Saturday, January 20, 2007
La Fea Más Bella #192 1/19/07 Rebounds a-plenty
Aldo calls Caro and moans about wanting to go to the beach with Lety and see the sunset. Caro says he's a lost cause. He asks her to send him the photo she took of him and Lety. He says he's happy because he's in love with Lety.
Yes, all of this already happened last night. Nothing new happened today. I wonder if this scene was included only because... well, I'll finish this thought later in the recap.
At Casa Padilla
Lety tells Tomas she's sure her mother read her diary. He is shocked that she was so foolish as to write everything down, but Lety explains to him that that's why people have diaries, to write things in them for no one else to read. :-) She shows it to him, but doesn't let him read it - much to his disappointment. He says why not - it's too late now, since her mother's already read it. He asks why she didn't hide it more carefully. Lety said she didn't think it could happen right there in her own house, and she's going to throw it out along with anything else that gives her bad memories.
Tomas asks if she hates Fernando like he deserves. Lety says no, she's forgiven him, but it will take longer for her to feel kindly towards him. She doesn't ever want to see him again.
She resumes painting over the flowers on her wall that she drew after her and Fern's trip to Cuernavaca (that's why her bed is covered with plastic, to protect it from spatter). Tomas keeps trying to sneak a peek at the diary. She threatens to paint him too.
She takes a break from the painting and he makes himself comfortable on a nearby chair. His legs are crossed, man-style, causing his too-short pants to expose his white socks and a tiny bit of leg. I also notice that he's wearing his necktie short again, although he's still got that pompadour. They are discussing the debts of Conceptos. Lety is taking the situation lightly. She wonders why the Mendiolas and Villaroels (or Mendiroels, as I shall call them henceforth to save myself some typing) are in such a hurry to get her to sign the papers. Tomas thinks they must have found a way to pay off their debts. Lety doesn't much care - that's up to the Mendiroels now.
To clarify for those who are confused by all of this: if the Mendiroels own both Filmo-Imagen and Conceptos, their debts to FI will be canceled, but they will still owe more than $6 million (thanks to inflation, that's not enough to build a bionic man these days) because FI doesn't have nearly enough assets to cover Conceptos' debts. And now they will owe it all directly to the banks, with whom they do not have a good relationship - that's why they had to create FI in the first place, because banks wouldn't loan them money. In fact, without the protection of Filmo-Imagen's great credit rating, the debt of the Mendiroel Empire will be due immediately.
All of this is pretty clear to Tomas and Lety, as well as the lawyers, because they're all smart about money and can be objective about this because none of their own dinero is at stake. However, the Mendiroels are still too frothing-at-the-mouth-mad at Lety (and possibly financially ignorant) to see beyond their wounded pride.
Lety and Tomas agree that they will be happy tomorrow morning when all of this is over. Tomas asks what she will do after that. Lety says she'll keep working for Caro. Tomas says he's happy for her, but for his own part, he's going to hand out resumes, and when he's finished doing that, he'll do it some more.
Lety says (I think) that she just got lucky when Carolina helped her. She tells him to come over early tomorrow and they'll see what they can do. He happily agrees, but then remembers that RoboPop has banned him from returning to the house. He feels sorry for himself, not only being unemployed but also being unwelcome in the house because he hadn't told RoboPop about the problems with the Mendiroels. So RoboPop threw him out "like a dog," Tomas says (which is sorta funny when you think of how things turned out for little Moty). Erasmo couldn't throw Lety out since she's his daughter, but as for him... if Lety wants to see him again, they'll have to go out at night on a secret date.
"I'm not Alicia, Tomas," Lety says. "You're tellin' me," Tomas says. Lety doesn't think there will be a problem. He'll come over tomorrow and the whole thing will have blown over. Tomas says he hopes so, because he's already feeling a little hungry. All of his digestive organs will be grateful if Lety smoothes things over with RoboPop. Seriously, he says, he'd be really hurt if he wasn't allowed back in their house. Lety says they'd be even more hurt. And speaking of hurt, she says, how'd it end up with Alicia? Has he forgotten her luscious locks yet? He sadly says no - he still carries her photo next to his heart. He takes out the photo and kisses it.
He gets up to leave, still looking at the photo. "How pretty," he says. "I was talking to Alicia," he adds, waving the photo at Lety.
