps rejecting her and won't let her near - so she can't find out whether it's true or not. Sofía excitedly offers to help Eva find out for sure. Eva happily bustles off to get Gabi's breakfast.

Feo is also having a healthy breakfast - tequila, I believe - at the nightclub. Armando proudly reports that the hacienda accounting records are all fixed up - Sofía and Gabriela won't be able to detect the embezzlement. Feo grumbles that he still needs to find those incriminating notes that Bernardo left behind. Armando says perhaps it'd be better to find some money, because Feo's got a lot of debt. If he doesn't pay up soon, he'll be in trouble. Feo says tomorrow he'll try to get Gabi to make her father sign those papers; if she can't do it, he'll have to gamble for big bucks. He picks up a knickknack with two roosters and gives it a shake; one of the roosters falls off. (If there's going to be a cockfighting scene, I don't want to see it.)

Armando warns Feo not to trust his luck too much; he could lose, and then he'll be worse off. Feo hollers that people who don't trust their luck are worthless; and instead of giving useless advice, Armando should think of a way to snare the Reyes brothers and get rid of them. (I am wondering if it's just a matter of time before Armando gets tired of Feo's abuse and poor judgment, and turns on him.)

The Reyes brothers are sitting outside the cottage, killing time trying to throw small things into a bigger thing (I can't identify any of the objects, but none make their target) and staring at the hacienda. Oscar says that within those walls are the women who have stolen their hearts. They came to the house for vengeance, but instead they were given a lesson of love. Franco says, "who would have thought that we would have ended up in love with the daughters of Bernardo Elizondo?"

"Of Bernardo Elizondo, and Gabriela Acevedo - our worst enemy," Juan adds, "but those girls aren't guilty." He tells Oscar he's going to give him something very important and valuable tonight, and jokes that Jimena was very nice to him last night. Oscar gets suspicious and asks what happened. Juan says Jimena helped him avoid getting caught when he came to visit Sofía. He tells them that he and Sofía are back together.

Inside the house, Jimena is telling Sofía how she helped Juan get away without being seen. Sofía is worried that Jimena took such a risk, but Jimena says she did it for a woman in love. On the one hand, she feels sorry for Feo, but on the other hand Sofía's happiness is more important. Their mother is still pushing men on them that they don't want, so Jimena understands Sofía's situation well.

Jimena also confides that she and Oscar spoke with Fr. Tadeo to get married as soon as possible. Sofía does not react to this news with the kind of delight that Jimena should expect, but Jimena urges Sofía to follow her example and not put her happiness at risk.

Franco is sanding something at the cottage when a little man in a tweed suit comes ambling along. Ooh - sorry, it's Sarita, sneaking around and peeking. Franco sees her peeking and and asks if she's come to help him. "Of course not," she answers tensely. "How could you think that?" Instead, she's come by to explain yesterday's kiss. He says she doesn't need to do that - he knows she loves him, and that's what's important, right?

"You think a little kiss is proof of love?" Sarita asks.

"The way you did it? I think so," Franco answers.

Sarita asks if he thinks of Rosario when he kisses her. He gets offended and says of course not. He knows it's hard for her to understand, but he loves her, and he loves Rosario too, both of them, she can't accuse him of lying because he's always been honest with her. Sarita says his heart is lying to him, because he can't love two people at once. His heart is fooling him, and he wants both of them to be fooled, but she won't permit it. So she wants nothing with him! Nothing! (At least, nothing she can't get by sneaking and peeking.) He grins and sings her back to the house, "If you don't love me / That's okay / I'm not going to die over love."

Eva's now telling Sofía that she's glad she's not going to sleep forever like some fairytale princess. Sofía says she was awakened with a kiss. Eva says she knows Juan was there last night. Sofía worriedly asks Eva not to judge her. "I couldn't do that - you know my secret!" Eva points out.

Sofía tells Eva that Juan wants them to run away. Eva says she never had the courage to fight for what she wanted, and she has paid dearly. "Don't make the same mistake I did! For the love of God, be brave! Defend your love against everything and everyone!" Sofía bravely says she needs her grandfather's advice.

At the church, Fr. Tadeo is having an animated debate... with himself. Should he be quiet, or should he tell Gabi the whole story? (It's not a very good debate.)

At the moment, Gabi is telling Sofía of course she can have permission to go visit Grandpa, and hopefully she'll get him to see reason. "Remind him that this is his house, and he doesn't have to live on someone else's charity." Sofía says he's only living where he can get some affection.

Predictably, Gabi has palpitations and has to go to bed. "Didn't I tell you that your defiance is bad for me?" She tells Sofía to bring Grandpa back to the house, to bring peace back to the house, because every day she feels worse. She can't sleep, from all the suffering of seeing her family divided. "Destroyed," she murmurs dramatically. "Go get him and convince him to come back! It's your DUTY!" (If you ask me, Gabriela's the one who needs a nice hot cup of Super-Sleepytime Tea... so she'll shut up for a few hours.) Sofía slinks out, horrified with guilt.

Eva is now at the cottage, trying to get Franco to explain his relationship with Rosario. Franco says there's no reason he should. Yes, he likes Sarita too, but that's his business, not Eva's. Eva says it is her business, and tells him she's not going to let him fool around with EITHER of them!

