Friday, September 18, 2009

En Nombre del Amor, September 17, 2009

Rodolfo wants to confess to Padre Juan (Cristobal) about the secret Carlota revealed to him, so Cris goes off to retrieve his stole.

Angelica thanks Emiliano for telling her about the job opening at his office--it sounds like they’ve already offered it to her or are going to, and she’s going to accept. She gives him a hug and Aaron is conveniently in the park observing this with a smile on his face.

In the confessional, Rodolfo doesn’t have any sins of his own to confess, but those of Carlota. She told him a secret with the purpose of getting him away from Macarena, but it wasn’t what she confessed to him, it was the way in which she did it--behind her sister’s back, with rage (saña), with the intention of making Macarena out to be a bad woman without feelings or love for her own . . . . Rodolfo’s phone rings and he has to leave due to an emergency with one of his patients. Cris is left wondering what secret Carlota could have.

Diana is on the phone with someone she calls “compadre”, explaining that if Rafael doesn’t want anything to do with her, there’s no reason for her to stay in Real del Monte. She knows that Emiliano had a good job with him (the compadre) and he left it to return to RdM, but she’s sure that if he calls Emiliano and proposes that he come back, she’ll take care of getting E to accept it, because she’d go there to live with E. But don’t tell E that I called you.

Paloma notes that Macarena looks like she’s been crying, but Mac denies it and changes the subject to ask how things went at school. Paloma spoke to the mother superior to see if she could intervene on Angelica’s behalf, hopefully she can do something. Paloma mentions how nice the house feels without Carlota there, and they talk about the two of them going away together to begin a new life. Paloma thinks they could rent a place in Mexico City and could get a job with Natalia’s help, then wonders why Natalia hasn’t called yet as Padre Juan said she would. Macarena feels that leaving with Paloma would do them good, she doesn’t want to stay there either, so she’ll talk to Carlota when she returns. Rufi overhears this conversation and looks sad.

Rafael tries to get Camila to see him but she claims she can’t, she’d rather not see him.

German is in the park reading a book when Romina happens to pass by--she tries to talk to him but at first he ignores her. Romina points out that finally he’s free, she’s free, life is for having fun, don’t take it to heart so much. Yeah, you’re right, he agrees.

Camila cries as she reflects back on her various encounters with Rafael, their kiss, him comforting at the hospital, holding her hand, etc.

Emiliano informs Diana about the upcoming dedication event at his office, he wants her to meet Orlando. She wants to know if his father already knows Orly and if they got along well. Emiliano thinks they did, but there’s no reason why they shouldn’t. Diana announces that his father insists on divorcing her, and she’s not sure if she wants to keep living there. She whines that it’s very hard for her to live with Rafael’s rejection, especially with all the gossip in Real del Monte. Emiliano suggests Pachuca but she wants some place farther away. She doesn’t want to leave him so he assures her that if she moves away it doesn’t mean they won’t see each other.

Rufi runs into Edmundo, the mariachi, and he notices that she looks sad. Rufi explains that she heard Paloma and Macarena talking about leaving, and she wasn’t included in those plans. She doesn’t have anyone else besides them.

Cristobal has apparently asked Orlando for advice about the situation with Macarena and Rodolfo asking him for help, but Orly doesn’t know what to say. Cris says it’s very difficult for him to separate the priest from the man. Orly asks what Cris feels for Mac but he just sighs. Cris feels if he doesn’t find an answer soon he’s going to go crazy.

Rodolfo does a check up on Macarena and asks if she’s thought about his proposal. Yes, a lot, but I still haven’t made a decision--I can’t give you an answer until Carlota returns, I have to talk with her. He suggests that they talk with Carlota together, but Mac wants to resolve things with Carlota on her own. As soon as she does, she’ll give him her answer.

It’s been a while since we’ve been hit on the head with the bird metaphor, so today we get to see Paloma drawing a dove in flight. Rufi brings her some rags and then mopes a bit so Pal asks what’s wrong. Rufi pretends to be happy that Pal and Mac are making plans to high-tail it outta there, but admits that not being able to see them ever again makes her very sad. Paloma assures Rufi that if they leave, she’s coming with them, and she loves her, she’s like the grandmother she never knew.

