Tuesday, January 03, 2012
La Que No Podía Amar #1 Monday 1/2/12 Welcome to the Hacienda del Fuerte
[Posted for Alexandra by Jardinera654 for your reading pleasure]
A disoriented horse is caught in the middle of a herd of cows running crazy. And no, this isn’t Lion King: The Hacienda Version, but a terrible nightmare. Rogelio Montero wakes up all sweaty and shirtless (yummy!) in the middle of the night, screaming louder than Darth Vader: “Noooo! Noooo!”.
He has a look of despair, breathing heavily. Poor thing! Luckily, his sister Cinthia comes to the rescue. She tells him to calm down, giving him a glass of water and asking him if it’s the same nightmare that he always has. Rogelio answers her with another question: “Why do you ask me if you know it is?” Cinthia tries to hug him, but Rogelio tells her repeatedly to let him; he’s not in a mood for a free hug. Close-up on his anguished face.
Meanwhile, in Tuxtla Gutierrez, Ana Paula enters her house, calling her aunt. But surprise-surprise, Don Maximo was waiting for her, with the smile of a pervert upon his face. For the Corazon Salvaje fans out there (No, no, not that 2009 crap, but the 1993 version which I love with all my heart), Don Maximo was Don Guadalupe Cajiga. Back then, he had an interesting moustache. And hair.
Back to our house. Ana Paula asks him where his aunt is. “A neighbor called her”, he says. “But I’m happy to see you” – I bet you are! Perv. “You’re as beautiful as always, girl”. Perv. Too bad you sir don’t seem to have found the Fountain of Youth. Ana Paula strikes back: “Keep the compliments for yourself and tell me what you are doing in my house, when there’s nobody home?” Don Maximo reminds her that in fact, it’s his house and that she shouldn’t forget that she and her family owe him money, because of the many months of unpaid rent. But Ana Paula tells him that they will give him all his money back, since she’ll have a job soon and she’ll give him her entire salary. Uh-oh! It seems that this is an offer that Don Maximo will have to refuse. Horny Maximo wants to be paid in kind and by “kind” I mean “sexual favors”. Of course he grabs her like an animal and Ana Paula is struggling to get rid of him.
Back to La Hacienda del Fuerte, Rogelio pumps his arm with a dumbbell. Now this would make a good TV commercial! His foreman Efrain comes in and Rogelio asks him what is he doing in the house, since he should check on the pawns. Efrain knows his duties, but he wanted to let him know that there are some problems in San Gabriel with the payments, since los Gonzalez didn’t pay the forage. Uh-oh! Well, at least we can safely assume that he doesn’t want to be paid like Don Maximo. Rogelio tells him to go and charge them and if they refuse to pay, he should let him know, so that Rogelio can take matters in his own hands.
In Tuxtla, Ana Paula’s brother Miguel is at work in a carpentry and asks his colleague Pablo to lend him money, since he always has some. Well, he has “because he always takes risks” and that he’s doing this job just to keep his mother calm. But of course, “there is a much easier and faster way to get money, so join my business.” Miguel doesn’t want his business, he wants money! He only gets a: “Think about it!” in return. Miguel tries to work his charm with another employee, but he is told to take more care of his money. Captain Obvious strikes again! Miguel of course can’t save more money, since he is also paying for his sister’s studies. Third time's the charm, maybe? No, his boss isn’t impressed either and sends him back to his workstation.
At their house, Ana Paula still tries to get rid of Don Maximo, who tells her that he’ll forget about their debts if she succumbs. “No, viejo asqueroso!!” She manages to break the bear hug, but she just turns him on with her bravery. “Me encantas, maldita!” Too bad she’s immune to his charms. He asks her what she’ll do to him and she takes a bottle of glass and breaks half of it on the table and keeps the other half in her hand, to defend herself. I don’t know what Maximo was thinking, but he attacks her yet again and of course his hand has a rendezvous with Ana Paula’s weapon. “You cut me! You cut me!” “Let’s see if with this you understand that I’ll never pay attention to you!”. Run Ana Paula, run! He’s gonna kill you! She runs outside and in that moment, her aunt Rosaura arrives, asking her what’s going on. She tells her about Don Maximo who tried to take advantage of her, but Rosaura isn’t that convinced: “No, child, how can you say that?” “Because it’s the truth!”. Ana Paula tells her about the injury she provoked him in self-defense and that he’s like crazy, trying to kill her. Rosaura tries to calm her down, but she’s more concerned about the cut, asking how serious the injury is. Ana Paula doesn’t know, she saw blood, like we all did, but she doesn’t know. Of course the lovable and understandable aunt wants to get back in the house with Ana Paula, so that she can check on his injury, but Ana Paula doesn’t want to see that man again. Rosy insists, telling her that she might get them into serious trouble. Well, my sixth sense tells me that you get into more trouble for attempted rape than for acting in self-defense, but aunt Rosy knows best.
At the hacienda, Rogelio is in his office, holding his trusty companion in his hand. I know what you’re thinking, but please leave your kinky thoughts aside – I was talking of course about his whip. “Didn’t I tell you to speak to my veterinary?” says Rogelio to his two workers who are there with him. “I called him, patron, but he was at the San Javier ranch.” Rogelio is unimpressed; he needs the certificate which attests that his livestock is free of brucellosis, because he needs to transport them. “I’ll see what we can do”, replies the worker. Rogelio can’t believe what he’s hearing. He doesn’t care about what they have to do, but he wants that certificate no later than tomorrow on his desk, if they want to keep their houses. He puts his whip to work, hitting the desk and telling them to leave. His sister Cinthia brings him coffee. She asks him if he managed to continue sleeping after the nightmare. “Of course I didn’t get more sleep. And it’s better that way, since it seems that I’m the only one working here. I do everyone’s work.” Since he’s in a bad mood, Cinthia thinks she’d better go to the village. Rogelio angrily grabs her arm and asks her what she wants to do there. “Take some fresh air, because here, the air is contaminated”. Rogelio threatens her: “Be careful of who you hang out with! Don’t be too late! You know I don’t like being alone.” Uhmm…Rogelio, ever considered checking dating ads?
We are back again…not to the future, but to Tuxtla. Daniela (Dany), Ana Paula’s best friend and Miguel’s friend sees him walking on the street and asks him what’s wrong, because he looks sad. He explains that it’s because of his financial situation and tells her about Don Maximo who threatens them that he’ll throw them out of his house. She offers him some money, but he refuses. Eventually, she manages to convince him to take it, since this is what friends are for. It’s not much, but better than nothing. He thanks her, holds her hand and she leaves. He sees a pawn shop across the street and if you think he is going to pawn his mega-super-duper expensive necklace, well, you’re wrong. He wants to pawn his watch, which probably, by the looks of it, cost less than the 100 pesos Dany gave him.
