Saturday, August 29, 2009
Gancho Friday August 28th: It ain’t over til it’s over, or How to Overuse the Word Over
Alternate Title: Never say Never Again
Second alternate: Winefest, or Whinefest
In solidarity with La Monita, she and Paula (and Beto) are now sin chamba (out of work), and Moni, Paula and Estrella are debating what to do. Moni thinks she can support everybody with her boxing, but no one’s buying that. Paula’s concerned about losing her business career, all for just one kiss of La Mómia (Connie). But Estrella has gotten them all a job, at an event, and the salary is good. Mau knocks on the door, and Moni tells him what they had is over forever (para siempre, which typically mean just the opposite in novelas). She slams the door in his face, and comes back inside crying.
Connie’s on the couch playing with her hair, as Ximmy opens the door for Jerry. He can’t understand why Con’s not in Mau’s bed, still playing the nutcase (which really wasn’t such a stretch for her). Because it didn’t work, like all your plans, she hisses back. Not to worry, announces Jerry. I’ve just gotten rid of the whole gang of bums (runfla de balagardos). This cheers Connie WAY up, and she hugs Jerry, who disgustingly “comforts” her a little too long.
As Paula and Estre try to comfort Moni, there’s another knock on the door, and they think Mau’s back. But this time it’s Beto, who wants to talk to Moni in private. He assures her that “Even though we ain’t got money, I’m still in love with you honey”. He actually says even if they just have animal crackers and lettuce at the wedding, they’ll get married, because those expensive things don’t matter. For their honeymoon, they can go for a day in the country, or walk along the coastline. His Mom can make them a picnic basket. The important thing is that he loves her, and he gives her a reassuring hug.
Connie has a new plan. She tells Jerry to check Mau’s appointment book. She wants to know everything he’s going to do (to tell you the truth, I don’t think Mau knows what he’s going to do from one minute to the next, and I’ve never once seen him consult any appointment book, but let’s not quibble). Jerry loves it when Connie gives him orders, and kneels down to kiss her feet.
We see some clouds, and boom! It’s the next day. We’re at a high class event, some sort of wine and cheese exposition, and our three girls are dressed as Greek goddesses, with white, one-shouldered togas and headbands (all worn differently). They actually look like little angels. Paula complains she always gets the worst uniform, and hers doesn’t fit, as she adjusts the bust. Estre says not to complain, the pay’s good, all they have to do is smile and serve some wine. If fact, there are several bottles of wine in front of them at their little serving station, and Estre thinks they should practice pouring. Moni fills the glass almost to the brim, and Estre reminds her that these people just drink to savor the wine, not to get drunk, so just put a little in the cup. Well, Paula doesn’t want it to go to waste (and she’s still mad at Moni about losing her job), so she chugs down the entire glass.
Meanwhile, Salvador tells Mau that Mau has to go to a wine exposition (gee, wonder which one?). Gabi (looking really pretty in a red, white and black top, with a single strand of pearls) is bored, she misses Moni, Paula and Beto, this place isn’t the same without them. She wants Sal to think of something they can do, and asks Sal to think, think with that wonderful mind you have, handsome (guapetón), which perks Sal right up. He comes around behind her, hugs her, and she pulls away, this has to stop, or she’ll go to Human Resources, and charge him with sexual harassment. His response? Kiss me, kiss me, and he pulls her in for a kiss, just as who should enter? Oscar, bouquet in hand, back from his trip. Am I interrupting anything?
Estrella wants Moni to hurry and open more bottles, they’re asking her for several glasses of “capitán sabanón”. Moni corrects her, it’s caparne souvon (yeah, right). She knows, because once they made her repeat it ten times at some other event. Estrella goes to check on Paula, and our little muse is sitting on the floor, hair in face, bottle in hand, sandaled leg extended langorously, feeling no pain.
Oscar realizes his bouquet won’t win Gabi’s heart, and she reminds him, it was his own actions which drove her into the arms of another man.
Mauricio arrives at the winefest, and who’s right behind him, but Connie (having gotten the info from his appointment book). She pretends to be surprised to see him there, stating she came with friends. Moni sees them immediately, but they don’t see her. They clink glasses in a toast, and Moni needs a drink herself, which she gulps down, and it awakens her brain, as she says to herself Cabernet Sauvignon, the actual name of the wine! But a glass isn’t enough, so she starts swigging directly from the bottle. Drunk Paula joins her, and the two are getting sloshed, as Estrella finally shows up, aghast that Moni’s drinking, why? Moni just points to Mau and Connie on the other side of the room. Moni needs to forget.
Connie gets a call from Beto, but she says she’s moved on, don’t call her again (we’ll see about that). Meanwhile, Moni and Paula are fighting over the booze, Estrella’s complaining that they’ll look incompetent, and could mess up the uniforms, so Paula starts to take hers off. Moni wants to beat up Connie, but Estre holds her back. But not for long. As Mau and Connie start to leave, Moni runs into the corridor, bottle in hand, aiming to hit someone! The other girls stop her, but she screams that Mau and Connie mistreat poor people, and that she used to be happy until Mau came into her life. Connie remarks about how pitiful she is, the low-class alcoholic. Mau, though, urges her to calm down, they’ll talk when she’s sober, and he leaves, as she sobs, the other two little angels trying to comfort her – she’s lost her wings.
After the commercial, blam! El Colmillos, the scary moneylender, claps his hands to awaken Beto from his usual stupor. He wants his money. He wants it tomorrow. And does Beto know what happens if he doesn’t pay? Right, broken legs. And if he doesn’t pay the next day? Broken arms. Beto wants to work something out. His Mom could cook for Colmillos, wash his clothes, whatever. No dice, Colmillos has three dames catering to his every need. So get the money by tomorrow or else.
Back in the barrio, Estrella is leading our two drunkettes back to casa. As she helps Paula into her place, Moni is despondent, saying don’t leave me, don’t abandon me, my Mamá abandoned me, she sadly squeals. But from behind, tall, handsome, calm Mauricio approaches, he’ll never abandon her. She turns to face him, as romantic strings play their song of love.
