Caray, Caray!

Episode 122

At the sheriff's, Leonarda is startled and worried to learn that the old sheriff and his guard are eager to testify against Rodrigo and her; but Rodrigo isn't concerned. When he pulls out his customary convincing bag of coins, though, the new sheriff threatens to lock him up for bribery unless he puts it back in his pocket.

At Raúl's, Mariela's grandparents walk in on the aftermath of Salma's unsubtle unburdening, where Mariela is once again reduced to a puddle of anxious tears. When she explains Griselda's awful plan, Alberto runs to Salma's bedroom to find her and her things gone; and they all know then Salma is not Mariela's daughter.

Renato flings open Aimee's bedchamber door to find her primping and wonders if she's forgotten she can't go out the rest of her life. Aimee breezily maintains he's just angry at her and that once back at the townhouse, he'll love her again; but Renato thinks she's a stupid child. What's done is done! Done!

Leonarda berates Rodrigo on the walk home for trying to bribe a famously honest official, and Rodrigo is just asking her if perhaps she'd rather they had to come openly before a judge, when they encounter Noel and Gabriel from the opposite direction. Alberto has urgently summoned them, and Noel is anxious at his tone.

When Rodrigo stops them to ask Noel's help, Noel tries to walk on; but Leonarda snips that apparently his wife doesn't concern him. Noel turns to Gabriel and marvels that this lady expects something of him and strides up to Rodrigo's face and insists that he continue worrying about Leonarda's affairs and acting as her lover.

Rodrigo objects and wants an end to the insults; but Noel wants it even more, shouting into his face, whereupon, Rodrigo demands satisfaction and smacks Noel with his gloves, but only hits Noel's upraised hand. To Leonarda's horror, they agree on pistols at dawn at point-blank range, with Gabriel as Noel's second.

As Noel and Gabriel depart, Rodrigo is not gratified to hear Leonarda fret that Noel is sure to kill him: Noel is a good shot, experienced with weapons and taught Renato everything he knows about them from a young age, she says. He's going to kill Rodrigo! Leonarda repeats plaintively, waiving her hand.

That evening, a storm brews; and in her room, Aimee sends Celia with a message for Juan at his cottage -- a message only for him. Celia is worried Renato will catch her, but Aimee is not concerned. She intends to keep him occupied with more of Kuma's potion in his cognac and checks to see if the coast is clear.

It is, and she makes her way to the office. Aimee is pouring more potion into the decanter when she's startled by Renato barging in through the door behind her. It's not his imagination; he saw Aimee fooling with the decanter and grabs her hand that was hiding the vial. Now he understands everything, Renato says.

She's trying to poison him! he says, laughing sardonically. That's all that's left between her and what she wants, he says. Unabashed, Aimee waves her fan and marvels that Renato's criticizing her now after he tried to shoot her! Don't bother getting indignant, because they are both exactly the same, she points out.

Renato doesn't like her comparing them; forgetting his magnificent Regina obsession, he waves an arm and shouts that he never betrayed Aimee! while she smiles sweetly. Everybody on the street will be talking behind his back, so for once, why doesn't she tell him the truth -- out of her own mouth! Renato shouts.

Tell him how she betrayed him, Renato insists. Aimee sarcastically repeats, oh, now he wants the truth! Well, he should prepare himself then! Aimee answers. Because it's the truth: she married him for his money, and she never loved him. The only man she ever loved -- or will ever love -- is Juan del Diablo!

Renato sobers and looks a little sick, swallowing his pride. Slack jawed, he lets her continue. Juan was always the only man for her, Aimee insists. And she would do anything to be in his arms again! she exclaims, tortured. To feel his lips again, running over her skin! she adds, caressing her own neck.

For those consuming caresses that were the fires of passion! My love, she says tauntingly, that is the truth. And now you know. You, she spits out pointedly, mean nothing to me! Laughing cruelly, she continues that this is the reason she wants to leave. She's never been more unhappy than while living with him!