A while later, Mom comes up to Lety's room to talk. She asks how Lety is, and how her hand is. Lety says they're okay, but doesn't waste any more time on pleasantries. "Why'd you read my diary?" Lety's mom says she had to know what was going on with her. Lety says her diary was sacred to her. Mom says she understands that, but Lety's welfare is even more sacred to her. And it's a good thing she did, because now she understands Lety's rejection of Fernando, and her resignation. And she also understands her resolve, and her trip to Acapulco. She saw Lety suffering so much, and respected her silence, but it was very serious. And Lety has always confided in her before.
Lety reminds her mother that Fern was her boss, he was engaged, etc. - and she just couldn't face her mother with all that. She told a few things to Tomas, because for some reason, it wasn't as embarrassing.
Julieta says she's Lety's mother, not just though the happy parts of life, but also through its problems. She asks Lety not to deny her the right to comfort and advise her. Lety assures Julieta that she's learned her lesson!
Then, becoming more animated, Julieta asks Lety about her new attitude. She doesn't seem like the same Lety who left them. Lety agrees that it's strange, but before she went to Acapulco, she still felt like a little girl who liked her room decorated with dolls and flowers, but... but... "now I see that that is changing," her mother finishes for her, looking at the wall behind Lety. Lety has painted a new scene - the seashore. Lety says she wanted to bring with her the strength of the ocean the rescued her. And, Lety says, now she knows all of that strength was inside her. Lety admires her ring, but doesn't explain it to her mother (or maybe she explains it in between scenes).
Lety tells her mom about Aldo. (For some reason, Julieta giggles at his last name, Domensain. Dunno why.) Lety says he taught her how to dive, and he also taught her that fear doesn't exist - the only thing real is love. It's as powerful as anything in the universe. (Anyone else remember when she had that nightmare, and she said "if I feel fear, I can't feel love?") Julieta is very excited to hear about this, and wants to know when Lety is going to speak to him again. Lety gets nervous and squeaky and says no, he's in Acapulco and no human being would ever be able to leave there. She'll probably never see him again. Mom is disappointed, but Lety says it's okay because she's carrying him around inside - they're of the same spirit.
Gee. If only there were some way that people could communicate over long distances. Like some sort of device that would allow them to speak remotely, or an organization that could deliver written messages on paper, or perhaps a sophisticated, high-tech system for conveying words electronically.
Anyway, Lety continues, he will always be there on her wall - his strength, his intelligence, his wisdom (no mention of dexterity, constitution, or charisma... if you don't get my lame joke, never mind) as well as that of the sea. Julieta says Aldo must have done Lety some good - what a shame they can't see each other once in a while.
"Would you like me to help you with something?" Lety's mother asks. Lety gives her a strange look. (I'm not sure what she's thinking.) "I meant with your room," Julieta giggles. Lety asks her for a plastic bag to put away her stuffed animals. Mom happily agrees. Lety says the thing that makes her the happiest is that she won't have to see Fernando ever again. They share another happy giggle, but as Julieta leaves the room, Lety looks sad.
In the boardroom
Ariel is impatient. He wants Santamaria to spell it out for them: what is he proposing, exactly? Santamaria advises them to ask Lety to keep Filmo-Imagen and its lien on Conceptos. If she doesn't accept, Conceptos will disappear. But , he adds, the decision is theirs.
Humberto says that doesn't make any sense - the judge already ruled in favor of Filmo-Imagen seizing Conceptos. Santamaria points out that Lety could ask the judge for a six-month extension on the seizure.
"So we're still in Lety's hands?" Marcia asks bitterly. Santamaria confirms this. "It can't be," Marcia chuckles sardonically. Santamaria says he wouldn't want to get in the middle of whatever problems they've had with Lety, but she and her lawyers are in the better position, and Lety probably understands the consequences if FI should wind up in the Mendiroels' hands.
"In other words," Darth Teresita says incredulously, "we're going to have to beg her."
"We could say it that way," Santamaria says.
Humbo says he gets where their only way out is to keep the lien with Filmo Imagen, but it really bothers him that it means having to continue this game with all the creditors and banks.
Fern timidly raises his hand. He thinks it'll be okay because he and Lety had visited these banks together and explained that FI's loans were being extended to Conceptos. Santamaria explains that it will all be moot if FI's lien on Conceptos is cancelled. The banks have to protect themselves. Fern weakly protests that he had agreements with the banks. (I guess he doesn't understand that the agreements were based on the banks' high esteem of Lety.) Humbo says this is an embarrassment.