Diana paces frantically while Ines asks what she’s going to do, she’s going to be discovered now. Diana is upset that Emiliano wants her at the inauguration party for his company. Ines comments on how ironic it is that Emiliano would end up getting along so well with the man who . . . “the man who ruined my life”, finishes Diana. Ines thinks Diana is exaggerating, after all, it was thanks to your condition as a woman alone and abandoned that you succeeded in getting Rafael. Diana gets offended, claiming she didn’t coax (engatusar) him, he accepted her and fell in love with her. Diana doesn’t know what she’s going to do (about avoiding Emil’s party), but has to find something that will prevent her from leaving the house.

Camila talks with Angelica about receiving letters from Samuel. Ange warns that one of these days Romina and her father will meet, and your relationship could be affected by you having hidden the messages from her. Camila says she can’t keep hiding the fact that Samuel wants to see them--it has to be Romina who decides if she wants to see him or not.

Romina explains to German that she needs to ask her father about a lot of things, but she’s afraid he will reject her and say that she’s not important to him. German says maybe in a way her father already said that to her, by leaving without any explanation. But she wants her father to tell her to her face. They’re interrupted by a phone call from Aaron.

Macarena comes to look at Paloma’s drawing and shows her how to add some shading to the wings to make them look like they’re moving. Paloma is surprised that Mac also knows about painting, like her mother.

Carlota is ticked off to see Alonso sitting in the hotel lobby and learns from the hotel clerk that he’s staying there. She tells him she has nothing to hide and he responds that he has nothing to lose, but a lot to gain. Alonso’s mistress comes up and Carlota says what he’s doing is immoral.

Orlando comes to Camila’s shop to invite her to an art and crafts show and at first she declines, but eventually he convinces her. Rafael arrives and upon hearing about the art show asks if he can join them, maybe he can get ideas for the new ceramics line.

More exasperated pacing--this time it’s Carlota asking herself what can she do with this imbecile?

Aaron stops by to see Paloma and she tries to discuss the meaning of art with him, but he doesn’t get it--to him, paintings just decorate homes, nothing more. Paloma can’t believe it. Before Aaron leaves, he mentions seeing Angelica and Emiliano hugging.

Alonso calls Natalia to ask about Inaki’s belief that Paloma was rich, and she confirms that he had begun an investigation of Paloma’s inheritance.

Emiliano gets giddy thinking about Paloma when the phone rings, it’s his godfather asking if he’ll come back to Monterrey to work.

Alonso barges into Carlota’s hotel room as she’s about to leave. He argues with her that Inaki found out that Paloma’s parents had left her an inheritance and wasn’t poor like Carlota made Paloma believe. That could be the motive for her killing Inaki. He demands to know what she gave Inaki the night before his wedding to provoke the heart attack. A hotel employee knocks to ask if Carlota is ok and Alonso takes off. The hotel guy offers to post someone outside her door and to ask Alonso to leave the hotel. She asks the guy to get her Alonso’s phone number because she’s going to report him to the police.

Camila and her two beaux are leaving the art show when someone calls for Orlando, so Camila and Rafael are left to themselves. He says he has discovered that she’s the anonymous investor, and he wants to know why she did it, he thinks there a reason other than just business.

Padre Mateo finds Cristobal praying--apparently he’s been praying for hours. Padre Mateo gets the impression that something has unsettled Cris and offers to help him.

The hotel employee gives Carlota the info she requested regarding Alonso and informs her that they’re giving her an extra night for free to compensate her for the bad time she’s had. As soon as he leaves, she calls Natalia and tells her that Alonso is with another woman and gives the hotel room number. After hanging up she snarls that if she could, she’d kill him, the same as his stupid son.

Cristobal has told Mateo the whole story, and the padre is worried that he hears a big doubt in Cristobal’s words about his vocation. What is it that you don’t dare confess? Cris answers that he’s very confused. One part of him is yelling to leave the church and become a free man again to remake his life with Macarena. Padre Mateo looks horrifed.

Meanwhile, Macarena prays for help to drive this feeling out of her soul. I feel like a sinner and I’m not one. If my path is to go away with my daughter and forget my past forever, give me a sign.

