Saturday, March 20, 2010
Salvaje, 3/19/10: Compromising Engagements
First the review of last night’s redo: At the Casino Veracruz Juan gets into an argument with Federico over Feddy’s insulting of Fifi, aka, Ho-sefina, and his refusal to apologize to her. Rodrigo comes to Feddy’s defense and calls Juan a ruffian. Juan now takes offense. Rod plays the class card, insinuating that Juan hasn’t any and is no more than a fortune hunter simply passing through. “We here are all gentlemen of esteemed families; whereas, we don’t even know your name.” Juan sneers. “—Ah! So that’s why you’re defending this conceited dandy [mequetrefe]?” Rod informs Juan that his opinions don’t carry any weight there and that he, Rodrigo Montes de Oca, isn’t afraid of riffraff the likes of him! Juan realizes he has just faced off with (duhn-duhn-duhn-duhnnn!) his mortal enemy.
At the Veracruz townhouse, Regina (still wearing her novice duds despite the fact the abbess and the priest stamped “REJECT” on her deluded backside) is writing in her diary that she’s returned to the house in which she was born, where her mother died, and where her love for Renato, her “impossible love”, was born. “When I left for Europe I knew I would return to marry you. Never did I believe from afar that my dream would be destroyed.”
Back at the casino, Noel asks if Rod’s ready to leave. Rod says he’s not being run off by some low class trash punk and will come and go as he pleases. Rod then sets his cards down and walks over to Feddy to ask what that row was all about. Feddy says he got ticked because the hookers had passed themselves off during the voyage as proper young ladies and now he’s got egg on his face for taking a walk with one of them along the pier. (Feddy conveniently leaves out the part about the freebie he got from Ho-sefina afterwards when he still thought she was Regi’s legit competition.) Feddy’s worried he’s now going to be the laughing stock [hazmereir] of the town. (Wait! You mean like he’s not already?) So he was just putting that ho in her place. Rod agrees Feddy did the right thing and says he can count on his support. Rod changes the subject to Regi having returned home; he gives Feddy the green light to spend time with her. Feddy says he’s going to treat her like a queen. (Spare me!)
At Finca del Mar, Renato visits his Mama before bedtime. Leonarda is suffering from Empty Nest Syndrome. Ren has come to make sure she’s happy that he’s marrying Aimee. Leona says of course she is, since she loves Aimee like a daughter. Although, she admits, that speaking as his mother, she feels no woman would ever be truly worthy of her son, not even dear Aimee. Ren says he’s the luckiest guy in the world hooking Aimee like that and feels at times he doesn’t deserve her. (Viewerville allows itself a momentary smirk.)
Speaking of Aimee, Regi now races into their bedroom and implores her sis to stop this little game of hers. Aimee won’t only be risking her own reputation, she pleads, but the family’s as well --and then there’s Renato’s happiness to consider. Aimee gives her a major eye roll. Regi scolds and says that she is annoyed because while she tries to avoid temptation Aimee actually pursues it. Regi just can’t understand the hold Juan has over her. Aimee says Regi doesn’t understand what it means to lose yourself with a man, especially a man like Juan del Diablo. Regi says then if Juan makes her feel that way, she really should tell Renato about it because Aimee is wrong to give Ren false hopes. “Don’t hurt Renato. He doesn’t deserve it. Be honest and tell him the truth!” Aimee won’t because it would wreck her good times with Juan, she says. Regi threatens to do it herself then.
Aimee laughs maliciously and asks if Regi would really tell Renato everything, “…like…how you’re hopelessly in love with him and for spite have entered a convent? If you tell on me I will deny it and yell at everyone that you’re sick with jealousy because Renato prefers me over you. Yes, me! I’m more woman than you.” Regi says she can’t believe how Aimee has changed since she’s taken up with “that savage.” Aimee says she’s already told her that she wouldn’t understand it unless she’d been in his arms and been kissed as only Juan can kiss.
Back in Mama’s bedroom, Leona can’t understand why Renato would say he doesn’t deserve Aimee. He’s a great catch and could have any girl. Ren is apparently on a guilt trip. He’s so happy with his life he wishes others were also-- like Juan, the boy Papa Noel asked him to take care of. Mama rolls her eyes.
We beam back to the casino, to Mme. Marlene’s office where Juan is sulkily knocking down a glass of brandy. Marlene says she doesn’t understand why Juan was so affected by hearing the name Rodrigo Montes de Oca, but she won’t presume to ask him, either. He can come around any time he cares to and enjoy himself. She points to a secret exit from her office that he can use also, if the need arises.
Mama angrily tells Ren she is sick of hearing about that bastard, Juan. “He’s probably wandering around some whorehouse or stuck in jail somewhere, suffering through life like he deserves!” Ren says all the more reason to feel sorry for him! Mama says a person pulls himself up by the bootstraps, tho’ more than likely not him. “That bastard was a product of immorality and it will be his undoing!” Ren says she’s being too harsh and if the boy were that bad, Papa wouldn’t have insisted on looking after him. This gets another major eye roll from Leona. “Don’t think your father is such a saint!” Ren defends Noel and Leona backs off. “I didn’t mean to diminish either your love or your respect for him as his son, but you don’t know your father like I do.” Ren is what-do-you-mean impactado. (Love that nose squinch, Christian.)
Noel strikes up another conversation with the brunette at Mme. Marlene’s who’s been casting her line and hoping to catch this fish all evening. He falls for the old “let’s talk about what you’d do to make the world a better place” hook, line and sinker. Noel is wide-eyed impactado to think she might actually be interested in the subject. She says she’s interested in whatever he has to say. (Call me a cynic, but I think being a pro, she knows which buttons of his to push. Hubby thinks it’s a real attraction between the two.)
Leona is whining to Renato about what an unhappy marriage she’s had to suffer through and how she’s only tried all these years to protect him from the trash [carroña = offal, rubbish] Noel persisted in bringing into her house. Unimaginable! She’s done all she could to fight for her son and to preserve his inheritance, his good name, his future, his home…yada, yada. All Ren wanted to do was to make good on his promise to his father, he says, and so he doesn’t understand why it presents such a problem. Couldn’t she just give him a little backgrounder? What he doesn’t understand is why Tío Rod doesn’t allow him now to even mention Juan’s name. All Mama will say is they should listen to Rodrigo and do as he says. “Let’s have no more discussions about that bastard.” (Another cute nose squinch from CdlF.)