Renato, having heard enough, approaches her menacingly, calling her a traitor; and backing her against the wall, he says she's going to pay right now. At that moment in her hut, Kuma the witch doctor, clears the fog on her cauldron and notes with dismay the events in the office where Aimee taunts Renato with Juan del Diablo.

Aimee tells him that nobody and nothing can erase those moments from her mind, because she loves him! She loves him and desires him! Renato squeezes Aimee's head, shakes her and yells Shut up! Shut up! Aimee manages to get in a shot to his groin and escape the office while Renato's momentarily debilitated.

Noel and Gabriel have made it to Raúl's, where they have learned about Salma's revelation. They repeat their previous suspicions to Raúl and the Villareals and posit their current ones about the real daughter, admitting they are still only suspicions. Noel doesn't want to reveal who it might be until they can confirm it.

At the finca, Aimee has run out into the storm, and Renato follows with his farmhands on horseback, astounding one of them by ordering the dogs let out on her. Back at Raúl's, Noel asks to see Mariela alone; and when he exits, Gabriel confides to Raúl and Alberto about the coming duel and his fear over Noel's safety.

Lightning flashing and thunder crashing all around, Aimee runs helter skelter through the jungle, tripping over roots, ripping her clothing, with the dogs and horses on her trail. Crying and terrified, Aimee desperately makes for Kuma's hut, where the witch doctor is feeling an end to things coming on, she says.

Mariela sits alone in her bedroom when Noel enters; he remains quietly behind her, standing like an oak for her to lean on, listening to her story. Salma lied to them for the money; for the filthy money, she says. Mariela protected her; she opened her heart. And it was all a lie; a great lie.

How could someone play with her feelings that way? Noel wants to point out that Mariela's own mother's heart told her that Salma wasn't her daughter and that she shouldn't lose hope that very soon she'll find the real one. But Mariela lost hope and faith when Salma admitted she lied, she says, weeping fresh tears.

She'll never find her daughter, Mariela insists; how evil people can be -- he'll never know the pain Salma's words caused her. Once again there's the anxiety and feeling of loss; they're destroying her. Sometimes she thinks life makes no sense and might not be worth living.

Out in the wilds, Aimee races into Kuma's hut, screaming for the witch doctor to save her. Renato wants to kill her! Please help her! But Kuma can tell the hunters are very close -- and with dogs! Where could she possibly hide her, she asks. They'll kill them both! Aimee has to leave right away, Kuma tells her.

Aimee frantically insists that Kuma has powers! But Kuma has discovered she can't do anything against Renato; that he has a strong talisman working for him, she says. He was good, noble; and look what you have turned him into now! Kuma can't save Aimee, she claims. But Aimee is desperate, running hysterically in circles.

The only thing Kuma can offer her is a horse; it's outside -- take it and get out, she tells Aimee. If she rides through the river she can disorient the dogs' scent; but make sure she takes the lower trail and not the upper trail. There's no exit to the upper trail. Aimee rushes out; the dogs are near.

In Mariela's bedroom, Noel is sorry to hear Mariela so down on life. Kneeling beside her with his hand on the back of her chair, he earnestly tells her he'd do anything to see her happy. She, too, is a tormented soul, he whispers huskily. They have their broken hearts in common.

And they're eternal optimists; please, he asks, never lose hope or faith. Taking her hand, Noel says if she lets him, he'll do anything to help her find happiness, which makes Mariela smile. She tells Noel that a man like him could make any woman happy.

And a woman like her, Noel says, would be the dream of any man. When we dream, we're just ready to awaken, he says. At this Mariela looks up at him suddenly, marveling. As a woman, you've a certain excitement, a curious stillness, he tells her.

Out on the trail, the storm rages as Aimee rides on into the dark. Renato and the dogs have arrived at Kuma's hut, and at first when he questions the witch doctor about Aimee, she pretends ignorance. But when he threatens to set the mastiffs on her place, she remains stone faced, revealing nothing.

