Friday, January 31, 2014
Por Siempre Mi Amor 1/31/14 Capítulo 42(ish)- Because we weren't bummed out enough
Little Miguel has passed away. Isa is inconsolable.
Mau and Andy discover Angel home alone just as Min returns home. Min is now a volunteer and a meeting with the Padre taking longer than she expected (which Padre? The one of Cuca and the Padre fame, or a different one?) Mau asks her to help out more around the house.
Ara cries on Este's shoulder. Ara says Isa and her father were so excited about the baby, but now it's a nightmare.
Mari and Tassels argue about the stolen goods she was unwittingly selling. He could have gotten her in a real mess. Tassels swears it will never happen again. Mari will not trust him anymore. He betrayed her.
Dante receives a text from Gonzo: Tu amigo el Borlas la regó. El Borlas has screwed up. (I am assuming the "la" in the text refers to "la cajeta" of the idiomatic expression regar la cajeta.)
Isa wonders what she and Arturo will do now. They tell little Miguel how much they wanted him. They will miss him for the rest of their lives.
Fevier is now working for the Raisin. He is asked to sign a confidentiality agreement since the company deals in a lot of important info for important clients. Fevier signs willingly and says he's the trustworthiest guy on the planet. *urp*
The little family buries Miguel.
Cuca visits the Padre. Padre tells her that Mari was there the night before. Mari is now amenable to the idea of working at Don Gil's.
The hats are hoping to see Dan again (they call him "el güero") and he magically appears. He wants to talk to Mari.
Everyone returns home. Isa painfully ascends the stairs. (There are no words to describe how powerful a scene this is. Susana Gonzalez is simply amazing.) Art asks everyone to please take care of Isa. She is the one most affected by Miguel's death.
From what Padre can gather, it was Mari who was fleeing from the market and some biker helped her. Cuca says Dan told her a similar story. They both assume she wants to hide in Don Gil's house, but she's still pretty attached to the hats and doesn't want to abandon them. Cuca will have to convince Don Gil. Cuca is nervous, but she agrees.
Dan doesn't want Mari to continue selling on the streets. There is now a police sketch of Mari being shown on the news. She could end up in jail. She swears she didn't know the merchandise was stolen. Dan wants to take her back to his house and help her. They kiss and so help me if these two are related.....grrrrr.
Lucha and Gabino can't believe Miguel has passed away. Dante wants to know why they care so much and they explain that Señor Arturo is like family. They've been working for him since they lost the house thanks to Dante.
Gaby and Tere talk about Isa's misfortune and wonder why bad things happen to good people. They will keep things running at Casa Arte.
Andy, Mau and Ed look over a report that shows the brake lines were cut and the airbag was tampered with. Sooner or later there was going to be an accident.
On the company computer Fevier discovers a cornucopia of information...most especially about Art and Isa. He promptly saves it to his jump drive.
Ara feels bad for Isa and doesn't know how to help her. To make matters worse, she hasn't heard from Fevier since she was in the hospital. She calls him and informs him of the death of her hermanito. He comforts her while he silently laughs and gloats. They plan to meet each other later that night. He hangs up and menacingly monologues. Finally, Isa is beginning to suffer as payback for what she did to him. It's called Karma. Seriously, someone get this man 6 or 7 anvils, please. And his "guapa" BS makes me want to break things.
Mau and Ed tell Art about the sabotage. Since the baby passed away they can ask the police to investigate it as a homicide. Art tells them to take care of it. Not only is he upset about the death of his son, he is very worried about Isa. She's very depressed. The death of Miguel has been a devastating blow.
Dan takes Mari to the Avocado abode and says she can hide at the Avocado Bungalow. She's impressed by the place, but she's afraid if she breaks something she'll never be able to pay for it. They hear someone coming, but it's a false alarm. Mari asks him not to kiss her again. She liked it but she doesn't like people kissing her. No one's ever done that before. Damn. It was her first kiss. So help me if these two are related. *Insert profanity here* He apologizes. He just couldn't help it. He promises to take her to the vecindad later so she can say goodbye to the hats and take care of some things.