Santamaria says they need to decide amongst themselves, but make it quick, because either way, Lety has a date with the judge tomorrow. Just let him know what they decide. Humbo asks him to wait while they discuss it. Santamaria and Ariel's two useless lawyers file out of the room, and Humbo tells Ariel to shut the door.
Humbo lays it out for them: they can beg and plead with "that girl," or they can lose the business. What will it be?
Teresita, Marcia, Omar, and Ariel all look conflicted as they each mentally weigh their pride vs. all their earthly possessions. This doesn't take too long for Ariel, who doesn't have many possessions left since he's already sunk most of his assets into an apparently fruitless business deal. He says there's not much to discuss. They should liquidate Conceptos and split up what little remains and get on with their lives.
Humbo tells Ariel to stop being a jerk and sit down. He asks Ariel how he thinks he's going to get by on so little. Is he going to go out and look for little jobs to survive? How can he hold so little regard for what his parents left him? This business has given him life, and yet now, with the greatest coldness, he's saying "let's liquidate it." He's refusing to help pick up the pieces of 35 years' worth of work.
Ariel glares and sulks like a bratty little boy. "I remind you," he says self-righteously, "that I'm not the one who did this [literally, I didn't make those pieces]; your son is bringing them to you."
Impatiently, Fern points out that they are all trying to save their business, yet all Ariel can think about destroying it, as vengeance against Fern; and all because he didn't get to be president of Conceptos.
Teresita, the wonderful, loyal mommy, says that Ariel is just expressing his wishes.
Wow. I wonder if she's ever, even once, stood up for her own son the way she stands up for the Villaroels. Yes, it's sad that their parents died. But there's no way she can make up for that, and it's an insult to the senior Villaroels' memory that she's spoiled their kids.
She says that Ariel's wishes are not necessarily those of the committee; she proposes that they vote.
Ariel says they already know his vote: he wants to liquidate. And Humbo wants to try to stay afloat. Fern says he wants that too. Teresita says it's very complicated for her - her pride doesn't want to go with Lety, but she also wants to see her husband happy, and he doesn't deserve to see the death of his business. If there's any way to save it, she'll vote for that.
Omar says something like he represents the minor shareholders, and on their behalf, he votes that they talk to Lety. And Marcia says that as much as she would love to have Lety far away, she, like Humberto, feels that this company is her life. And he's like a father to her. She couldn't stand to see the company liquidated - for the sakes of Humberto and her own parents. That's much more important than any resentment she feels. Even if Ariel doesn't feel any moral obligation to their parents, and even if he lacks the integrity to put his hand on his heart for them (the committee), she'll do it herself. Even if she has to beg "that woman," she'll do it.
Ariel tells them to do what they want with Conceptos, but he's going to look out for what little capital is his. He's not going to be like the jerk that used to be in that office (referring to Fern's presidential office). He's going to expect results. (Of course, all that tough talk is just an effort to save face as he backs down.)
Humberto tells Ariel that's his right. (This halfhearted validation seems to take some of the wind out of Ariel's indignant sails.) He tells Marcia to go get Santamaria. She brings him back, along with the two useless lawyers. Humbo gives them the good news, and Santamaria says great, he's going to cancel his own meeting with Lety and her lawyers.
Teresita says why? How are we going to communicate with her?
Santamaria says he'll conduct the meeting if that's what they really want, but with all due respect, he thinks that would be incorrect. (Marcia bristles.) The situation is too delicate for her to discuss with a lawyer she doesn't even know. He reminds them that Lety would be doing them a favor. (Marcia bristles some more.) Omar voices his agreement with Santamaria, however; they are depending on Lety's goodwill.
There is some question as to which of them would be the best choice to speak with Lety. He, Omar, would love to do it, except Lety hates him - he doesn't know why. ;-)
Ariel says that he and Lety are natural enemies. Teresita says she's had very little contact with Lety herself, and isn't kindly disposed towards her anyway. Marcia says don't look at her - every time she and Lety talk, they insult one another.
All heads turn toward Fernando, who glances around defensively and says don't look at him either. He says they all know about the bad feelings between them. Ariel (more cheerfully now, after a commercial break) mischievously says he certainly remembers the moment when Lety gave him up to the committee, but he doesn't understand why. Everyone glares at him except Humbo, who ignores him and says fine, he'll speak with Lety himself. (Humberto is clearly the only adult among the shareholders.) She did ask his pardon when she resigned, so at least she has some respect for him. He tells Santamaria to also line up some plans for them with the banks, just in case they can't come to an agreement with "this girl."