Aimee recalls the words of the witch doctor and soon becomes despondent, realizing she's lost. But the dogs and Renato are catching up, and he spies her and yells to watch out for the water. She's come to the edge of a beach cliff, and Renato cries out in horror as he sees her heading for it.

Halted at the precipice, time nearly stops for Renato, as he can do nothing but watch his wife tumble over and over, down and down. Soon the farmhands arrive, and he blankly tells them she's fallen to the bottom. One man excitedly begins a rescue effort, but Renato insists on going down himself and calls for a rope.

In Mariela's room, Noel tells her he realizes it's not the best time, but he confesses she's awakened a great excitement in the depths of his soul, a profound feeling; he feels very good with her. Mariela begins to speak, but he just wants her to listen.

Noel says the only thing he asks is to not lose her; her company makes him very happy. As Mariela tells him she feels the same way, he kisses her hand and gazes into her eyes. She wouldn't want to lose him either, especially at the saddest time in her life, Mariela says.

Out in the parlor, Raúl and the Villareals wonder at such ambitious evil and decide heaven will deal with Salma. Raúl asks Gabriel to help him find Jimena to beg her to come and help his daughter. Gabriel finds Jimena standing on the quay, feeling an uneasy premonition. She's afraid something awful has happened.

At the bottom of the beach cliff, a dry-eyed Renato finds and cradles Aimee's broken body and tells the men he will take his wife home. With her body tucked into the curve of his left arm, Renato slowly walks his white horse -- a blue shadow in the moonlight -- through the scrub toward the finca, one deliberate hoof beat at a time.

When Renato carries the body up to the staircase landing, his mother meets him and faints when Renato almost inaudibly says "she's dead" and continues up the stairs. The farmhands tend to Leonarda as Renato reaches the twins' old room and lays Aimee's body out on a bed, gently touching her face, her blood staining most of his left sleeve.

He leans on the foot board, staring at her, remembering the horrible words she spoke to him in the argument just before the chase; how she never loved him and always loved Juan. Loosing the scarf around his neck, he wipes his face and throws the scarf to the floor, spitting out "Juan del Diablo" in disgust.

Later in the office, Renato slides open the desk drawer, pulls out a revolver, and gives the chamber a clattering spin, while staring down the barrel.

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Upstairs at the big mansion, Nereida the maid tries to serve dinner on a tray to cheerless Gretel, but Fedra insists that Gretel has to go downstairs and eat with the family. Gretel actually goes, but not happily, and I’m surprised to see when she puts down the cat she is constantly petting that it is actually alive.

At the boarding school, Eva’s remains have gotten the express service through the crematorium. Marianela and her classmates are in the dim candlelit chapel crying and praying when Netty brings in the wooden box of ashes and says they will return to the city that night. A nun tells them that she has called the family with the news.

Back at the manse, Emiliano tells the family (minus Kristel, who is no doubt out somewhere consoling Mauricio for his loss) that Eva is dead. Everyone is too busy being quietly stunned and sad to notice the gloating smirks on the evile faces of Fedra and Bernardo.

Marianela and Netty say goodbye to the nuns as their luggage is loaded into a car. Mari sobs about the injustice of losing her mother just as they were going to be together finally. The nun offers well-meaning platitudes. After Marianela goes to the car, Netty privately worries to the nun that Mari is probably going to be made to live in that house of vultures (buitres).

Meanwhile, in the house of vultures, Fedra and Bernardo search through a sheet-draped bedroom. Bernardo finds a wooden chest under the bed. They open it on the dusty bed and find a folder of papers and heaps of cash and jewelry. Apparently it is the estate of Eva’s deceased husband. Fedra thinks Eva was stupid to renounce that fortune, but Bernie says she probably was just saving it to give to Marianela. Well, obviously these greedy jerks can’t let that happen. Bernie assures Fedra that he can forge Eva’s signature. Thunder crashes, lightning flashes, and Fedra hurriedly shoves everything back into the box and says she wants all of it. She thinks it will be easy to make people believe that eternally inebriated Eva drank away her entire fortune. Bernardo worries about Marianela asking about her inheritance. Fedra thinks 10 years locked away in a boarding school should have made Marianela clueless.