El Borlas finds the hats on the street waiting for Mari. They tell him she went with El Guërito, a guy who's been nice and helpful. They looked pretty close. El Borlas packs them up and they go home.
Art lets Ara know the accident wasn't her fault. The car was tampered with. How the accident happened doesn't really matter to Isa. Her son is still dead. She doesn't think she'll ever recover. This is the hardest blow she's ever been dealt. There's no name for what she is. Art could say he was a viudo (widow) and Aranza a huérfana (orphan), but there is no word for a mother who loses a child. There is no word that encompasses or expresses the pain a mother feels when a child dies. Art reminds her it was his child too, but she says he can't begin to understand her pain. The pain of losing the baby you are carrying is unbearable and she doesn't think she'll ever get over it. Art gets upset and says he's suffering, too. Isa has no right to minimize his pain.
Bruno suggests that Art find professional help for Isa. Unlike 10 years ago, Art listens this time and calls...Marcela? QTH? Even Marcela even asks Art why the heck he didn't call a family friend. Why didn't Art call Dr. Carranza? (Art is an idiot.) He seriously thinks that the Dr. who was unable to save Miguel's life is the appropriate person to call? (I don't mean this as a damning statement of Marcela's skills. Just seeing it from Isa's point of view. Isa will back me up, keep reading.) Marcela wonders if Isa knows their history. Art says she does. This is where Marcela should get up and leave. I'm pretty sure this plan reeks of stupid, if not downright unethical. Nevertheless, Marcela agrees to talk to Isa.
Tita postpones the trip with Osvi. With Isa's tragedy and other matters she needs to take care of, it's just not that right time.
Ara's primping for her date with Fevier is interrupted by memories of the accident and its aftermath. Despite all her primping, Dafne thinks she looks OK. She's just going to the park anyway not the finest restaurant in Mexico.) Dafne Duck wants to go with and meet Fevier. Ara says maybe after the relationship is more defined. Dafne doesn't think the Fevier types go around asking "Oh, will you be my novia?" Ara thinks her friend is a sourpuss.
Isa is no dummy, she doesn't get why Art called Marcela either. Marcela hardly knows her. Marcela says Isa is the only one that can pull herself out of the depression. Isa asks to be left alone. Marcela attended her son and was unable to save him and shouldn't think she can save Isa now, she's not a good doctor...so get out.
Ara meets Fevier in the park. Somehow he has set up these motion sensor lights in the trees, red carpeting and a candlelight dinner in the middle of the park. It's the creepiest romantic dinner ever. He asks Ara to be his novia. Gag. me.
Dan takes Mari back to her apartment and the run into Tassels. Tassels is pithed about Mari leaving the hats to go run off with Dan. He pushes Dan. Dan kicks his butt. Woot.
Gaby comes to see Isa. Isa asks to be alone. Gaby has been with her from the start. Gaby will not leave until her friend gets it together and is back to being herself.
Ara comes home giddy. She gushes to Lucha about "Javier the real man." More *urp*
Dafne Duck rains on Ara's parade. She does, however, note that Javier is just as cursi if not more cursi than Este. Dafne sort of expected Ara's date with an older man would be something different. Turns out it's even more meloso (sickeningly sweet...alternate definition: honey-tongued) than a date with Este.
Art feels terrible. He doesn't know how to help Isa. He's lost his son and now he's losing his wife. Bruno hopes it's something temporary, but Art and Isa have the support of everyone during this bache emocional (dark time. Literally emotional pothole/rough patch.) Bruno, like Marcela, wants to know why Art didn't call Dr. Carranza. Art says that his history with Marcela was years ago. Bruno thinks it must have been difficult seeing each other since they had such a passionate fling in the past. Art claims he barely recognized Marcela in the hosptial, but I still don't like where we are going with this.
As the episode ends, Isa begins throwing things around the nursery.