Fern asks his father if he really wants the banks to know what's going on. Humbo says the banks are already aware of how things were before; so yes, he'd like for them to hear it from him. At least he will maintain that one shred of dignity. Humberto ends the meeting, saying he's tired.
Fern and Marcia wait for everyone else to leave, then exit the room together. Marcia notices that Alicia has already left, and wonders how she got home. Fern thanks Santamaria for the way he handled the case. Santamaria says nah, it's just his job. The lawyers leave. Marcia asks Fern if he will go home with her, or if he'd rather be alone to ponder the return of Leticia. She asks if he will go looking for her. He says he doesn't want to talk to Lety at all, and anyway, she hates him. (He doesn't say that he hates her.) He tells Marcia to go get her things.
He waits until she is out of sight, then retreats into his office to stare at a picture of Lety on his computer. So much for his reconciliation with Marcia.
He murmurs "Lety, my Lety." (Listen, Ferni - for the time being, she's not your Lety either.) Before long, Marcia screeches from the lobby that it's time to go. Fumbling with his mouse and keyboard, he closes the picture and leaves. (He does exactly what I do. He does a Ctrl-W to close it, then he realizes that the file he's trying to close isn't the active window, so he clicks with the mouse to select it, then does the Ctrl-W again to close it. This is silly - if you are going to reach for the mouse, you might as well use the mouse to close the file. But if you're a keyboard person, like I am and apparently Jaime is, you never think of that. Um, anyway... back to the recap.)
In the executive lobby
Alicia yawns at her desk while the cuartel chats excitedly about tomorrow - it will be a big day for Lola. She will be finalizing her divorce.
Meanwhile, El Cheque is on the phone at his office, upset about the divorce. Yazmin whines that he'll be giving Lola whatever she wants. (Something like that.) He sits her down - she cannot even take a seat without cheesecaking it up - and some bystander hands her a coffee. EC promises her that he won't give Lola anything except what's strictly necessary. And he wants her to go get her severence from Conceptos. She claims they won't talk to her, but he wants her to go there in person and pressure them to give it to her. She accuses him of making her go there because he wants Lola to be mean to her.
Noticing that they now have several male onlookers, he takes Yazmin aside and tells her that "we" need that money because he's short on cash. (They are now standing directly in front of someone's desk; Yazmin has her back to El Cheque, so the woman at the desk can see Yazmin rolling her eyes as he speaks!) He says it looks to him like she doesn't want to help him. He says he's going to leave, and stomps off. Immediately, the male onlookers start offering her water, coffee, etc... El Cheque rushes back in and ushers her out, saying they'll talk more at home.
Back at Conceptos, Lola says she'll bring down the full weight of the law on him. They head towards the elevator, where they are intercepted by Alicia. She tells them they can't leave, because the meeting hasn't ended yet. (They've had this conversation before.) Roller Derby Sara says that only applies to Alicia, because she's the waitress. The rest of them can leave because it's 8 o'clock. There is some foolishness as the whole group of feas keep walking in and out of the elevator to taunt Alicia about not being able to go home.
Martha comes back for a final insult (it's just a sarcastic "have a nice night"). "What did you say, fat lady?" Alicia demands. Martha turns to the elevator only to discover that the doors have closed and the rest of the cuartel has left.
"I'll take the stairs for the exercise," Martha says, running away in terror.
Luigi shows up. Alicia tattles to him that Irma has already escaped. Luigi is bummed because he wanted to do the proofs (or whatever "protecciones" are) for the lemon soda commercial. He needs a stand-in model for that. Alicia gets very enthusiastic and it sounds as though she will offer her services, but then she backs off, saying the job probably doesn't pay well, right? Luigi says he's sorry that "filthy" Yazmin got fired, because she had a good body for that sort of thing. Offended, Alicia points out that she has a good body, too. "Oh my God," Luigi says impatiently (in English). He says something about people making decisions in the boardroom without him, and him making decisions about something else, and something about a doll turning into a cheap hotel (obviously I've missed something).
Alicia offers him some gossip in exchange for a ride home, but he says he can't, because his dear Rulli is coming to pick him up. Then he says something about a guy named Alex and says it's tough to have a boyfriend these days. (Not that Alicia would know what that's like. ;-) Alicia says "tell me about it." So he tells her again. And Alicia says "tell me about it" again. Luigi retorts, "I just told you!"
Fortunately, the elevator arrives, and Luigi is whisked away from Alicia's vortex of stupidity. "Oh, now I get it," he says as the doors close between them. (I got the sneaking suspicion that this scene was ad-libbed.)