Cristobal continues on--he’s also convinced about his vocation with God. It’s only when it has to do with Macarena that his world falls apart (I think, couldn’t find it in my dictionary). Padre Mateo warns that to be divided between love for God and love for a woman is very dangerous. I know, that’s why I don’t find peace . . . that’s why I need God to reveal what he wants of me. He wonders if he can serve God not only as a priest but also as a man. Mateo tells him to decide, and fast, and he and thinks it’s better for now if Cris doesn’t give the mass or serve in the confessional.

Camila comes home and finds Romina asleep--she has Samuel’s letter in her hand and says she’ll have to wait until tomorrow.

Diana greets Emiliano and asks if there’s any news. He replies that his godfather called and asked him to come back to Monterrey to work, and she pretends to be surprised. She’s excited because now she can go with him to Monterrey, this couldn’t have happened at a better time. But Emiliano rains on her parade, saying he can’t leave Real del Monte because he has a business relationship with Orlando and he’s starting a business. Diana thinks he could do the same thing in Monterrey.

Natalia knocks on Alonso’s hotel room door and without even looking through the peephole first he opens it. She’s impactada at finding him there and is even more so when the mistress comes to his side.

Carlota sees Natalia leaving and smirks over her glass of champagne.

Emiliano explains to Diana that he had thought about leaving, and if his godfather had offered the job back then he would have accepted, but now things are different. Diana whines that Emil doesn’t care what happens to her, that this is an opportunity for both of them, not just him. He offers to tell his godfather about the situation between her and Rafael if she wants to go to Monterrey, but she won’t have it--if you don’t want to help me get out of here, I don’t want anything to do with you. Emiliano sits her down, saying let’s look calmly at what option is good for you.

Rufi’s mariachi comes to the house to serenade her so she’ll see that he never forgot her. Apologies for not translating his song--I'm way too tired. Paloma comes running all excited and giddy like she’s 11 years old and tells Rufi all about it. Oh, it must be that Edmundo. It turns out that Rufi has never been serenaded before, and she asks Paloma what does she do now? Paloma hasn’t been serenaded either but she’s heard from girls at school that they go out and thank the galan, and some even invite them in! Rufi seems a bit shocked--in her time they only turned on the lights. Paloma ends up dragging Rufi and shoving her outside to thank her mariachi. Rufi tells Edmundo he shouldn’t have, and he replies that he couldn’t find another way to ask her to marry him.

Carlota receives a phone call from a lawyer named Salazar who has news about Cristobal’s whereabouts and asks to meet with her the next day.

Previews: Carlota learns that Cristobal is in Real del Monte.

Labels:


Comments:
Good morning Debbie. Saw the tail end of this when I got home from a meeting. I see the great telenovela tradition of having a galan sing off-key is continuing. Don't know if it's the sound technician's fault or what. Actually I've heard some Latino CD's that were off-key as well so evidently it's not a big issue.

Thanks for the recap. Sounds like Carlota is keeping busy spreading misery wherever she goes!
 

Thanks for the recap Debbie. The writers are so mean ... Chris can't perform confessional anymore so we now know he can't find out Pal's his daughter (as poor Mac isn't going to tell him).
 

Thanks for the recap Debbie. Yes, Carlota was quite pleased with herself with her work. But... probably the best thing that could happen to Natalia, get rid of Alonso. :)

Got a good chuckle when Rafa tagged along to the art and craft show.

Looks like Carlota is going to be muy impactada tomorrow.

JeffMN
 

Debbie – Thank you for this wonderfully-written recap and the vocab too. I thought this was a terrific episode and the time just flew by watching it.

Lots to think about! I think that Rodolfo’s sin is that he actually believed Carlota’s story about Mac without doubting her.

It was very touching when Rufi was listening outside the room where Mac and Paloma were making plans and she thought she wasn’t included. I was very glad when that got resolved later.

What’s up with the Mariachi guy? Those duds look very tight and uncomfortable, and yet there he is again, wandering the streets of Real del Monte in them. I wonder if he was lip-syncing the song. Does anybody know if he can really sing? I sure wish they hadn’t picked such a life-worn looking guy to chase after Rufi.

Emiliano’s padrino was the one who paid his way through college in Monterrey. Maybe we’ll get to see him.

Paloma’s drawing wasn’t that great. I could draw a dove that well, plus the tail was all wrong. I don’t see any big talent there.