Meanwhile, Aimee starts thinking about the difference between her two suitors. Renato’s a true gentleman but has no passion. Juan is definitely no gentleman, but he does have a wild nature just like hers. She thinks to herself that Regi was right and she could ruin her reputation because of Juan. So, she’ll have to be extremely careful with him now, especially since he knows where she lives.
Alone now, Leonarda remembers her chat with her son about how loveless her marriage is. She cries to herself over her lifelong unrequited love for Rodrigo. “Oh, Rodrigo! All this love I’ve piled up inside. I’ve even killed just to keep you here with me--and for what? You’re always running away from me!” Unbeknownst to Leona, Rosenda has been spying on her through the doorway and now has another valuable family secret to cash in on.
Later that night, Regi dreams about Juan. (Oh noes!) In the dream, a rather tame Juan tells Regi (still wearing that security blanket from the convent) that Renato never knew how to appreciate her because he didn’t even love her. Juan, though, says he does love her and that he will love her forever. He then tenderly, but passionately, kisses her. Regi wakes up with a start and clutches her bible. “What a nightmare!” The last thing she wants to consider is being romantically involved with that savage, Juan!
The next day Juan is paying Santos a visit. Santos is still recuperating and doing a little catnapping in the hammock. Pedro is there too and asks what’s eating at Juan. Juan tells him that the night before he finally came face to face with his worst enemy and nearly killed him. He can’t say why, but something stopped him. Pedro and Santos tell him murder is not the answer. Juan takes offense and tells them not to get on their high-horse about it –or in his way. He came back for vengeance and that’s what he intends on getting. With his own hands Juan will make sure that Rodrigo Montes de Oca suffers the same way his own father did!
Meanwhile, Ren has gone to the townhouse and tells Aimee and Rod that he wants to have a party that very night to announce their engagement. However, Aimee (who’d rather just be engaged to be engaged) thinks they should wait a while. Rod sides with Ren and says he’ll arrange it. Regi appears. Ren greets her and asks her to join them at the engagement party. Aimee’s knowing look taunts her twin. Regi stays home while the others go out for coffee. Clemencia walks in and chats with Regi about her being back from the convent. They decide to go visit Rosie’s tomb.
At the same time, Juan and Remigio are visiting Jd Sr’s grave. Remi asks who the flowers are for. Juan explains they’re for his mother’s grave. Remi is puzzled. Juan tells him he’ll explain. They arrive at Rosie’s supposed tomb. Juan surprises Remi with the fact that MdR de Oca was his mother. (Duhn-duhn-duhn-duhnnn!)
At Finca del Mar, Leona sends Arcadio and Rosenda off to get the preparations for her son’s engagement party. She tells them to spare no expense. Nothing’s too good for Renato.
Back at Rosie’s “tomb”, Juan explains that his mother was a Montes de Oca and when JD Sr. came for him he told him about their tragic love story. His father told him how she was the only kindhearted person from this family. However, even though he is a Montes de Oca, he renounced the entire family. “None of them will escape my vengeance! Not a single one of them!” “--No one? What has Renato Vidal done to you?” Juan is angrily impactado that Remi would ask about Renato. “—You’re defending him just because you work for him! Would you take his side against your own brother?” “—Never!” But, Remi refuses to argue with him about it there. They can discuss it at length later, he says. Juan tells him to leave and he does.
Alone, Juan asks Mama if he’s doing the right thing by taking vengeance against those that prevented her love. He tells her that he promised to and that’s what he’ll do. “I’m a man who has to keep his word, even though it might be the Montes de Oca’s. (Gotta say I much prefer a determined Juan to the whiny, weeping one.) Juan heads out, cutting a fine swath in black.
In town, Rosenda tries to get Orca to come over to her patch of the Dark Side. He says he’s not stupid and he’s not telling her his secret because his is worth more to him than all of hers. She says fine, but one day he’ll come looking for her just the same. Just then Orca stops behind a wall and overhears the Sheriff tell his men that they need to keep looking for the man who’s been hanging with the fishermen. Orca and Rosenda share a conspiratorial look.
Meanwhile, Clemencia and Regi arrive at Rosie’s tomb. They wonder who could have left a fresh bouquet of flowers there.
That night --yes, another dark and stormy one—the party’s begun. Everyone toasts to Renato and Aimee’s future happiness. The young doctorcito is there and he asks Rod where Regi is. Rod explains she refused to come, but since she’s still not well and he’s been following the doc’s advice, he didn’t attempt to fight with her about it.
Regi the wannabe nun is upstairs playing around with Aimee’s perfumes. She thinks back to her sister’s description of Juan’s macho kisses.
Juan, meanwhile, has lit the bonfire in hopes that Aimee will come for their nightly rendezvous. The narrator begins. “Juan’s powerful voice echoes through the depths of the caves, bathed in the name that is honey for his lips. ‘Aimeeeeee!’ But, there is no answer. Juan races from the caves. He takes a few anxious steps towards the sea, his feet sinking into the sand, and yells for the woman who has shaken him to the very center of his being. ‘Aimeeeeeeee!’ The sea is the only one who hears his call. Like a falcon surveying from a distance and not finding his beloved, he makes a decision and disappears from the deserted beach.”
We beam to the townhouse just as the rain soaked Juan suddenly throws open the windows to Aimee’s bedroom and yells for her. Regi is there instead. The narrator starts again. “Shaken, she looks at that rough, virile face that through the grid of the windows has frightened her. Then, the pupils of Regi’s eyes turn hard, more attentive, and more disdaining. Like two flashing swords that collide in the air, their stares meet. Regina Montes de Oca realizes that she is looking again at Juan del Diablo.” He curses and asks why she always looks like he’s frightened her. “--You didn’t frighten me. What do you want?” “—It seems to me I mentioned the name of the person I came to see.” “—My sister?” “—Of course. Where is she?” Regi refuses to tell him. “Get out of here and don’t come back!”