Don Maximo, still inside the house, calls some Fidencio guy, asking him to hurry up, because he wants to leave the place, but his friend seems to be stuck in traffic. Rosy enters and sees his bloody hand, telling him that she feels embarrassed for what happened. “I brought Ana Paula with me to clear things up. I am sure that this was a misunderstanding.” “No no, there is no misunderstanding”, says Maximo. Rosy brings inside by force a reluctant Ana Paula and Don Maximo continues with his bragging: “This girl went crazy! Look what she did to me”. Rosy assures him that Ana Paula will take care of his wound, since she’s about to become a qualified nurse. But of course, she refuses; she doesn’t want to touch that man ever again. “Ay por favor”, says Rosy, even though Ana Paula tells her the guy was all over her. Rosy surely loves her niece! Throwing her in the mouth of the lion just like that…ugh. Miguel arrives in the nick of time, asking what’s going on and Ana Paula explains him the whole situation. Miguel tries to attack Don Maximo, but referee Rosy intervenes, telling him not to do it, because Ana Paula cut him deeply. “We don’t need more trouble”, she says. Don Maximo’s men arrive to the scene too and he orders them to evacuate the family. Rosy tries to reason with him, going outside to talk, while Miguel hugs her sister. It seems that Rosy had a deal with Maximo and she asks for more patience, assuring him that despite the fact that Ana Paula is a bit stubborn, she’ll eventually be more reasonable. He doesn’t let her fool him, so he gives them an ultimatum: if Ana Paula doesn’t apologize, he’ll become her enemy.
In San Gabriel, Efrain and Cinthia meet. “How is the patrona? Or can I call you Cinthia here?” “Stop fooling around”, Cinthia tells him. “When we’ll be alone and you will ask me to give you a kiss, I will repeat your words.” He grabs her waist, but she tells him to calm down or else they’ll be seen. We have a dangerous liaison here!
At the hacienda, Hugo, Rogelio’s helper, gets him in the car. Rogelio’s clothes are black. His hat is black. His whip is black. And of course, his car is black. Too bad he doesn’t have black glasses or else he would look like a mob. But you’d better get used to this color. Hugo tells him that this hacienda is every day bigger. “That’s right! And have no doubts, I will keep making her grow! Let’s go.”, says Rog. However, he sees his workers playing a game which involves tossing coins in the air and guessing whether it will be heads or tails and he screams at them, telling them to load the truck instead, or they’ll face the fury of his whip.
Back in Tuxtla, Miguel meets up with his friend Pablo and asks him again for money, telling him that they have just been thrown out of the house. Pablo tells him again that there is an easier way to get money and he shows him the store behind Miguel. “This is the job, are you in or not?” Miguel is in! Oh no! Pablo tells him to enter the store and wander around, playing dumb. Well, Miguel does that, but he doesn’t really excel at not looking suspicious. Luckily for him, the clerk wasn’t watching. His masked friend enters the store with a gun which he points at the clerk and he pushes Miguel forward to grab the money, but the store clerk bends to get his gun too and Pablo shoots Miguel in the arm instead.
In the meantime, Ana Paula is having a magnificent garden party. Well, not really, they took all their stuff outside. She speaks to her caged pigeons, telling them that she hopes that Miguel will find them a place where to sleep tonight and store their stuff. He did find one, Ana Paula. It’s called jail. Aunt Rosy blames Ana Paula for everything, because she treated Don Maximo so badly. Her niece can’t believe Rosy defends that guy after what he did to her. “How could I not defend him?”. Thinking twice, Rosy attempts to choose more…ehm, appropriate words and tells her niece that she’s just too beautiful and that’s why men are after her. “I realized that Don Maximo liked you, but from that to trying to force you to do something like this…no, I think it was a misunderstanding.” “No, it wasn’t and I am going to denounce that man.” The aunt tries to convince her that things can be solved differently, but Ana Paula can’t believe her ears. Rosy explains that Don Maximo has money and it’s not good to have him as an enemy. Dany rushes in, crying and she tells them she just found out from Doña Lupe that Miguel was taken to the police station. When it comes to newsflashes, no TV channel can beat a curious neighbor. Ana Paula is impactada. “What?? Why??” Dany doesn’t know, but the ma’am saw when they took Miguel away and he was a bloody mess.
Ana Paula & Co. rush to the police station and she asks what happened to his brother Miguel Carmona Flores and where he is, while a man called Bruno is spying on them from behind. An employee tells them that Miguel has been charged with armed robbery and that he has been shot. Ana Paula can’t believe it! “My brother isn’t a delinquent!”. Suddenly, she and Bruno aka Prince Charming make eye-contact. Romantic music starts playing. Gah, again one of those cheesy meet cute moments. Camera focuses on Ana Paula. Then on Bruno. Then back to Ana Paula. Back to Bruno. Back to Ana Paula. Back to Bruno, who comes closer. Back to Ana Paula. Come on, just kiss already and get a room, damn it! Back to Bruno. Is this ever going to end? Oh, thank God, Bruno has a tongue. “Don’t worry, *I will help you!”. Back to crying Ana Paula. Back to smiling Bruno. Back to smiling and crying Ana Paula. For the love of God, please stop!
Finally, after the excruciating stare-off, we return to the Hacienda. Cinthia is at the barn, talking to her horse Paloma and she wonders why she went to the village, since it’s as horrible as the Hacienda: there’s nothing new there. Efrain surprises her and tells her she’s right. “We could have taken advantage of that time here, together. It’s not late though.” They start kissing passionately.
At the Police Station, Bruno tells her that he’s a lawyer and that he’s at her orders. “Thank you, but I don’t have money to pay you”, says Ana Paula. Rosy agrees that he can’t help them, unless he is a public defender. And whoaaa! Ana Paula just found Wonka’s last Golden Ticket. He is in fact a public defender. And a handsome one, I might add. Everyone feels relieved. Rosy thanks him and he introduces himself as lawyer Bruno Rey, giving her his business card. Ana Paula is back to her speechless mode, so Rosy has to tell him her name. Miguel is brought handcuffed and Ana Paula is worried because of his injury, but the officer tells her they already took care of it. Just when you thought things couldn’t get worse, Don Maximo appears there too, wanting to denounce Ana Paula for assassination attempt.
At the Hacienda, things get steamy between Cinthia and Efrain, but she tells him that it’s enough. “What? We won’t see each other only when you’ll want to!”, Efrain tells her. “Don’t you understand that I’m with you only for fun?”, says Cinthia. “One of these days I’ll forget everything and put you in your place, chula (cutie).” “Well, but don’t forget that I’m the patron’s sister and you’re only an employee”. She gives him a smooch, but all of a sudden, Consuelo the servant calls her, telling her that the patron is looking for her. Consuelo leaves and Cinthia tells Efrain, who was hiding behind a wall, that they are not equals. “We aren’t, but you do like me!” He grabs her for another kiss.