Grandpa is glad to see Sofía. She tells him that love is the best medicine for the soul. He heartily agrees. She hesitantly tells him that she's been miserable since she was raped, couldn't stand to be touched by a man, and didn't think she'd ever feel anything for anyone... until Juan came into her life, and now she's given herself to him, for love - something that never happened with Feonando. She never let him touch her, and there's never been anything between them, she's never been his woman, never. Grandpa says nothing, but there is joy and encouragement in his face.

Feo, the cure for joy throughout the world, prowls the hacienda's halls until he spies Gabriela, who is happily (the private kind of happy) admiring herself in the mirror and the feel of her own skin after a bath. Feo opens the door open a little wider and pushes his hat out of the way for a better look. Gabriela really is liking her neck and shoulders a whole lot. Feo seems to be liking them a lot from afar.

"Your mother won't die if you decide to be happy," Grandpa is telling Sofía. "On the other hand, you could die from renouncing your own happiness. It's your own life." He tells her not to throw away Juan's love because of her indecision and fear, and to learn from Jimena, who's willing to do anything to be happy at Oscar's side.

Someplace outdoors, Oscar is thanking Jimena for helping Juan last night. She says she did it to make Sofi happy. She's worried about her and Juan. Oscar is too. Jimena fears that Sofía will never dare leave their mother, especially now that she's sick.

The poor, dying woman who likes her own "shoulders" is sitting at her desk. Feo drools silently at her from the doorway; she notices him and is startled. "I was admiring you in silence. You're still a very attractive woman."

"I don't think so, but thanks anyway," she replies. "I'm just telling the truth - you've always been one of the most attractive and distinguished women in the area. If you put your mind to it, you could get married." Gabi says no, because first she'd have to find a truthful man who knew how to be worthy of her - absurd!

Feo says it's impossible not to notice her beauty and distinction, and even if she doesn't think so, he's sure there would be lots of men who'd gladly wish to be considered.

She holds his gaze a little too long and then pretends not to be flustered, saying she just wanted to review the hacienda's accounts. Feo says great - speaking of which, if Grandpa doesn't sign that paper soon, they'll have to give up the year's crops. Gabi says that mustn't happen - her father must sign at any cost. If one wants something done right, one must do it oneself.

Outside the cottage, Franco rants and raves to his brothers that he knows they think he's crazy for being in love with two women, but that's none of Eva's business. Oscar says Eva loves Sarita as if she were her own, and is worried about her. But that doesn't explain why she's so concerned about Rosario. Juan says "we'll find out!"

Inside the house, Sarita rants and raves to Jimena about Franco. She thinks Franco is humiliating her because he knows she can't compete with Rosario. Jimena says it's Sarita's fault - she has her own charms, but doesn't want to show them off! "Which charms?" asks the clueless Sarita. "You really want to know?" Jimena asks... oh goody, a makeover!

Quintina is doing bakery stuff, with her back to the door, when Gabriela gets impatient and slams something on the table to get her attention. (I agree with Gabriela - there probably isn't a man in the world who deserves her, but there might be a gorilla or two.) Quintina says they don't have any of the kind of bread she wants there. Gabriela scolds her for being disrespectful. Grandpa wheels in and tells Quintina not to worry - he'll take care of this fine customer. She agrees and tells him to whistle if he needs anything.

"How low you've fallen," Gabi says to Grandpa. "I've come for you." Grandpa laughs, but she insists. He tells he's staying here, no matter what. She rubs her forehead (Gabi-fake-sick-style, not nervous-Bertha-style - anybody remember all of Bertha's forehead-rubbing in Heridas?) She asks, "what are you trying to do, kill me?" But Grandpa tells her those stories won't work on him, he doesn't believe in her so-called illness, and he's going to tell his granddaughters that she's only faking to get them to bow to her will.

"Don't you dare!"
"Why not? And look how quickly you recovered, huh?"

She threatens to have him declared insane if he pushes it, and that "those workers" kidnapped him. Her face lights up - "better yet, I'll knock you off that pedestal my daughters have you on. Come back to the hacienda immediately, or I'll tell them you killed my mother!"

This gets the desired response, as he protests fearfully and she taunts him that her mother's death was his fault. He turns away, but she insists, "You were driving drunk when that accident happened where she lost her life, and that's why you're stuck in this wheelchair! If you don't want my daughters to find out that you're a killer, come back to the house right away."

As she stalks out triumphantly, he rubs his hands together and tells her she's lying. "I didn't kill her and you know that very well!" But he's crying and doesn't seem very sure. "I swear I didn't kill her," he cries as Quintina rushes in to comfort him. "That isn't my fault, I loved her! How would I have killed her? She's making that up."

Father Tadeo catches up with Gabriela as she's getting back in the car. He says that they urgently need to talk in the church, and it won't take long. She tries to put him off. He says it's about Jimena. She interrupts and says she's resolved things with her daughters. If Tadeo really wants to help, he should get Grandpa to return to the hacienda. Then they'll talk. Until then, nope.

Grandpa is angrily telling Quintina that of course he's sorry he made "her" (Gabi? his wife?) suffer, but he can't regret something he didn't do. He says he wasn't driving when that accident happened, even though Gabi says he was. He does remember being totally drunk, but GABRIELA was driving. It was SHE who caused that accident! And now she puts the blame on him, but it's a lie, it was Gabriela!

At the San Jose Home For Eccentric Grandpas And Crooked Doctors, Gabriela has handed another envelope (ice cream coupons?) to Dr. Gomez, aka Dr. Matasanos, aka Dr. Quack, aka Dr. Ratched. "I'm going to ask another favor, and I know you won't deny me!" Dr. Scumbag opens the envelope, and big surprise - it's full of cash. Gabi has to pause for a moment while the doctor admires each note in its individual cashy goodness.