Juan makes a move towards Regi but she slips past. “—Come here! Why do you treat me like that? What have I done to you?” “—You’ve been rude and disrespectful ever since you came through the windows!” “—Oh, don’t be angry, Little Nun.” “—I’m NOT a nun! (Take off that getup then, girlfriend.) And I’m not in the mood to tolerate your foolishness!” “—Oooh! It turns out that Ste. Regina is a ferocious one. I thought nuns were friendlier and less pretty.” He flashes his pearly whites at her. “Enough of this!” “—Don’t be that way. I was paying you a compliment, and I wasn’t lying to you.” He moves towards her again and again she slips away. She threatens him with calling one of the servants to throw him out. This time he manages to grab her. He stares deeply into her eyes. (I guess, being an alpha male, the guy just can’t help himself.) “—You wouldn’t dare. Or, are you going to involve another man in our affair?” (A little double entendre there, Juan, or just a big tease?) This unnerves Regi and she starts to force him out the door to the hallway. He chuckles as she realizes her mistake and opens the balcony windows for him instead. “—Leave through here!” He goes out and then teases her through the window, begging her to have pity on him and let him back in.
Downstairs, at the party, Aimee makes fast friends with Eloisa who is gaga over Aimee’s engagement rock. Aimee asks what it’s like being married to a man who is so much older. Eloisa says she was married off by her parents at a very young age and wasn’t exactly consulted. She simply obeyed them. Anyway, he spoils her rotten and gives her whatever she wants. Aimee wonders about whether Eloisa gets “the passion every woman needs” in her marriage. Eloisa smiles and says she can get it if she wants. “Eloisa! You are very bold for a woman in this day and age!” Aimee and she agree that they are definitely two birds of a feckless feather.
Renato and the doc become fast friends also. Feddy observes the two of them from a little way off. His ears prick up when the doctor starts discussing Regi with Ren. “Tell me how the two sisters are different.” Ren says he can’t explain it. Regi wasn’t like she is now when he knew her as a kid. “She was always full of life and showed no signs of the depression she’s suffering through now. She and I were closer. She always had a fix for my problems. The change in her is inexplicable.” Ren asks Doctorcito for a little about himself. Is he married? The doctor tells Ren that he’s still single and has a lady in mind, but he’s not certain she’ll ever consider him.
Upstairs, Regi thinks to herself that she has got to find a way to separate Juan from Aimee and to stop her sister from two-timing Renato. “Nobody makes a fool of Renato! Nobody!”
Downstairs again, Rod, Noel, Fully and the other rich guy from the casino are discussing how gentlemen of their stature need a place like that to get a way to. Rod says he’s not one for moralizing (say what?) but he didn’t like the way those women fooled them. When Noel’s asked for his opinion, he defers, saying they are only there tonight to celebrate the happiness of his son and bride-to-be.
Aimee now asks Eloisa to help her sneak out of the house without anyone knowing. Eloisa wants to know where she’s off to so suddenly. Aimee smiles conspiratorially with her and says one day she might, but not now. “Thank you! I owe you one.” Eloisa tells her not to be long. Once Aimee’s through the balcony window, Eloisa says to herself, “You’re darn right you owe me one, and I will make sure to collect!” Rosenda walks out onto the lower balcony and sees Aimee leaving, figuring that it’s because Aimee must be meeting Juan.
Juan surprises Aimee in the cave. They quibble about why she made him wait. She said they didn’t agree to meet tonight. He’s sure she’s there because he wanted to bring her there. She says no, she wanted to come on her own. Aimee and Juan start passionate lip-locking. She tells him that she can’t stay this time, but avoids explaining why. He’s a bit confused since she always does what she wants. She says she just can’t tonight. He says that if she doesn’t come back he will go after her and drag her back there by the hair, if necessary, because he is her lord and master. They kiss some more and she tells him he is her obsession. Unfortunately, she says, he knows how much she needs him and he takes advantage.
Back at the party, Renato worries about his mother’s health. She’s fine she says. Just then Regi makes her entrance, wearing her novitiate’s robes. After the niceties are over, Doctorcito knocks Foppy Feddy out of the way to pay his respects to her, telling her how happy he is she changed her mind and decided to come down. “Laughter and being surrounded by those who love you is the best medicine.” (Zzzzz!) Rod notices and signals Feddy to come to her rescue. Feddy moves in and gives her some claptrap about being the happiest one there to see her. Doctorcito turns away, frowning.
We beam back to the cave for a few more voyeuristic visuals of Juan and Aimee kissing. He wants to know why she can’t come back. She lies that there’s a dinner at the house for her father and she escaped only because she was dying to be with him. What? A dinner with those little gentlemen whose necks he’d love to twist! She giggles at his sudden anger and jealousy. “Ay! What ferocity! You have no reason to be jealous of me. They are only brothers of my friends.” “—Yes, but they are not YOUR brothers. And with them spellbound by your beauty—“ She giggles again. “--You’re jealous!” “—Don’t laugh! When you laugh at me it makes me want to make you cry!” “—You're so barbaric!” She says she doesn’t know if she will be able to return later or not. He tells her she must. “I’ll be waiting right here for you.” She again says it may be impossible. She cannot risk compromising herself tonight. He finally gives in and tells her to go, but not to abandon him. She says she could never, ever abandon him.
Back at the party, Leona has Regi sit with her. She offers her something to drink, but Regi only wants water. “Water? Not even a bit of wine to toast to Renato and Aimee’s happiness?” Suddenly Regi realizes that Aimee isn’t there. She asks the crowd where her sister is. Renato realizes Aimee’s been gone for a bit also. “Yes, where is Aimee?” Rosenda smiles evilly to herself. It would seem that Aimee had a compromising engagement of her own.
Labels: salvaje
"Then, the pupils of Regi’s eyes turn hard, more attentive, and more disdaining. Like two flashing swords that collide in the air, their stares meet."
Por amor de Dios, someone mute the narrator.
Thank you for the recap, Jardinera! :-)
Spoiler alert:
Be careful, the last 20 seconds (from 5:44) contain a short scene from the novela!
Very funny, Anon. You forgot:
Haaaaaaa, Haaaaaaa, Haaaaaa, Haaaaaa.
I really love E Y and I hope, someday, he receives a great role where he can demonstrate his acting abilities which I believe are hiding somewhere in all that bulk. In the meantime, I'll enjoy him in these corny roles.