In the office, it sounds as if the cavalry has arrived, but in reality, it’s Beto, Costeño, some wrestlers, and pretty much the entire barrio, all sporting huge drums, pounding madly on them. What’s going on? asks Salvador. Can’t you see? It’s a strike (un paro laboral). Sal reminds Beto he doesn’t work there, how can he go on strike? Beto doesn’t care, if they don’t pay Moni, Paula and him what is due, nobody’s getting into the elevator. The drumming resumes.
Moni sniffles into Mau’s hanky, starts apologizing, slurring her words, he’s so good to her, and she knows she’s been saying terrible things to him, telling lie after lie. Don’t worry, says Mau, you just need to get some rest, and we can talk tomorrow. No, she’s through with the lying, never again will she lie, and she wants to tell him the truth, right now. She gives him the keys, he unlocks the door, and, swaying drunkenly, she proceeds. Beto and I…..hic! Are you sure you want to tell me now? asks Mau. Moni puts her arms around him for support. Beto and I are… are…and she passes out in his arms, and starts snoring (as our galán has to fight back laughter). He kicks open the door and carries her in.
Back at Drumline, barrio version, Sal asks them to stop right now with this commotion (zafarrancho), and leave…now! Nope, you pay, or we stay. The drumming starts again, and Gabi’s really digging it now, smiling and dancing a little.
Mauricio tucks our sleeping beauty into bed, and eyes closed, she says she loves him too. Then why lie? She’s afraid. Afraid he’ll stop loving her. He says that wouldn’t happen, but she says it would. She puckers up, asks him to kiss her goodnight, but as he leans in, she falls back to sleep, and he kisses her cheek, saying sleep well.
His phone then rings, and Sal fills him in on the demonstration. Mauricio says to tell Beto that he, Paula and Moni have their jobs back, and tomorrow, he’ll apologize. Sal does, the mob exults in victory, and Gabi says “now that’s divine justice” (and I think she’s hinting at how divine she thinks Mau is).
Señor Divino is writing a note to Moni. He signs with a flourish, neatly folds the paper, and places it in the hands of sleeping Moni. He tells her he loves her, she’s his life, and he kisses her on the lips. He turns off the lights, leaves smiling, but in the shadows, Nieves sees him! She enters Moni’s apartment, sees the note, snatches it from Moni’s grip, and reads it in the moonlight. Muy impactada, she says to herself “I knew it. Those two are lovers!” She tucks the note in her blouse and walks out with a very serious look on her face.
So now it’s morning, Moni can’t quite get out of bed, although Paula doesn’t look too bad, and Beto looks energetic in his green tee-shirt, which reads something like “Will trade mother-in-law for snake. I’ll pay the difference”. He tells her it’s time to go back to work, he got their jobs back, now they can pretty much run the place. Moni won’t return to that place full of shrews, no way. Paula ask what’s wrong, when apparently SHE lets out a little fart, and Beto says what a stink (qué tufo), you too?
Paula gets to work, and Gabi immediately asks where Beto is. She replies that she can’t do the cleaning (aseo) and be his nanny (andar de pilmana) at the same time. Gabi has an envelope for Beto to deliver to Ximena, who is presently at Connie’s place, and here’s the address. (Hmmm. I love how they always have these envelopes as plot devices, and of course this supposedly multi-million dollar Sermeño Group would never dream of using commercial messenger services. I also wonder how all our messengers get around – we never see Moni or Beto take a bus or a taxi to get to Mau’s house, they just pop in a few seconds later. Works for me.) Mau arrives, asks Paula to remind Moni to bring his coffee, but is told Moni’s not comin’ back to the place full of shrews.
Moni can’t believe she drank so much, she doesn’t even like wine, when Nieves enters without knocking, big chip on shoulder. She throws the note at Moni (I’m glad, I sort of thought she’d destroy it). Moni reads it, surprised, where did it come from? Nieves, furious, tells her Mau left it in Moni’s bed last night, how could Moni do this to her Betito? She reads the note to Moni. “I can’t live without you. That kiss you saw between Constanza and me was not a true kiss. I love you. Mauricio”. Nieves snarls this last part, a scornful expression on her lips. Moni wants the note, but Nieves snatches it away, she’ll keep it. She warns Moni not to betray Beto, or else. Moni’s cell rings, and Nieves says it’s him, answer it. With shaking hand, she picks up. Mau asks if she got the note. She says yes, tears streaming down her face, as Nieves glares at her. There’s silence, and Mau asks doesn’t she have anything to tell him? I do. It’s over, Mauricio.
After the commercial, Beto, now wearing his cleaning crew outfit which matches Paula’s, shows up magically at Connie’s door, envelope in hand. He’s surprised to see her (doesn’t realize this is her place), has an envelope for Ximena. Connie affirms Ximmy “was” here, takes the envelope, tells Beto to scoot. He’s taken aback, she shouldn’t treat him like a dog, but she says things have changed. It’s over between them (maybe I should be counting how many times in this episode people have said it’s over). He accuses her of exchanging him for Aldo. She picks up the phone, and he wonders if she’s calling another young boy, but she’s actually calling the cops. No need for that, he’ll leave, but he wants a favor he says, starting to breathe deeper, she’s also heating up. But it’s not a kiss, he wants a loan, and she kicks him out, flinging open the door, as Ximena tumbles in. Beto gives her the envelope and leaves.
Ximmy opens it, it’s her monthly allowance, her cousin Mau never forgets her. She has three words for Connie. “You’re in trouble” (paraphrased, but I made it 3 words). She heard through the door Beto asking for a loan, thinks he’s blackmailing Connie, threatening to tell about their relationship. Connie has one thing to tell Ximmy, who says “Oh, so now you’re copying me?”
In the office, Mau’s at his wit’s end. Sal counsels calm, he should think about something else, like WORK, for example? Gabi bursts in, the place is in chaos (again), Paula left, Beto’s out, Moni hasn’t shown up. How can she fill the vacancy (vacante)? Hire a replacement, says Mau, to Gabi’s surprise. Yes, that’s an order. Sal asks Mau if he’s sure, and he replies that Moni left, he didn’t fire her, if that’s what she wants, fine.