Franco watches, but can't hear, Juan trying to get some info out of Eva. She repeats that she's looking out for Sarita. "But what about Rosario?" Juan asks. Eva admits that she had a daughter with Bernardo (the news that Bernardo procreated with yet another woman doesn't seem to impact Juan at all) and she's almost positive that it's Rosario.

Rosario is putting on makeup when Sofía shows up. Smiling, Sofía announces that she's here to speak with her about something important of interest to both of them. Rosario looks interested, but then seeing the doomy shadow of Feo's hat outside her doorway she nervously puts on a half-hearted hostile manner and tells Sofía to leave her alone and never come back.

The Feo hat shadow scurries away just in time for Sofía to leave Rosario's room - but then Sofia hesitates and turns back. Yay! Go Sofía, go! We can sort all of this nonsense out within a week or two and spend the next few months with hot sex, stunning landscapes, and pretty singing!

But Sofía chickens out and leaves for real. Boo! Feo asks himself what reason Eva, and now Sofía, could possibly have for seeking out Rosario.

Juan wants Eva to tell him how he can help her with Rosario. She says just tell Franco to leave both of them alone. Juan says he's encouraged Franco to clarify his feelings, but he's confused, he's in love with both of them, but he'll talk to him. Eva thanks him. He apologizes to her for distrusting her, because of what happened to his sister, but hopes she can remember some little detail of what happened that night at Bernardo's wake. She says she's already told him everything. Libia was upset when she found out that Bernardo had been married, but she suffered even more when Gabi humiliated her and treated her like a tramp. Juan says he's sure that someone from the hacienda killed his sister. Eva says that can't be.

Franco is wandering around aimlessly with a detached door when Rosario comes along, having just had her implants removed. Ooh - sorry, it's Sarita! This poor girl needs to deal with her identity crisis! Her hair is down and a bit poofy, her glasses are off (I think they mentioned once that she has contacts but just doesn't wear 'em), and she's wearing some makeup and a most untweedy-unsuity-like red dress. Franco circles her for a good look to convince himself that it's really her. "What did you do? You look rechula!" (glamorous? luscious? not sure)

An angry screech spoils the moment as Gabriela gets home from her blackmail and bribery errands. "SARIIIIIITA! What did you do? You look like a hussy!" Jimena runs up and says they just got rid of the braids, put on some makeup, a more modern dress... Gabi whirls on Franco and tells him to go back to work. He reluctantly backs away, not taking his eyes off of Sarita.

"Sarita! You want to kill me too, don't you!" Gabi's voice is full of dry crocodile tears. "I truuuuuuusted you!" Sarita says she didn't think it would bother her so much, but she'll put hair back up and dress like before. (Hopefully Jimena has already burnt all the tweed suits.)

Gabi gets an attack of the vapors. Franco disgustedly pretends not to watch Jimena and Sarita walk Gabi back to the house. They throw guilty looks back at Franco while their mother continues to mutter that they'll be the death of her. (I can't believe they aren't tempted to take her up on that offer by now.)

At the nightclub, Feo is trying to shake the truth out of Rosario, what does she have to do with Sofía, but he can't get anything out of her because she has no idea why Sofía was there. He warns her not to mess with his family. "It's time you paid the consequences. Your child is the one who will pay!" She begs, but he's already gone. The door rattles as he locks her in her room. She gets on her knees and prays and prays.

Sofía is visiting Mr. Ed (Bernardo's old horse) by the stables when Juan surprises her with a hug from behind. (Potentially bad idea with a rape survivor, as someone pointed out during Pasion.) "Every moment I'm away from you, I feel as if I'm dying." "And I am always thinking of you - always!" He tries to get her to run away with him. She says she needs time for her mother to recover some of her health, and then they can go. Kiss kiss kiss.

By the time Jimena and Sarita get Gabriela back to the house, she seems quite recovered and waves them off. "They're just little attacks. But someday one of those attacks will be enough to bring me to my death." Jimena again tries to explain that they didn't do this to make her sick - Sarita just wanted to make herself up a little - see how pretty? "You're a bad influence, like Sofía!" Sarita tries to take all of the blame for the death-defying makeover. Gabi sighs and says "fine, it's good that you want to look more attractive, and I give you permission to do it, but only when you're out with your fiance." Gabi says they're going to visit the Uribes right now! Raquel is waiting for them. "At least you're made up," she says to Sarita as she rushes back outside.

(That woman is 100% gall! Maybe her gallbladder will kill her!)

"At least you're made up," the sisters mimic to one another through clenched teeth, then go out to join their mother.

At the Uribes', poor Eugenia - I think that's her name, the maid who's Benito's girlfriend - leaves a plate of snacks for the awkward gathering and hides behind a tree to spy. Raquel tells Gabi how cute her daughters are and tells Sarita not to be so shy around her future husband. Sarita and Benito share a dry, unpleasant lip-bump as Eugenia's face furrows in misery. (I know Benito has tried to reassure her, but I don't think he's done a great job.) Raquel wants to get to the business of planning their wedding-for-four. She and Gabi agree to announce it as soon as possible and plan a big dinner.

Raquel is giddy with happiness. They all drink (Sarita very reluctantly). Eugenia sneaks away quietly, heartbroken and possibly plotting revenge?

