Caray, Caray!

- Frida and her boyfriend go to the place where they keep the bulls and let them all free. As a saner person would expect, the bulls run around and it's not a very safe place to be. Frida is arrested, thanks to the tip Mom called in earlier. Frida calls her mom, but Mom refuses to bail her out. Mom gloats to Leo that this will give Frida some time to think. (Mom and Leo are gambling with the money MA gave them. I think THEY need some time to think.) Fortunately, Frida's boyfriend calls MA, and MA bails Frida out.

- "We Have to Talk," MA tells Minerva. She does her best to distract and sidetrack him. She also tries to get him to explain what was that mysterious clause in the will, but he doesn't say. He does give her an extension on her credit card for wedding preparations, though. As for the topic he wants to discuss - it's about where they'll live. Min says she's willing to live anywhere with him. She's very cosmopolitan. Indeed, she'd even be willing to have multiple homes in various cities.

- Frida tells MA she called Mom instead of him because she's not used to having him around to help. He's never been around when she needed him. Not when she had her appendix out (MA is hearing about this one for the first time), nor when Grandpa died. He's never had time because he's always been working. MA promises that this will change.

- Lupe's family transforms the gym into a restaurant. Don Chuy tries to convince Emiliano that he ought to be enough for the boy so he doesn't need any other dad, but Emiliano desperately wants to know who he came from. It's really hurting him not to know. Lupe overhears this and rushes off to Conceptos, er I mean Grupo Imperio, er I mean Ruiz-Palacios Inc. or whatever it's called.

- Just FYI, Carmelita is Lupe's other friend, Lucy is an executive secretary, and Vilma (it said Vilma in the captions but might be Irma) is Alejo's secretary. Also: Tato is Frida's boyfriend.

- Lucy lets MA into Grandpa's old office. MA flashes back to the angry confrontation he had with Grandpa when he announced that he was moving to London. He's been given everything he could possibly need on a silver platter, but he's leaving anyway. Grandpa predicts that MA will be a failure. MA is just the kind of guy who likes to prove everyone wrong. But MA also remembers his mother and his sister complaining that he hadn't been in their lives. MA nods decisively at Grandpa's presidential desk.

- Alejo is meeting with some shareholders or maybe it's the board of directors. Whoever they are, they're skeptical that he'll be able to give up his womanizing ways to secure his position with the company. Anyway, he's not officially president yet, so don't count your chickens before they're hatched. As if on cue, MA comes in and says he's gonna do it! Alejo is MAD!!#@$%!!

- Privately, in his office, Alejo tries to get MA to make a deal with him. Vilma comes in without knocking. Alejo screams at her exactly the same way he screamed at Lupe on 12/22/02. MA scolds Alejo for speaking to her that way and says now that he's half president of this joint, he insists that Alejo treat people with respect. (Oh, how I miss Eva!)

- In the main lobby, Lupe asks to meet with Alejo. Vilma says he doesn't have time, but I'm not sure if she even asked him. She says Lupe will see Alejo "over my dead body." Territorial much? Lupe won't leave without a fight, so Vilma calls Security. Lupe puts that big guy in a headlock. MA happens by. He doesn't know exactly what's happening, but he's impressed as hell! He figures it has something to do with Alejo, but he doesn't get a chance to find out any more because Lupe flees. However, she does leave behind a little glass slipper!

- No, there wasn't really a glass slipper. I wish.

- Lupe tells Dad she was out doing errands and "thinking." "You were right," she tells her father. "Emiliano has the right to know his father, but his father has no right to such a great son." Later, at bedtime, she thanks Emiliano for his patience and says she's "working on it" but it will take time. He agrees to wait, but I know how youngsters reckon time. He'll be clamoring again within a week because when you're a kid, a week feels like a month. Emiliano asks if she's had a lot of other novios. She says she's had a lot of amigos, but was never much into the novia experience. And Emiliano's dad doesn't even count as a novio. "Losing one's head is not the same as love.

- MA meets with his friend Omar, er, Saul(?) for a rehash session. Just like old times!

- MA hasn't extended Minerva's line on the credit card yet and he tells her they need to slow down on the wedding preps because he's not going back to London soon. I think that was the gist of the convo, anyway. This worries her. Min's mom interrupts and MA cannot get out of the room fast enough.

- Someone should tie Juan Osorio Ortiz to a chair and make him watch this show. THIS is a comedy!

- Minerva and her mother argue over which of them is more likely to ruin this whole wedding deal. In my opinion, Mom (whose wide smile reminds me of the Joker) is more in love with MA than Min is. I think MA doesn't mind Minerva, but he can't stand her mother.

- MA looks through photos of Minerva on his tablet. However, his favorite photo is his mental picture of Lupita.




- At the office, Omar/Saul tells MA, "you don't seem very enthusiastic about this wedding." MA is concerned because he doesn't think he's seen ALL of he company's financial reports.

- Vilma/Irma is trying to talk to Alejo, who is ogling women. To get him to pay attention, she tries to stand in front of the one he's looking at.

- Alejo, Vilma/Irma, and MA are with a bunch of executives or... I dunno, people who are entitled to opinions. MA shows two different versions of the next issue's magazine cover. HIS version shows a confident, professional-looking woman. Alejo's version shows a hot model. Which one do they thing better represents the "Mujer de Hoy"?

- MA also says that he's been looking at the financial reports, and SOMETHING DOESN'T ADD UP!

Next time: Alejo and Vilma/Irma accuse MA of fraud.

Labels: pobres