Avances
- Ara tells Sonia she has reconciled with Isa. Sonia reminds Ara of the hell Isa put her through.
- Isa ends up on a bridge. Fevier is going to save her?
Labels: siempre
Bruno does have a point on why Art wants to bring MarC into the picture. I guess he seems to forget how his parents wanted him to marry the Red head doctor before he defied them and married Eugenia back in the day.
Does Isabel have some relatives because we've never seen them during this TN.
CD- you have a point, we haven't seen any relatives for Isa. That"s strange.
I also have no faith in the police finding who sabotaged the car.
This is marvelous for such a depressing episode. It was truly very sad. I have been lurking and reading the recaps. I can't stand Feo and Son-not. They have gotten away with far too much already. They need some major anvils.
About Isa. She is basically an orphan and has no family. She mentioned this to Art when they first met. He had told her all about Eugenia.
I can see why Isa is acting the way she is. She probably has post partum depression and the loss of the bebe on top of that has her in a very depressive state, plus her and Art were trying all that time for a bebe. I too hope she gets counseling and not from MariC.
The actress playing MariC was Eloisa in Corazon Salvaje 2009. She was the wife of Fulgencio the rifle runner and very rich man.
I can't stand that Ara went out with Feo and that was a very skanky trumped up dinner.
I too hope Dan and Mari are not related, otherwise she just kissed her Tio, blech!
Thanks again so much for this Sara.
CD-I wonder if it will become important later that she is so alone or if it was important earlier and that's what made her so susceptible to Fevier's charms.
Beside the obvious beady eyes, I think the way Fevier moves annoys the stew out of me and it screams danger. He is very stiff and off putting. You would think a charmer would have a warmer way of communicating and holding himself. Am I making any sense?
You know, if they have a story line where Art has a dalliance with MariC (not a spoiler, conjecture based on what seems obvious to my untrusting eyes) what will that do to the Isa/Ara relationship.
So-not did tell a young Ara that Isa was Art's amante before Eugenia died. Will an Art affair rekindle Ara's resentment and make her even more cruel to Isa or will it make her even more compassionate to her?
Do they plan to continue to keep Ara and Isa as rivals for the whole show? I hope not.
I promise I'll be working on the recap as the day goes on.
Any idea why they do this???????????
Yes, Isa is all alone with no family, after losing both her parents when she was a teen, and Miguel represents losing her only blood relative. So sad.
Isabel - Susan Gonzalez wow you made me weep when you ascended the stairs
Raisin - new employee background check
Dafne the Duck - god, you'll bitch about anything
Bruno the Clown - you actually sounded reasonable for once
Art - well you pulled another great solution outta your ass
Aranza - you get off again on a technicality
Tassels - can't whip your way out of a wet paper sack
Dan - well you got that Clark Kent/Superman thing going on
Fernando - the Devil is in the details and they're covered
I just added a blurb about Tita and Osvi. I'm pretty sure I'm avoiding going back and adding more details to the recap. I don't want to have to watch it again. Last night was bearable because I was writing notes more than actually watching.
Vivi- I would be interested to know if they cut a more complete funeral scene. The one we saw last night seemed rather pitiful with few friends and family around. (Or did I miss them while I was writing and looked up after everyone had left?)
"Because we weren't bummed out enough" (one of my favorite titles – ever), “*urp*” and "Creepiest Romantic dinner ever" were among my favorites.
CD, I didn't know if Isa had family either but Vivi just noted her parents passed. If that was noted previously, I missed it. I am praying Isa gets the help she needs and NOT from the hawt doc.
Madelaine, thanks for ID'ing the actress from CS '09 - I never would have recognized her. Also "I can't stand that Ara went out with Feo and that was a very skanky trumped up dinner". Me neither! Am I being too harsh in saying that I would think she would be too mired in grief to pursue her new romance too soon? It just seems incredibly insensitive (especally as she was driving although she wasn't responsible).
