Caray, Caray!

Juan José is delighted to have collided with Gabriela at the market. He gazes at her like she's an angel and wonders if she fell from heaven. Quick on his feet, he co-opts the stall vendor to help him make a little time with Gabriela and create an impression.

On the loading dock, Juan José recognizes one of the drivers as Pancho, whom he worked with at the hotel. After a happy reunion, Pancho brings up Juan José's unfortunate prison time and is glad to hear he's out; but sad his mother's dead. Juan José learns Carlos Ávila is now in charge of the hotel restaurants.

At Mario's, David examines his sore jaw from last night when Roberto enters and learns David doesn't want him around if he sticks with Carlos. But Roberto claims he doesn't hang with Carlos much, because he doesn't trust him. And he'll help David with Gabriela through Julieta if he likes.

Mario enters and recognizes Roberto as Carlos's longtime friend -- since way back to the occasion of the girl's death at the hotel. Roberto flashes back to the two of them chasing the poor, screaming room maid until he corrals her over an open railing looking out on the atrium far below.

By then Carlos is chasing Roberto, trying to get him to stop; but it's too late, and the struggling girl hurtles backwards to her death. Back in the present, Roberto reminds Mario they found the guy responsible and that Mario himself identified the man as having been with the hotel maid earlier.

At the loading dock, Juan José confirms to Pancho he did not kill the woman. He was tired and sleeping when he was arrested, after Adolfo Ávila claimed he saw Juan José kill her after apparently raping her. The worst was when Mario Genovés identified Juan José as having been with the girl that afternoon, he says.

At Gabriela's, Carlos visits to return an earring from his car belonging to Julieta and uses the excuse to ask Gabriela out. She won't go without her father's permission, but will ask; and they agree to meet later at work.

Roberto visits Alejandra at her office and bad mouths so-called deadbeat Elsa to dissuade Alejandra from committing to the house sale. He exits as Mina enters, and Alejandra assures Mina she's only friends with Roberto when Mina wonders about seeing him there again.

Mina convinces Alejandra that as long as the paperwork for the house sale is in order, there's no risk for them. They need money and should buy the house; it's worth $5 million pesos if they sell it. Alejandra will ask the architect, Medina, to help her with her part of the payment.

Abelardo brings Santiago to the new house, showing him the secret door to the makeup and costume studio. Santiago breaks down in tears, viewing all the old gear of his art, full of sorrow and regret for what he missed by being dogged for years for a crime he never committed.

Around them are everything Santiago would need to become Mario, including pictures of all the people who work with and are close to him and the latest electronic modeling equipment.

At the restaurant office, Roberto feigns to Carlos that he's marrying Alejandra and so must hang with David, whether Carlos approves or not. Then he explains the real estate deal Elsa is putting together and that Salomón will provide half the money if Carlos provides the rest: and they'll double their profit in three months, he guarantees.

Juan José brought some water from the park and is scrubbing the floor at his house when Elsa arrives to inform him about Roberto's interest in buying the property. Roberto only offers $2.5 million pesos, but Juan José has never even seen that much together in one place at one time, he says.

Elsa enthuses he can have his carpenter shop and a little house. She'd like to see him happy; and he'd like to also put a monument on his mother's grave. He wishes she were still with them; and Elsa imagines Piedad's looking down, hoping to see him have a home and family -- which Elsa ruefully remembers will not be hers, as the sisterly type.

Marcos is out of solitary and now bunking with the low life, and the two of them are still planning their imminent escape. At her office, Alejandra is ecstatic to hear on the phone that Medina will lend her what she needs for the real estate deal.

Roberto and Carlos arrive at Elsa's, and Carlos must apologize for behaving badly earlier -- especially when she tells him who owns the house. They brought some of the cash, and she and Carlos exit to pose their offer to Juan José and look at the property.

When Asuncio learns Juan José is cleaning the house to sell it, he insists $2.5 million pesos is nothing compared to what's buried in the kitchen. Trust him, he says; he's had a sense about things like this since he was little. He can always sense when there's something good in a trash can, he claims.

At Mario's, Bertha is thwarted trying to nail David down to some formal romantic commitment, when he politely points out there isn't anything yet -- and also that they are cousins. She nastily thinks to herself if only the moron knew he wasn't Mario's biological son.

Mario meets in the dressing room with a very agitated Santiago, who's not happy at all to think that David is toying with Gabriela's affection. Mario denies any such and insists David is a good young man without class prejudices and Gabriela wouldn't be marrying for money were they to wed.

Mario wishes the two to marry so both can inherit the family fortune; and if Santiago blocks it, Mario will simply tell all and put her in the will. But Santiago has the hole card: what fortune? If Santiago refuses to play the part of Mario, all the fortune will to go Adolfo. Santiago exits angrily; and poor Mario sinks down at the dressing table, face to face with the plastic head wearing his own wig.



Elsa brings Carlos to buy Juan José's house; but despite his apology, Juan José will have nothing to do with him the moment he hears Carlos's last name. The deal is off, and Juan José orders Carlos out of the house. He explains to a perplexed Elsa that this is the guy whose father sent him to prison!

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