Sofía is back at the hacienda, telling Eva about her ill-fated visit to Rosario. "The same thing happened to me. I don't understand why she refused to listen to me," Eva says. Sofía says she thought she saw fear in Rosario's face, that something very powerful was impelling her to act that way, but they can't figure out what.

A henchman is restraining Rosario in her room. Feonando is holding Luís. He says her crying and begging won't work; her son will pay for her disobedience. He puts the boy down. "Say goodbye to him, because you're not going to see him again." Rosario protests and begs some more.

"You don't want to say goodbye? Let's go." Feo grabs the boy by the hand and leaves with him under his arm. The henchmen laugh as Rosario cries.

Juan is making some bread. Grandpa says, "A sane and healthy grandfather would tell you that you'd be crazy for wanting to steal his granddaughter, but in this case I AUTHORIZE you to do it. Follow the impulses of your heart!" Juan asks if he's serious. He says he loves Sofía and she loves him, but Gabi's in the middle. Grandpa says Juan will have to free the young princess of the dragon's clutches. A really dangerous dragon. Set her free and take her VERY far away!

Juan shakes his hand. Grandpa says he's sure she'll be happy, because she'll be with Juan, and he'll love and protect her para siempre.

Back at the hacienda, Feonando is pretending not to want to show Sofía the bookkeeping. Gabi comes in to join the ruckus; Feo says "Sofía still doubts my honesty." Sofi says Gabi told them to share the responsibility. Gabi tells Feo to show her the books. "Show her she has no reason to doubt you." He fake-grudgingly hands over the books that Armando recently "edited" for him. "I hope you'll be satisfied."

Juan removes a small pink bag from the Trunk of Destiny Past and tells Oscar, "the promises of our mother were always pacts with God. This is for you." Inside the pink bag is a great big engagement ring that their mother wanted to give to the first son to marry. (I think we have to assume that it belonged to their grandmother, since their mother was presumably wearing her own when she was murdered.) Oscar thinks Juan should have it because of all he's done for them, but Juan insists that he was only carrying out their parents' wishes. Oscar's getting married, so the ring belongs to him.

Oscar kisses the ring and says it was their "viejita's." OK, I thought this meant Mom, so maybe Mom did take it off and give it to Juan along with lots and lots of other last wishes before he and the other kids got away and she and her husband were killed?

Despite seeing her son taken away without saying goodbye, Rosario still has to sing tonight. She's wearing a big red sombrero with gold embroidery, a bra, a mini-bolero, a long skirt, and a long gold coat. The men in the crowd howl happily. She looks around uncomfortably and climbs down from the stage and out of the club, tying her coat closed as she slips away into the big world.

Sofía finishes reviewing the hacienda accounts. Apparently, Gabi has been sitting there watching her, and Feo has been reading over her shoulder, the entire time. She says it's all fine. Gabi says "I told you so, you just made a fool of yourself. Now you owe your husband an apology." Sofía says she has nothing to apologize for, because she was just asking for something that she has a right to. "But, if I offended you, forgive me," she tells Feo.

"Of course I forgive you my love" Feo says, grabbing her and giving her a rough-looking kiss. "Let go of me!" she says, pulling away. "Don't touch me, much less kiss me! I forbid it!" Feo puts on his bewildered, wounded puppydog face (I have a feeling he's wounded a lot of puppies in his day) and Gabriela looks disappointed as Sofía leaves them. Feo tells Gabi he should find himself a woman who loves him, as she suggested.

The Brothers Reyes are visiting Libia's tomb. Oscar says he wants to ask Juan in front of Libia's tomb to go away and find happiness in love. Franco agrees; Juan has their blessing. Juan promises to come back soon, so they can get the justice they promised for Libia.

Franco says they're going to miss him, because it'll be the first time they've ever been apart. Juan warns that he's going to make him change his mind! Franco says no, they want him to be happy even though it pains them to see him go; he's their older brother, and he's been like their parents, has always cared for them, etc. etc. Oscar speeches more of the same. Juan takes a concha out of his pocket and puts it on Libi's grave.

Still in her new dress, Sarita paces anxiously in Jimena's room and complains that while their mother is making them marry someone they don't love, J is singing happily and painting her nails. Jimena calmly says she's definitely not marrying Octavio, and resumes singing. Offended, Sarita stomps out. J whistles at Sarita and yells, "¡Que guapa!" "Thank you," Sarita replies, a little less offended now. Jimena gets her jacket and sneaks off the balcony.

Oscar and Franco have their horses on the street in front of the bakery; Oscar is saying that it's okay with him that Juan wanted to stay behind with Libia. Franco wants to go to the cantina; Oscar wants to go with him (after a stop at the mill) to make sure Franco avoids trouble. Franco promises to stay out of trouble, and leaves without Oscar.

Oscar looks up to the sound of loud clumpy shoes and sees a long gold coat, a big red hat, and a gigantic pair of... earrings. Rosario asks for Franco. Oscar says he just left to see her. Rosario tells Oscar that something happened to her son and she doesn't know what to do. He gives her a comforting hug, just at the right moment for Jimena to drive up and see.

She is not happy.

Next time:
Fr. Tadeo takes his anti-Feonando crusade to Grandpa.
Juan and Sofía ride away on a Whim, or at least a Capricho.