Sara, any charm Feo might have totally escapes me! I think he is just unpalatable. Period. I keep staring wondering what the allure is that I do not see at all. Blech.
tofie, yes, Susana was heartbreaking. She is one of my favorite actresses.
Sara, if Feo does save Isa, I'm sure it will just be so that he can torture and ruin her life even further. If only he would jump!
Thanks again Sara - this was great.
Diana
I'm sure it's old news to most of you but the actor playing Tassels is the brother of the actor playing Sebass on MPV.
Tofie- sensational list as always and Susanna Gonzalez deserves an award just for the staircase ascension. Your description of Aranza as a narcissist is dead on.
It's so scary that he now has a man on the inside (Dante), is brainwashing/seducing Ara, is tracking Isa and Ara's movements and calls, and now has access to Isa and Art's private info and internet security. He could wipe out their personal and business finances if he wanted to.
Vivi, I just about barfed when Fevier brought up karma.
I'm working on it, I swear. I have to take breaks because there is so much sadness and stuff that is making me mad. If I don't breathe I will end up with a stream of profanities in the recap.
As for Aranza going out, I think she is actively trying to bury her feelings of guilt and grief by throwing herself into her romance with "Javier". They showed her running through the latest events in her mind as she was primping, and shaking her head as if to shake those thoughts away. I'm not sure if that narcissistic behavior or not, but she is not without feeling. She's just trying to bury her feelings.
Notice how they play the creepy horror music whenever Ara is with Feo.
Mari and Dan are cute together, but unless the Padre and Cuca are wrong about who Mari’s mom is, then this is incest.
Dante calls Feo and tells him that Isa’s car has already been taken away, and he wasn’t able to install the gps and doesn’t know what car she’ll be driving. He quickly hangs up when Art comes to speak with him, and begs Art not to fire him since he needs this job. Art says he’s still got a job, but for now Isa will be driving Ara’s car until her car is repaired. Then Dante asks to return to him own home, since they don’t need his services at the moment, and Art gives him leave.
Tita and Ally talk about Tita’s double life. Ally says she admires what Tita is doing and her secret is safe with her. Later they continue to talk about the work Tita and her motorcycle friends plan to do to help Marianela and the other street kids. Tita is really worried about Mari.
Feo calls Efrain/Methuselah and says he has a job he needs done. Since he’s working (this shocks Meth, Feo has never worked before), he won’t be able to do it himself. He tells Meth he has an awesome new job (with Sugar Daddy), and then tells Meth to contact Sonia about this particular job he needs.
Ara and Lucha talk about how best to help Isa. Lucha says losing a child is the hardest then that can happen to a woman, in a way that makes Ara ask is Lucha had a child. Lucha says yes, and for years she thought she had lost him. Ara takes her hand in sympathy.
Meth goes to see Sonia at her place unexpectedly, and she calls Feo upset that he didn’t tell her beforehand. He apologizes, but says he needs help to keep the Ara seduction going, and Sonia’s pay off will be really huge eventually.
Isa speaks to Isa about the pain of losing a child. Lucha says the pain will always stay with you, but you learn to live with it. Isa doesn’t think she can live with it. Lucha reminds her of all the people who love her and are by her side.
Don Gil has a big dog on the property, which impedes Mari from leaving.
Don Gil speaks seriously to Dan, and tells him it’s time he entered the military university program. The general is waiting to hear from him. Dan doesn’t look thrilled, but says he’ll do it.
Osvaldo talks to Balthazar and scolds himself for being so insensitive by asking Tita to go on a trip at this difficult time. But he was also disturbed by the fact that Tita told him she had a lot of obligations and things to do. He doesn’t like that she has secrets from him. Balt tells him he always knew Tita is a very active woman, and he shouldn’t jump to conclusions without getting more info. He needs to be patient and not do something he’ll regret.
Gonzo argues with Dante about the truck robbery being all over the news. He orders Dante to get his minion, Borlas, under control and to make sure he doesn’t talk!
Maricela tells Art that Isa needs to see a specialist before this depression becomes permanent.
