Amor Bravío HOY Post-Finale Special
Remember when we used to have the Cristina telenovela post-finale specials to look forward to? We would get to see the telenovela stars we had just seen blunder, struggle, triumph, and punished over the last 5-9 months, all cleaned up in their real world duds, and hear their take on their characters, the story, and the behind the scenes. Cristina would at times push the envelope and ask questions that were WAY too personal (usually about the romantic lives of the leads), but for the most part, she kept her questions focused on the telenovela, which is exactly why we watched her show. In the last two years since the Cristina show ended, Don Francisco has tried his hand at the post-finale special, with little success.
I’m glad he didn’t attempt it with the
Amor Bravío cast. But I (and I’m sure others) really wanted to see this great cast all together one last time, and hear their thoughts on the telenovela. The folks at
Hoy did us this favor, and brought the AB cast and crew together for a
Post-Finale Amor Bravío Special after the finale aired in Mexico in October. Other than a few missing people, who were already off on location filming their next telenovelas (e.g. Florencia de S./Natalia, Laura C./Ximena), most of the cast was present.
The interviews feel more like we’ve dropped in on a chat between friends, because the
Hoy cast members are all actors, singers or entertainers who have worked with many of the AB actors in the past, or are even related to them or have close personal ties. I will do my best to give an overview of what was said. But rapid-fire informal speech is way different than scripted/slower speech in a telenovela. What is clear is that this cast enjoyed working with each other, and we the audience certainly enjoyed watching them.
A link to the entire 52 minute show is embedded above, but here’s the link:
http://www.youtube.com/watch?v=FMgAVYmKpwk
Part 1: The Malquerida Crew
(Mariana van Rankin/Luzma; Yolanda Ventura/Piedad; Eddy Vilard/Pablo; Ricardo Franco/Rodolfo; Luis Gatica/Hipólito; and Olivia Bucio/Agustina); Interviewed by Andrea Legarreta and Alan Tacher (brother of Mark).
Olivia is the first to speak about her character, Agustina. She was obviously as frustrated with Gussy as we were. She gets that love is great and makes us see everything through rose colored glasses, but Gussy’s love made her supremely stupid! LOL! Everyone agrees, but they joke that “El Cubano” (Cesar Evora) has a certain something. Olivia recalls reading her script each day and saying to herself, “Not again! I have to tell Dionisio that I love him like crazy and passionately, and that my whole world revolves around him! Uyyy! Why?!” LOL!
Olivia was happy with Gussy’s end because it was the only way to show Camila that she really, truly loved her—a mother’s love for her daughter. Just remembering it makes her want to cry. Gussy had made so many mistakes, and had been so unjust to Daniel, that she feels it was the only way to show them both that she loved them. When she read the script she said, “Good! Agustina dies!” Haha! Luis/Hipolito says he would make the same sacrifice for his kids. Yolanda/Piedad agrees that it was a good example to show that even though you may make mistakes, you can always ask for forgiveness.
Luis changes the subject to something happier—amor! He points to the two young guys, Eddy/Pablo and Ricardo/Rodolfo, who ended the story with their lady loves.
Alan points out that Hip-Piedad ended up together as well.
Andrea gushes about how lovely the couples were and the actors who played them. She compliments Mariana (but seems to have trouble remembering her name; what’s up with that Andrea?). Eddy loved his character Pablo, who was super in love and committed to Luzma. He really enjoyed his scenes with the lovely Mariana, especially their final reencounter at the waterfalls in Chiapas. The guys tease him about this. “Uh huh. We’re sure it was REALLY nice.”
They are certain he didn’t even notice at all how cold it was.
Mariana/Luzma brings up that she, Eddy, Ricardo, and Luis had all worked together on an episode of
Mujeres Asesinas (
“Carmen, Honrada") a few years ago (Eddy played her boyfriend, and Luis played her dad in the episode).
The interview turns to Ricardo and both Alan and Andrea congratulate him on how well his career is going. Just four years ago he made an appearance on their show when he was just starting out in the biz. Now, in addition to his recurring role as a cop in Mujeres Asesinas, he’s had a great turn as a villain (Ni Contigo Ni Sin Ti), and now as the very in-love/loyal Rodolfo in AB, a tn with high ratings. Ricardo thanks the Hoy folks and AB producer Carlos Moreno for giving him these great opportunities. He hopes to work again soon with Carlos and the same team, as do they all—even Andrea gives a shout out to Carlos for a bit part someday.