At the Police Station, Miguel explains that he didn’t know that the other guy had a gun, otherwise he would have never accepted the job and he swears he won’t do it again. “Yes, but you are his accomplice and you have to pay for it!”, says the clerk. Where did he come from?? “I swear I won’t do it again!”. The officer tells him he’ll have to make a declaration and tell who the other one was. Maximo mocks them. Bruno has a talk with Rosy and Ana Paula, telling them that he’ll solve the issue with Miguel, but he first has to take care of Don Maximo. Ana Paula explains what happened and Bruno goes to speak with Don Maximo, asking him how much money they owe him. “Almost 7000 pesos! But it’s not only about the money. That girl tried to kill me and she has to pay for it.” Just like all the clever lawyers, he pulls out his ace, telling him that the fact that he tried to take advantage of a woman could cost him between 5 and 10 years of prison. Maximo chickens out and he agrees not to declare against her if they pay him the debt.
Ana Paula can’t believe that some random stranger wants to help them. “Don’t be so negative!”, says Rosy. Didn’t our mothers always advise us to never trust strangers? Hmm… “This lawyer is like an angel fallen from the sky”, she continues. “Enough! He’ll surely want something in exchange!” Miguel apologizes to Ana Paula, saying he didn’t want to cause her trouble. “But you did!”, says Rosy. “I only wanted to help!” “Help? This is no way of helping!”. For the first time in this episode, aunt Rosy is right.
Miguel is taken away and Bruno tells them that he solved the Maximo problem and that he gave them more time to pay the debt. Rosy is impressed with his kindness and Ana Paula thanks him, saying that she can’t pay him enough. He’ll see what he can do with Miguel, while Jesse and Joy’s song “Corre” starts in the background. Love the song, you’ll hear it often throughout the telenovela.
Still in Tuxtla, Rosy visits Miguel at the hospital and Bruno shows up, asking about him. She says he’s better and thanks him again for everything he has done for them, wondering how much they will have to pay for his services. “Nothing and don’t worry for the money you owe Maximo; I’ll take care of it!” “Just like that? And what do you want in exchange?” “I want to do a different kind of business with you!” Oh-uh, it was too good to be true!
At the University, Ana Paula and Dany are happy with their exam results and of course, Ana Paula got slightly better grades than her friend. Ana Paula says she feels better now, after yesterday’s madness and Dany says that they were lucky that Bruno showed up. Ana Paula agrees, wondering why she initially didn’t have a good feeling about him, but he eventually proved to be a kind man. Dany is happy that Miguel didn’t spend his night in prison, but recovering in hospital instead. She calls him ‘Luis’ – don’t ask me why, must have been a brainfart or maybe she just has too many boyfriends and mixes their names up. Ana Paula again is worried that this is too good to be true and that there must be some hidden intentions. She gets back home and speaks to her Romeo and Juliet – her two pigeons. Oh how romantic! On a second thought, from so much sugar I could end up suffering from diabetes. Rosy arrives with Bruno and Ana Paula asks if something happened to her brother. “No, don’t worry!”, Rosy tells her. And of course, she leaves to let them talk in private.
Bruno has an offer which she can’t refuse, telling Ana Paula that it’s a solution for most of her problems. We’ll see about that! She doesn’t understand, so he asks her what would she think of a trip far away from the city? “What??” “Don’t worry, don’t worry, listen to my whole offer. We would go together and…” “Oh yes, of course, I knew that you’re just like all the others! You can’t trust anyone! I knew you will come up with such a thing, but over my dead body!” “For God’s sake!” “You won’t take advantage of me like that miserable Don Maximo wanted to! You too tried to lie to me!” “No, no, no, it has nothing to do with it. Listen to me! I spoke to your aunt and she completely agrees!” Ana Paula is impactada and she leaves to talk to her, but puf!, the aunt is nowhere to be found.
At the hospital, Dany is in Miguel’s room. And that’s about it. What was that about?? Back to Bruno who was left in the house waiting. Thankfully, Rosy returns asking what Ana Paula said, but Bruno tells her she didn’t even let him finish. Back to the hospital, Miguel is happy to see Dany there. But in her opinion, being there is the normal thing to do. She tells him he scared them a lot, but he replies that his sole intention was to get more money. “Yes, but stealing?” “Don’t mention it anymore. I blew it, but you know that I’m not a thief.” Well, you didn’t become one just because your friend had a gun, Miguel. Dany apparently knows that and Miguel assures her that when he’ll get out, he’ll work more than ever; after all, he owes her 100 pesos. Bet he will get a good job, with his shiny record. Ana Paula enters the room, asking them if Rosy didn’t show up there. “No, what’s happening?”, asks Miguel. She tells him that he’ll need to get out of the hospital, because Bruno is paying for it and it seems that he’s just like Don Maximo. “What happened? Did that miserable do anything to you?” “No, no, but he said I should go on a trip with him and that aunt Rosy agrees”. “No, no, our aunt wouldn’t do such a thing!” She swears he won’t leave with that guy. “No, of course not! We’re leaving the hospital right now!”, says Miguel, ripping his perfusion off and trying to get out of bed. Rosy arrives with Bruno and Miguel threatens them. Rosy of course will allow it; after all, Bruno is such a good man. Ana Paula is still in disbelief, saying that he has other intentions, but Bruno tries to reason with her, telling her that his only intention is that she gets a job as a nurse, which will be magnificently paid. “What did you say? A job?” “Yes, that’s right! Paula please, at least I deserve that you listen to my offer.” Miguel still has his doubts. “Don’t listen to him, Ana Paula. He takes you on a trip – then what? Who will take care of you?” Rosy again tells Miguel not to be so distrustful and she gets very defensive of Bruno: “He took you out of prison, he solved the problem with the owner – he proved to be a good man!” Random thought: Rosy and Bruno would make a cute couple. Bruno just needs a minute to talk to Ana Paula and if she doesn’t like the offer, she can feel free to refuse it.
On the corridor, Bruno tells her that a proof of his good intentions is that he lied to her and that in fact he isn’t a public defender, being the only thing which crossed his mind in order to help them, because he knew that otherwise, she wouldn’t have accepted it. “Then I owe you a fee?” Haha poor family, in this rhythm, they’ll end up owing money to the entire city. “No, I helped you because I wanted to and because I think you’re the ideal person to work with my boss.” “With your boss? You mean that the job isn’t for you? “No, you would work as a nurse for my boss. But believe me that it’s something formal and a great opportunity.” Problem is, Ana Paula only gets her title in a week. Not for Bruno, he tells her that he won’t ask for any certificate, since she already did some practice at the hospital and he is sure that she could handle it. She is unsure; first things first, she needs to find out more about the patient and to think about her family, since it’s hard to leave them, especially now. But Bruno tells her that precisely because of them, she should accept this opportunity. “The bad thing is that there is no time and you’ll have to make a decision today or else I will have to hire someone else.”