But I don’t know if that’s what Moni wants, as she’s crying in bed as Estre (looking a lot classier than usual) drops by. What happened, Moni, did Beto find out? No, it was Nieves. Moni continues, she has to break up with Mauricio. She’s too cowardly to do otherwise. She played at being a princess, but she’s really a boxer. And she’s been Beto’s novia for ever. She resigns herself to fate, asking Estrella not to leave her alone.
That night, in Jerry’s apartment, it’s time for another plan with Oscar. They’ve heard that Mau wants to hire a replacement for Moni, and Oscar has just the gal to keep them informed, from the inside – Anastasia!
Estrella has come to the office to talk to Mauricio. How could he give up on Moni so fast? He says she gave up on him. Estre tells Mau how that note he sent was found by someone, she won’t say who, and that caused tons of problems, because Moni’s crazy about you! Really, says Mau, smiling again, Estrella, you’re are so cute. Estre knows it, thinks Mau can’t resist her beauty, like all the others, closes her eyes, puckers up for his kiss, and he does kiss her, but on the cheek, as she fans herself, needs a cold shower. Whew!
The elevator door opens, and the heat rises even more, as a brunette bombshell, wearing a low cut, short halter dress pauses for a little wardrobe adjustment, causing three guys’ eyes to bug out of their heads. Chest thrust out, high heels clicking, she strides into the oficina, says hi to all, tells Gabi she’s here for the job. Gabi gives her a form to fill out, she sits down, and we see Salvador enter, only to be immediately drawn to the sight of her lovely crossed legs like a bee to honey. He tells Gabi he wants to interview this señorita personally, which intrigues Gabi, but Sal says strangely, this is the only young lady who has shown up. Gabi’s not surprised, must be the rumor floating around. What rumor? Well, that in this company, there’s a dirty old man who’s harassing all the ladies (hint, hint). Paula confirms it, as they look at Sal accusingly.
Outside the main entrance to the building, we see what’s going on, as another young lady shows up, only to be intercepted by Jerry. He tells her there’s a problem in the building, but if she gives her telephone number, maybe they can go out tonight, he’s got another job for her. She’s grossed out and leaves, as Oscar tells Jerry they’re supposed to turn away the applicants, not try to pick them up. Jerry doesn’t want to let such good “material” go to waste. Oscar thinks he's wasting his time (both use the word desperdiciar) with this fool, leaves Jerry to take care of things. Another young lady approaches, is she here for the job? No, but Jerry tries to pick her up anyway, as she passes by him, disgusted.
Moni, in gym clothes, enters Estrella’s apartment. Estre says she should go back to work, they’re going to replace her. Moni already knows, Paula told her, but how does Estre know? Estre tells her how she went to Mau’s office, and how Mau’s eyes lit up when she told him that Moni was dying for him (was hasta las mañanitas for him, which might translate to being up all night for him). Estre thought Mau might search for Moni, but Moni says she waited around, and no Mau. Estre says Moni should talk to Mau, but Moni says she deserves what’s happening, for being a liar. She hates herself for what she’s doing to Beto, and she hates herself even more for what she’s doing to Mauricio.
At the gym, Don Cesar is shouting encouragement to some fighters when Mauricio enters, looking serious. He tells Don Cesar he’s in love with Moni, and he will not allow Don Cesar, a man who’s married and is way older than Moni, to be Moni’s boyfriend. Don Cesar is tired of this whole thing. Between him and La Monita there’s nothing, they’re not novios, not lovers, not anything. It’s all a huge lie that Moni has been telling Mauricio. Mauricio’s mouth opens wide. Finally a secret has come out!
Two seconds later, he’s at Moni’s place, he has something to say. He’s just been at Don Cesar’s, he now knows that Don Cesar is not her novio. The lies are over. She’ll tell him right now. Who is her novio? In walks Nieves, hands on hips. Tell him, Monita. Tell the gentlemen, who is your novio! Moni looks like a deer in the headlights, and the episode ends.
And once again, Monday looks incredible (love those previews), with Nieves apparently showing Beto Mau’s love note to Moni, Colmillo’s henchmen gunning for Beto, and Mau saying to Moni, wanna go steady?
Vocabulario:
Runfla de balagardos – gang of bums
Un paro laboral – a strike, literally, a work stoppage
Zafarrancho – commotion, or chaos
Qué tufo – what a stink
Pilmana – a nanny
Vacante – a job vacancy
Desperdiciar – to waste
Second alternate: Winefest, or Whinefest
In solidarity with La Monita, she and Paula (and Beto) are now sin chamba (out of work), and Moni, Paula and Estrella are debating what to do. Moni thinks she can support everybody with her boxing, but no one’s buying that. Paula’s concerned about losing her business career, all for just one kiss of La Mómia (Connie). But Estrella has gotten them all a job, at an event, and the salary is good. Mau knocks on the door, and Moni tells him what they had is over forever (para siempre, which typically mean just the opposite in novelas). She slams the door in his face, and comes back inside crying.
Connie’s on the couch playing with her hair, as Ximmy opens the door for Jerry. He can’t understand why Con’s not in Mau’s bed, still playing the nutcase (which really wasn’t such a stretch for her). Because it didn’t work, like all your plans, she hisses back. Not to worry, announces Jerry. I’ve just gotten rid of the whole gang of bums (runfla de balagardos). This cheers Connie WAY up, and she hugs Jerry, who disgustingly “comforts” her a little too long.
As Paula and Estre try to comfort Moni, there’s another knock on the door, and they think Mau’s back. But this time it’s Beto, who wants to talk to Moni in private. He assures her that “Even though we ain’t got money, I’m still in love with you honey”. He actually says even if they just have animal crackers and lettuce at the wedding, they’ll get married, because those expensive things don’t matter. For their honeymoon, they can go for a day in the country, or walk along the coastline. His Mom can make them a picnic basket. The important thing is that he loves her, and he gives her a reassuring hug.
Connie has a new plan. She tells Jerry to check Mau’s appointment book. She wants to know everything he’s going to do (to tell you the truth, I don’t think Mau knows what he’s going to do from one minute to the next, and I’ve never once seen him consult any appointment book, but let’s not quibble). Jerry loves it when Connie gives him orders, and kneels down to kiss her feet.