Labels:


Comments:
Julie, you are so darned HILARIOUS. I cannot tell you how much I enjoyed your recap, and your witty strike-throughs LOL! In fact, the pleasure of reading it was the only thing that kept me from grabbing the largest pair of knitting needles I own and GOUGING MY FREAKIN' EYES OUT while Nando was oogling a half-naked, self-stroking Crabby. The dry heaves brought on my repulsion nearly killed me. THEN he starts making eyes and moves on her in the office. I simply doubled over and held my poor, wretched stomach, laughed, snorted, moaned. Middle Brother came running because the sounds I was making (like a wounded calf, he said) scared the crap out of him.

I wish "none fer Nando" would just go get himself a willing town girl!! I wish the family SUV would roll backwards over the crabby b!#&H and stop in gear with her underneath it. "You have on a new dress and have combed your hair, Sari, therefore I must have a heart palpitations out on the lawn." Good lawd, I hate her!

I don't even have the energy right now to rag on the rest of the episode because of those two nasty, murdering, psycho clowns. Urgggh.
 

Thanks for the recap, Julie. Very thorough and funny.
"Feo, the cure for joy throughout the world," Well, I had to LOL Over that comment. Ole Feo likes to play Peeping Tom with the ladies in their bath, doesn't he? Eeew. Snidely is a sociopath in dire need of going on a national talk show like Montel or Dr. Phil or Casos de Familia.

I truly hope Gabi suffers a horrible wretched death.

The Bad Love Bar crowd didn't like it, either, when Rosario just kept walking (off the stage).... with her big sombreros. Booo! Hisss!

doris
 

Great recap. I haven't finished watching it from last night. My DVR keeps cutting off the last 5 minutes or so and it's driving me crazy. Is there a way to change that?
 

Sometimes I watch the whole episode before I write anything, but usually I don't (I really should), therefore I don't know what will happen next as I'm writing.

During those awful Feo/Crabi scenes (not to mention the mercifully short Luis/Feo/Sofi scene), I kept thinking, "if this goes any further I am going to have to get up and take a walk, because I can't take much more of this." I'm just grateful we didn't get past Crabi's shoulders.

What is Gabi supposed to think when Feo flirts with her and then hints that he needs a girlfriend? I am sure they're only taunting us with the idea because they know it horrifies us, and hopefully nothing will ever really happen.

But it's disturbing, because what if it makes her horny and she decides to get a boyfriend who also wants to take over the hacienda? What if she wants to start seeing Armando, and he gets sick of Feo and tries to squeeze Feo out of the action?

Wait, what am I saying? More strife and tension? Let's go for it!!
 

Connie - does your DVR let you set up a recording schedule manually? I set my machine to start at 9:01 and end at 10:04. It's a little odd, but it works. Sometimes (rarely), 9:01 misses the opening credits or a review of the previous night, but usually it's a minute early, and it's never-ever too late for the new stuff.

And sometimes and end time of 10:04 is later than necessary, but once in a while it's just right.
 

Great recap! Why doesn't Rosario just tell the police what's going on...oh, I forgot about the police in novelas! Oh, well.....

It was tooooo creepy with Feo oogling Crabby who is just WEIRD! Methinks they will get together some day. EEEUUUU!

About the DVR....what my mom does is just record the next hour or half hour and then you can see the last five minutes! The univision novelas always have run five or so minutes late....don't know why!
 

Thanks guys. I thought I had set it for 5 or 10 minutes past so I could get the whole thing but it never seems to get it. I'll check it tonight. Maybe it reset itself somehow. We've had a lot of storms out here in Kansas with power outages.
 

Julie, as always, innumerable comments and asides had me laughing. You have a real gift for humor and for writing. Thanks for always being a joy to read.
 

Hilarious recap, Julie. My favorite laugh out loud line:

We can sort all of this nonsense out within a week or two and spend the next few months with hot sex, stunning landscapes, and pretty singing!

But no.

This is great. I get to watch the novela that this is a remake of, which is really good, and read a parody of it at the same time! Thank you Telemundo, Univisión and the dedicated and strong-stomached recappers at CarayCaray!
 

You know what they say, Jean: anything that doesn't kill you makes you stronger. :)

(Not true, but it always sounds good!)
 

okay I checked this out on IMDB..Gabi is 16 years older than that rascal joven, Feo...

Now then Bernardo was 48 years older than Lidia, seriously 48 years older...

So I'm saying Gabi go for it, these two could team up and do even more serious damage, but alas, Gabi doesn't play the campy villeness, she is too pure. Damn even if she was "Good" she'd annoy me. And Feo is just way too twisted & stupid, which still makes him generally ahead of most of the residents of this town.

Seriously 48 years older..
 

Thanks for the great recap, Julie. :-)

So, Jimena sees Oscar embracing Rosario, and that is how she comes to marry the short Uribe.

If anyone missed Fernando peeping at Gabriela's auto-eroticism in her bathrobe, then they missed a great howling guffaw. At least that's what I did. He actually seemed to enjoy watching her -- he took his hat off, LOL! Cantu and Bracho must have had a ball doing that scene.

Fuego and Pasión de Gavilanes are both remakes of Las Aguas Mansas. I had a chance to watch PdG first run, and IMO Fuego is more fun.
 

It does look as though a Uribe wedding is inevitable, doesn't it?

Little does poor Jimena know that she'll be getting a boyfriend-in-law.
 

Julie, and a part-ownership of some kind of "amusement" locale. That place is going to chap Fernando's hide, and he won't allow it, IMO.
 

Julie: Thank you. Great recap. I'm finding it harder and harder to watch this novela, and I am a die-hard EY fan.