Luis is next to speak about his character, Hipolito. Carlos called him up and asked him to take on this part. Luis speaks about what a great couple he and Yolanda made in Cuando Me Enamoro. He says that he and Yolanda have such great chemistry and communication between them, then gives a shout out to his real life wife that he loves her and has always respected her (not cheated). LOL! Yolanda admits it’s true about their chemistry, and Andrea gives a shout out to Yolanda’s real life husband (who played the husband Luis saved her from in CME—yes, this all gets confusing). Carlos wanted to repeat the pairing, and Luis happily said yes. Although there were similarities, he feels this couple was quite different from their CME couple.
Yolanda was worried about the similarities between the two situations too, because she likes the challenge of doing new things as an actress. She made the Piedad character different- in the way she carried herself, spoke, and dressed. For example, she used a super Mexican accent for Piedad (Yolanda is from Spain). This makes Luis think of a funny story. The very first scene he filmed in AB was with Yolanda and Mariana, as they walked through the square to the police station. They got to the police station, Yolanda stops, puts her hands on her hips, and says in a heavy, lispsy Spanish/Castilian accent, “We’ve arrived.” (Hemosh jyegatho/ Hemos llegado.) LOL! They all joke and tease Yolanda about this as Part 1 wraps up.
Part 2: Los Albarrán
(Juan Diego Covarrubias/Yago; René Strickler/Mariano; Norma Herrera/Rocío; and Luis Couturier/Cayetano); Interviewed by Galilea Montijo and Raúl Araiza (real life son of Norma Herrera).
Galilea asks René about the open ending for Mariano and Miriam. He says there was definitely a mutual attraction, plus, they were both dumped. Haha! But they really had a lot in common/enjoyed the same things. The writers left it open that in the future this attraction could turn into a relationship. Galilea thinks it also made the women in the audience feel better for Miriam, that she also had the possibility of love. And Mariano too, who had for so long been in love with Camila, René notes. He deserved love.
Next is Juan Diego/Yago. He describes Yago’s end as alone, without money, and in the cantina- even exchanging his super watch from his suegro for a bottle of tequila. JD asks, what more could you expect from a person like Yago? René doesn’t see the situation as being so dark, because the family left the door open for Yago to return to them. He could always get on the right path in the future, if he chooses.
Luis/Cayetano is asked about Isadora, who Raúl describes as more venomous than a cobra. Luis says it was easy for Caye to fall for her because she was always really good to him, and she’s hot. Haha! Raúl agrees that one weapon women can use to manipulate men is their beauty, their sexuality, passion. Norma is skeptical, but Raúl brings up the fact that Rocío can’t talk, as she was no saint herself.
Norma says Rocío was young, and Daniel Monterde was hot, all dressed up in his charro suit, plus he was owner of La Malquerida—but of course, money was not important to Rocío. Ha, ha! She feels that Rocío truly fell in love with him, but unfortunately he didn’t feel the same. But in the end it was for best. The Albarran family remained united, and she had another blonde son- Pablo (easy to pass off as an Albarran), who even became the favorite of Cayetano. Raúl thinks Rocío was easy (light in the shorts). Juan Diego jokingly agrees that that’s why they had to teach her a lesson/put her in her place. René jokes about Norma speaking post-stroke, and them teasing her during filming that she shouldn’t drink so early in the mornings. LOL! Norma believes that, on the whole, Rocío was a good wife and mother.
Raúl asks how they all felt about their characters’ endings. Norma HATED having to do the stroke talking, and was happy that at the end she was back to normal. René likes that Mariano may end up with Miriam. He thinks it’s an interesting ending, and his daughter would have the mother she wanted. Juan Diego jokes that he wishes for once the villain could win in the case of Yago. He would have liked for Yago to get back on the right path. But he also would have liked for Yago to end up on a big yacht surrounded by beautiful women- preferably topless. Luis/Cayetano jokes that he suspects that Yago wasn’t his kid either. They all tease Norma to come clean, and tell the truth finally. LOL!
Galilea brings up the beloved Magda Guzmán/Refugio, who can’t be with them that day. Norma says that Magda for her is really like her nana and her mother. They had most of their scenes together. It was a pleasure to work with her. They were neighbors years before, for over 10 years. Their families are close friends with each other—they know each other’s kids (she points to Raúl, and Armando Araiza is her other son). But in all these years, they had never worked with each other until now, and it was a pleasure. Magda (who is 81) has an amazing work ethic, and despite not being in the best of health, suffering from lots of colds, and the wet/chilly AB locations in the haciendas, she was an amazing example of punctuality and professionalism.