GinCA
A top notch recap, as always. And our novela continues to be over the top.
I wonder shat kind of shoes Aimee wears. I am guessing she must have on Nike running shoes under that gown to be able to get from the town house to the cave in such record time.
Also,I thought evil Leo looked lovely in her lace gown. Was that a tea dress?
Thanks, Aribeth, for the link. Yañez is more athletic than I thought.
The narrator is a total crack-up. At any moment during his narration I expect to see us cut to a scene where we realize that everything we have seen up to this point has been taped for Saturday Night Live.
Elna June i thought this whole novela was based on a SNL skit.
Jeri Dulce Desafio was the first time i saw big Ed and fell in love with him and the female lead was Adela Noriega i think she was maybe a teenager at the time that was made.Also a very maybe child actor Angelica Rivera, Gaviota to you guys who saw her in DA. Ana Patricia Rojo, Estafania in CCEA as a young teenager around the same age as Adela Noriega was also in it too.
Big Ed wasn't doing any yelling or bellowing at the top of his lungs for his love interest.You can go on youtube and put it in the search engine, quite a lot of young actresses who made a name for themselves was in that novela too.
Destilando Ladies in Dulce Desafío
and
Eduardo Yáñez in Dulce Desafío
They are a little dark from the DVD; back then I didn't have the program to fix that. But they can still be seen; I should edit them some time.
Thanks for noting Renato's nose squinch. I'll have to be on the lookout for that. Loved "two birds of a feckless feather" and also the vocab "carroña.
And given that this is a Disney movie, I'm going to have to side with your hubby and say there's a genuine attraction twixt our noble Noel and the cheerful little lady of the night. If she has any sense at all she'll be looking for a permanent partner and a way to get out of the game. And of course, given his nobility, he'll forgive her lurid past.
Normally, like the other readers, you're the high point of my Saturday, but with the NCAA on, you've got serious competition. Right now Northern Iowa is ahead of No. 1 Kansas. Let's hear it for the underdog!
I loved Ed and Adela in another of my all time favorites Guadalupe that they did together those two definitely had some chemistry. Yes they were involved with each other for a little while off camera too.
Like to see Ed taking some roles like Cesar Evora he can still be the sexy older man in novelas. I don't know if it's him and his ego that doesn't want to take these roles or not, but he needs to stop prancing around in those adult diapers he's wearing on those beach scenes like you guys described and go after some more mature aged roles for himself.
I don't think it's EY doing the casting, though. I get the feeling he is just rolling with what they want him to do. He is a big star, but I think he is also not temperamental. I really like the guy, and I would like to see some more of the quieter side of him.
Dulce Desafío was made in 1988; Guadalupe was just replayed on Telefutura, I think. Just my luck, I had already bought it from a website online. I thought it would never be shown again.
I recently also bought "Marielena," with EY and Lucía Mendez, from the same website. Now I have to get "Yo Compro Esa Mujer" and "Senda de Gloria." I haven't seen those anywhere, though.
Back to the show: regarding the young lady at the brothel, she made a remark when she first met Noel that made me think she might not be a prostitute.
When Noel was protesting and trying to exit, she said that "not everything in that place was bad." I wondered if maybe she is a good girl and not a prostitute.
Jarocha said that novela is mixed in with the Corazon Salvage story which i don't understand why this producer would do that. As so many have said the 1993 version of CS is a classic why mess with it.
As for Yo Compro Esa Mujer i can't say it was a classic but it was very good and i did love Ed wearing his tight horse riding pants and Leticia in her period gowns.
Youtube has i believe all the episodes of Guadalupe on it if you have the condensed version of the dvd.
As for Ed taking these roles i agree if this is what they are offering him and he needs to make his living i won't knock him for that. I watched Cesar Evora in ENDA he was sexy mature intelligent and he just had us women falling in love with his role on that show.
So i really have to wonder because i have seen Cesar in a lot of novelas like El Odio y Amor with Susana Gonzales, La Madrasta with Victoria Ruffo, and Guapos with Laura Flores. Is it type casting or is it the actor knowing what roles best suit him?
I know from what i have read on esmas the fans have not been kind at all with the producer for offering and Ed himself for takinin this role.
I heard that Mejía is casting young actors for young characters in his next show, so maybe something finally got through to him.
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Aribeth/JudyB/Elna June: Hubby read the translation of the narration and laughed his head off.
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Jeri: LOL! It is a definite challenge this time around slogging through the overkill in this thing not once but twice on Friday nights! All my snorts and snickers have been frightening the cats.
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Anon. 5:05pm/GinCA --LOL! Hubby says he has two words for EY: "Acting lessons." I tell him who needs to act when you look like that? Yowza!
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Cielo: I'd say Juan's description of dandy should have given Feddy his first clue.
Jardinera, how are your critters? Besides looking askance at you...
Teresita, thanks for weighing in on the fitness and martial arts.
Jeri any Mejia project should be consider with a lot of caution for any actor no matter the age. Mejia's is working on another classic Cunos de Lobos so far i have heard William Levy, Segio Sendel, Rebecca Jones so far there was a rumor that Maite Perroni might star in it too. It seems the lead female character keeps changing.
Here's a link to how strongly some people feel about Mejia http://foro.telenovela-world.com/n4/read-t.php?f=21&i=113206&t=113206#reply_113206.
When you see the name Mejia associated with a novela you have to compare to the works of the worst director or producers of movies i guess.
Yo compro is one of the most beautiful novelas I've ever seen. It could've became a big classic, if Televisa had taken care of it with many replays and had published it on DVD. I'm always complaining about that CS's been repeated 100x times, but YCEM is doomed to oblivion.
"So i really have to wonder because i have seen Cesar in [...] Is it type casting or is it the actor knowing what roles best suit him?"
Imho it rather depends on personal relations. César used to be Mejía's favourite actor (Abrazame muy fuerte: villano, Entre el amor: protagonist, Mariana de la noche: villano, La esposa virgen: short cameo, La madrastra, Mundo de fieras: protagonist), he almost participated in FELS, too, but he chose Guapos instead, and was casted to the role of Rodrigo Montes de Oca, but had to quit because he got sick (the poor man had hernia, I think).