I wonder what Natalia is going to do now. Poor kid, she has such rotten luck with men. And why hasn’t she taken the opportunity to call Paloma while Alonso is “away”?
 

Excellent recap, Debbie! Wow, I can hardly wait for Carlota's reaction, but will have to do so as I have a scheduled dinner with friends tonight.

Arón sure dropped the ball. He had a big chance to express interest in Paloma's love of art. Her whole face lights up when she talks about it. But he stupidly told her he couldn't tell one painting from another.

And what was up with Emiliano embracing Angélica being such a big deal? People embrace all the time on TNs. Smug, irritating Arón grins like this is a big coup, calls Romina, and she drops it on Paloma, who dutifully looks shocked. Please. I'm getting tired of dense Paloma falling for Romina's fake friendship.

I wonder if that elderly gentleman was the one singing; i.e., is he a real mariachi?

I'm pretty irritated with Catholicism today. I felt like that priest in D.F. maneuvered Cris into the priesthood. And then manipulated him into going to Real del Monte against his wishes. Of course, the plot wouldn't move otherwise, but still. I find it pretty hard to believe that other priests haven't been torn between God and a woman (some of them have been torn between God and little boys). Have these priests had their rights to officiate taken away? I hope I haven't offended anyone, but I have a chronic rebellious streak against authority figures. I find it hard to see people caving in to arbitrary decisions.

And we could see Carlota's revenge on Alonso a mile off. He gets in her face over and over while he's shacked up with his secretary.
 

Debbie, thank you once again for the great recap.

Novelera, don't forget that no one could image what Padre Chris found in Real del Monte. Also, remember Fr. Cutie in Miami. It happens and everyone moves on.

rsk
 

Thank you, Debbie, as I find your recaps so helpful for comprehension and they are fun, too.

Just to be petty: It wasn't a real mariachi serenade but didn't Inaki sing to Paloma on her balcony and climb up to offer her a rose...that's a semi-serenade but I guess she doesn't consider that the same without musicians. I miss poor Inaki since a ghost doesn't do it for me.

Does the priest need the stole for confession or was his retrieving the stole just a device so Chris would never hear Rudy's confession? I was so gullible I actually thought he would hear the whole confession. When will I remember about plot extensions but I thought we had them with all the beaus appearing out of the woodwork for Ines, Rufi, Angelica, Liliana and Joel's love interest. too.

Since Alonso knows about the Paloma's inheritance now and Carlota knows he knows, he's a goner before Dr. Rudy as those are Carlota's foes at this moment.

It so sad to see that Emiliano is more mature than his mom, Diana, of the bad hair. He is truly a good son. And know we know that Rafa generously accepted Emil as his own son and that Rafael can count (months.)

GinCA
 

Wow, one too many know...,should be.... now we know. GinCA
 

Okay, I googled Manuel Capetillo Villaseñor, who plays the Edmundo the mariachi. Turns out he’s a very famous bullfighter from Guadalajara, and that he did some acting in later years. He passed away in May of this year at the age of 83. Nothing about him singing...
 

What I was sort of leading to and didn't conclude in my rant about Catholicism is that I want Cris to quit the priesthood and be with Macarena. But my sense of how TNs always portray religion SO reverently, I don't have much hope that this will happen.
 

Well, I don't understand why priests can't be married, so I can't really counter your case, Novelera. I do know that if a guy is already married when he becomes a priest, he can stay married and that's fine, so why not let other priests marry, too? Also, if he would have been married had he known his beloved was still alive, and they have a child, can't he get some sort of retroactive dispensation to marry? Okay, probably not, and in Novelaland it's highly unlikely Cris will leave the priesthood, but I don't see any good reason he shouldn't continue with mass and confession...it's not like he's said he has lost his faith or something.
 

Aaron is a fool. Does he really have no sense that his indifference to art is not going to endear him to Paloma?

Rafael is also acting stupid. He would have done much better to "just happen" to run into Camila and Orlando at the exhibition than to invite himself along.
 

Hi, I’m hoping someone here can help me. If any one was watching tonight’s episode (9/18) can you please help me figure out who painted the painting in the background when Camila gives Romina the letters that her father sent? It seemed to be the shadow of a woman in a doorway. I LOVE IT! PLEASE HELP!!
 

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