Galilea asks what they are each planning next. (Keep in mind that this was late October and the November-January holiday season was upcoming.) Juan Diego misses his family in Guadalajara and wants to enjoy some time with them. (Prior to AB he spent over a year filming Una Familia con Suerte, so he has been away from home a while.) He will be back in tns after that, and Galilea hopes as a good guy this time. René is headed home to his family in Patagonia in Argentina to rest for a while- shout out to his mom. Norma has been ordered by her sons to rest, and they’ve booked her on a cruise. She’ll rest for a little while, but hates to not be working, so she’ll be back to work soon. Luis also wants a bit of a rest after coming off of multiple tns and theater work, like Norma did. He’s headed to Puebla tomorrow. Raúl knows from his mom how exhausting it was for them to travel all around and to and from the hacienda filming locations. He congratulates them all on their work, especially young Juan Diego. He also thinks it’s good that JD wants to spend time with his family, as many people take that for granted these days.
Part 3: The Scoobies
(Alan Estrada/Aaron; Fernanda Castillo/Viviana; María Sorté/Amanda; and Alex Sirvent/Rafael); Interviewed by Alan Tacher and Alessandra Rosaldo.
María/Amanda is all smiles about her AB experience. It was an excellent experience! She credits much of the success of the tn to the fabulous script (guion), written by Martha Carrillo and Cristina Garcia. The script makes the telenovela. She loved her character of Amanda because she never betrayed who she was/the character remained true to herself. Often times with a character, they suddenly do something that doesn’t fit with their character, and it makes the actor ask, what happened? This was not the case with Amanda. The way she handled Natalia’s pregnancy was a perfect example. Even though Amanda told the lie about Nat’s father, she was a good person, and in the end her lie came to light anyway when Dionisio showed up.
Maria loved her ending with the Chiapas wedding to Osvaldo. But she really loved her final showdown with Dionisio in front of the church! Fernanda/Vivi jumps in and teases Maria about how she REALLY got into telling Dionisio off during the filming of that scene. Alan Estrada/Aaron likes that the good guys in AB weren’t so good to the point of being stupid. But the good guys also got to make mistakes like regular people.
Alan E. points out the example of Vivi, whose bad experience with Bruno made it difficult for her to give herself over to Rafa. They then tease that there was at least one instance when she had NO problem doing just that, hubba hubba! (I think they mean the hot kitchen table scene; at least I think that was their hottest scene.) Alex/Rafa says it was a pleasure to work with such a great actress like Fernanda. Alex and his wife Ximena fell in love while seeing a live musical that Alan E. and Fernanda were starring in—they saw it three times. It was a gift to be able to work next to these two great talents. Alan T. teases Alan E. (who was a host on Hoy at the time) for being away filming AB more than he was at work on Hoy. Alan E. gives a shout out to his Hoy bosses, thanking them for letting him do AB. He made up for it by interviewing his castmates for Hoy, but by a certain point he had interviewed everybody, and he refused to interview them anymore. They joke about this.
Alessandra notes that although Alex, Fernanda and Alan E. were already successful actors, musicians, and theater stars, starring in such a successful tn like AB must have represented a parting of the waters/a turning point for them. Fernanda loved her character, and especially loved that her character wasn’t just the best friend of the protagonist- she had an important message. People often think that an abused woman is always poor, uneducated, and submissive. People don’t realize that it can also happen to a strong, independent woman. But what she loved the most about the experience was the great cast and team on AB, who she learned so much from. They had such a good time working together that they didn’t want it to end. They formed wonderful friendships. Working with Silvia N. was like taking a course on interpretation and improvisation. It was a luxury working with people who are not only such good actors, but also good people. Alex mentions how much they enjoyed spending time together—they would go from filming, to the gym together, then out to eat together, and out to events and even traveling together. They had a guys’ club (El Club de Tobi) and a girls’ club (El Club de Lulu), and they had the names of the clubs posted on their trailers.
Maria gives a warm shout out to Florencia/Natalia, and sends her hugs and kisses. Alan E. thanks producer Carlos M. for allowing him to be in a tn with high ratings for the first time. LOL! Fernanda teasingly scolds him for saying that. Alan E. speaks about how important telenovelas are in Mexican culture. People really get into them, and call you by your character’s name on the streets and try to get info out of you about what’s going to happen. And people hated Isadora with a passion. When the audience gets so involved emotionally in a tn is when you know it’s working.