Been going there since before it was T-W: back two incarnations, in the 1990's when it was called Rincon Latino and owned by Yolette, before Univision bought the old place.
Sorry for the double post; what can I say, it's early...
Vivi, if you are out there, I have a message from someone who grew up in Jamaica and she would like me to forward her email to you. Thanks.
Mad Bess, I liked your two-word character descriptions.
Thanks to the narrator of the purple prose. I'm glad to hear that Juan's bellowing mouth is "bathed in the name that is honey for his lips."
I'm very impressed with the Montes de Oca. They can pull together a fancy engagement party with no previous planning, no prior food preparation, and no advance notice to the guests. Didn't anyone in town have other plans for the evening? Or when the MdOs call, just drop everything, put on your party clothes, and boogie on over?
La Paloma
Aribeth really they consider Yo Compro Esa Mujer a classic? I thought it was very good when i saw it i would love to see it again because it was a long time ago.
Interesting that Cesar was cast in CS because they were making so much fun of Ed on esmas about taking this role, they were comparing him to Cesar for taking roles that are age appropriate for him.
Loved Cesar in ENDA he was just so awesome in that role, i don't know about his Guapos role some others i have seen him on that.
He's supposed to be working on another novela and it won't be produced by Mejia.
As for typecasting i think it's a combination of the producer being comfortable with certain actors and their work, and not being comfortable with the young up coming actors.
Once again i also believe it's laziness on the producers part too, it seems like Mejia doesn't care about the overacting and over the top directing of his novelas but he should.
Take for instance when Sortilegio was being announced as a remake of Tu O' Nadie. Carla came right out and said she wanted William as the male lead and Anahi as the female lead.
When Carla gave them both a screen test she found out two things Anahi could not pull off looking like MJ and most importantly the woman can't act period.
Now do you really think Mejia would have done the same thing?
Now do you really think Mejia would have done the same thing?"
Well, in the good old times even Mejía was open to cast relatively fresh faces and therefore he gave them a chance to play the lead of a prime time novela for the first time.
He chose Aracely for Abrazame muy fuerte, Susana González for Entre el amor y el odio, and gave opportunity to two Venezuelan actresses: Gabriela Spanic (La usurpadora) and Gaby Espino (Mundo de fieras).
Since then he rather chooses the safety game and hires his favourite famous actors, no matter how old they are.
"really they consider Yo Compro Esa Mujer a classic"
Well, YCEM was produced by the legendary Ernesto Alonso, it was successful in Mexico and in foreign countries, too, it was well directed and acted, finally, Yanez and Rocha won TVyNovelas awards for their performances. In Hungary we consider it a classic, I don't know much about the opinion of the Mexican folks, but imho it should've became a classic. :)
(Yes, it's my favourite novela in tie with El manantial, Kachorra, Terra nostra, and La otra - btw, another Alonso gem. :))
Here are some names (I think) of some of the minor characters.
Brunette "hooker" (maybe not), I think her name is Lulu.
Doctorcito: I think he's Pablo.
Other rich guy (who was Camila's father in Pasion): Raul
This whole paragraph is perfection, itself.
Regina (still wearing her novice duds despite the fact the abbess and the priest stamped “REJECT” on her deluded backside)
Brilliant, amiga!
Jeri I can barely remember Dulce Desafio, but I do remember that creepy mom that thought her daughter’s acne was a symbol of her sins or something.
Aribeth you are right. One thing about Mejia is that he did help Gaby Spanic’s career to take off internationally and he helped Susana Gonzalez to get out of the femme fatale side roles that she had been stuck on for almost a decade.
Aracely Arambula was already very popular when he casted her on Abrazame Muy Fuerte though. She was already about to become a lead weather it’d be with him or another producer. Her early choices were very smart. She went for small roles in excellent productions instead of going for bigger roles on teen novelas. Her role as young Leonarda in "Pueblo Chico, Infierno Grande" earned her alot of attention from producers as she was basically the lead of that novela for the first weeks until the time changed and Veronica Castro took charge of the role. Then when she finally chose a teen role it was "Soñadoras" a novela that turned out to be a HUGE success even among adults and even though it was an ensamble, her role was the most popular. From there, lead roles were offered and she took Mejia’s offer because of the success he had with Esmeralda and La Usurpadora. Turned out that Abrazame Muy Fuerte became very popular so I guess that’s why she accepted this double role in CS.
As for Yañez, his type was popular in the 80’s (big and dark)and Ernesto Alonso sort of took him under his wing so that helped his career alot. After Guadalupe he sort of fell from the radar for a while until he was casted in La Verdad Oculta in 2006. Maybe because he tried to make it in the US. Most people didn’t keep up with him during that time. I think he had some years left with young roles in the 90’s so he is now taking all the roles he can while he is still getting those offers.
Jarocha
I remember EY from a few things up here, but I never saw his earlier novelas. A pity, but there it is. Anyway, Te Amaré en Silencio made me laugh and I turned it off, but he grabbed my eye then. I had doubts in the initial couple of weeks of Destilando, but he won me over there. He has talent when he's in his own realm of Latin production. The ridiculous treatment Mejia gives his novelas makes me think he should steer clear of Sr. Mejia's productions in future. The bellowing and overdone rage he's been required to show since DA has risked him becoming a caricature of himself in his roles and that's a shame. Even I laugh at all those, but deep down, aside from those I enjoy him as a gálan.
"Here are some names (I think) of some of the minor characters"
Yes, Doctorcito's name is Pablo Miranda. The prostitutes are:
1. brunette - Lulu
2. blonde no. 1., charismatic, Fed's girl - Fifi
3. blonde no. 2., I usually fastforward her scenes (no offense :)) - Brigitte
+1 Madame Marlene's funny feminine sidekick - Filiberto, I think
The other rich guy's name's Raul indeed, he's played by Raymundo Capetillo. He had a great role in El manantial, since then I like him very much. :)
Jarocha, thank you yery much for the informations about Aracely! You're a true doldmine of valuable telenovela facts. :) I didn't know much about her early career, before Abrazame I first saw her in Sonadoras and I thought she was just one of the dozen obscure young actresses. Unfortunately after Abrazame she participated in the disastrous Las vias del amor.