Rosy tells Miguel that it’s a great opportunity for her. “But she was never far away from us!”. Oh come on, Miguel, don’t be so selfish! After all, she is doing this to repair the damage YOU caused. “But it must be really nice to travel to other places and especially making money!”, says Dany. Miguel is disappointed, since Dany is Ana Paula’s friend and therefore, she should support HIM. Wait…what? If she is her friend, why should she support her brother’s ideas? Warning: Miguel’s neurons are malfunctioning. Rosy tries to convince him the Kleenex way: “Son, you know I’m old and sick; I don’t want to die without seeing that you and Ana Paula have your future assured. You two are the only ones who count for me.” Ana Paula enters the room. She didn’t accept the offer yet, still needing some time, because she is full of doubts. Rosy says that people seldom stumble across such a good opportunity, not having to spend money for a rent or food and Ana Paula agrees too that the payment is very generous. Selfish Miguel says they will have to pay food and rent anyway there. Yes, Miguel, but money doesn’t magically fall from the sky, you know. Dany is the brightest of the bunch, saying she’s got nothing to lose by trying. Ana Paula says that the contract is for a year. “And where would you have to go?” asks her brother. “To a Hacienda called ‘del Fuerte’. That’s where I would live”. Oh yeaaah, that’s more like it!
We are back at the Hacienda. Efrain tells Rogelio that he had to go to the San Javier ranch for the veterinary, but he eventually gave him the certificate. Rogelio is pleased to see that at least Efrain is doing things right there and he doesn’t want to see the other inept men again. Efrain wants to tell them to leave the Hacienda, but that’s not enough for Rogelio – he wants them completely out of San Gabriel and tells Efrain to forbid Pancho to rent them the houses. Efrain still has something to tell his patron; the Gonzalez didn’t pay the forage yet. Oh-uh! Rogelio is someone you don’t want to mess with and you know it’s bad when he has the whip in his hand. He wants to have them there and by the looks of it, things will stop being PG-13. “Condenados hijos de la fregada!”, says Rog.
Rosy still is trying to find the right words to convince Miguel, telling him that his sister’s contract will be very clear and such, but he believes Ana Paula should think more about it. However, Ana Paula is decided – she will take the job at the Hacienda.
Back to Rogelio at the Hacienda, where he’s talking to the two Gonzalez. “So just because I’m in a wheelchair, you thought you could fool me?” “No patron, but we didn’t have money.” “Oh don’t say! And how do you pretend to pay me then?” “Well, I don’t know. We really don’t have money, so you tell us.” Hm, another two who think that someday money will fall from the sky? “I should tell you? Well, if you don’t want to pay, it’s very easy. At least I’ll take it out.” Let the lashing begin! He might be in a wheelchair, but those two guys have nothing on Rogelio; with a few whips (‘fuetazos’), he puts them to the ground, telling them that they will pay him. The nanny/servant Maria shows up and screams frightened, asking him to stop. He tells her not to interfere or else he’ll forget who she is. One of the guys stands up and for a moment there, I thought he was going to hit Rogelio from behind. Please don’t touch my Rogelio! He’s not bad, he’s just bad-ass.
We are in Tuxtla. Seriously, no need to keep writing it on screen, we already recognize the view. The Carmona family (Ana Paula & Co.) + Bruno is home again and Ana Paula is happy that she’ll leave knowing that her brother was released from hospital. Miguel tells Bruno that even though he doesn’t like that her sister is leaving with him, he is very thankful for what he did. Bruno tells him to be careful, because even though he was released on bail, the trial is still in progress. Rosy invited Bruno to take a seat and since he doesn’t want to, she insists. Isn’t she lovely? Bruno wants to show to the entire family Ana Paula’s labor contract.
At the Hacienda, Cinthia and Efrain found a cozier place to get their freak on and to continue with the kissing – her room. She tells him that it’s risky for them to be in her room, but he proves he’s a gentleman, telling her that he would prefer to be in her bed instead. “You are really daring!” “That’s why you like me! Come on, let’s do it!” And they start doing it, but their moment of glory is cut short when her brother shouts her name. She tells Efrain to leave, pushing and showing him until he exits through the window, like a true Romeo, while Rogelio knocks on the door angrier than before. She asks what’s happening; he is angry that it took her so long to open and asks what she is doing. “Nothing, I just didn’t want to be bothered, that’s all.” “Why?” “I took a nap because I have a headache!” “What you need to do is to occupy your time with something. I want you to help me arrange some papers in my office. Let’s go.” “But can’t Maria help you??” “I want YOU to do it. Let’s go.”
At the Carmona’s, Dany is hurt that she and her best friend have to separate and Ana Paula tells her not to start with it or else she’ll cry. “Moreover, I’ll write to you!” “You’re right and you know what? It’s a great opportunity, but we’ll miss you anyway at the graduation party.” Ana Paula asks Dany to take good care of her pigeons, since her aunt doesn’t like them. Dany wishes her the best of luck; she hugs her, then leaves.
At the Hacienda, Cinthia and Rogelio are having dinner and she asks him when he is going to have a new nurse. “Is it so hard for you to help me?” “You know I don’t say it because of that. You need someone qualified who can assist you and take care of you just like you deserve.” “If you would have wanted to, you could have studied nursing.” “I am your sister, not another employee of yours!” Maria the nanny/servant gets in between, telling them to stop arguing. “You two have to get along, you only have each other.” “Yes, yes, that’s right!”, says Rog, taking Cinthia’s hand. Since they’ll always be together, it would be better for them to leave peacefully. “What are you trying to tell me? That the years will pass and I will grow old here in this hacienda?”, says Cinthia.
In Tuxtla, aunt Rosy tells Ana Paula that she was hurt because of her lack of confidence in her, since the only thing she always did was taking care of her and her brother. Ana Paula asks her for forgiveness and Rosy forgives her because he loves her, after all, she sees her like a daughter and Ana Paula replies that for her, she is also like a second mother. Hugs again, but Rosy rolls her eyes.
Back to our hacienda, where they still argue. “Even if you don’t believe me Rogelio, I will find a man to get married with and I will form my own family”. Rogelio laughs, he has no doubts that she will, but in that region there is no man worthy of becoming his brother in law. “Then let me go to some other place, let me know different people of my age, of our social status”. It’s a no-go with Rogelio. He won’t allow her to leave San Gabriel. “One of these days I will escape and you will never see me again.” “If you’ll dare to do it, I will drag you back.” Rogelio just ruined Cinthia’s dinner; she leaves, while Maria tries to stop her with no luck. “Rogelio, don’t be so hard on your sister!” “Don’t start!” “Think that Cinthia isn’t a girl anymore; she dreams of getting married, of having children. For her, it’s difficult to live in such a place, far away from everything.” “She should better get used to it, because neither I nor she will leave this hacienda, not even when we’ll be dead, because we’ll be buried right here.”