Anyway, the scenes between Feonando and Rosario, besides being scandalous, are becoming just silly. It's like, OK, we're together. It's time for me to beat you and for you to cry. So, let's do it. Know what I mean?

Someone with Rosario's experience should be knocking that guy and his henchmen dead. She has the nerve to do the cat-walk half naked in front of a room full of drunks, but she can't stand up to Feo. Aw, come on.

Well, that's it.
 

I actually thought Feo leering at Gabi was quite funny! I doubt this will happen, but if they ever actually get together, and then get caught in the act by Sofia and Sarita, that would be even BETTER!
Yes, I know, I have a twisted mind.

It's interesting that when Gabi tells Sofia to get Gramps to come home, Sofia never thinks to ask why Gabi wants him home now, when the last thing Gabi did was to send him to the asylum.

It just occurred to me that they usually have some sort of divine justice in these stories, so since Gabi keeps minimizing Sofia's suffering from the rape, if Sofia and Feo do get closer, and then she discovers that locket of Libia's that Feo has hidden, and realizes how bad Feo is, and then rejects him, but he won't take no for an answer, and then..! Or maybe she could get stomped by Mr. Ed.
 

Please indulge me while I repost the links just once more to two new sets of screen caps from the previous episode, for interested people who might have missed them:

(starting at #120)
Fuego 3

and

Fuego 4

Thanks.
 

Indulge you? I thank you!

I know it's crazy that Feo is getting away with so much. The men who cheer at Rosario in that club worship her as a goddess. If they knew what Feo was doing to her, they'd descend on him like a pack of wolves.

A three-minute conversation between Rosario and Sofia would also bring things to a stunning halt. I would just love to see the two of them get together and engineer Feo's downfall.

Feo is great at making enemies, and not at all good at making friends. His luck (already stretched beyond the limit of credibility) has to run out eventually. The Uribes seem harmless, but if he harasses them, who knows what additional people they might call upon for help? They might have some powerful connections we don't know about yet.
 

Julie, thanks for the great recap. "Maybe her gallbladder will kill her" - ¡Ojalá!

Lots goes on, but nothing really happens. Time for some plot advancement! Pero, NOT along the lines of a Gabi and Feo dalliance.
Ick.

Stephe - how funny - scared your brother! LOL. Very sweet, too.

OT - did anyone see "Sin Senos, no hay Paraíso" last night on Telemundo? It's not about Rosario's major assets, but rather about the lure of narcotráfico in poor barrios, and a young girl who gets caught up in that, based on a true story. Certainly not a comedy.

I rather like the escapism of "Fuego".
 

(sigh) Yes, hopelessly drawn to FELS & I'm not even sure why. Fartnando spying on Crabi's touching scene (how can I tastefully refer to what they suggested??)...anywho, that was just plain creepy but then again, I find Juan's lovesick stalking of Sofia creepy too. But last night, with our two arch villains competing mightily for Biggest Ass Hat in the World award, I was reminded of our Potential Punishments for the Pasion bad guys/gals and I think it's time to try it out on Fart & Crabi...

1) the gallant, talented animals of the show can gather together as one, cohesive show of force (& brains) and stomp the living heck out of them
2) Rosario's nuclear bazooms have secret laser beam capabilities which will sear their flesh & leave them like crisp pork rinds
3) Oscar plants one of his famous kisses on Crabi & sucks the life right out of her
4) Sofia discovers the Sleepy Time Tea, makes a batch for Fart, & puts him on stage at the Bad Love Bar in a compromising position with Armando. The crowd goes wild (& not a good wild).

I'm going off the deep end....AAAAAAHHHHHH!!!!

Julie: fab recap! thanks for the laughs!

:-D
 

I have an idea for Gabriela's death:

She gets sick for real; however, remembering that she refused to see any doctor except for Gomez, they call him instead of someone competent. Dr. Gomez, having practiced mostly quackery for the last 20 years of his career, isn't able to diagnose her correctly, or he screws up the emergency surgery or something, and she DIES.

So, what disease? Gallbladder usually doesn't kill, because it's fairly easy to remove (my grandmother had hers out at age 94) and you can live without it.

There are a lot of colorful Spanish expressions involving the liver, but I think liver disease is usually slow.

And she doesn't have a heart, so it can't be that.

How about rabies?
 

Chula= beautiful Rechula Super beautiful You will occasionally hear a "re" in front of an adjective to intensify it.
 

Sin Senos no Hay Paraiso is based on Sin Tetas No Hay Paraiso. A huge hit in Columbia. It was from a novel a reporter wrote.I remember reading about it in something like Time Magazine.
 

Oh, I like it, Julie! Fake doc forced to perform life saving surgery...yes, no heart to worry about but maybe he could try to fake the gallbladder removal & inadvertently pull out something more important like a lung or a liver.

Oops!
 

Maybe Feo could attack Crabi and they both fall down the big staircase because you know somebody is going to go down that staircase eventually.
 

Mea culpa: death option #3 should be Franco, not Oscar. Apologies to the actor who plays Oscar. How could I confuse the two??
 

HA, Mad Maggie, we were thinking the same thing at once! I like the mass-trampling of Feonando, but that means Feo's human enemies won't have a shot at him. (Or maybe they all send their horses as proxies.)

I, too, am surprised to be liking FELS so much - I KNOW it wasn't my imagination that the first couple of weeks were really iffy and uneven, but eventually it settled down. I'm glad it ended up being more spoofy than serious, because at first it looked as though they were going for serious, with unintentionally cheesy moments. Most of the actors seemed totally lost.