"so I guess that’s why she accepted this double role in CS"
I heard it was Aracely who insisted on playing double roles. Oh, and after FELS aired Mejía tried to give her a minor role in the novela, but she rejected it - the role later landed at Sofia Vergara.
Btw, I forgot to add Alejandra Barros (Mariana de la noche) to the list.
Yanez's a very fortunate man because over 46, after a rather unsuccessful Hollywood career he got a once-in-a-lifetime chance of restarting his career and popularity in Mexico, he won two awards and the producers constantly offer him lead roles. I was worried about that this CS miscast/fiasco would seriously hurt his new career, but it seems he will get off with it. Nevertheless, after CS he has to accustom himself to the more age-appropriate roles.
Aribeth the double role was thought before in the 1993 version, Edith Gonzalez wanted to play both characteres but the creators of that novela decided they did not have the appropiate technical tools to make it work and it would be a hassle to shoot scenes with both sisters. Instead they casted Ana Colchero to play Aimée and she was great in the role.
From what I understand Mejia already had the idea of having both roles played by the same actress since he knew that was the first intention for the creators of the 1993 version and when he went to convince Aracely to sign for CS he offered her to play both roles. Aracely had stopped acting for a while and took her time to have children, she was living in USA and she had rejected several offerts already so Mejia offered everything he could to get her to accept the novela, including playing both roles. I know there has been gossip saying she wanted both roles but I belive Mejia already had expressed his desire of the sisters being twins before he even started looking for the actors.
Jarocha
Yes, a few months ago I read a short note about Edith's wish of playing both roles, but I didn't know if it was true.
"but I belive Mejia already had expressed his desire of the sisters being twins before he even started looking for the actors"
You may be right, Mejía loves messing with twin characters (La usurpadora, Abrazame, Mundo de fieras).
Your analysis of Reginas use of the novices role/robes is dead on, IMHO. You put it into words, beautifully. Regina is a bit more complicated than she would appear at first glance, isn't she? She is a good person, but she is not really a saint, as we see in her dreams of Juan.
Right now she is a bit of a prig but I expect to like her much better as time goes on. The Aimee character is just OTT. In real life, as we have already said here, she would be pregnant soon, if not already, and her behavior would have been considered disgraceful in her own time.
I don't like her because she is hateful to her sister and to the "help".
EJ
It was a crazy, crazy show -- every perversion one could think of was touched on; but it was so surreal they got away with it, and it was interesting.
Thanks for the reminder...
EY appeared in US-made telenovelas here in the U.S. while he was trying to break into Hollywood, and was the first (or only?) Latin star to win an Emmy award. I think it was for Guadalupe.
Enrique Rocha played Aracely Arambula’s father in that one too, remember?
He forced her to marry to an old ugly fat rich guy to save the family from economic ruin and she was about to escape with her first love but the old guy sent some thugs to kill the boy, the thugs were unsuccesful but she got scared for him and married the ugly old guy.
The wedding night was forever burned in my retinas. It was so awful and Rocha’s character got drunk and wandered in the rain asking god for forgiveness for selling his daughter, they edited the scenes to intercalate the rape and the father’s anguish in the rain.
The next week she found her first love recovered in church and since he was made believe she had prefered money to him he told her he was going to travel the world and become rich and then he would come back and "buy her".
Rocha’s character got pneumonia and in his death bed he asked her to forgive him, that was his last wish but she didn’t and he died in anguish for that. She didn’t even cry for him.
Heh, I still remember so much from that novela and it was made 13 years ago. But aside from the misery it was just so good and I loved the way they depicted the 20’s and 40’s in a small town in Mexico.
Jarocha
Do you remember the name of this novela?
I wish it was true, but I checked the Emmys (every single category, many times) and I didn't find any proof of Eduardo winning this award. :( It's a big mess, first of all, which Emmy did he recieve? Daytime Emmys? International? Did the latter even exist in 1995-1996?
Jarocha:
This Pueblo chico seems to be a very depressing novela, but since Juan Soler and Kuno Becker participated in it, I'll check it later. *yep, fangirl mode ON :)*
Anon:
Wasn't it Leonela? It's a Peruvian novela from 1997, Mariana Levy and Diego Bertie were its protagonists. I'm not sure about this, but this is the first tip that came in my mind.
It's based on a Delia Fiallo script. Delia unfortunately liked the rape/intented rape storylines very much, if you saw Esmeralda, Rosalinda, Guadalupe, Cuidado con el angel, Mar de amor, you know what I'm talking about.
The only novela I was disgusted by was called "Leonela" and it was from Venezuela. The main character was raped by the male lead because she was rich and wouldn’t look at him and she got pregnant and gave the baby up for adoption but she regretted doing it later. The male lead was sent to jail but when he got out he made money and adopted his daughter and he kept her from Leonela to make her suffer for giving her up but in the end they fall in love and become a family. Seriously, WTH?????
Jarocha
Jarocha
I've never seen Leonela, but when I read it's synopsis, at first I thought it was a joke. Then my brain exploded. Awful.
Aribeth i don't know i couldn't remember the name but i was sure she was raped by the male lead's father.
I saw Guadalupe which is one of my all time favorites, even love CCEA despite it's many flaws. The so-called rape in CCEA was extremely vague some of us thought he had raped MC and others didn't then he gave his confession to the Padre and only said he grabbed her roughly and forced some kisses on her.
I just don't like how rape it used in these novelas.
Yes, we responded almost in the same time. :) Venezuelans also made their own version of Leonela.
Here's a summary of the Delia Fiallo telenovelas: link
Anon:
I also like Guadalupe, mainly for the young and beautiful Adela, the also young Eduardo and the location - I've never seen a Miami novela before, it seems to be an interesting mix of the Mexican telenovelas and the American soap operas. But those rapes... ehh.
Yes, fortunately in CCEA the male lead didn't hurt the girl, but I remember she had to escape from a creepy guy in every ten episodes. :)
"I just don't like how rape it used in these novelas."
Neither do I, the only novela in which I can tolerate this is El manantial.
The good thing it's an original novela which was written by Cuaohtémoc Blanco and María del Carmen Pena, who are experts of the rural, scheming novelas and the complex characters. They wrote Canaveral de pasiones, Cadenas de amargura, Laberintos de pasion, En nombre del amor and Mi pecado. I like these writers, their novelas are very complex and usually tasteful.