Feo and Ara slow dance. She thanks him for being there for her during such a difficult time (she says this was the worst day of her life). They kiss. Blech! There is also lots more romancing by Feo, but thank goodness, Uni spared us.
Borlas assures Dante that Mari will keep her mouth shut. Dante threatens that she better, or else things will get difficult for them (Borlas and Mari) and the kids. Dante looks menacing. Borlas looks scared.
More cute scenes between Mari and Dan. He speaks romantic words. He doesn’t care that she’s poor. He just cares about her. He thinks they could have something serious. Each day he falls more in love with her. He takes her hand and says he’s sure of his feelings. He asks her to be his novia. She at first thinks he’s not being serious and is just making fun of her. He assures her he’s dead serious. Lots of longing looks, and he kisses her again. At first she stiffens, but then she gives in to the kiss. Mari still thinks their class differences will be a huge obstacle. However, she accepts being his novia, he kisses her on the cheek, and they run off to go visit the kids.
Padre and Gil play chess. Padre says he knows a young girl he’d like to help, a girl he and Cuca helped in the orphanage. He’d like her to work for Gil. Gil would like to meet her to interview her, but if Cuca and Padre vouch for her, that’s good enough for him. Cuca and Padre later celebrate, and can’t wait to find Mari to tell her.
Mau and Andy tell Gema, Este and Meanie about the tampered brakes and airbag. No one can believe someone would do that to Isa.
Art brings Isa tea in bed and tries to hug her. Isa doesn’t want Art to touch her. He just wants to be with her. She tells him to leave her alone. She doesn’t want to sleep in the same bed as him. Art is very hurt.
Ara tells Feo that this is a bad time for them to become novios, with all that’s going on at home. She doesn’t think it’s the right time to introduce him to her parents. He thinks it’s because he’s old. She says he’s not old, he’s mature. He agrees to wait till she’s ready to take their relationship public.
Gabi is with Nicolas at her place when Art calls her and begs her to come be with Isa. Nico says he’ll wait for her, and is understanding. He also wants an update on how Isa is doing.
Mari and Dan are sharing a kiss when Borlas walks up to them. (I think the kiss was actually cut from the Uni version. Maybe they have a problem with incest too.) Dan was comforting Mari and saying he’ll bring her to see the kids often. The fight also went longer, and ends with Dan holding Borlas to the ground in a wrestling hold. A bunch of guys from the vecinidad, including Dante and Gonzo, run out and separate the two, who are still yelling at each other. Agatha screams at them all to break it up.
Borlas complains to Gonzo and Dante about the situation. They point out that he’s acting like a jealous boyfriend, even when he protests and says he and Mari are best friends/like family. He says he won’t let Dan get away with this, and Dante and Gonzo chuckle evilly like they have a plan.
Having watched more of SG's scenes (the ones cut), I cannot finish praising her performance. Just amazing. She does anguish so well.
Tofie- I'm glad the cut scenes helped. It certainly helped me! I can't stand having these huge plot holes that the writers/director/editors did not create.
Vivi---A big thank you to you too.
I didn't realize that so much was cut. Has anyone asked Uni why?
I know that Isa is an emotional wreck at this point but when she learns that the cars break lines had been cut she says--no matter it won't bring Miguel back. No matter? That means that someone is trying to kill you. I hope that Art is starting to think straight.
I'm starting to worry about Mari-
A police sketch? She's in big trouble and I don't mean incest.
Dante on the inside and tracking devices OMG!! Can it get any worse?
Diana---I chose to watch this one because Susana Gonzalez was in it.
She's terrific and never disappoints---a superstar.
Favier's evil smile when he learned about little Miguel's death made me sick. I don't know what the writers have in store for him but I hope it fits his overpowering evil.
the gringo
Good point Gringo, Art may focus on the "why" instead of the fact someone did. He'll get distracted chasing his tail
Mari would do better for herself if she stayed away from the PSMA black hole and take her chances with the police. Poor girl is strolling through a minefield; a leering Dante, GoGoGonzo, budding first love with a family member, a miffed and ill connected friendzoned Tassels and a she devil mother that will not take a shine to her showing up at Don Gils.