Alicia is counting her pocket-change when Santamaria and the two less useful lawyers step out of the boardroom to wait for Humbo and his gang to make a decision. She doesn't have enough money for a taxi, and there's no way she'll take a bus. One of the useless lawyers goes on an errand; another sits and looks through some papers. Santamaria approaches Alicia and asks if it's too late for a coffee. Motivated by poverty, Alicia graciously offers to find some for him, and perhaps a cookie as well. Santamaria strains to admire the view as she disappears around the corner.
Alicia pauses in the stairwell for a little prayer. (What, you can't pray and walk at the same time?) She is hoping to bum a ride home with the lawyer. She tells Jesus she needs a boyfriend now more than ever. If he gives her a miracle, she promises to talk less on her cell phone. (No doubt Jesus is tempted by this offer.) Wait, no - she reconsiders and says she'll offer something else instead, later. And, she asks, if possible, someone really rich, and with a car. An excellent car. New.
She comes back with coffee and a cookie. Pretending to make small talk, she says it's getting late and she is afraid to take a taxi home at this late hour - it might be dangerous. She is just about to come right out and ask Santamaria for a ride, when he interrupts and is just about to offer, when Marcia comes out to ask him back into the boardroom. Al complains about Marcia's bad timing, but Marcia is not in the mood to hear about it. (Again, I point out that their strange friendship is based on Alicia's seemingly endless emotional support of Marcia; in exchange, Marcia offers only material support, never emotional. I guess it works for them.)
Santamaria tells Alicia he'll finish the coffee later and leaves them. Al asks Marcia how much longer is this meeting going to go on, because it's getting late and she's tired. Marcia sarcastically tells her to go home, then. Alicia mimics her and prays some more for a boyfriend with money and a car. She says it's not so much to ask. She drinks Santamaria's coffee and eats his cookie.
Her prayers are promptly answered with the arrival of Saimon, singing. She tells the ceiling that she asked for a man with a car, not a motorcycle. A man with the wages of a president, not those of a messenger-boy. He tells her he's about to leave, but then flirts with her in his very wordy way. She tells him she's waiting for Marcia to take her home. He wishes her goodnight in several languages and then pantomimes skiing (?) to the elevator. She calls him back and he skis back to listen to her. He says he's going to his computer class. She asks him for a ride. He's only too happy to say yes.
He jubilantly breath-sprays his mouth. He says he hasn't used it in three months. (Last time I can remember was Patty Manterola, which was more than three months ago - or maybe it was with Christina Rivapalacios, but that was more than three months ago too.) Alicia complains about the smell and asks why. He says you never know who you might run into. She tells him to give up on his delusions - he's only dropping her off at her place.
In the parking garage, Saimon and Celso try to get Alicia to put on the helmet. (She is already wearing the yellow safety coat.) She says the helmet will ruin her "look." (Sanson, Celso's dog, sniffs her playfully.) Saimon says that's too bad, because it's the law - he can't take her if she won't put it on. (The dog starts snapping at the helmet in her hand, and it doesn't look so playful to me.) Saimon says the cops will easily notice her bleached hair and pull them over. Alicia protests that her hair color is natural. And perhaps it is, because if a nouveau-pobre like Alicia couldn't afford to go to the salon, her hair would either be showing some serious roots by now, or else some serious damage, because it is not so easy to keep up the maintenance on very long bleached hair all by yourself.
But I'm joking, of course. There's no way it's natural. I just think it's funny that her hair isn't a mess yet.
She also says the helmet stinks. Saimon babbles some more while Alicia coughs in disgust. Just then, Ariel steps outside, complaining to someone on the phone how things didn't work out the way he wanted them to.
Alicia is shoving the helmet at Celso, trying to get him to smell it and saying "gross" when she notices Ariel. Suddenly, she is all about the helmet. "He can't see me like this," she says. She puts it on and tells Saimon to go. She gets on the bike (the dog keeps snapping at her bag) and is desperate to leave. She nearly chokes Saimon in a death-grip. She won't put her hands where she's supposed to, and Saimon is babbling a lot about nothing and honking the horn while she continues to adjust her grip on him. She warns Saimon and Celso that no one must know about this! Flustered, Saimon yells very loudly that his word is like gold.
Finally Saimon and Alicia speed away on his wicked cool Vespa. Ariel ends his phone call just in time to hear Alicia's screams of outrage. He also recognizes her legs. He gloats, "ah, how to forget those legs, Alicia Ferreira."