Ehh, back to the main topic: the rape storyline of EM is shocking, but it's tastefully developed, and if you manage to overstep it, the well-written, enchanting story will reward your efforts. :)
I would love to see Univision and Telemundo both start using some original storys too me it comes off as they are being too lazy to take the time.
It's a strange novela. I've heard many theories/rumors about it:
a) In 2005 there was a big gap in the prime time novelas time slot (9.00), and Mejía undertook to make a shorter novela until Estrada finishes the preparation of Alborada. That's why it lasted only 60-something episodes.
b) Jorge Salinas was the lead, but the chemistry didn't work between him and Adela, that's why Sendel became the good guy.
I dunno. :)
Sendel is a very talented guy, but yes, he's rather a villano-type. Nevertheless, I want to watch Amarte es mi pecado (produced by Ernesto Alonso), in which he plays the male lead and the lover of Yadhira Carrillo's character.
Anon. I have seen Adela in Quinceañera, Dulce Desafio, Guadalupe, Maria Isabel and El Privilegio de Amar. I saw bits and pieces of Amor Real but her character annoys me and I actually saw part of Bodas de Odio and I remember how Cristian Bach was excellent and didn’t cry as much. I guess for me it is one of those instances where you simply can’t connect with the actor at all.
I like the work of Cuauhtemoc Blanco and Maricarmen Peña though, they definitely create a very interesting portrayal of the interlinked lives of the small towns. Cañaveral de Pasiones is my absolutely favorite novela EVER. Mi Pecado just had a scene as a sort of homage to Cañaveral and I was squealing with joy watching it and remembering, Cañaveral was just stunning. ENDA was a remake of Cadenas de Amargura but Cuauhtemoc and Maricarmen didn’t work in the adaptation, it was good but they made it a little too long and that affected the intelligence of the main young couple and also affected the character of the housekeeper who kept quiet about all in those 100 episodes added to the story, she was tortured in the original but she wasn’t so useless for so long.
Jarocha
I was in and out with that novela anyway sometimes i would watch it if i was bored and nothing else was on tv that night other times i would rather read a book. I was so surprised it did seem like it was on for five months or less.
Now that you mentioned it i do believe i did see Adela in Quincenera wasn't Eduardo Laguardia in that too?
Here is what it says at Alma Latina:
"Other facts: first latin actor the winner of Emmy Award for Guadalupe: Best actor Individual Acheivment (sic)"
HOWEVER, one thing that has bothered me: At times, when he is with Regina or Aimee, Juan lets out this raucous, loud phoney laugh. It makes him so much less sexy and masculine--It totally takes away from his image.
She says: Real friends and colleagues were not the only people who helped me in the writing process – so did my imaginary friends. It so happened that December 15, 2003, the day I began to write this book, was also the day of the world premiere of the first Spanish-language telenovela produced and filmed in the United States, Te amaré en silencio. From then on, every weekday at nine the incomparable Eduardo Yañez and Ana Carolina da Fonseca accompanied me on my journey to the world of emotions in a language not my own. Watching the show through the lenses of the emerging book was a fascinating experience. It made me wonder time and again about emotions that might cross linguistic and cultural boundaries, about trials and tribulations of bilingual couples, about similarities and differences between emotional expression in natural communication and conventionalized expressions of emotions that make shows like this so easy to watch and so comprehensible to speakers of other languages.
EY had a pretty terrible upbringing, and there was a fellow in Mexico who kind of took him aside as a teen and got him interested in playing American football on a club team down there -- which was unusual, of course, since they play soccer.
"Cañaveral de Pasiones" had Gattorno in a very important role but the main couple was played by Daniela Castro and Juan Soler. Paty Navidad also had a significant role and the villains were Azela Robinson, Roberto Ballesteros and Angélica Aragón. Aracely Arámbula had a small role there too.
Jeri, American Football (as it is known here) is popular although we don’t really have a pro ligue. There is a university league though and that one is a little popular in certain states. Same with basketball, in this case, the university games are very popular in my state.
Jarocha
"Cañaveral de Pasiones is my absolutely favorite novela EVER."
OMG, I agree, it's an awesome novela! :)
****
Anon:
"has Mejia ever heard of a screen test before, or does he just does not care at does whatever the heck he wants?"
I don't know - I guess he was happy for having Adela, and Jorge was his new favourite "kid" after Mariana de la noche and he wanted to give him the lead.
"Jarocha you have spoken of Canaveral de Pasiones is that the one with Francisco Gattorno and Cynthia Klitbo in it?"
No, that's La duena with Angelica Rivera and Gattorno as leads and Klitbo as the female villain.
On the other hand, Gattorno indeed participated in Canaveral. :)
Jeri:
Thank you for the prof's citation!
As for Daytime Emmys: that's it, I didn't find his name in the prize-list. By this times the only sources of this Emmy are alma-latina and wiki - none of them are totally reliable. :(
***
mad bess:
Thank you! :) I started it when I was seven - it was in 1990, when capitalism, western culture, Dallas and Mexican/Brazilian telenovelas arrived in my country. :) Although I watched them, I wasn't a huge telenovela fan. I admited to myself only in 2002-2003 that actually I like the Televisa novelas very much. A few years later I finally found out how to download telenovelas, I found telenovela-world and an excellent Hungarian TN-blog, and since then I'm a curious and enthusiastic fan. :)
***
cara: Let me join the fan club! :) CS is often silly but it's addictive.
"Also, I would be very interested to see Big Ed's performance in a Estrada/Miguel novela."
Seconded! :)
Those who have seen CS 1993 are very forgiving of this version os CS and take it for what it is.While i could not be so forgiving of Sortilegio since i saw the original Tu O' Nadie.
It something about watching and seeing a story for the first time that makes you fall in love with it. Be it the actors, the costume, the directing and overall production. That make it a some say a classic critics can sometimes call it a masterpiece.
I remember the first time i saw West Side Story and how i made fun of it and my mother sat me and my two older brothers down to watch it and give it a chance. Guess what i fell it, from the dancing, the acting and singing then when i told my friends in school about seeing this movie. How they made fun of me so i told our music teacher about it.
One day we came into for two straight days we as a class watched West Side Story and those same classmates who were making fun of my movies choices had fell in love with the story. We all learn evidently that it was a loose translation of Romeo and Juliet.