We see some clouds, and boom! It’s the next day. We’re at a high class event, some sort of wine and cheese exposition, and our three girls are dressed as Greek goddesses, with white, one-shouldered togas and headbands (all worn differently). They actually look like little angels. Paula complains she always gets the worst uniform, and hers doesn’t fit, as she adjusts the bust. Estre says not to complain, the pay’s good, all they have to do is smile and serve some wine. If fact, there are several bottles of wine in front of them at their little serving station, and Estre thinks they should practice pouring. Moni fills the glass almost to the brim, and Estre reminds her that these people just drink to savor the wine, not to get drunk, so just put a little in the cup. Well, Paula doesn’t want it to go to waste (and she’s still mad at Moni about losing her job), so she chugs down the entire glass.
Meanwhile, Salvador tells Mau that Mau has to go to a wine exposition (gee, wonder which one?). Gabi (looking really pretty in a red, white and black top, with a single strand of pearls) is bored, she misses Moni, Paula and Beto, this place isn’t the same without them. She wants Sal to think of something they can do, and asks Sal to think, think with that wonderful mind you have, handsome (guapetón), which perks Sal right up. He comes around behind her, hugs her, and she pulls away, this has to stop, or she’ll go to Human Resources, and charge him with sexual harassment. His response? Kiss me, kiss me, and he pulls her in for a kiss, just as who should enter? Oscar, bouquet in hand, back from his trip. Am I interrupting anything?
Estrella wants Moni to hurry and open more bottles, they’re asking her for several glasses of “capitán sabanón”. Moni corrects her, it’s caparne souvon (yeah, right). She knows, because once they made her repeat it ten times at some other event. Estrella goes to check on Paula, and our little muse is sitting on the floor, hair in face, bottle in hand, sandaled leg extended langorously, feeling no pain.
Oscar realizes his bouquet won’t win Gabi’s heart, and she reminds him, it was his own actions which drove her into the arms of another man.
Mauricio arrives at the winefest, and who’s right behind him, but Connie (having gotten the info from his appointment book). She pretends to be surprised to see him there, stating she came with friends. Moni sees them immediately, but they don’t see her. They clink glasses in a toast, and Moni needs a drink herself, which she gulps down, and it awakens her brain, as she says to herself Cabernet Sauvignon, the actual name of the wine! But a glass isn’t enough, so she starts swigging directly from the bottle. Drunk Paula joins her, and the two are getting sloshed, as Estrella finally shows up, aghast that Moni’s drinking, why? Moni just points to Mau and Connie on the other side of the room. Moni needs to forget.
Connie gets a call from Beto, but she says she’s moved on, don’t call her again (we’ll see about that). Meanwhile, Moni and Paula are fighting over the booze, Estrella’s complaining that they’ll look incompetent, and could mess up the uniforms, so Paula starts to take hers off. Moni wants to beat up Connie, but Estre holds her back. But not for long. As Mau and Connie start to leave, Moni runs into the corridor, bottle in hand, aiming to hit someone! The other girls stop her, but she screams that Mau and Connie mistreat poor people, and that she used to be happy until Mau came into her life. Connie remarks about how pitiful she is, the low-class alcoholic. Mau, though, urges her to calm down, they’ll talk when she’s sober, and he leaves, as she sobs, the other two little angels trying to comfort her – she’s lost her wings.
After the commercial, blam! El Colmillos, the scary moneylender, claps his hands to awaken Beto from his usual stupor. He wants his money. He wants it tomorrow. And does Beto know what happens if he doesn’t pay? Right, broken legs. And if he doesn’t pay the next day? Broken arms. Beto wants to work something out. His Mom could cook for Colmillos, wash his clothes, whatever. No dice, Colmillos has three dames catering to his every need. So get the money by tomorrow or else.
Back in the barrio, Estrella is leading our two drunkettes back to casa. As she helps Paula into her place, Moni is despondent, saying don’t leave me, don’t abandon me, my Mamá abandoned me, she sadly squeals. But from behind, tall, handsome, calm Mauricio approaches, he’ll never abandon her. She turns to face him, as romantic strings play their song of love.
In the office, it sounds as if the cavalry has arrived, but in reality, it’s Beto, Costeño, some wrestlers, and pretty much the entire barrio, all sporting huge drums, pounding madly on them. What’s going on? asks Salvador. Can’t you see? It’s a strike (un paro laboral). Sal reminds Beto he doesn’t work there, how can he go on strike? Beto doesn’t care, if they don’t pay Moni, Paula and him what is due, nobody’s getting into the elevator. The drumming resumes.
Moni sniffles into Mau’s hanky, starts apologizing, slurring her words, he’s so good to her, and she knows she’s been saying terrible things to him, telling lie after lie. Don’t worry, says Mau, you just need to get some rest, and we can talk tomorrow. No, she’s through with the lying, never again will she lie, and she wants to tell him the truth, right now. She gives him the keys, he unlocks the door, and, swaying drunkenly, she proceeds. Beto and I…..hic! Are you sure you want to tell me now? asks Mau. Moni puts her arms around him for support. Beto and I are… are…and she passes out in his arms, and starts snoring (as our galán has to fight back laughter). He kicks open the door and carries her in.
Back at Drumline, barrio version, Sal asks them to stop right now with this commotion (zafarrancho), and leave…now! Nope, you pay, or we stay. The drumming starts again, and Gabi’s really digging it now, smiling and dancing a little.
Mauricio tucks our sleeping beauty into bed, and eyes closed, she says she loves him too. Then why lie? She’s afraid. Afraid he’ll stop loving her. He says that wouldn’t happen, but she says it would. She puckers up, asks him to kiss her goodnight, but as he leans in, she falls back to sleep, and he kisses her cheek, saying sleep well.
His phone then rings, and Sal fills him in on the demonstration. Mauricio says to tell Beto that he, Paula and Moni have their jobs back, and tomorrow, he’ll apologize. Sal does, the mob exults in victory, and Gabi says “now that’s divine justice” (and I think she’s hinting at how divine she thinks Mau is).