Alessandra mentions that she and Alex have known each other a long time, since they were practically kids. She thinks he’s grown a lot as an actor, and even more so in this tn. Alex believes that the large amount of talent in AB made them each better. As did the generosity and empathy of the castmates, and the leadership of Carlos M. *Applause for Carlos.* (Alex also mentions the challenge of having to memorize the script, which allowed them to improvise. Often tn actors have an earpiece where someone feeds them their lines. With so much dialogue to remember each day, this a very helpful, but it doesn’t allow for much improvisation. You can sometimes catch a glimpse of these earpieces when the camera accidently catches the actor on the wrong side.)
Alan E. says they’re going to kill him for telling this…but shares the story anyway. He talks about how nervous both Fernanda and Alex/Alejandro were when they did their first love scene, because they were such good friends and had never done a love scene together before. They both took Alan aside privately and spoke to him about their anxiety. They did the scene with tape covering their private bits, but it took a whole three hours to get through (their nerves got the better of them), and Alan had to wait around for them to finish. Alessandra and Alan T. thank them and say that the camaraderie among the cast came across and translated into ratings.
Part 4: Los Farcas
(Lisset/Miriam; and Carlos Embry/Abraham); Interviewed by Galilea M. and Alan T.
Galilea speaks about how much Miriam suffered. She, Dan, and Camila were just victims of the circumstances. Lisset/Miriam says the character of Miriam was well drawn. Galilea compliments her on being able to do the Chilean accent. Lisset credits CdlF and Carlos/Abraham with being great accent/dialect coaches. She also has a musical ear (she’s a singer) so that helped her to be able to mimic the accent. Carlos acknowledges that the Chilean accent is difficult because they swallow their ‘s’ and ‘d’ sounds, and the ends of words. Lisset would read her script and ask Carlos to read it to her in “Chilean”, so that she could hear how it should sound. They all agree that the Chilean accent and country are beautiful.
Galilea mentions that this is Carlos’ first telenovela in Mexico. Carlos says he was very happy with the experience. Especially since he’s making his debut in Mexico in a tn with high ratings. Speaking about his character Abraham, he says the fault really started with this inheritance Dan got in Mexico, and that Abraham was really only making decisions based on the information and evidence he had. He was also being a protective brother, as they were orphans and he had to both look out for his family fortune and his little sister. Alan T. makes a joke from his experience within his own Jewish family, “qué el dinero es el dinero!” Galilea thinks Miriam accepted the love between Dan and Cam bravely. Lisset agrees that Miriam approached it with dignity—she’s a fighter, brave, honest—very similar to Camila. She was really in love with the character. Alan wonders if Lisset has abandoned her singing career. Nope. She’s doing tns, theater, as well as her singing. Carlos plans to stay in Mexico for a little while to work on other projects.
Part 5: The Villains
(Jose Elias Moreno/Leoncio; Leticia Calderón/Isadora; Flavio Medina/Alonso; and César Évora/Dionisio); Interviewed by Alessandra R. and Raul A.
The first question is for Leti/Isa. Why did she accept this role? Because she loves playing villains! Her first tn villain was
Tia Carlota/Carloca (En Nombre del Amor) and she loved it. Carlos Moreno took a risk and gave her the opportunity to play a villain, and he actually visualized HER in the role (of Tia Carlota). Carlos kept telling her that he had another project and role for her- Isadora. She loved it, and she loved the idea of working with these great vet actors, and Flavio/Alonso, who she didn’t know before but who she’s now adopted like a son. Her biggest challenge was to make the character completely different than Tia Carlota, and she achieved it. Raul asks about the source of Isadora’s evil. Leti thinks it was ambition/greed. There was a coldness and cynicism about her—for this reason they went with the platinum haired look and metallic makeup. With Tia Carlota, her motivation was lack/want of love (desamor). Alessandra thinks Isadora was just completely evil. Leti mentions the cutting of Leo’s tongue as an example of this. Jose Elias/Leoncio begins to joke around and mumble like he has no tongue.
Alessandra says what a teddy bear Jose Elias is in real life and they share a warm embrace. He really does look like a sweet guy.