It is something about a movie or novela that evokes a fond memory maybe at the given time when we first saw it that may make us be harsh critics of a remake and especially when it tries to hard to be so different from the original it was supposed to be based on.
Here's one movie i saw when it first came out Clash of the Titans let just say when i saw a preview of this showing my TV when this movie was coming out. I was like they're kidding me right, you actually made a remake of this dreck.
Also, IIRC in "Mujeres Engañadas" the kids' private school had a club team -- or that might have been also been shown in "Rebelde." Seems like American football is kind of trendy in some places.
Aribeth, a couple years ago, I also tried to find EY's listing at the Emmy website and could not; but it is also a special award, it looks like -- and might not be listed as the regular categories are. I kind of feel like trying to write someone there to make sure, but it seems like a lot of trouble.
mad bess, I was interested in ESL and took a 400-level ESL class in college for fun. I had already taken four languages besides English, so I figured why not. I was a Journalism major, though, which I loved.
"It is something about a movie or novela that evokes a fond memory maybe at the given time when we first saw it that may make us be harsh critics of a remake and especially when it tries to hard to be so different from the original it was supposed to be based on."
ITA. No doubt that's why we all have different favorites, too. I also agree that if there is a classic it should never be changed. The only problem is who determines what is and isn't a classic. I know they say it is something that withstands the test of time, but I'm sure there's more that goes into the definition. I'm just can't remember and don't have the energy to look it up. ; > )
Very interesting comments from you, Jarocha and Aribeth. Very thought provoking.
To tell you the truth i saw parts of Abrazame Muy Fuerte and i liked the cesar` Evora role from the couple times i tuned in to watch it. I didn't get to see all of it from the start, i just saw bits of it here and there.
I guess it depends what can capture one interest and make them want to turn their tv on every night at a certain time to watch that show.
Jarocha i remembering another favorite of mine that i haven't seen in a long, long time La Fiera with Vitoria Ruffo and Guillermo Capetillo who played Anibal on MEPS.Do you remember that one.
-Vivi (still catching up on episodes and recaps from the week)
Thanks, Jardinera! Missed watching but your version is better.
Elna June re: Aimee wearing sneakers to run to the cave. Ha! Ever notice Regina's high heel boots under her novitiate outfit? QTH?
Mad Bess: love the alliterative descriptions of our hapless cast.
off the to daily grind...
Maggarita
:0}
Vivi I don't have your email. This lady found me thorugh my blogger page. You can email me at connie@gordonandgordonlaw.com or conniesnails66204@lycos.com.
Diana
I also agree with you about the audiences being more forgiving with CS2009-2010 had Mejía decided to call it differently because this isn’t really Corazón Salvaje anymore, it never really was.
Here is a TV critic who says practically the same things you have said in several of your comments if you don’t mind spoiler images for the ’93 version.
I think the problem here was that Salvador Mejía was trying to capitalize by using the Corazón Salvaje name and that is what offended the audiences.
I honestly can understand someone who has only watched the '93 version being ok with this version.
However someone who has seen the '93 version, who has seen the movie, who has seen the tv specials, who has read about the story and its versions in several tv magazines, who has heard in every conversation concerning novelas someone always bringing up how good Corazón Salvaje was and how great were the 1977 (from their mom and her friends) and 1966 (from their grandma and their friends) versions, well that someone is going to be severely critical and dissappointed with this version. Unfortunately that someone is the mayority of the Mexican audiences. That is why this novela flopped.
Mejia should have thought "If I’m going to make this novela, it has to be the best novela ever, anything less just won’t cut it".
Jarocha
Jarocha Quinceanera wasn't Enernesto laguardia in that along with FC too.
J.J. Abrams did a great job on the Star Trek remake last summer, made about $400 million worldwide, sold 10 million DVD's, and thrilled 95% of viewers (including me, longtime fan), according to Rotten Tomatoes.
Mejía -- not so much. Not quite as clear on the icon concept as J.J. apparently. He should have just made his own show, and he wouldn't have gotten the critic so angry over being defrauded.
The Cuna de lobos remake (if it ever comes into existence) will be an American-style series, like Mujeres asesinas. 13 episodes in one season.
Back to CS:
For me it was easier to excuse the faults of this version. I've seen CS93 it many times, read the book and fans' analysises, appreciate it highly, but I didn't fall in love with it, despite the fact that I adore these kind of period dramas.
Completely understand the fans' disappointment, I imagined what would I feel if Michael Bay or Uwe Boll remade one of my favourites, like Lord of the Rings, and I become ill. :-) However, I've been reading the endless crusade againts CS09 since October (because I was curious about the viewers' opinion), and it fatigued me. So I'm glad to read the recaps and comments of those people who mock and firmly criticize the novela's faults, but in the meantime enjoy its silliness. :-)
off
Hey, Jeri, so you're a fellow Star Trek fan. :-) I also love this universe, but was disappointed in the movie. I loved JJ's former projects (Alias, Lost), and the cast of ST was awesome, but the dull story and the whole "hi, this is an alternate universe" thing left a bad taste on my tongue. Nevertheless, I'm looking forward their next film.
Jeri I do remember "Rencor Apasionado". Natalia Esperón had a creepy wig at the begining when she was locked up in a mental house. Aracely Arámbula played the antagonist.
I don't mind Mejía doing "El Privilegio de Amar", while it was a succesful novela, it is not considered a classic like "Cuna de Lobos" and "Corazón Salvaje".
Jarocha
"it is not considered a classic like"
I know many EPDA-fans who are more combative than ten CS93 fans put together. They would politely disagree with you. :-D
(Btw I do agree with you, it's not a huge classic, but it has a very faithful fanbase. And EPDA was one of the most successful novelas of Estrada, so the comparison of the two producers and the war of their fans will be inevitable.)
Jeri, OT:
Wow, I bow before you. :-) I became a fan 33 years and one month later.
Okay, I finished the offtopic.
I also preferred César and Veronica in CS.
Jarocha:
*huge epiphany*
I saw both novelas, but I wasn't able to put two and two together - so the nice, pretty lady in Luz Clarita was the same who played Mariana in CS? I have to rewatch LC as soon as possible. :)
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