Another day in Tuxtla, as Ana Paula prepares to leave. Miguel tells Bruno to take care of her, since she is the person he loves the most. Bruno tells him he has got nothing to worry about. Ana Paula tells him she’ll miss him. Hugs 3.0
Ana Paula and Bruno arrive at the Hotel Km 64. Thank goodness it’s not called 69, or else Ana Paula would be in deep trouble. She asks why did he stop the car there, but since it’s raining from hell outside and it’s already dark, it’s too dangerous for him to keep driving. Of course, they’ll have to spend the night at the hotel. Oh-uh, Ana Paula is not too keen on the idea. Never mind, Bruno gets outside anyway and he goes to the reception with Ana Paula. Wondering how come they aren’t wet, since it was raining heavily, but oh well… The receptionist asks if they want a room and before Ana Paula can answer, Good Guy Bruno tells them that they want two rooms. Well, it’s not Ana Paula’s lucky day, because they’ve only got one room left. See, even the destiny wants to get these two in a room together. But Bruno is a caballero and tells him that the room is for the miss and that he’ll sleep in the car or if the receptionist will let him, he’ll sleep on the sofa. “I know that little by little, I will win your confidence!” “Yes and with everything you do, I am more convinced that you are trustful.” “I hope that soon enough you’ll call me by my name and consider me your friend. Friends?” “Friends!” And a hug….aaa, I mean handshake.
A new sunny day. Ana Paula and Bruno are walking and she asks him if there still is a long way to go. “No, not that much, only a few hours left.” But my gut tells me that they would arrive sooner if they would get in the car already. She tells him how much she would have loved to bring her two pigeons Romeo and Juliet. He didn’t think she was so romantic. Wonder why? Maybe because she injured Don Maximo in a way that would make The Bride from Kill Bill proud? But yes, she tells him she always liked that story and that it’s sad to see that the real love between two people can’t happen because of life. “I hope that won’t be your case. Nor mine. And that we’ll be very happy with the people we’ll fall in love with.” says Bruno. Ana Paula smiles and agrees. Bruno kinda leans there for a kiss, but not so fast, young man. Just because Don Maximo didn’t have your charm…or your hair, it doesn’t mean that for you she’ll fall that easily. Ana Paula tells him that they can get back on the road whenever he wants to, but Bruno still has something to tell her. “Paula, you are a very beautiful woman.” – oh wow, this is the first time someone tells it during this episode…NOT. “I would like you to be dressed differently when we’ll arrive at the hacienda.” “Differently in what way?”, she asks. The horrifying thought of being asked to wear a bikini in front of Señor Rogelio Montero was probably running through her head, but no, Bruno only wanted her to look more professional, wearing her uniform.
They are back on the road again…well, it’s more of a country road and she once again behaves like an impatient girl, asking him when they are going to arrive. It’s not because of impatience, but because of curiosity, she says. Yeah, right! Bruno stops the car and tells her that this is the only way to the hacienda and they can consider themselves lucky, because it’s a sunny day and when it rains, it’s hard to get through. He takes her on some cliffs to show her the vast land of the hacienda and it’s a lovely sight. Ana Paula agrees with me. Finally, they arrive at gates of the Hacienda del Fuerte. They get out of the car and Bruno tells her that they have phones there, but they don’t always work, especially when it’s raining, so it’s difficult to communicate; therefore, when she needs to make a call, she has to go to the store in San Gabriel to make it.
A worker opens the gate, Ana Paula gets back in the car with Bruno and she asks him the million dollar question: “Do they have Internet here?” Well, Bruno will have to disappoint her, because the hills surrounding the hacienda block the signal. A satellite dish would be needed, but the patron won’t allow it, thinking that his workers will stop focusing on their jobs, talking and sending messages instead. “Then he must be used to being isolated.”, says Ana Paula. “That’s right; his life is only here at the hacienda.”
They finally get out of the car and Ana Paula is all smiles. He asks Bruno what’s the name of el dueño de la hacienda (Landlord). “His name is Rogelio. Rogelio Montero.” Tell me you didn’t read that name channeling a James Bond voice!
A few meters away from them, Efrain tries to calm down a savage horse, while Rogelio tries to convince a boy called Margaro (Margarito) to get close to the animal and act like a man, even though he’s just a child. “In a hacienda, there are animals and you have to treat them well, so come on!” “But I am afraid, very afraid” replies the boy Margaro. “Nothing happens, nothing happens, hombre! Do what you’re being told to or else I’ll whip you”. Ana Paula can’t contain herself: “LEAVE HIM! LEAVE HIM! How can you do this to him? He’s just a boy!” “And who the hell are you?”, asks Rogelio. “My name is Ana Paula Carmona and I won’t allow you to scare a child!” “You have no idea who you’re talking to, right? I am Rogelio Montero, the owner of this hacienda!”
And so, the first episode ends with what seems to be the beginning of a beautiful friendship.
Labels: no-podia
Lots of actors I like, sparks and groundwork for sub-plots and Jorge/Rogelio pumping iron and brandishing a riding crop. Who could ask for more????
Looks like a good novela de campo for passing through the cold winter months, though I hear it will span other seasons as well.
Ads for El Talisman attractive, too.
"When it comes to newsflashes, no TV channel can beat a curious neighbor."
"his hand has a rendezvous with Ana Paula’s weapon."
"she hopes that Miguel will find them a place where to sleep tonight and store their stuff. He did find one, Ana Paula. It’s called jail."
"And whoaaa! Ana Paula just found Wonka’s last Golden Ticket. He is in fact a public defender."
"she and Bruno aka Prince Charming make eye-contact. Romantic music starts playing. Gah, again one of those cheesy meet cute moments."
"Oh, thank God, Bruno has a tongue."
I still have to read the second half. Hey! Does this mean that Gil is finally going to be a good guy? He doesn't do "Good Guy" well, and the close-ups on his supposed love-struck face, along with those prayerful-looking hands--Naw, say it ain't so, Julian! I'd rather imagine him as a scheming mouthpiece with larceny and lechery in his heart, rubbing his hands together and salivating at the prospect of getting naive Ana Paula in his crib. --Speaking of naive, has anybody ever seen a more naive brother and sister act than this?
More later.
Alexandra, thank you so much for subbing for Urban, not to mention all the way from Romania!! It was a terrifically witty and worthy recap!
Before I go further, I wanted to link to a high quality video clip I made of the last scene (with the horse) with English CCs. Here it is, it's streaming Flash, like what is on YouTube, and is on my own personal site. If the video stalls, wait for the whole thing to load, and also note that the playback is a bit "sticky" (not entirely smooth) and that is something wrong on my end.
Anyway, I was gobsmacked that Univision had ENGLISH CCs on this! The only other Unvision TN with ENGLISH CCs (that I know of) was "Eva Luna," and that was because Univision co-produced it. I don't know what warranted them making English CCs for this show, but my first guess is that it is anticipated to be a big hit and they thought it was important enough to bother. Which is good, because I have a few friends I can now recommend the show to!