Raul asks Jose Elias if he liked playing this role, because he knows he loves doing comedy, directing and writing. Jose Elias thinks that these four villains allowed them to exorcise their demons. These characters did things that they would never do and never think to do in real life—like his final scene with Isadora and all the things he did to her; or Isadora killing her son. Raul turns to Flavio and says he was an absolute revelation in this role as Alonso. He worked alongside these great veteran actors and totally held his own and did an amazing job. Flavio thinks it was a combination of a lot of things- luck or destiny. Also working with such amazing human beings, who aren’t just talented, but also great people, who he could always count on and were generous with him. He learned a lot; they had a great time together; plus his character was just a really well conceived character, with an interesting love/hate relationship with his mother. Alessandra mentions that Flavio is also a really talented stage actor (at the time he was headlining a play). The recording appears to fade out and then in, leading me to believe that they cut part of the interview out.
Alessandra congratulates Flavio on his successes and they move on to Cesar/Dionisio. Raul is obviously quite fond of Cesar as he keeps caressing his leg, but really, who could resist El Cubano? They tease Cesar about his deep voice (which sounds particularly deep today), and he jokes that when he wakes up each morning, before his coffee, he actually sounds like a chipmunk. LOL! Raul points out that Cesar does it all—good guys, bad guys—did he like this role? He had a lot of fun playing Dionisio-- a guy who was so shameless/cynical. He made up a saying, “Aquí todo pase gracias a Dio…a Dionisio.” LOL! He really had a lot of fun with the role, but what made it even better were his marvelous colleagues/castmates. The shamelessness of Dionisio was a pleasure to play—the way that he smoothly manipulated people and circumstances. He had a tremendous ego and ambition.
Cesar then teases that he and Pepe (Jose Elias) have an announcement to make—the real reason why Dionisio was crying in that final scene in the prison… He was remembering what a terrible roommate Leoncio was when he lived in Dion’s house-- back when Leoncio was sporting bandana-head, like (old school/before she got a new, less racist, hairdo in the 90s) Aunt Jemima. There is a lot of chuckling and much of the joke goes right by me and over my head. The vets have known each other many years, have worked together before, and will surely work with each other again. Leti comments on what gentlemen and great guys Cesar and Jose Elias have always been. She thanks Carlos M. for this opportunity. Her castmates join in the thanks.
Part 6: The Protagonists
(Silvia Navarro/Camila and Cristian de la Fuente/Daniel); Interviewed by Alan T. and Andrea L.
This segment hast to be prefaced with an explanation that Andrea L. has a HUGE crush on CdlF. He is her “Number One” telenovio, and she often speaks about him in a lustful/fangirl way on the show. She has worn a particularly sexy outfit today because she will have the opportunity to interview and be close to her Number One.
Cristian starts things off by pulling Andrea’s chair closer to his. She is wearing a short black dress, over which she demurely holds an Amor Bravio bulls head pillow, black fishnet stockings, and black do-me stilettos. Alan T. gets on his knees and gives a thanks up to the Lord, that after ALL these months of listening to Andrea drool over CdlF, he is finally here there next to Andrea and she can finally declare if CdlF is indeed her Number One. Andrea is tongue tied and blushing, but confirms that CdlF is her Number One, and he sure does smell good too. CdlF is all smiles. SN chuckles. Andrea says she envied SN every night when she watched AB. CdlF reaches over and gives Andrea a hug.
Then CdlF reaches over and greets Alan with a handshake, saying it’s nice to see him here and not on a plane (they both go back and forth to Miami a lot). Alan says he’s had the pleasure of knowing SN for many years—she’s a great friend and a great actress. SN mentions that they were even practically family for a time when she dated his cousin Sammy--- shout out to Sammy. Alan says it was easy to tell what great actors they both are while watching AB. CdlF says that working with Silvia made it easy—she’s a great actress. CdlF and SN high five each other. Then CdlF reaches out and gives her a big hug, saying he’s going to miss her! Then he asks if she’s going to miss him, and she says…NO. LOL! He kisses her shoulder playfully as they part.
Andrea notes that it’s rare to see a tn couple that really transmits love/chemistry/etc., and SN and CdlF did. SN jokes, pointing to the hotness that is CdlF, “Andrea, do you really think it was going to be hard for me?” Alan says that it also wouldn’t be difficult for any man with her. CdlF agrees. Andrea compliments SN on being such an amazing actress. She's a SN fan. SN makes the viewer cry and feel every emotion in each moment. SN thanks Andrea for her nice words.
