Caray, Caray!

Adolfo's goon drags Bertha from her hotel-room party before anything happens. In their bedroom suite, David soberly assures Gabriela that tomorrow a lot of things are going to get cleared up. In the penthouse, drunken Adolfo's just scolding drunken Bertha, when he suddenly can't resist her plea that she feels so terribly lonely.

When she cries on his shoulder, he's forced to point out that Bertha misses Carlos -- which she tearfully admits. She misses Carlos's loving care; which Adolfo, gently patting Bertha's face, sadly acknowledges is something he himself can't provide, especially lately.

At Bertha's question, Adolfo reveals he has loved someone in his life; bitterly he tells her even though he seems like a monster, he can care. He thinks she wouldn't understand, but Bertha begs him to explain. Choked up Adolfo explains with difficulty that he wound up like this because of a very hard life.

Bertha rubs his shoulder and murmurs softly in sympathy, as Adolfo wipes away tears, remembering since he was a child he lived in a cruel, perverted atmosphere. He turned into something awful, and it just did not have to be that way, Adolfo grits out.

Encouraging him to continue, Bertha caresses the back of his head to calm him down. Adolfo regrets things like that ever happen to anybody, to turn them into something like him. When Bertha asks if Yolanda has anything to do with it, he explains she is just another victim, like he. And to ask whether Yolanda was his lover is a ridiculous question.

Adolfo reaches for another glass of wine; and Bertha wraps a friendly arm around him and pulls him back into her embrace, where he touches her face and then gruffly insists his abuse led him to fight everyone who was out to harm him, to beat them and be in control of his life himself. Do what he himself wants!

Whether someone believes it or not, he doesn't like being that way; he just has to do it. And Yolanda stayed with him because she's good -- which tipsy Bertha acknowledges -- and because her spirit wasn't broken by the same abuse.

Repeating Yolanda's name, sobbing, Adolfo declares she is the woman he loves most in life! Bertha sympathizes and rubs his back reassuringly when Adolfo continues more brightly that Yolanda loves him back, too! Even though he doesn't deserve it. She loves him -- and just for that he's going to leave her all his money!

Bertha laughs and responds, hey, wait a minute! She thought he was supposed to leave all his money to her! Both laughing they fall back on the sofa, with Adolfo admitting, well, yes. He is going to leave Bertha a whole lot of money, so she can do or have anything she wants.

They have a good drunken chuckle, their heads together, Bertha's arm around his shoulder companionably. Next morning, Adolfo's ready for business, drinking hair of the dog, when he comes downstairs to take a call from Édgar, who feigns loyalty and promises he has proof of who stowed a corpse in Adolfo's back seat.

Édgar claims he only broke into Garnica's email account to spy on Dante, who ordered "Silverio" killed -- who was in fact, Carmelo. Édgar can offer Adolfo some other goodies, if he agrees to meet him at the warehouse. Back at Mario's, Gabriela has her fateful meeting with both Santiago and "Mario."

She unwittingly provides the catalyst for Santiago's courage to rise by shouting a fevered testimony to the power of Santiago's fatherhood, that Mario will never take that place! Immediately, Santiago stands and begins to remove his disguise to amazed Gabriela.

Gabriela takes the news very well, with Santiago the more tortured, as he explains the entire story finally to her. However, the notable thing Gabriela takes away from the revelation is a renewed insecurity that Mario forced David to marry her -- and that she's not sure David really loves her and wanted to.

Back at the penthouse, Adolfo receives Édgar's second DVD, showing Dante's town car entering and exiting the Sagittarius parking deck. Over at Dora's hotel room, something has moved her to finally talk and tell her story; and Jorge convinces her to go to David's and speak to him first.

Outside Mario's office, Gabriela braces David with her doubts; and though he tries to convince Gabriela he sincerely loves her, she exits with her doubts intact, with David left to worry he's lost his wife now that she knows the full truth. At some penal institution, the big gates open and a pair of legs shuffle through.

Panning up, it turns out to be the real commander Hernández, heading across town to his first stop at a tavern. Coincidentally, Édgar and Valentín patronize the same establishment and recognize him immediately. When Édgar braces Hernández at the bar about how he got out so soon after the fight with Juan José, of course the real Hernández has no clue.

Back at David's he fills Abelardo in that Gabriela knows everything, but now doesn't trust him again; and he could lose her. At the bar, Hernández explains that due to a prison attack, he has had problems with his memory. He doesn't know who Adolfo or Dante are, but is definitely interested when Édgar mentions Leonardo.

Hernández is surprised to hear he worked with Adolfo from the penthouse and crossed paths with Leonardo. At David's, he and Abelardo grill Santiago over what he could have told Gabriela to make her doubt David; and Santiago strenuously denies he told her anything but the truth. He didn't badmouth Mario, but didn't sugarcoat it either.

When Gabriela appears at Julieta's with yet another revelation, Julieta can hardly believe there's something more. She's shocked when Gabriela explains what she just learned from Santiago. At the bar, after learning Édgar and Valentín's respective stories, Hernández decides he'll hang with them and do some crimes together.

He may have forgotten Adolfo, Dante and Genovés; however, Hernández menacingly vows, he'll never forget Leonardo! Back at Julieta's, she can't convince proud Gabriela to just tell David she loves him; but does get her to agree to dwell less on the past and go on about her life with him, loving him as before.

At David's, he's ecstatic to see Dora and happy she wants to come forward finally; but informs her things have changed in regard to Carlos, and her testimony would implicate him -- so she shouldn't give it now. He also fills Dora and Jorge in that Gabriela knows everything.

On a busy street, Édgar reports phone confirmation to Valentín and Hernández of the warehouse meeting with Adolfo that night. At Alejandra's architectural studio, Mina gushes her total infatuation with that sweet hunk Carlos; but reports they haven't done the deed yet.

Meanwhile, down in the apartment parking lot at Leonardo's, Hernández is keeping photographic tabs on the policeman's comings and goings. At an elegant restaurant, Carlos and Mina share dinner, and Mina looks even more fabulous than usual. They converse companionably.

Carlos is enjoying his new job out from under Adolfo's thumb and wonders at all the years of abuse he endured just to have work and things. When he points out he's just doing what he can to help Juan José & Co. -- and Mina offers in turn to help Carlos in any way she can -- Carlos wistfully ponders why she couldn't have come along before.

She's so pretty and classy and kind, he observes. When she asks if that's different from Bertha, Carlos looks off into the distance and says he can't deny that he still thinks about Bertha; but when he does, he feels a deep hurt. Bertha is a good person at heart, Carlos says; but ambition has caused her to lose everything.

Carlos admits he still loves Bertha -- and that he felt something very strong for her. But he's not going to see her. Then he quickly assures Mina with a smile he's there with her now. He wants to be with her and she with him, as they kiss. Later in a darkened bedroom, shadowy figures of themselves make love while the sexy theme song plays.

At Juan José's, he and Alejandra cuddle in the sack and murmur about Dora's happy return, but realize she can't spill her story now. Next morning, Juan José runs out after telling Lucha he's meeting with Leonardo. Presently, slightly ahead of Juan José, smarmy Hernández hulks around Leonardo's apartment door, fingering his revolver.

When whistling Juan José approaches and greets him familiarly -- wondering why he's in his killer disguise -- Hernández is confounded and taken by surprise.

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