I think Dan is naive with women, has a crush and nice car and big house wanting to impress the girl.
I don't think Mari is bad but she has learned a lesson if she runs off even for a little while with Dan. I just don't know how she will juggle them and a job w/Don Gil (if indeed she works there eventually).
I recall one quick scene several episodes ago with Ileana in front of Padre and talking about helping orphaned kids. Did I understand that correctly and if so has the development been edited?
"Reeks of stupid" is so right. Marcela might have seen other parents in this situation but her history with Arturo makes this a really idiotic move. Did anyone else see her facial expressions during the conversation with him? She's looking for an opening to get him back.
Isabel's reactions are very normal for her situation and it would be immensely foolish for anyone to try to rush her to recovery. That always does more harm than good.
Please give Marienela a make-over! Those skin-belt blouses make me sick and she needs to have something done with her hair.
No comment on Aranza's reactions, but I think Dante is almost as much as sociopath as Feo.
I'm with you, Vivi, about the park scene. Disgusting! If I were the actress playing Aranza I'd demand combat pay for that.
Finally, is there a country within this hemisphere that still executes? If so I'd like to see Feo executed at the end of the series for all the crimes we know he will be committing.
I may have to go back and watch the scene with Marcela again UA, though I don't even have to see the facial expression to know that she is wanting to move in on Art. And Art will be so vulnerable because Isa has kicked him out of the marital bed and is being so distant, he'll probably fall go along with it.
It's a good thing Vivi told us about the deleted scenes. I'm still mad about it. I feel like it was important that we see the scene with Isa asking art not to touch her and to not sleep in their bed. If Art falls into Marcela's arms it will look even worse for those who haven't seen those scenes. I"m not excusing the behavior, but without that back ground it just looks like Art is being as assier ass than usual and it really makes Marcela look bad (well, worse. She's not pure innocence.)
And I really wish they had left the Mari scenes alone. I'm sure we aren't the only ones thinking that it was out of character for her to leave the hats alone.
I kind of want to see Tita and Ally open up Tita's house to the hats. It might cause some friction with Osvi, though.
I've kind of been waiting for a Don Gil, Osvi, Tita triangle. :-)
Funny Sara I was thinking the same this morning
I thought it was odd when Mari left the hats/kids alone also. I'm glad that they are ok. Cute children all.
Urban---I vote for execution as well. Some people are against the death penalty but watching Feo go down wouldn't bother me a bit.
Ozzie on a hog? YES!!
I am so angry about the editing,
chopping important scenes. Is Uni
trying to shorten the number of episodes? If so why??? This is a good novela.
the gringo
I was disappointed by Ivana's (STuD), Carmina's (AdP)) and Kendra's (AV) karmageddons. I would have been satisfied if Carmina had had to live the rest of her miserable life legless, but she killed herself. I would have preferred Kendra suffer karmageddon similar to Cynthia's in LQNPA....now *that* was a karmageddon!!!
gringo-I wish I knew why Univision was chopping this one up. As I said before, it seems that Univision wants to punish the few viewers there are. I don't think the TNs with high ratings get as much editing. At least, I don't remember much of it on STuD, TdA, AdP or AV. If there was editing, they did a better job.
I still don't think alienating viewers is the way to be a #1 network.
I have a secret wish that when MPV ends, QPob moves to that slot and Quiero Amarte goes in at 10 (thank heaven for my DVR...but is Quiero Amarte getting mediocre ratings in Mexico...or is it improving?)
Oh, and I seem to remember two VERY GOOD shows ran in the midnight slot: LVO and PVAA.
I don't know why this bothers me so much.
They did the same to UFCS.