Now it's much cheesier, but in a way that works, and the whole cast has really gotten into it. Even Franco, who I had thought was duller than a wooden post, has turned into a viable character.

FELS has its faults (characters making inexplicably dumb choices for plot convenience, etc.), but I don't see these as any worse than what's in other telenovelas and soaps.

And when the script gets particularly lame, I've noticed that the actors do their best to have some fun with it, instead of just gritting their teeth and hollowly repeating their lines.

I think that's what I like best - that no one is taking it too seriously. I don't think bad actors could pull this off. Neither could anyone with too big of an ego.
 

THANK YOU, 1:53! I wondered how "re" was supposed to work - I didn't realize it had special colloquial powers. I think this is going to solve a lot of my vocabulary problems in the near future...

I think the stairs are a good option for Crabi. All this time she's taunted Grandpa about the accident that put him in the wheelchair, even though they both know it was really her fault. If she were to fall down the stairs and become permanently disabled as a result, it would be standard poetic telenovela justice.

I'd still like the quack doctor to accidentally finish her off, though.
 

After she falls down the stairs they could call the quack doctor and he could finish the job.
 

I was thinking: What's wrong with this woman? I refer to Rosario's showing up on stage, makeup perfect, after Feo made horrible threats about what he was going to do to her child. Finally, the show doesn't go on and she leaves to seek out that giant intellect, Franco. If she had more than two brain cells, she could figure out she's the meal ticket for the Bad Love bar. It seems to me she could have refused to perform until her child was returned ages ago.

The Crabi/Feo connection doesn't bother me at all. In fact, I wish they'd hurry up and get busy. Maybe this would distract them from torturing others.

Unbelievable is the only word for the shrieking fit Crabi put on seeing Sarita looking more or less normal (at least for telenovelas). And, as Julie sagely wrote, then changing her twisted mind that it would be okay for her to doll up for Crabi's chosen novio. Sheesh!
 

I think Rosario doesn't rebel against Feo because he's threatened to kill Luis.

Nevertheless, I think she has been much too meek. Even if she's afraid to stand up to him personally, she spent a whole afternoon hanging out with Franco that one time; there was NO reason not to tell him what was going on - Franco could have enlisted his brothers, some friends, whatever passes for local police, etc. to investigate, find the kid, and take care of everything before Feo even knew what was happening.

I know Rosario can't say anything to anyone now that Feo and Armando are always watching, but she probably could get Ofelia to pass a note for her next time she goes shopping or something.
 

Now I know this may be asking too much of our beloved Franco but didn't Pablito take him to the house where Rosario's son was being held hostage? Didn't he witness the little boy's smackdown? Didn't he see the evil Escalade pull into the driveway? I guess Franco just can't put 2 and 2 together. Egads...he's as sharp as a marble.
 

I'm waiting for Pablito to run in there and grab Luis and bring him to the Reyes brother's house. Everyone else hides out there.
 

Connie: that makes more sense than waiting for Franco to figure it out!
LOL!!
 

The donkey has more sense than Franco.
 

This has been rattling around in my head for a while: Someone posted a while back a comment about Feonando being the father of Andres/Luis (Rosario's kid). I don't think he is. I also don't think they've ever disclosed who the father is. It's hard to believe even Feo would put on a scene like last night, frightening the child half to death in Rosario's dressing room, if it were his child. And I just don't think they ever said so.

Anybody remember a scene where he was disclosed as the father?
 

I don't think they ever said who the father was. I sure hope Feo's not.
 

"2) Rosario's nuclear bazooms have secret laser beam capabilities which will sear their flesh & leave them like crisp pork rind"

OOooooohhhh, yeeeeeah, like the FemBots in the Austin Powers movie.

doris
 

Yes, there was a discussion about Luis's father between Ofelia and Rosario.

When Rosario told Ofelia that Franco mistook Armando for the father (because Armando happened to be with Rosario and Luis at the church), Ofelia exclaimed something like "if he was mad about Armando being the father -- just imagine how he'd react if he knew Fernando was the father!"

And also when Armando spoke to Fernando about Franco's mistake, he laughed and said he didn't correct Franco's misimpression.
 

Another great and hilarious recap, Julie. I'm loving everyone's suggestions for doing away with the evil ones.
Watching Feonando watch Crabi made me feel extemely queasy and unclean.
Crabi's twisted thought processes and lack of logic make no sense. Jimena can wear skanky bare-belly tops, but when Sarita puts on makeup, a pretty dress, and lets her hair down the world is coming to an end?
Let Feo seduce Crabi. She'll either be happy and forget the daughters or be horrified and get rid of his snake-a**.
And it's true: the animals have more brains among them than all the humans.
La Paloma
 

I always imagine Crabi's brain bunching up like panties in a twist and then unbunching, so it's like always twisting and torquing back and forth -- and that's how she has a screaming fit about something one second & the next second it's A-OK.

I remember a scene where the father of Luis is revealed, but it would be a spoiler to say because it hasn't played yet.

Re: Rosario always going out on stage despite the horror of backstage life with Feo--he always threatens to kill Luis if she doesn't cooperate with whatever he wants.

I guess that's his way of being romantic! That and peeping tom-ing!

Thanks for the very funny recap Julie, you are the best!
 

Speaking of Luis - for those of you who saw him in Alborada (or whatever it was) - was his performance as... how to say it tactfully... as subdued then as it is now?