Señor Divino is writing a note to Moni. He signs with a flourish, neatly folds the paper, and places it in the hands of sleeping Moni. He tells her he loves her, she’s his life, and he kisses her on the lips. He turns off the lights, leaves smiling, but in the shadows, Nieves sees him! She enters Moni’s apartment, sees the note, snatches it from Moni’s grip, and reads it in the moonlight. Muy impactada, she says to herself “I knew it. Those two are lovers!” She tucks the note in her blouse and walks out with a very serious look on her face.
So now it’s morning, Moni can’t quite get out of bed, although Paula doesn’t look too bad, and Beto looks energetic in his green tee-shirt, which reads something like “Will trade mother-in-law for snake. I’ll pay the difference”. He tells her it’s time to go back to work, he got their jobs back, now they can pretty much run the place. Moni won’t return to that place full of shrews, no way. Paula ask what’s wrong, when apparently SHE lets out a little fart, and Beto says what a stink (qué tufo), you too?
Paula gets to work, and Gabi immediately asks where Beto is. She replies that she can’t do the cleaning (aseo) and be his nanny (andar de pilmana) at the same time. Gabi has an envelope for Beto to deliver to Ximena, who is presently at Connie’s place, and here’s the address. (Hmmm. I love how they always have these envelopes as plot devices, and of course this supposedly multi-million dollar Sermeño Group would never dream of using commercial messenger services. I also wonder how all our messengers get around – we never see Moni or Beto take a bus or a taxi to get to Mau’s house, they just pop in a few seconds later. Works for me.) Mau arrives, asks Paula to remind Moni to bring his coffee, but is told Moni’s not comin’ back to the place full of shrews.
Moni can’t believe she drank so much, she doesn’t even like wine, when Nieves enters without knocking, big chip on shoulder. She throws the note at Moni (I’m glad, I sort of thought she’d destroy it). Moni reads it, surprised, where did it come from? Nieves, furious, tells her Mau left it in Moni’s bed last night, how could Moni do this to her Betito? She reads the note to Moni. “I can’t live without you. That kiss you saw between Constanza and me was not a true kiss. I love you. Mauricio”. Nieves snarls this last part, a scornful expression on her lips. Moni wants the note, but Nieves snatches it away, she’ll keep it. She warns Moni not to betray Beto, or else. Moni’s cell rings, and Nieves says it’s him, answer it. With shaking hand, she picks up. Mau asks if she got the note. She says yes, tears streaming down her face, as Nieves glares at her. There’s silence, and Mau asks doesn’t she have anything to tell him? I do. It’s over, Mauricio.
After the commercial, Beto, now wearing his cleaning crew outfit which matches Paula’s, shows up magically at Connie’s door, envelope in hand. He’s surprised to see her (doesn’t realize this is her place), has an envelope for Ximena. Connie affirms Ximmy “was” here, takes the envelope, tells Beto to scoot. He’s taken aback, she shouldn’t treat him like a dog, but she says things have changed. It’s over between them (maybe I should be counting how many times in this episode people have said it’s over). He accuses her of exchanging him for Aldo. She picks up the phone, and he wonders if she’s calling another young boy, but she’s actually calling the cops. No need for that, he’ll leave, but he wants a favor he says, starting to breathe deeper, she’s also heating up. But it’s not a kiss, he wants a loan, and she kicks him out, flinging open the door, as Ximena tumbles in. Beto gives her the envelope and leaves.
Ximmy opens it, it’s her monthly allowance, her cousin Mau never forgets her. She has three words for Connie. “You’re in trouble” (paraphrased, but I made it 3 words). She heard through the door Beto asking for a loan, thinks he’s blackmailing Connie, threatening to tell about their relationship. Connie has one thing to tell Ximmy, who says “Oh, so now you’re copying me?”
In the office, Mau’s at his wit’s end. Sal counsels calm, he should think about something else, like WORK, for example? Gabi bursts in, the place is in chaos (again), Paula left, Beto’s out, Moni hasn’t shown up. How can she fill the vacancy (vacante)? Hire a replacement, says Mau, to Gabi’s surprise. Yes, that’s an order. Sal asks Mau if he’s sure, and he replies that Moni left, he didn’t fire her, if that’s what she wants, fine.
But I don’t know if that’s what Moni wants, as she’s crying in bed as Estre (looking a lot classier than usual) drops by. What happened, Moni, did Beto find out? No, it was Nieves. Moni continues, she has to break up with Mauricio. She’s too cowardly to do otherwise. She played at being a princess, but she’s really a boxer. And she’s been Beto’s novia for ever. She resigns herself to fate, asking Estrella not to leave her alone.
That night, in Jerry’s apartment, it’s time for another plan with Oscar. They’ve heard that Mau wants to hire a replacement for Moni, and Oscar has just the gal to keep them informed, from the inside – Anastasia!
Estrella has come to the office to talk to Mauricio. How could he give up on Moni so fast? He says she gave up on him. Estre tells Mau how that note he sent was found by someone, she won’t say who, and that caused tons of problems, because Moni’s crazy about you! Really, says Mau, smiling again, Estrella, you’re are so cute. Estre knows it, thinks Mau can’t resist her beauty, like all the others, closes her eyes, puckers up for his kiss, and he does kiss her, but on the cheek, as she fans herself, needs a cold shower. Whew!
The elevator door opens, and the heat rises even more, as a brunette bombshell, wearing a low cut, short halter dress pauses for a little wardrobe adjustment, causing three guys’ eyes to bug out of their heads. Chest thrust out, high heels clicking, she strides into the oficina, says hi to all, tells Gabi she’s here for the job. Gabi gives her a form to fill out, she sits down, and we see Salvador enter, only to be immediately drawn to the sight of her lovely crossed legs like a bee to honey. He tells Gabi he wants to interview this señorita personally, which intrigues Gabi, but Sal says strangely, this is the only young lady who has shown up. Gabi’s not surprised, must be the rumor floating around. What rumor? Well, that in this company, there’s a dirty old man who’s harassing all the ladies (hint, hint). Paula confirms it, as they look at Sal accusingly.
Outside the main entrance to the building, we see what’s going on, as another young lady shows up, only to be intercepted by Jerry. He tells her there’s a problem in the building, but if she gives her telephone number, maybe they can go out tonight, he’s got another job for her. She’s grossed out and leaves, as Oscar tells Jerry they’re supposed to turn away the applicants, not try to pick them up. Jerry doesn’t want to let such good “material” go to waste. Oscar thinks he's wasting his time (both use the word desperdiciar) with this fool, leaves Jerry to take care of things. Another young lady approaches, is she here for the job? No, but Jerry tries to pick her up anyway, as she passes by him, disgusted.