I guess I should be grateful we're getting bad editing and not 2 hour episodes. For some reason I don't like 2 hour episodes. Sure, I'll watch 2 or 3 different shows a night, but for some reason I just can't take 2 hours of the same show.
LVO and PVAA were a different cases because those started off in the midnight slot. Uni never intended to show those during primetime. I still have no idea why they didn't even attempt to show either of those during primetime. The case of PVAA was even more odd since it was getting such high ratings in Mexico, and it won almost all the tn awards that year. That really made no sense.
PSMA was already getting lackluster ratings in Mexico when Uni decided to show it. So why even risk a prime time slot? MPV got lackluster ratings in Mexico, so why risk the prime time slot?
What really concerns me is how shows like CI got the numbers they did (sorry gringo.) I'm willing to put AV in that group too since it really petered out in the end. I can sort of understand with LQLVMR because tho it isn't my cup of tea it's clear the production value is great.
Univision doesn't just want to be Numero Uno en espanol, they want a huge margin over whoever is Numero Dos. They have moved decently-performing #1-in-time-slot programs to other dayparts in the hope that the replacement series does better at 8PM or whenever.
There have been several examples where editing occurs to insure a certain end date. Had QBA been shown in the normal manner it would have ended just before or immediately after Thanksgiving (depending on pre-emptions), which is an awkward time to end a series and begin a new one. It ended instead in mid-September in synch with new premieres in English.
I recapped that series and can only recall editing that was the equivalent of one episode out of 160+ (and the now-dreaded censorship).
What could have worked (perhaps) would have been allowing that end date and doing two-hour episodes of something else until January. However, I don't remember if the other series of that period could have been expanded to two hours for those couple of weeks.
Whatever replaces MPV, I hope they move QPTR to 7PM where it belongs. This is the first time I can recall this network having a comedy like this in that hour and to me that doesn't make any sense.
However, neither of the other dramas fits at 7. We have real psycho sicko villains in both of those and potential for more hot sex in one.
the gringo
Gringo- Yes. If popularity trumps quality, I'm sure Natalie's next tn with Maite will be a hit, like CI was. I really only give Ana Brenda credit for drawing the CI audience. Daniel hadn't gained that much popularity in Mex yet.
I'll still be first in line to watch the first bit because I love Maite. I'm sure it will go to pot and I'll be very sad and angry.
the gringo
When they replayed STuD last year I watched some early episodes and asked myself how I managed to watch the whole thing to start with.
For years I would just head over to Univision and see what was going on. I remember seeing a few minutes of Alborada, Destilando and Cuidado (and was struck by the chemistry between the leads.)
At that time I didn't understand that TNs came on every day for months (I live under a rock.) So I always wondered why Univision was showing the same show all the time.
Anyhoo...when I headed over during the STuD run something clicked and I couldn't stop watching it. It probably helped that I started being more that just a lurker on Caray.
I felt the same way about CI and the end of AV. I didn't care if I watched or not.
LOL-- Why does Uni keep playing the same show all the time?
I love this website and the Caray crowd. It's like a second family.
the gringo
Thanks so much Vivi for telling us what was up w/the edits. If Uni wants to become #1, as UA, badly editing your shows will not endear you to viewers.
I'm w/you Susanlynn though I have not had your experience. I'm hanging in there w/the recaps but this situation is so vivid and having someone gleeful over an infant's death is not entertaining; its just torture.
Vivi, ITA about why Feo and Sucia are so villainous -the good people are completely unaware they are being targeted by them, which ups the bummer quotient for the viewer. The viewer feels so helpless and hopeless as the protas, which makes this hard to watch as you see them as sheep to the slaughter.
Such a profound statement by Isa about their not being a name for a woman who miscarries a child.
I hope Ara's conversion sticks since she feels guilty about driving the car that lead to the accident.
the gringo
Check the Sideboard under:
Las proximas: Feed for news about upcoming telenovelas
an email and let them know how you feel about this, they are ruining a good show.
the gringo
I expect Art to have a notorious affair with MariC, who is secretly happy she gets to have Art.
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