Now onto the comments; the first thing I want to ask everyone is, if you only watched the promos on Univision, did you have any idea that Rogelio was in a wheelchair, and when, in this first episode, did you clue in that he can't walk? I have been noticing all along that the Univision promos show re-shot scenes where Rogelio is seated in a chair or sofa. (Like for instance, the scene where he's yelling at the kid—the Univision promo shows him sitting on a bench, but in the actual episode he's in his trusty wheelchair.) And the esmas.com site synopsis and description of the show only say that he's had an "injury" but do not mention the wheelchair. Interesting, isn't it?
The other thing I wanted to say is that I have watched/listened to this episode a few times, trying to get all the dialog (as I've mentioned before, my understanding of spoken Spanish is still iffy, and this is the first TN that I have been able to "follow along" to without CCs). So seeing it with CCs was a HUGE revelation in some cases. I was happy to see that I understood all the essentials correctly, but the little details I missed. Mostly, I missed the depth and breadth of what a complete and total JERKWAD Rogelio is! Don't get me wrong, I'm a total fangirl (it becomes obvious why after the first several episodes) but this first episode especially paints him to be such a bitter, angry, selfish, violent jerk. I couldn't believe that he actually threaten to whip the kid! He wouldn't do it, not really, but to even say it is such a jerk move! And his completely insensitive and selfish comments to Cinthia regarding her completely understandable desire to have her own life and not rot away on that darn ranch. Oh Rogelio, Rogelio, you are such a d*ck! LOL.
But don't get me wrong. Oh how I love you Rogelio, even though you're a freak and a total jerk whom I'd never want to meet in real life (at least not as you are in this episode!). LOL.
I love all the performances, especially the Auntie Rosy, who is a piece of work. I also like Dany (the blonde friend of Ana Paula). The brother, Miguel, is a sweet guy but a bit of a dipsh*t, I don't know how else to put it.
I wasn't expecting so much. Nice to be very pleasantly surprised!
Ours started 40 mins with no commercial break - that was odd!
Now I need to read the recap - thanks!
Audrey
I'm in big trouble if we're supposed to like Cinthia. If we are it would have been better not to give her an outfit that so obviously displayed her awesome abs. B!tch. Just kidding...sort of.
I was also tickled pink to have English subtitles. I'm still going to watch without them and use them only when in dire need. I annoys me that my Spanish CC is so bad (it is just garbled junk.) What's up with that?
Elvira- "But don't get me wrong. Oh how I love you Rogelio, even though you're a freak and a total jerk whom I'd never want to meet in real life (at least not as you are in this episode!). LOL." Totally agree. As a fangirl, I was actually panting at him pumping iron! So much better in HD.
As for dipsh*t Miguel,I didn't know he was paying Paula's tuition (guessed I missed it while watching online) and it changes my view of him slightly.
Jardinera- "Hey! Does this mean that Gil is finally going to be a good guy?" Give it a few episodes and you will see what Bruno is all about, and your instincts are right. I read somewhere that Bruno's character was added on and not part of the original novela.
Star.
I have never seen this lead actor in anything, as I have only been watching TNs for about a year. He is very controlling and that whip. I hope he mellows out at some point. That little boy looked so scared, I was hoping he wouldn't hit him or crack that whip near him.
I like Ana Paula, she really stands up for what she believes in. She has lots of spunk.
Love Ana Martin in this one, remember her from DA too.
The lawyer Bruno looks smarmy to me, I wonder if he has more up his sleeve than he is letting on.
NO SPOILERS
that INCLUDES insinuations like "You THINK he's [whatever] but just wait till you see what happens next."
You MUST comment as though you have never seen "what happens next" or your comments will be removed. We have many people reading these recaps who do not want the surprise spoiled at all.
Thanks for understanding! And enjoy!
But why was she picked to go to the hacienda? Did he know she was a nurse? Sorry, but was he standing there all day waiting for a damsel in distress. This looks like it's going to be a good one, and I'm glad they picked the right actress to play Ana Paula, I'm a big fan of Ana Brenda, she's tremendous. It's a great day when you see Ana Martin! I am not sure if I'm allowed to ask this but is the actress who plays Rosaura, Ana Bertha Espin, the real mother of Susana Gonzalez?
I can't imagine Julian Gil playing a good part, I kept expecting the true character to come to play, but if David Zepeda can turn good, who knows? It's a good point to keep me glued to this one to see if he will play hero or anti-hero.
Please don't forget this TN is written and produced I believe by the same creators of Eva Luna, so that may be why you are getting the english captioning.
Thank you for all the positive feedback, I am very happy to see that no tomato was squirted in my face....yet hehe. I will gladly assist you whenever you'll need my services, hope you didn't miss Urban too much. I am currently at capitulo 111, so it's kinda funny going back all the way to the first episode and see how much my opinions changed. Again thank you for all the comments, it gives me a boost of confidence.
Bravo! Thank you for filling in for dear Urban and doing such a fabulous job.
This is a wonderfully dramatic first episode. Yes, it has a very gothic feel to it. Nice to see so many familiar actor faces too, and they are really playing up Ana Brenda's assets in this one.
I had guessed that Rogelio couldn't walk even from the promos, since he was always sitting down. It fit the angry, bitter young man persona they were implying in the previews. So far I don't dislike him, but I do dislike the way he treats people and I want to learn more about what made him this way. And was he like this even before the accident. He was pretty badass when he put the beatdown on TWO guys from his wheelchair. I would have rather they be bad guys though, instead of some poor ranchers just trying to make ends meet to support their families.
The interplay between Cynthia and the capataz is interesting. They border on playfulness and violence in their mating dance.
I like that Ana Paula is spunky. Loved when she broke that bottle and used it as a weapon. I don't blame her brother and her for being suspicious of the lawyer's offer. Even with a signed contract, they have no idea if he's taking her somewhere to be sold into sex slavery, to never be heard from again. She's lucky he was on the up and up about the job. The tia is a piece of work. I am sure she has been offering up her attractive (yes, we get it) niece to the highest bidder for some time. Luckily Ana Paula is good at defending her own honor.
Now, as for the lawyer's intentions...not only does Julian Gil never play a good guy, the promos also made him look slimy. He definitely has hidden motives in regard to Ana Paula.
Get those palomas a bigger cage, that one isn't even big enough for one bird. Call the Mex SPCA!
Cinthia is taking hip huggers to a whole new extreme. Apparently she's had a Brazilian wax job. I am so jealous of those abs!
Julian Gil just has that sleazy look, guapo but sleazy, perfect for the abogado part.
I love this word for dickhead, pendejo etc, gilipollas.
Hello to the lovely people at Caray, I hope everyone had a great holiday. :)
My short summary of the first episode: jorge-jorge-jorge-susana-jorge-fabiánrobles-myheadexploded. :) I was inpatiently waiting for the recaps of this show, and I'm looking forward the next months with the LQNPA team.
---------
ISTA, Vario!!!