In Acapulco
Aldo is talking to himself on his sofa, swooning over Lety. "What am I going to do with you, Leticia?" He chuckles to himself.
And... that's it for Aldo tonight.
There were only two Aldo scenes in this episode. I wonder if (as I started to say before) they're contractually obligated to give Juan Soler two scenes per episode. If so, it'd be nice if something would happen during those scenes... on second thought... perhaps not. ;-D
At Marcia's place
Fern and Marcia get to Marcia's place. He is still telling her that he doesn't in any way want to see Lety. Marcia is skeptical and is particularly worried that their need for Lety's cooperation will be a new chance for him to be with Lety again. Fern says no, she should know better than everyone just how finished that relationship is. He doesn't want any of that. He wants to forget it all - with Marcia's help.
Little does Marcia know that in an ironic twist of fate, she's become the rebound girlfriend!
Next week
Humberto makes Lety an offer she can't refuse.
Aldo proclaims his love from a variety of conveyances.
He wanders around without a shirt and decides to make a surprise visit to the city.
Labels: fea
Also thanks for clearing up some of the business dialogue. It can get a little difficult for us Spanish newbies to sort out. I finally think I have a grasp on this whole FI/Conceptos thing. Again, thanks to you.
I, too, think the scene between Luigi and Alicia was mostly ad-libbed. I read some where that Sergio Mayer (Luigi) said his scenes with Paty Navidad (Alicia) are a riot to film, IMOW, and I think it definitely shows. Even though these two are not the most likeable characters, I can't help it, I do like them. Ariel is the only one on this show I absolutely cannot stand, everyone else has some redeeming qualities (you might have to really search for them, but they are there).
Vacation fling= someone you mess around with just because you are away from home because the sun, sea, and sand require romance. You come home, and the fling ends. That's something both of you know --that's all it was and ever will be, a fling, nothing more. So I think that's where Lety is at......she'll never see him again, as he happily remains in Acapulco. BUT NO, now Aldo is going to come to MC to track her down. Obviously he hasn't kept up on the vacation fling rules. Someone send him the handbook, before he makes things worse for our Lety and Fer.
Also, if Juan Soler has a contract stipulating two scenes per episode, they should stick to that and not give him anymore. Just my humble opinion, as I am starting to like Aldo less and less each episode (and I didn't like him all that much in the first place).
Let's see everyone at the meeting gets one point for however grudgingly agreeing to talk to Lety. Everyone except Humb loses their point for their whining excuses why they can't talk to the girl/woman/Lety. Humb gets 3 points for his curtesy and agreeing to take on the job. Useless Omar gets a point for keeping his trap shut and not ragging on Fern about Lety.
Meeting over so Alicia gets one point for having the guts to get on the moto with that minuscule skirt.
Fern loses one point for agreeing to go to Marcia's place but gains 2 points for swooning over the picture of Lety and whispering her name. Fern arrives with Marica at her place and immediately loses two points for saying there is no chance he would go back to Lety and then loses 5 big points for the idiotic suggestion that she help him get over her. For her part Marcia loses 10 points for being such an idiot that she would even think of it, not heave his stuff in the hall and tell him to get lost.
Back at the Padilla/Solis place Lety gets 2 points for taking the bull by the horns and confronting her mother about the diary. Julieta gets point just for being a caring mom. Lety loses her points for lying to her mother about not wanting to see Fern but gets one back because her face tells us she does.
I'm a writer and if I were scripting this one when all the angst is over I would have Fern and Lety seperately decide to go the spa and go through the cleansing rituals, while continually missing each other and finally end up in the pool together. I just think that would be so romantic and right for them and then we could cut to the obligatory big wedding, families getting along, Aldo, Tomas, Omar, Caro, Alicia etal with the loves of their lives.
On the other hand he might be one of those men who think all cats are grey in the dark. :-(
See, it's the kind of joke that isn't funny unless you aready get it. And even then, not so funny. :)
How does alicia and aldo, Marcia and Omar sound. Alicia wants someone with money and Marcia cried to Omar the entire time they were in Germany?. However, your idea on the Spa for Fern and Lety was definitely romantic. I saw a romantic part on the You tube where he is getting in his car and she calls his name. Thats all i will say, in case others don't look at the you tube. But the kiss was just soooo romantic I click on it all the time ROTF Ret
As for the score-keeping - ah, I can't bring myself to do math while watching a novela. But I was really pleased with Lety's attitude, even if it's probably going to evaporate the moment she gets back into the real world. And I was even more pleased with Julieta's supportiveness, although that wasn't a surprise. She didn't dwell on Lety's mistakes with "what a fool you are" or "what a bad thing you did." Instead, she wanted to help Lety move on.