Moni, in gym clothes, enters Estrella’s apartment. Estre says she should go back to work, they’re going to replace her. Moni already knows, Paula told her, but how does Estre know? Estre tells her how she went to Mau’s office, and how Mau’s eyes lit up when she told him that Moni was dying for him (was hasta las mañanitas for him, which might translate to being up all night for him). Estre thought Mau might search for Moni, but Moni says she waited around, and no Mau. Estre says Moni should talk to Mau, but Moni says she deserves what’s happening, for being a liar. She hates herself for what she’s doing to Beto, and she hates herself even more for what she’s doing to Mauricio.
At the gym, Don Cesar is shouting encouragement to some fighters when Mauricio enters, looking serious. He tells Don Cesar he’s in love with Moni, and he will not allow Don Cesar, a man who’s married and is way older than Moni, to be Moni’s boyfriend. Don Cesar is tired of this whole thing. Between him and La Monita there’s nothing, they’re not novios, not lovers, not anything. It’s all a huge lie that Moni has been telling Mauricio. Mauricio’s mouth opens wide. Finally a secret has come out!
Two seconds later, he’s at Moni’s place, he has something to say. He’s just been at Don Cesar’s, he now knows that Don Cesar is not her novio. The lies are over. She’ll tell him right now. Who is her novio? In walks Nieves, hands on hips. Tell him, Monita. Tell the gentlemen, who is your novio! Moni looks like a deer in the headlights, and the episode ends.
And once again, Monday looks incredible (love those previews), with Nieves apparently showing Beto Mau’s love note to Moni, Colmillo’s henchmen gunning for Beto, and Mau saying to Moni, wanna go steady?
Vocabulario:
Runfla de balagardos – gang of bums
Un paro laboral – a strike, literally, a work stoppage
Zafarrancho – commotion, or chaos
Qué tufo – what a stink
Pilmana – a nanny
Vacante – a job vacancy
Desperdiciar – to waste
Labels: gancho
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Thanks, Hombre. I loved the title. [Love the song , too...shout out to Lenny Kravitz.] Moni reminds me a little of Salma Hayek.
Permalink posted by 
: Saturday, August 29, 2009 at 3:27:00 PM EDT
: Saturday, August 29, 2009 at 3:27:00 PM EDT
Fantastic recap Hombre.Nieves is doing what any mother with a useless son would do,find him a good hardworking wife. Poor Moni, her lies are just getting too much. What does she owe Nieves for her to sell her soul and her love like this. Ximena seems to have all the info on all the players.It is a shame every one thinks she is nuts. I just love her.Connie and Beto should just get it on already.Is Connie's game greed or punishment. She seems to be into some kinky stuff and Beto just loves that.It is obvious she doesn't care or love Mau.She has money as she owns her business, so what is she after?
Hanna, md
Hanna, md
Permalink posted by : Saturday, August 29, 2009 at 5:11:00 PM EDT
: Saturday, August 29, 2009 at 5:11:00 PM EDT
Hann, I think she's after the prestige of being with Mau- rich, handsome, businessman, heir, athlete. But clearly she has a kinky/wild side that is turned on by Beto. Maybe that's why she designs and sells lingerie? ;)
Nieves is a hypocrite being so hard on Moni when she knows what Beto's been up to, in Moni's bed!
-Vivi in DC
Nieves is a hypocrite being so hard on Moni when she knows what Beto's been up to, in Moni's bed!
-Vivi in DC
Permalink posted by : Saturday, August 29, 2009 at 7:50:00 PM EDT
: Saturday, August 29, 2009 at 7:50:00 PM EDT
Hombre, another fabulous recap. Very funny. I wish that the girls hadn't drunk so much, but maybe it was important to the plot development. The strike was glorious. Beto was in complete control. I would like so much to see him in a serious gangster role.
Estrella's scene with Mao was great. She didn't let us down. Well, sort of.
Carlos
Estrella's scene with Mao was great. She didn't let us down. Well, sort of.
Carlos
Good morning all. I think Vivi hit the nail on the head. Coni wants to be tied to Mau for the prestige. She loves being on his arm when the cameras are around. But she is definitely into the kinky stuff as Hannah points out. She and Beto are made for each other. It's a little frustrating that they insist on staying with their current novios when they are obviously ga-ga for each other.
Hombre, is it my imagination or are they managing to pack even more action into these one-hour episodes? What a roller coaster ride this show is.
Poor Estrella, she tried to do her gal pals a favor and Pau and Moni ended up being complete disasters. (For once I agreed with Coni.) It made for a funny scene but I cringed for Estrella. Oh well, she didn't get in trouble for it so I guess it was OK.
Hombre, thanks so much for the terrific recap of a long and full episode. Thank you for pointing out that everyone kept saying "it's over". Your title and your alternate titles are absolutely perfect!
Hombre, is it my imagination or are they managing to pack even more action into these one-hour episodes? What a roller coaster ride this show is.
Poor Estrella, she tried to do her gal pals a favor and Pau and Moni ended up being complete disasters. (For once I agreed with Coni.) It made for a funny scene but I cringed for Estrella. Oh well, she didn't get in trouble for it so I guess it was OK.
Hombre, thanks so much for the terrific recap of a long and full episode. Thank you for pointing out that everyone kept saying "it's over". Your title and your alternate titles are absolutely perfect!
From Sylvia's post:
I'll put this over on the next day's too, but this was a jam packed episode and you caught all the best parts. I watched it late, so am commenting late too obviously, but it was sure hysterical!! Agreed Xime is outstanding in her role, and really the acting all around is just fab...I agree...more folks should be watching this thye don't know whatthey are missing!!!
PS love the photo!!!
I'll put this over on the next day's too, but this was a jam packed episode and you caught all the best parts. I watched it late, so am commenting late too obviously, but it was sure hysterical!! Agreed Xime is outstanding in her role, and really the acting all around is just fab...I agree...more folks should be watching this thye don't know whatthey are missing!!!