I found Ana Paula's distrust a good sign. She's smart. Hopefully she won't get herself into too much trouble.
This episode was crazy but the writers made sure Ana Paula was at the Hacienda at least by the end.
May I suggest something for all uf us who have seen the episodes in advance? We could try to mention it the less we can. Sometimes a comment about a character's personality can be considered spoiler for some, since we know how these characteres will evolve in the next episodes. So far, new viewers only know what they have seen on screen, just like we did when we watched them for the first time.
I also, as always, I want to recommend those who would like to stay unspoiled to not visit the show's wikipedia page.
Jarocha
http://www.alma-latina.net/01actresses/a/ana_bertha_espin.shtml
"they are really playing up Ana Brenda's assets in this one."
LOL, I know! No more little girl outfits for her in this one!
Aribeth! Nice to see you on the blog again :D.
Jarocha
There's one important information about LQNPA: the original story was written by the infamous Delia Fiallo. She's the master of classic pink telenovelas in which the men (including the protagonist) are jerks and women have to face tons of rape attempts. But people say the show gets better and better, so I guess the producer will reduce these classic Fiallo-clichés.
This version doesn't have too much in common with Delia's story. In fact, I think she actually said she doesn't like this one because it's too different from hers. Jorge Salinas' character, which was previously played by Sergio Goyri has more screen presence in this telenovela and he's more of a central figure, rather than a supporting player.
Was the TdA fiasco the fault of Fiallo or Meh-jia?
I'm not sure I could stick around for another TdA-esque mess.
I'm in the process of "pre-writing" my recap for Wednesday's episode (since I will be out until late-ish on Wednesday and don't want to deal with doing it all then) and I have a disclaimer on my recap that says that I am trying very hard to only add comments and observations based on my *first* impression was of the show, the *first* time I saw it. I understand the importance of not spoiling you and know how annoying that can be.
A few things I think are obvious, though, or should be obvious within maybe 2-3 episodes, and I can tell from the comments here that most of us are on the same page about what's going on with most of these characters: Rogelio is a darker galán but not a villain. Rosy is a piece of work. What's with that Bruno guy. And so forth and so on!
As for the writing, obviously I became a fangirl for a reason, but sometimes I wondered what the writers were smoking. But I can say that about every telenovela I've ever watched, so me saying that about this one shouldn't really tell you much! LOL.
"Was the TdA fiasco the fault of Fiallo or Meh-jia?"
Definitely Mejía's. José Alberto Castro (Rubí, Teresa, and so on) isn't my favourite producer ever, but he at least he has common sense and some good taste.
Alexandra:
When Esmeralda aired in Hungary I was 15 and I enjoyed it MUCH. There were so many jokes about it, like: "she has green eyes, she has green dresses and she crashes the wall, who is she?". In 2007 I downloaded the episodes for the sake of nostalgia, but it was boring as hell. :) I liked Lety, Enrique and Salvador Pineda.
My favourite Fiallo circos are Rosalinda (Thalía and Fernando Carrillo) and Guadalupe (Adela Noriega and Eduardo Yanez).
La que no Podia Amar does have its qualities, I am not sorry for staying with it, despite the fact that my face had to endure a lot of palms. The second episode is definitely an improvement over the first one and the next ones are even better.
Sara: El Privilegio de Amar was the same novela as TDA and it was miles better because it wasn't produced by "Chafa" Meh-jía. Although Fiallo's stories aren't always my cup of tea, I think this one goes far away from the original and turns it almost into an original in itself. And that was a smart choice.
If Fiallo's favorite story of hers made by Televisa is Esmeralda lol, I don't know what to think. I did love Graciela and Adrián, but I wanted Esmeralda to end up with Álvaro instead of Jose Armando. That novela put me off of Colunga and I never got the crush back.
My favorite is actually the last version of this one: Te Sigo Amando, made also by Carla Estrada. I loved Ignacio, my favorite character of Sergio Goyri, and Yulissa but didn't care much for the male lead. The character played here by Ana Martin was played then by Katy Jurado, a Mexican actress that was once nominated for an Oscar one time and she won a Golden Globe in another back in the 50's. She won a TvyNovelas for this character.
Jarocha
Does anyone know where I can watch last night's episode on line?
Rosemary la Otra
Great to see you Aribeth. Best wishes with classes.
I had many of the same opinions as you. Hard not to be tongue in cheek when it is so melodramatic.
I think the story is a little [only a little, folks] like Jane Eyre. She goes to the somewhat scary Mansion (OK, Hacienda) and meets Mr. Rochester, er, I mean Rogelio. They have words right away, I think they have found each other to be worthy opponents.
Judging by the comments, I guess these stories are recycled over and over again? It would be hard not to give the story away if you have seen it so many times. I'm not good at keeping secrets, either.
It reminds me a little of "Mariana de la Noche," which also had an obsessive landowner (Cesar Evora)living isolated on a hacienda with his sister (Angelica Rivera). She and the heroine were both in love with a young engineer played by none other than Jorge Salinas.
Looking forward to Jorge, with his dimples and other assets, again. Also like Ana Brenda, Ana Martin, and the tricky Aunt Rosaura actress. Looks like high drama and fun recapping will ensue.
Subtitles in English? Wow, I'll have to try that out to see how my rudimentary skills compare.
La Paloma
It does share some similarities with Jane Eyre, I wrote that myself on a forum a while ago. I immediately thought of Jane Eyre when I saw the first episodes, because of the age gap between them (although Jorge Salinas is very fine) and the imposing nature of his character, he exudes so much masculinity. Ana Brenda is almost 20 years younger than Jorge, yet this is not looking creepy at all on screen. No matter who else is around, Rogelio is a show stealer. I usually tend to root for guys who aren't really Principes Azules, so it's no surprise that I felt sympathy for Rogelio so early on, without knowing too much about him, despite the fact that he is somewhat abusive and violent.
It is somewhat similar to another very well known story too and curiously enough, a character even mentions it in a later episode.
Would a musical telenovela be too much to hope for?
Kelly
I've never seen the lead actor before, and I'm not sure that I'll like him. He hasn't started off to wonderfully yet. I like Ana, and I agree that Bruno looks smarmy. But I have hopes he'll be likeable.
Rosaura was in another TN that I watched but I can't place which one. And Maria was in that really awful never ending TN about a female boxer that I couldn't continue to watch. Sorry that I can't remember the names of the past TN's. There are too many to remember.
Maybe Rogelio isn't paralyzed, just injured, and will walk with great nursing care.
Variopinta, I don't haha, especially because as I said, when they are doing scenes together, you don't even think of the age gap, it's not distracting at all. I never found myself watching them and thinking: Gah, he's old in comparison to her. I mean, it's obvious that he's older than her, but not in an awkward/disturbing way. You can give me some Jorge Salinas every day of the week! And I'm actually younger than Ana Brenda :D.