I really did think that Humberto was the only intelligent shareholder in the boardroom last night, but that's not exactly unusual for that group, is it? He was the only person whose approach was more pragmatic than emotional. (Well, there was Omar, but I think he was just trying to keep his job.)
Now I am sorta' wondering why the other two lawyers were even there. They did not contribute anything to the discussion. I assume they were getting paid handsomely for their time, and Conceptos is on a tight budget these days...
Ariel was a complete ass as usual, but you expect that from him. However, for Teresita to excuse Ariel's outburst as "just expressing his wishes" rather than defend Fern just once - not just decline to insult him, but actually stand up for him - I thought was hideous. Like that damn hairdo.
Alicia continues to be an idiot, but she is a total riot. And I was glad to see the Yazmin/El Cheque/Lola plot finally inching forward again. I can't figure out exactly where it's going, but I didn't like how it just got abandoned for a while. I'd like to see some teeth-gnashing on Yazmin's part soon.
When Lety cut her hand by breaking the glass around fern's photograph—Did Angelica really cut her hand?--- It is possible that Angelica (not lety) cut her hand before the filming so they added it to the move but I read that Angelica received a hand injury while filming ‘la Fea’.
Oh and when Saimon was giving his word to Alicia, I thought he said that the word "of Simon Jose vale de oro," that is, "has the value of gold." Isn't Gold Bond some kind of itch medicine? That's a chuckler for sure!!
I grow more and more weary of Teresita and her petty whining, her materialism, elitism, and non-support of her only child. Is it any wonder Ariel is like he is? He learned it all from his adoptive mother. He's just refined it to perfection.
Alicia is annoying but hilarious. The cuartel isn't the least bit phased and that interaction is really nifty, too. (Well, they aren't as long as they're glued together. When Martha ended up alone with Al, Martha really looked nervous).
Aldo has to appear at least once in a while to remind us that Lety has two potential beaus. Pretty darn good for a fea! Someone predicted she'd be painting a seascape; good call, that.
I can't imagine having the conversation with my mother. Nope, couldn't happen. Mom would be looking so disappointed and upset I couldn't look her in the eye....for the rest of my life......
A thought on Fern trying to close his computer--if he's not a Mac user, and he uses the alt-whatever keys, he might not have the Shut Down routine right. (I'm a mac user, and I always get confused on PCs these days. I haven't used one since 1995).
Maybe the writers are filling with useless episodes to get us used to the emotionally-new Lety. She showing more maturity, strength, and not giggling quite so often. She is even standing up straighter. It's more believable if we see it more than once???
Jeanne
After a few days of therapy sessions that have given her sooooo much enlightment from the "Man of the Sea",she return to Mexico City out of love with Fernando with stars in her eyes caressing a seashell and mooning over Aldo..If only finding love was that easy,there would be far fewer single people looking for love.
Will there be a new president of Conceptos with the new transformation of our Lety? Mo
Lety and Aldo belong together.I wanted it to be Fern & Lety,but not now..It's becoming so ridiculous with the ongoing saga of now into a year of the show we love,but it's gone on way too long.The show has been stretched so stupidly,it makes my hair hurt.Maureen
Question: How long was Lety actually in Acapulco?
Thank you re-cappers for the wonderful job you do.
Ret
One puzzler for me is what on earth Jasmin can find attractive in El Cheque? It's clearer what he might find attractive in her, but as the story goes on it seems he's not going to get as much out of his divorce as she would like, so why is she hanging out? I must have missed something.
Jeanne
One puzzler for me is what on earth Jasmin can find attractive in El Cheque? It's clearer what he might find attractive in her, but as the story goes on it seems he's not going to get as much out of his divorce as she would like, so why is she hanging out? I must have missed something.
Jeanne
:-(
Jeanne
I just wish they would move things a little faster but much of the dragging may be more to the fact of Angelica's health problems. She was hospitalized twice for exhaustion and that hand injurgy didn't help and now with the typhoid on top of it all. She is a real trooper.
Cassie
I didn't score keep during the show on Friday but couldn't get to sleep and so amused myself by running the show over in my head and came up with the scores for heck of it.
I believe Lety was in Acapulco for 4 or 5 days tops.