As they sneak down the hall with their loot, Bernardo and Fedra run into Gretel, who is glaring and suspicious. She asks what they were doing in Eva’s bedroom. They unconvincingly claim they are getting it ready for Marianela to stay there. Gretel gives them sideways looks as Bernardo leaves with the chest.

Marianela and Netty make their way through the airport, arguing about a man Mari says Netty shouldn’t have fought with. Netty was offended that the man called Marianela “Gorda.” Mari says she did step on his foot. Netty says she apologized, and the guy was very rude, and Marianela needs to learn not to let people treat her badly. Emiliano greets them and Netty turns to him, all fluttering eyelashes and fan and het-up hormones. He offers condolences to Mari and gives her a big hug, and Netty snuggles up against his back to get in on the action.

It’s breakfast time at Vulture Villa. Head Vulture Fedra complains to her children about Marianela coming to stay. Emanuel doesn’t see what the problem is; after all, it is Mari’s house, too. WAS her house, says Fedra. Kristel wonders whether Marianela is as pretty and stylish as her mother. “Eva pretty? Ha!” says Fedra. “Her looks are all makeup and plastic surgery.” {That is a bit meta, no?} Emanuel insists that Eva was very beautiful, and there is no need to be rude to a poor girl who just lost her mother. Fedra whines that she doesn’t want some scandal if Marianela tries to demand her rights. Gretel stomps out, accusing Fedra of paranoia. “Paranoia” seems to be new vocabulary to Fedra, and Emanuel has to explain it to her and agree that she is indeed paranoid if she is threatened by Marianela. Axel glares at his mother.

Emanuel leaves the house and is super friendly to the gardener (Benino?) and then tells him of Eva’s death. Benino is super upset about it. He remembers Marianela riding her bike in the garden. He has apparently missed Mari and Eva greatly. Emanuel tells him that Mari is coming to live with them. As soon as Emanuel leaves, Benino gets on his radio, muttering that the General has to know this right away. “Aquí, gorrión. Aquí, gorrión. Llamando Halcón Imperial, cambio,” he says into the radio (Sparrow here, Sparrow here. Calling Imperial Falcon, over”).

In a far more humble house which has flaking red paint on the shabby outside, but is fresh and nice on the inside, Consuelita sweeps the floor and muses that Netty must be having such a good time with her sister and niece. Doris is applying makeup to her mother, Gladiola, and complaining that mom won’t hold still. The phone rings and Consuela answers with “Netty’s Pension.” It’s a job offer for Doris. The mortuary needs her to apply makeup to some deceased person. Doris is excited to have the work and runs off, teasing her mother about being good practice for funeral makeup. Gladiola teasingly threatens to report her abuse to Brandon, the policeman. After Doris leaves, Gladiola tells Consuela that she’s really worried about Brandon. He should have been home already, and they’ve heard nothing from him.

At the detention place, a guard comes to fetch Brandon from his cell. He complains that he’s been there two days and hasn’t even been allowed a phone call. He wants to go home and says he doesn’t deserve this treatment. The guard says this is the treatment he will get until he can prove he’s not a terrorist. {Is this real, or telenovelaland liberties? Do people accused of terrorism really not get to make a phone call in the U.S.?} They go off to see the immigration people.