For Jorge, this role was truly a revelation and I would be shocked if he didn't win a TvyNovelas award; I've seen him in many other projects before, but I've never taken him too seriously until now - he's definitely on my radar.
My first impression when watching this for the first time was that Rogelio was not evil, but a complete bitter jerk at the start. I was VERY *disturbed* I think the word would be, by the whipping. I don't want to give away any spoilers but I'll say that yes, that wasn't the only time I was disturbed, but there were lines that were not crossed (for me) and that's why I kept watching.
Like with a lot of telenovelas, you need a selective memory and must keep that beanie fixed tightly. You just have to go on faith I think. I'll again say that if the Don Rogelio we saw last night were a real person I would not want to get to know him better. In Viewerville we can give a character like him a chance, but in real life it probably would not be worth the risk.
What impresses me is how Salinas can look pretty old (older than his years) and bitter and almost unattractive in some scenes (where he is in a particularly bad mood) but in other scenes he looks about the right age and striking and handsome. It just goes to prove that anger ages you, I guess! LOL.
"If Fiallo's favorite story of hers made by Televisa is Esmeralda lol, I don't know what to think."
I think the reason she was so content is that Esmeralda is very faithful to her script... or whatever. I'm sooo tired with her constant whining - but when I saw a recent interview with her, she was absolutely hilarious and likeable. And how old is she, 90? 120?
And thanks, everything went well. :)
Niecie, Karen, I'm so glad to see you!
I don't know what STuD stands for. And since I don't recognize the name Sandy, I doubt I watched that one. There must be another one.
I haven't been on this site that long, so abbreviations and nicknames are lost on me.
Kelly
So far I'm enjoying this, cliches and all. What's a telenovela or soap opera without clichés? I mean, they wouldn't put Ana Brenda in scrubs, would they?
Looking forward to reading the summaries. I've written summaries for novelas so I know how time consuming it can be. Thanks for all you do.
" I mean, they wouldn't put Ana Brenda in scrubs, would they?"
Ana Paula is a nurse, not a doctor. But she still wouldn't look much like a nurse anyway lol.
Jarocha
"Back to Bruno. Is this ever going to end?... Back to smiling and crying Ana Paula. For the love of God, please stop!"
Hilarious.
It's been a while since I've joined in the discussion at this hour, but I decided to give this TN a shot... I'm glad I did. Good to see a lot of old friends and some folks I haven't met yet as participants.
This show seems like a perfect TN. Lots of over-acting, beautiful people, and of course chock full of cliches. My first impression... Jane Eyre... Mexican style.
Lots of familiar faces and new faces as well for me. I'm already liking Cinthia, but I think they should feed her more. Efrain is played by my favorite crazy guy. He really chewed the scenery in Apuesta por un Amor and Mañana Es Para Siempre. I hope a screw comes loose for him in this.
cathyx, I'm sorry that you didn't enjoy Un Gancho al Corazón. Did you read any of the recaps as you watched? We had a blast with it.
I had lots of impressions last night but I'll save them for later although I'm already ready for someone to kill don Maximo. What a creep.
Carlos
With regard to Un Gancho al Corizon, no, I didn't know about this site until a few months ago. I liked most of the actors in that show, but the back and forth between love and hate, and the non stop misunderstandings was way too much. When they moved it to the daytime, I knew I wasn't alone in being very tired of that never ending TN.
Jarocha and others, where do you find info about Fiallo? I guess I could just Wiki or Google her.
I have just finished my last CME recap and volunteered to end the Chapel Hill Gang's plug Julie and Julia's exhaustive coverage of Familia. It is slow motion action but I hope it will be a bit like "Yo Amo a Juan Querendon" for picking up dichos and great Mexican slang.
This is like showing up at the Cheers Bar: where everybody knows your name. What a thrill to read comments from so many old friends. In fact SusanLynn, I haven't seen signs of you for way way too long. I hope all is well in your world.
Here's a list of Delia's telenovelas.
http://es.wikipedia.org/wiki/Delia_Fiallo
As for other informations: I read about her from time to time on telenovela blogs and forums. She sold the rights of her stories to Televisa in the 90's, and she seems to regret this decision much.
***
Alexandra:
"And no, this isn’t Lion King: The Hacienda Version, but a terrible nightmare."
"screaming louder than Darth Vader: “Noooo! Noooo!”."
:DDDDDDD
Oh, have you heard Lucas wants to use this "Noooooo" scream in the newest Blu-Ray edition of Return of the Jedi, too? Awful idea.
"No, no, not that 2009 crap, but the 1993 version which I love with all my heart"
CS09 was crappy but absolutely entertaining and I love it with my all heart. :) (No, I'm not joking.)
Rogelio threatens her: “Be careful of who you hang out with! Don’t be too late! You know I don’t like being alone.”
Oh, great, another control freak man who uses emotional blackmail. And this gets worse when they're older, so, Cinthia, you should get away as fast as you can.
By the way, Susana looks fabulous. The Santamarina scandal (short story: Eduardo S. was Brad, Itatí Cantoral was Jennifer and Susana was Angelina), Velo de novia and Pasión seemed to hurt her career deeply, but thanks to Mujeres asesinas, Para volver a amar and now La que she's back on the map again. I'm happy for her, I like her since Entre el amor y el odio.
"Rosy surely loves her niece! Throwing her in the mouth of the lion just like that…ugh."
And the winner of the Worst Aunt Awards is: Rosauraaa!
"He grabs her waist, but she tells him to calm down or else they’ll be seen. We have a dangerous liaison here!"
With a guy played by Fabián Robles? I can understand Cinthia. :)
"Camera focuses on Ana Paula. Then on Bruno. Then back to Ana Paula. [...] Come on, just kiss already and get a room, damn it! [...]"
LOL! Great description of the scene.
"Ana Paula agrees, wondering why she initially didn’t have a good feeling about him, but he eventually proved to be a kind man."
Ana Paula, that's called instinct. You should listen to it, girl.
"Random thought: Rosy and Bruno would make a cute couple."
Hilarious yet nightmarish idea - and I can't unsee them together. Ick! :)
"Ana Paula and Bruno arrive at the Hotel Km 64. Thank goodness it’s not called 69, or else Ana Paula would be in deep trouble."
:DDDDDDDD
alexandra, you know i am marta i from the cs fans... and i too caught Javier Ruan (cajiga from CS 93 and was shocked at his looks now. he looked about halfway through the transformation in destilando amor but he looks bad now for sure)
And so, the first episode ends with what seems to be the beginning of a beautiful friendship.
great job alexandra...
this novela reminds me of another one long time ago with Edith Gonzalez and Arturo Peniche called Monte Calvario...
"this novela reminds me of another one long time ago with Edith Gonzalez and Arturo Peniche called Monte Calvario..."
Because this is the remake of Monte Calvario. :)
<< Home
© Caray, Caray! 2006-2022. Duplication of this material for use on any other site is strictly prohibited.