There are some microphone issues and Andrea wonders if she’s the one causing them. CdlF says she is fine, more than FINE in fact, with those stockings…UUFF! He shakes his head in wonder and they all laugh. Alan says she wore them especially for him. CdlF says it’s not just the stockings, but also the heels. He leans over and caresses Andrea’s calf (showing how the heels make them flex) and shows her legs off to the camera. Andrea has to fan herself. SN is chuckling. The guys start talking about what turns them on as far as women wearing stockings and high heels. The both likey the stockings and high heels look. SN gives them both a look like, “Really dudes?” They take the hint to get back to the subject at hand—the AB Finale.
The finale made them all cry, and really affected SN. She feels this love between Cam and Dan was a very deep/profound love. She really enjoyed it and had a great time with CdlF. Andrea wonders if this is her favorite role so far. Silvia says she can’t choose a favorite, but she really enjoyed playing Renata in Cuando Me Enamoro, and she really enjoyed playing Camila in AB. Working with that special muchacho CdlF made it even better. CdlF acts like he doesn’t believe her, and she says she’s for real as they chuckle and tease each other. CdlF says they “fight” like this all the time.
Alan asks CdlF what is was like to dress in a charro suit, being a Chilean. SN says he could barely sit in them. CdlF gets up to show how he had to struggle to sit down in those tight charro pants. He managed to hang on to a charro suit that belonged to Don Vicente and jokes that he’s going to sell off all the silver from the sides of the pants. In the beginning, dressing in a charro suit, being a Chilean, was challenging. But then Don Vicente and others spoke to him about the history and significance of the charro suit, and then he was proud to wear it. He dressed in them with elegance and respect, and it was a wonderful experience. He’s going to miss it. He might even dress in a charro suit once a week from now on. Andrea can barely contain her drool or come up with a coherent sentence.
Alan says that CdlF needs to keep doing tns so that he can come back regularly. CdlF instead extends an invitation to Alan to come to his house for a meal in Miami (these two are actually friends in real life). But he will be in Carlos Moreno’s next tn, which will start in 2013 sometime. CdlF confirms with Carlos who is somewhere unseen in the audience. Alan wonders if it will be the same cast. SN says no, she won’t be there. Andrea wonders why SN isn’t going to be a part, and CdlF flirtatiously suggests that Andrea could be the protagonist, as he snuggles up closer to her. Andrea looks like she’s going to spontaneously combust. They then joke that Andrea could have a small part, like maybe a cousin or something. SN says, in all seriousness, she knows Andrea is a great actress. They all make a joking plea to Martha (writer) who’s in the audience, to write a part for Andrea.
Andrea asks what SN will be doing in the coming year. She will be doing theater work, and she will also be working on a movie project. She also wants some down time, and has to get healthy from injuries sustained during AB filming—her collar bone got displaced while working with a bull in a scene. She shows off the collar bone sticking out which will require surgery. CdlF mentions that she will also be focusing on her restaurant,
Sabor Amor. Andrea mentions what a success her restaurant has been. CdlF loves the food there—his favorite dish is “La Protagonista”, which comes out sounding risqué, so SN explains it’s a salad with goat cheese. LOL! It seems some of this interview gets cut off, because we head straight to our next/final segment.
Part 7: The Entire Cast and Crew
There is much laughing and joking around and it’s fun to see everyone in one place, including the young actress who played Ana (Macarena Garcia). They break to show highlights from the finale, which we don’t see, but when they come back Producer Carlos Moreno has the microphone, and SN is sitting in front of him on the floor. It’s obvious there is much love between this producer and his leading lady as he even caresses her face at one point.
The Hoy folks jokingly want to know if CdlF, El Chileno, was a diva (threw tantrums) on set. Carlos says CdlF is a great guy (un tipazo), a great colleague, and dedicated. And he has worked hard NOT to lose his Chilean accent. LOL! SN throws in a good natured jab at CdlF’s accent. Andrea says it’s rare to find a production where everyone likes each other so much. CdlF says they don’t like each other…they ADORE each other. Awww! Andrea thanks them all for coming, and throws another hint to Martha for a role in the next tn, one where she gets to kiss CdlF. Martha jokes that many pesos are going to have to be laid down for that to happen. “I thought we were hermanas Martha! Please!” Chuckles, smiles, and clapping as we fade out and the cast of AB says a final goodbye to all of us in the audience.
Labels: bravio
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