Marianela is still in her ugly school uniform when she arrives at the house with Emiliano and Netty. She looks around at the house and yard wistfully and says she had wanted to come home, but without her mother it just isn’t the same. Netty tells her she’d like to have her come stay with her, but for now she has to stay with these relatives. Just watch out for your uncle’s nasty scheming wife, she warns. Netty tells Mari she’s written down her phone number for her, and she should call for any reason. Emiliano impatiently calls Netty to the car so he can drive her home, and Netty tears herself away, fretting about overweight Mari being left in this house where the residents are so fixated on appearances. They drive away and Marianela is left standing there outside by herself.

In Nueva York, Ilitia is needlessly rude to the hotel desk clerk because she wants to call her novio, and the clerk says all the lines are tied up. The lady says they can try again later, but Ilitia brattily snerks that she will be back home before this incompetent peon can manage to get the job done. The clerk rolls her eyes heartily as soon as Ilitia’s back is turned. Ilitia redirects her whining to her mother. Mom thinks Ilitia should back off of Emanuel a bit, and they’ll be home soon anyway, but Ilitia claims it’s felt like centuries since she’s talked to him, and what if when she finally sees him it turns out he’s replaced her?

Emanuel is jogging around the large garden. The gardener sends two dogs to chase him, for a little extra motivation. The pack rounds the corner, scaring the daylights out of Marianela. She runs, too, but then trips and falls on the lawn. The dogs are looking a tad bloodthirsty, so Emanuel grabs Mari and they both fly into the pool to escape the beasts. And thus we have our first quasi-romantic water scene, and it’s only day two. Her skirt floats up to reveal large granny pants, he’s all legs and arms, a tad gropy as he makes sure she’s okay. When they’re up for air, he stays right in her face as he asks who she is. “Marianela,” she replies.

In the car, Emiliano doesn’t know why Netty is so worried about Marianela living in his house. After all, that is her position as an heiress. Netty says all his family thinks about is money, but some things are more important. For example, love, which is what Mari really needs more than anything.

Marianela and Emanuel still haven’t made it to the side of the pool, and now Mari has lost her glasses and can’t see anything. Emanuel says he’ll find them. Benino comes back and tells him to hitch up his pants and get her out of the pool. Em tells him to take the dogs away. They flail underwater some more.

In the car outside Netty’s house, Netty tells Emiliano that Marianela should live with her. After all, Eva was her sister. Emiliano holds Netty’s hand (which seems to give her a hot flash) and says Mari is his niece, too, and it will be better for her to live with a family. Netty gets offended and says she may not have a family, but the people who depend on her have never lacked for anything. She flounces out of the car and Emiliano chases after her.

Gladiola is now kvetching to Consuela that her daughter can’t have a decent job. No, she has to put makeup on dead people. The little boy runs in with the newspaper and shows them the story on Eva’s death. They are all impactados.

Marianela and Emanuel are still groping in the pool. How hard is it to get out of a pool, anyway? Apparently pretty hard. For some reason Marianela apparently can’t climb the ladder, so Emanuel and Benigno have to join efforts and heave her out as the cameraman gets a lot of leg shots. She lies on the pool deck, and the silver lily drifts to the bottom.

Netty and Emiliano fight over her luggage. She’s ranting so vociferously that people on the sidewalk stop and stare. Some busybody neighbor lady comes along and tells her if she fights with and runs off handsome men like that, she’ll never find a husband. Netty is embarrassed for Emiliano to hear that she’s looking for a husband, and she denies it at great length and speed. She takes her suitcase and goes into the house, but he follows her in.

Dolores has joined the crowd inside. They speculate that Marianela will come here to live with her aunt. Netty comes in, crying, and accepts condolences.

In her office, Fedra throws a tantrum about the possibility of Marianela getting her inheritance. She’ll be 18 in only a month, so they need to do something fast. Bernardo tells her not to worry, he’ll take care of everything. Fedra wants Eva’s entire estate, so she says Bernie should create paperwork showing that Eva was heavily in debt to her. She hears the dogs barking outside and gets crazy unhinged about that, too.