I'm curious as to whether the actor is brilliantly portraying a detached, out-of-it manner (i.e. maybe Luis is being drugged, or is severely emotionally damaged - either of which would be plausible), or if it's just a matter of a child actor who would rather not spend so much time with all these boring grownups (also very plausible).
 

Thank you Jeri. I knew I wasn't hallucinating when I recalled that it was mentioned that Fernando was the father but I couldn't recall the exact scene. What a memory you are blessed with.

There are so many creepy yet hilarious things going on this novela. I'm enjoying it.
 

Little Luis' facial expressions don't quite add up to the emotional trauma he's being exposed to in this novela. His little smile and befuddlement hopefully means he's not being emotionally affected by the hollering and bawling going on around him. I was worried there for a while.
 

Good Lord! That bathroom scene with Gabriella and Feo was barfo-riffic. Not that I have anything against an older woman having a fling with a younger man, but ogling your MIL is sick. I initially thought Fernando was trying this tack for the money, but I believe we are really learning what a sick puppy this jerk is!
 

Re my earlier post about Rosario continuing to perform after being brutalized by Feo, I do realize that Feo threatens her with killing her child. I just thought that it might work to call his bluff and refuse to perform unless she had her child with her. If she weren't up there shaking her bootie, the bad love bar would be hurting for customers. And Feo really needs the cash.
 

Novelera: Rosario doing a literal Mexican standoff with Feo over her child would have been a terrific plotline, and would have been more interesting and believable. Why do all the women in this story (minus Crabiella) have to be such weak-willed, subservient ninnies?
 

Julie***Thanks for the recap and usual witty observations. The little boy who plays Luis looks to me like the boy who played Rafael in Alborada [the son of the galan's Onetruelove Hippolita ...I believe that someone posted that he was the nephew of Iran Castillo who was also in Alborada]. In that show, commentors and Melinama [the SOLE recapper of Alborada...Bravo, Melinama] were constantly speculating on whether he was drugged because he often looked a little too subdued , silent, and submissive and was sometimes fast asleep. I think that someone referred to him as ''the little sack of potatoes'' once,,,or was it ''the little stuffed boy.'' ??? Anyway, I can't stop watching Fuego unfold, and at least the story is moving along...slowly, but moving. Will the girls really marry the Uribes now that they are both mad at the baker/builder boys ??? Will Juan talk Sophia into running away with him on Caprichio [love that beautiful stallion...and his horse, too]????? I agree that Crabi's apres bath scene was disconcerting. She really is a legend in her own mind. Ferd seems to be the kind of dude who likes anything in a skirt...anything. He has no moral compass so ...anything is possible.
 

Rosario doesn't want to take the chance of Fernando calling her bluff and killing the boy. I don't blame her; his life is not something to take a chance with.

Even if it seems like Rosario is the golden goose around there, Fernando is not rational. He might just become furious and act out.

She wants to do everything she can to keep Luis alive; she couldn't live with herself if she did less and he died.
 

I wouldn't take any chances with Feo either, so I don't blame Rosario for not challenging him.

That's not to say that I wouldn't like her better if she tested him anyway - but that doesn't seem to be in her nature, and I can't swear I'd do any better if a loved one's fate was in the balance.

Anyway, it's quite possible that she did test him, long ago, and that's how she learned not to do it again.
 

ROFLOL @ Rosie's Austin Powers bazooms. Like the sharks with frickin' laser beams on their heads.

I know Rosie fears for her child, but she is being MUCH too meek. Few things are worse than the mama when her cub is threatened. I'd be spending time in the town jail/prison farm right now, because the minute he turned his back to go out the door, I would have clubbed his ass to death. At the very least, she could get the Boys or the Padre or the TOWN on him, try anything to get her poor little boy released. He's being starved and beaten. I'm just sayin', no way in hell, Rosie. She should be trying to get help from anywhere she can get it and not stop until she does.

Yes, Nando could make good on his threat to kill the kid. But then he would have NO leverage over Rosie anymore--so I think he's bluffing. On the other hand, he could go ahead and kill the kid, but not tell her, just pretend Luis is still alive. Rosie is just a character, and we think differently, but I'd much much rather lose my kid trying to save him than lose him without even having tried. I'm just a Mama Bear, I guess.
 

Hi, here's a weblink with info about Ciudad Serdan in the state of Puebla. It mentions "missioners" who go there, so maybe this is an evangelical info website??

Mostly Cd. Serdan is known as the gateway to Pico de Orizaba, where many mountain climbers go, and is a mountain that has snow on it all year round due to its height.

Note the altitude of Cd. Serdan -- and remember that the Hermanos Reyes casa/panaderia/horsie patio and the Hacienda San Agustin are all supposed to be located there -- I think it's pretty amazing that everyone runs around so undressed -- seems like it would be rather too cool a climate for showing all that skin!

Also, did you all see the program about Vicente Fernandez that they did for father's day but showed I think last Friday here in USA? Man, that guy's life could be the storyline of the next telenovela!!
I was also suprised at how morose and Eeyore-like he seems to be in real life.
 

Woopsie! Here's the Ciudad Serdan weblink: http://www.amigosdelafamilia.org/Pages/Info%20on%20Cd%20Serdan.htm

sorry.

Thought Julie might like to see the photos and info about Cd. Serdan.
 

Post a Comment



<< Home

Newer›  ‹Older

© Caray, Caray! 2006-2022. Duplication of this material for use on any other site is strictly prohibited.

Protected by Copyscape Online Plagiarism Finder