As for Humb being the only board memeber who knows anything about business I have to agree. Conceptos has to be the worse run business in the world. I know they are like an ad agency so the lack of professional behavior and clothing goes with the territory but the cartel and Omar never seem to be doing a lick of work. My company would have fired them all.
Dragging or not I still find this the only novela worth watching at the moment including Duelo which is off the walls, Mundo which has a death count of unbelievable proportions and Acorralada in the afternoon which is littered with a cast of the finest hunks in Venezuela (ok so I'm shallow).
Janet
Jeanne
Thanks for explaining the your joke.....flash back to my teen years w/ my brothers and all their friends amassed in our basement, fighting out their D&D battles.
Just watched ET the other day w/ my nieces, so that explains the "zero charisma" insult in better detail. See all the things we learn on this blog. It is so educational, hence I can justify visiting the site while at work. ;-)
This a completely weird observation, but when Ariel said he just wants to sell and split the profits, it made me think of the Bible story of Solomon and the two women who were fighting over a baby, each claiming it as their own. Actually, Solomon's solution for sussing out the real mother was fairly disturbing, especially to an 8 year old, but, using Decie Girl's system, everyone but Ariel got a least a point because they wanted to try and save the company.
But MANY PEOPLE on this blog hate to have their surprises wrecked and that's why I posted a big yellow NO SPOILERS notice on the top of the sidebar on the left!!!
Jeanne
I never could go to the end of a book to see how it ends but sometimes if a book is dragging I might flip through a couple of pages and see if there is progress. I am studiously avoiding YouTube and have kept silent about what I accidentally read on the Mexican discussion board at Teleanovela World when I had been looking for the US version. I will admit I am looking forward to what I saw but will not even hint.
I can only hope that the show follows the usual ending and doesn't pair up the wrong people.
I've always tried to learn the endings of soaps, "when" it did not appear to be going the way I hoped. Like in this case. In america the homely woman gets the prince in the end, with struggles in between, which make the ending more romantic and intense. In the case of Lety, it can go either way, fernando or aldo. If we go by past novels and movies, Fernando wins; however, this suspense inbetween is so intense. I can't believe I am behaving like this. This program is on my mind at work, at home, while driving, while shopping. And that Fernando, when not actiing estupido, is soooooooo guapo. I like him acting serious and in control of himself. Ret
I try to avoid the you tube, but i obsess. Then i see something i don't like and i need to go through a few more videos till i see something more to my liking; yet in the end i see something i don't want to see and I am worse off afterwards. Can't win. I wish i could only see the la fea and these recaps and no access to anything else. That might help ROTf
I certainly hope she is feeling better and that they wrap the thing up soon to give her the rest she deserves.
But, especially in a few weeks from now, during our 3 or so month delay in the US finale, everyone needs to be super careful if they know anything that they don't talk about any hints whatsover!!! I, for one, am going to stay away from my usual visits to the Mexican sites, because I just don't want to know until the bitter end and I'm afraid it will be plastered everywhere. I suspect it's going to be hard not to hear something, since the show is such a big deal in Mexico, but I'm going to try really hard not to find out because for me the fun is truly in the suspense and watching what happens as it unfolds on our US schedule!
As for books - after a few pages, I always, always, always look at the last few sentences on the last page. Typically, there is not enough information there to really tell me anything. Then, as I work my way through the book, those last words are in the back of my mind, and I wonder how we'll get from wherever I am in the story to those last few cryptic words. And I pretty much never figure it out. :-)
And I'm far more likely to enjoy (and remember) amusing events in the story than the actual ending, anyway. So if someone tells me "the story ends when Lety marries Ariel," (that was a fictitious example), I'll just shrug and say okay. I'm more interested in all the strange little things that lead up to that moment. Five years later, I won't even remember who Lety ended up with. But I will remember the scene where she throws a toaster into the tub while Omar's taking a bath. (That was also a fictitious example.)
Now, if there actually ARE riots in the streets of Mexico the next day, we'll pretty much know how it ended!
;-)
Jeanne
It's a catch 22 because I would love to try to watch it live to share in the excitement of the moment with everyone in Mexico, you know like a sports match, but of course that might take away suspense from the last few months of episodes on Univision. I wish we weren't so far behind. Oh well!
Jeanne
I sometimes check out what's going to happen both here and in books, but I don't look far and don't want anyone else to tell me!
Right now I'm a little tired of Lety after all the Aldo play. I'm sure I'll like her more if and when she starts to show more interest in Fern.
Carrie L.
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