Marianela is now lying on the grass unconscious, even though she was floating just fine a minute ago. Maybe our inept rescuers bashed her head when they hauled her out. Nereida and Delicia have rushed outside to see what is going on. Benino thinks she’s dying and they should call an ambulance, but Emanuel says she’s not going to die. He rubs his hands together, licks his lips, and starts on the mouth-to-mouth resuscitation. Nearly drowning has never been so appealing. The maids swoon. Fedra, Bernardo, and the siblings run out of the house in time to see this passionate public display of medical attention. Fedra is horrified. “Emanuel?! What are you doing kissing that fatso?!”

Fedra demands an explanation. Emanuel says he’s busy and goes back to the breathing. Fedra won’t give up. “Who is this beached whale (ballena varada) and what is this spectacle?!” Kristel looks nauseated. Emanuel says she is the daughter of uncle Luis Felipe, and she fell into the pool (he says alberca, not piscina) and nearly drowned. “That fatty is my cousin?” asks Kristel, overwhelmed with disgust.

Netty sobs to her supporters that the Ruiz y Teresa folks wouldn’t let her bring Marianela here, where she should be. Instead, she is living with that woman who is probably glad that Eva is dead. Gladiola encourages her to dwell on the positive: Marianela is still alive, and is nearly all grown up and probably as beautiful as her mother. At that, Netty launches into a fresh round of sobs.

Emanuel tries chest compressions, which finally makes Marianela spit up a lot of water and wake up. Fedra asks why they went swimming with all their clothes on, and Emanuel impatiently says they jumped in to get away from the dogs, who were trying to bite Mari. Fedra snarks that it’s a good thing they didn’t succeed; they would have gotten indigestion from so much fat. Then she looks Mari up and down and tells her it’s obvious she is going to be much cheaper to clothe than to feed. Lovely woman. Fedra asks how Marianela got here, and Mari tells her Emiliano dropped her off and then took Netty home. Fedra does not seem happy to hear that and brusquely says the party’s over and sends everyone back to their regularly scheduled vapid timekilling. She tells the maids to get Mari cleaned up (throwing in a nasty comment about Mari probably needing help to reach her feet) because she certainly can’t be in the house like THAT. She mutters to Bernardo about Emiliano going to the house of that actress (she says actress like it’s a vile slur). Emanuel obliviously holds Marianela and looks blissful that she is there and undrowned.

In the immigration office (where the artwork is an image of George Washington, straight off the middle of the money), Brandon argues a bit with the agents and finally is given his belongings and his freedom. He takes his leave with a “see you later; thank yous” and his English pronunciation is every bit as good as his old buddy Fidel’s.

The Ruiz y Teresa kids have no activities to return to, so they are still standing in the yard staring at their cousin. Kristel teases that it was good thinking, siccing the dogs on Marianela. Mari is hurt, and Emanuel tells her to pay no attention to Kristel’s nasty little jokes. Gretel says this is no way to greet a person, and tells Mari that she’s very sorry that she had to come live in this house. Gretel leaves too, and Axel, unsure what to say or do, just shrugs and walks inside also. Mari tells Emanuel it’s true; she NEVER should have come here. Emanuel’s beamish optimism is challenged a bit.

Back in Los Angeles. {Did Macy’s pay to get that banner in the establishing shot?} Surprisingly, we do not join Brandon, but Ilitia and Camila, in the airport. No direct flights from New York, I guess. Camila is on the phone with Lorenzo, who catches her up on the situation (race won, Eva dead, Marianela en casa). Camila asks Lorenzo to pick them up at the airport, but Lorenzo, who is in bed with some dame, claims to be too busy with work.

Back at Casa Catty, older housekeeper Paula (formerly known as Asunción in Mi Pecado) has taken charge of Marianela. She sends one of the young maids for Mari’s luggage, and another to get the glasses Emanuel is searching for.

Emanuel is sitting on the edge of the pool, remembering the whole dramatic encounter and wondering why he’s so smiley. Delicia comes out and tells him Mari needs her glasses. He tells himself finding her glasses is a good opportunity to mend the rift with his cousin. He dives in and fetches the glasses from the bottom, and sees the silver lily brooch as well.