PS love the photo!!!
Great title hombre. Another jam packed episode again you jam packed your recap!
I was sort of melting at Beto's no money promise (I think he said they would go for a day in the country, though, to a particular town, not camping) he was so endearing, and I feel bad for him for a moment when he's like that, until I see him rustle up Coni's feathers, then I remember he's sweet, but not that sweet. Thank heavens they give us that, otherwise I'd feel so bad for him getting horned on. :) On the otherside, Coni, not so much because she's just a meanie.
Anyway, I must admit, I love this show and it's humor and great characters and think more folks should be watching, but I am getting tired of the cat and mouse game, I mean, how much longer can this go on before we just want to punch all of them. I liked Estre's no nonsense she digs you, you her, so go and get her already. It might be time for a beanie for me....
I was sort of melting at Beto's no money promise (I think he said they would go for a day in the country, though, to a particular town, not camping) he was so endearing, and I feel bad for him for a moment when he's like that, until I see him rustle up Coni's feathers, then I remember he's sweet, but not that sweet. Thank heavens they give us that, otherwise I'd feel so bad for him getting horned on. :) On the otherside, Coni, not so much because she's just a meanie.
Anyway, I must admit, I love this show and it's humor and great characters and think more folks should be watching, but I am getting tired of the cat and mouse game, I mean, how much longer can this go on before we just want to punch all of them. I liked Estre's no nonsense she digs you, you her, so go and get her already. It might be time for a beanie for me....
Kris (Gancho), you're right, I sort of messed up Beto's description of the no money/honeymoon, I've fixed it now to better show the mood, thanks! You're right, he really is a romantic, but of course, his dalliance with Connie doesn't help his case.
Susanlynn - I agree, Moni DOES look like Salma Hayek.
Carlos: I think being drunk is such a good plot device, they have to show every character getting drunk at least once. So far, we've had Paula twice, Beto, Gabi and Moni. And Connie and Ximena got high on paint thinner! Who's next?
I was also thinking that Ximena and Jerry do seem like siblings, in that they're both tall, both a little bumbling. Of course, she has a good heart, and he...well, maybe they're not so similar :)
Susanlynn - I agree, Moni DOES look like Salma Hayek.
Carlos: I think being drunk is such a good plot device, they have to show every character getting drunk at least once. So far, we've had Paula twice, Beto, Gabi and Moni. And Connie and Ximena got high on paint thinner! Who's next?
I was also thinking that Ximena and Jerry do seem like siblings, in that they're both tall, both a little bumbling. Of course, she has a good heart, and he...well, maybe they're not so similar :)
Hombre, don't leave out Aldo. Thanks to uncle Jerry, he had a brief flirtation with Tequila. So far, Mao has professed being a non-drinker, though he does seem to enjoy the occasional glass of wine. Will we ever see him succumb to demon-rum?
Carlos
Carlos
Many thanks for the wonderful recap and vocab Hombre. I agree with the other posts that this show continues to charm.
Also, thanks for your great recap and vocab Sylvia. The two highlights of the show were (as you stated) Mau playing Connie and Ximena dancing.
Kris - I too wish more people were watching this show as it is a riot. The up side for us is that our community for this novela is small and intimate.
Hanna - ITA with you so much regarding Nieves. I think Moni has misplaced sense of obligation to Nieves and Beto and that's why she sticks with Beto. Nieves reminds me of Damien's Mom from MEPS; these women are so delusional about their sons.
Also, thanks for your great recap and vocab Sylvia. The two highlights of the show were (as you stated) Mau playing Connie and Ximena dancing.
Kris - I too wish more people were watching this show as it is a riot. The up side for us is that our community for this novela is small and intimate.
Hanna - ITA with you so much regarding Nieves. I think Moni has misplaced sense of obligation to Nieves and Beto and that's why she sticks with Beto. Nieves reminds me of Damien's Mom from MEPS; these women are so delusional about their sons.
Let me add my voice to those who are baffled that this show is not more popular than it appears to be. I wonder, then, how it was received in Mexico. I fully understand the appeal of even the hokey serious TNs, but this is so fresh and refreshing that I would have bet more would be tuning in. Each episode is like an episode of a well-written sit-com, but for an hour each day. So far, everyone involved has been tops. Casting of this show reflects genius and understanding. The writing and directing are superb. And the acting, well...
Carlos
Carlos
Carlos, since I think there are over 200 episodes (although some could have originally been 1/2 hour ones), it must have been pretty popular in México. I think Jarocha said she saw it the first time. Jarocha, if you read this, was it popular in México?
Hombre: You had me at the title. One of your best recaps ever. Stellar. Wonderful embedded vocabulary i.e. "runfla de balagardos" and your list was also great.
Too many excellent phrases to list but "Drumline, barrio version" and "Señor Divino" were my favorites.
Great comments as well. I also wish more were watching and commenting. The show is great but the recappers are even better.
Diana in MA
Too many excellent phrases to list but "Drumline, barrio version" and "Señor Divino" were my favorites.
Great comments as well. I also wish more were watching and commenting. The show is great but the recappers are even better.
Diana in MA
Permalink posted by : Monday, August 31, 2009 at 8:27:00 AM EDT
: Monday, August 31, 2009 at 8:27:00 AM EDT
Good morning Hombre. Just too tired out from trip to Charlotte to comment yesterday but fabulous recap. Hope the show is as good and that my son remembered to record it for me.
Have to ditto Diana's favorite lines and that great vocabulary. It's so wonderful to be entertained twice (show and recap) and to learn more Spanish as well. Such a deal!
Always appreciate your musical asides as well...adds to the fun.
Time in Charlotte was a little like this show. Non-stop mayhem in a fun way. Baby Jack loves to try an imitate anything his sister does. His attempts at gymnastics are a hoot.
PS Carlos, I remember your warning about the moniker "Baby Jack" sticking forever. I promise to stop soon!
Have to ditto Diana's favorite lines and that great vocabulary. It's so wonderful to be entertained twice (show and recap) and to learn more Spanish as well. Such a deal!
Always appreciate your musical asides as well...adds to the fun.
