Wednesday, January 20, 2010
Dinero #2, 1/19/10. The Debate.
Rafael scrambles down the hill. We hear moaning so she must be alive, but the car is empty. Then he spots her, thrown from the car. Remember: always wear your seat belt. She crashed, rolled the car several times, had the sudden impact hitting the bottom of the ravine (remember, falling doesn’t hurt you; it’s that sudden stopping that hurts you!), and flew from the car. So of course, no injuries more serious than some significant abrasions, bruises, and perhaps some broken ribs. The Debate. He decides to take her for medical help, and pays special attention to recovering her purse and reviewing her legs. He manages to carry her up the hill and prepares to put her into the car. The Debate.
There is a big party related to the wedding tomorrow. I believe it’s at Alejandra’s parents’ house. Marco, the novio, is telling his associates (not friends; slime molds don’t have friends) all about their plans – the wedding, money, money, the honeymoon, money, money, their apartment, money, money, and by the way, money, money. He’s confident it’s exactly what he deserves.
Susana is worried that Alejandra is not there yet. She tries to tell Marco but he blows her off – her business meeting probably ran long. Susana should know better than to bother Marco about insignificant details such as his novia, when he’s preoccupied with important things like his wedding.
Marco takes a call from somebody, and goes to another room so he cannot be heard. Rest easy, Marco, you can’t be heard, not even by the recapper. Anybody know what the conversation was about?
Ramon goes to Rafael’s house to collect his debt. Leonor (Rafael’s mom) asks him in, have some food, get comfortable, Rafael will be here soon. This is the friendliest repo man you’ve ever met, but when Rafael doesn’t show up after awhile, Ramon and his helpers start hauling out the collateral, IOW Leonor’s possessions.
Rafael gets to the emergency clinic, and there is no stretcher available. Nor doctors. Nor medicine. Nor blankets. But they do have plenty of one thing: forms to fill out! He takes her to the examining room and wants to escape, but the admissions nurse wants to fill out her form. Rafael says he needs to collect the patient’s purse from his car. Out in the car, The Debate. As he rifles her purse, he discovers the details of her life – several credit cars, a work badge identifying her high position, good health insurance, car insurance (most people in Mexico don’t get car insurance), and I think a club membership. Rafael goes back to give the nurse Alejandra’s information. The police captain (?) and his staff come into the clinic to see if they can drum up some police business.
The police start asking Rafael questions, and Rafael starts lying, making up his story as he goes. He explains that he is the patient’s husband, and gives a false name. He’s feeling more motivated to leave, now that Ale is safely in the clinic, and the police are getting too close.
The Debate. Rafael checks on Ale before he goes, and is bothered that no one is taking care of her. The clinic doesn’t even have medicine to give her, so he goes to the pharmacy, hocks his watch, and brings her medicine. He also covers her with his coat because no one has given her a blanket. He takes her hand, and she grasps his tightly. Through it all, he’s becoming more concerned that she’ll be okay. Too bad her fiancé isn’t as concerned for her.
Susanna keeps trying to get Marco to do something because Ale hasn’t shown up yet. She calls the florist in Cuernavaca and finds out Ale left long ago. She pushes Marco to call the police. When he calls, he tells them how terribly worried he is for his fiancé. He also gives them her license plate number. Soon he gets a call back, telling him that Ale was in an accident. Susanna says they should go together to find her, and not worry the parents. Marco immediately tells Alejandra’s father, the one with the bad heart.
At the clinic, finally Ale has her medicine and a doctor is attending her. The Debate. It looks like Rafael can finally leave. Just then, Marco and Susanna arrive. Marco tells the admissions nurse that he’s the patient’s novio. The nurse raises her eyebrows but keeps her mouth shut, rin-chin-chin. Marco asks the emergency room nurse who brought in Alejandra. Pointing to Rafael, the nurse says, “He did – the husband.”
Tomorrow: No good deed goes unpunished.
Labels: dinero
At the party Susanna looked like a brunette Paris Hilton. The hair, the accessories, the dress, the facial expression.
Although I think this story is taking a little longer to get started than some, I'm fascinated with the big set-up, and can't wait to see what happens between Rafael and Alejandra to get out of their respective jams.
As to who Marco may have been calling, I'd say either another girlfriend or some sneaky business partner.
Doris, ITA that Susana looked like Paris Hilton. The hair, the nose. I really like the way she looks.
It was a slow episode for sure (I didn't see epidose 1), so I hope the pace picks up soon.
* Fea
* Café (Destilando Amor)
* La hija del mariachi.
Remember that Fea, even the Colombian original, went almost 30 cap's before we saw even the first steps of the main plot! And it wasn't until about Cap 50 that the story really got rolling. So with 'Hasta,' it's just too early to tell.
I will say this. I'm watching Amor Real which also started Monday. That one has 95 cap's total, and they are running two cap's per day. You wouldn't believe how much has happened already in that one!
I heard the numbers in USA were pretty good so maybe with time there will be more comments. I must confess I'm not an avid watcher of this story, I just watch and episode here and there but I like Rafa and Alejandra so I keep myself informed about what happens with those two.
Sortilegio is my least favorite novela from Carla Estrada but it is truth that there's always action going on. I chalked this up mainly to her head writer María Zarattini as I always like her novelas de época but never the ones set in modern times. Before Zarattini, Estrada's head writer was René Muñoz who was also an actor and passed away ten years ago.
"Amor Real" was a remake of the novela "Bodas de Odio" from 1983 roduced by Ernesto Alonso and directed by José Rendon (with almost the same production team of "Corazón Salvaje" from 1993).
Jarocha
Does the main character remind anyone else of Cristian in Gancho?
Carlos
It's so good to have one of my teachers back recapping. Thanks for a well-done, crisp, snappy, detailed recap. You're a fave. I haven't yet warmed up to this TN, but I want so much to do so. The actors are attractive, sympathetic, and likable but...
I'm really invested in un Gancho right now, in my opinion, the best comedy ( though Juan Querendon was great), if not the best TN, ever. I can't believe it's not more popular. I also am reading more and concentrating on perfecting (umm, good luck on that Carlos) my Spanish grammar.
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