Time in Charlotte was a little like this show. Non-stop mayhem in a fun way. Baby Jack loves to try an imitate anything his sister does. His attempts at gymnastics are a hoot.
PS Carlos, I remember your warning about the moniker "Baby Jack" sticking forever. I promise to stop soon!
Judy: Glad you're having a good time with your nietos. Are you teaching them any Spanish? My father tried to teach my own kids French, but they were already in their teens, and while they were polite about it, I don't think the lessons ever accomplished too much (except Grandparent-child bonding, which is always nice).
Kate loves words and likes it when I sing to her in French. Then she wants me to sing to her in Spanish but alas, I don't know any songs!
She also asks me the Spanish words for things and knows "arriba" and "abajo" but doesn't trill the "r",...she pronounces it with a hard American "r"even though I model it for her with a good trill. She was better at age 2 when she was a fan of Dora the Explorer and was repeating those words.
Hopefully she'll start studying Spanish early enough (there are many Latinos in North Carolina) that she'll become really fluent and have a good accent as well.
Jack has a babysitter from Peru who speaks Spanish to him but so far the only words he says are Dada, Kate and "truck"...his Holy Trinity (poor mom). Nada in español.
She also asks me the Spanish words for things and knows "arriba" and "abajo" but doesn't trill the "r",...she pronounces it with a hard American "r"even though I model it for her with a good trill. She was better at age 2 when she was a fan of Dora the Explorer and was repeating those words.
Hopefully she'll start studying Spanish early enough (there are many Latinos in North Carolina) that she'll become really fluent and have a good accent as well.
Jack has a babysitter from Peru who speaks Spanish to him but so far the only words he says are Dada, Kate and "truck"...his Holy Trinity (poor mom). Nada in español.
Great recap, H de M.
I loved the Greek goddess scene. Notice that nobody asked them for wine. Guess seeing them drinking from the bottles was a turnoff - ya think?? I also noticed that nobody paid any attention to the shouting arguments. A fellow standing right behind them didn't even turn around. You'd think he would have been curious...
Estrella was so cute when she went to Mau's office to talk to him. She just seems to take life in stride. Gotta love her!
I loved the Greek goddess scene. Notice that nobody asked them for wine. Guess seeing them drinking from the bottles was a turnoff - ya think?? I also noticed that nobody paid any attention to the shouting arguments. A fellow standing right behind them didn't even turn around. You'd think he would have been curious...
Estrella was so cute when she went to Mau's office to talk to him. She just seems to take life in stride. Gotta love her!
Judy, glad that you are back and safe. Usually you are the first or at least one of the first to comment, so it's reassuring that you're back today. In a late comment last week, I mentioned that I had not heard of Arthur Schnitzler, but now of course I have and have even read a bit of his work. Good to hear Baby Jack is doing well. I hold to my prediction that when he's 6ft. tall and shaving, he'll still be called (by family at least) Baby Jack.
Carlos
Carlos
HdM, great recap and I love all your titles.
I think Moni's squeaky drunken crying about her mother abandoning her, and how everyone abandons her, was the absolute saddest moment of this show so far. Then, the woman who took her in is trying to coerce her into a marriage she doesn't want. Poor girl; it's a good thing she's got Estrella on her side.
I think Moni's squeaky drunken crying about her mother abandoning her, and how everyone abandons her, was the absolute saddest moment of this show so far. Then, the woman who took her in is trying to coerce her into a marriage she doesn't want. Poor girl; it's a good thing she's got Estrella on her side.
Thank you for the fantastic recap Hombre! I always enjoy the way you have with words.
I have to say that my favorite part of this episode was watching Gaby having fun with the noise Beto was making with the strike.
Poor Estrella, she was just trying to help her friends and they could have gotten her in big trouble. That was just an in between job for them but I think that is the way she actually supports herself most of the time and they could have seriously hinder her image for future jobs.
Hombre: Gancho had a faithful audience and during the time it was a lead in to MEPS it got great ratings, constantly battling for the second place in ratings for Televisa. However, once MEPS was over and Sortilegio took over the 9 pm hour the ratings took a bit of a nosedive, though it was still good enough numbers for an 8 pm show with 220 episodes (all 1 hour eps). Comedic novelas are not that huge, "La Fea Mas Bella" is one of the few exceptions.
Speaking of LFMB, today "Los Exitosos Pérez" starts, with Jaime Camil and Ludwika Paleta in the lead roles. The storyline sounds pretty good. I'm sure Paula has missed Camil so hopefully you'll get that one too.
Jarocha
I have to say that my favorite part of this episode was watching Gaby having fun with the noise Beto was making with the strike.
Poor Estrella, she was just trying to help her friends and they could have gotten her in big trouble. That was just an in between job for them but I think that is the way she actually supports herself most of the time and they could have seriously hinder her image for future jobs.
Hombre: Gancho had a faithful audience and during the time it was a lead in to MEPS it got great ratings, constantly battling for the second place in ratings for Televisa. However, once MEPS was over and Sortilegio took over the 9 pm hour the ratings took a bit of a nosedive, though it was still good enough numbers for an 8 pm show with 220 episodes (all 1 hour eps). Comedic novelas are not that huge, "La Fea Mas Bella" is one of the few exceptions.
Speaking of LFMB, today "Los Exitosos Pérez" starts, with Jaime Camil and Ludwika Paleta in the lead roles. The storyline sounds pretty good. I'm sure Paula has missed Camil so hopefully you'll get that one too.
Jarocha
Permalink posted by : Monday, August 31, 2009 at 5:23:00 PM EDT
: Monday, August 31, 2009 at 5:23:00 PM EDT
Carlos...thanks for checking out Schnitzler. His short story "Snow" (Schnee) is one of the most beautiful pieces of work I have ever read. He is the only author I know whose German sounds graceful and gentle. I'm sure there are others, but he's the only one I know.
Hey Carlos...found your late posting and realize that you had already read our good doctor's work. I had two years of German in college and so when I worked for an American company in Vienna I was always expected to order for all my American work buddies when we went to a restaurant. Trouble was, my German wasn't THAT good. I'll never forget the time I decided to order Rahm for dessert because it sounded interesting. Sure was. They brought me a dish of whipped cream. Nothing else...ugh.
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