Netty is still crying to her captive audience. “Mari looks nothing like her mother, and even less like me!” The phone rings again. It’s the funeral home, wondering if Doris is waiting for the deceased to be revived before she shows up to do the makeup. Doris runs along to work. A bunch of kids who are apparently Netty’s acting students arrive for her class. Gladiola protests that she’s in no state to teach right now, but Netty insists that an actress never fails to do her job.

Emanuel is inside, arguing with Delicia that he wants to deliver the glasses to Marianela himself. Delicia won’t let him. She says it’s Paula’s orders; Mari wants to see no one. He argues that he is not just anyone, he is her cousin! Nothing doing; Delicia is one servant who is not easily cowed by the patrones. She takes the glasses and slams the door in his face.

Marianela is now dressed in dry clothes and in a tiny bedroom which is definitely not her mother’s old room. She hugs the box with Eva’s ashes and cries and remembers her mother singing with the mariachis. Somehow this does not make her laugh. Delicia arrives with the glasses.

In the fancier part of the house, Kristel snottily rants about that fat cow coming to live here with their pretty selves. {You’d be a lot prettier if you’d keep your mouth shut, witch.} Axel gets upset and asks her to please not talk that way to their cousin. Kristel says in a saccharine voice that of course she’ll be nicer—she’ll say things like hippopotamus, elephant, Himalayan mammoth, or how about her mother’s last name, Pavón (peacock), or rather, more like a stuffed turkey that feeds all the children at Christmas? Fedra thinks that is super funny. Emanuel hears this and gets mad at Kristel and says Mari’s mother just died and she should be nice to her (actually, he makes a crack about Kristel’s neuron deficiency). Axel vaguely agrees with Emanuel. Kristel thinks the death of a mother is an excellent opportunity to lose some weight. They continue sniping at each other. Fedra gives up on trying to reach Emiliano via phone. Marianela comes in and Fedra gets a start on putting her in her lowly place by insisting on being addressed as “Señora Fedra.”

Crazy Traumatized Gretel barricades her door and yells at the invisible demons to leave! She didn’t do it! She is guilty of nothing!

Downstairs, Fedra tells Marianela that she can’t stand to have fat people in her house, so Mari must lose weight starting immediately. Mari objects, but Fedra interrupts to tell her not to go in the pool in her clothes again. But on the other hand, the thought of her in a swimsuit… Kristel laughs viciously. Axel objects weakly to this mistreatment. {I say Mari should buy the sexiest swimsuit she can find, and lounge by the pool all day every day just to annoy Fedra.} Fedra’s last order is that Mari is to stay away from Emanuel and NEVER kiss him again. Mari tries to explain, but Fedra is not interested in facts.

Benino calls on his radio to some mysterious figure who is in a bedroom with a lot of radio equipment. Using the usual radio excessive wordiness, he reports to the “General” that Marianela is in the house and he is awaiting instructions.

Axel backs Mari up, and explains that Mari and Emanuel were not kissing; he was resuscitating her. Fedra says he is not to come near her like that again, not even to save her life. The very idea gives her chills and nausea. Kristel empathizes. Axel says Fedra doesn’t need to be so strict. Fedra says as soon as she loosens her grip, the house will fall down around her brick by brick. Axel leans in and murmurs, “Welcome to the mansion of terror” in Mari’s ear.

The General is some shaggy white-haired man. “If they dare to lay a hand on Marianela, I will kill!” he exclaims. He picks up a gun from the desk and pulls the trigger. Nothing happens. “First I will put in some bullets, and then I will kill!” he asserts. He gets the bullets, loads the gun, and fires into the wall.

Bernardo puts a lock on Eva’s bedroom door, saying to himself that he’ll keep one key, and Fedra will have the other. He heads down the hall with his toolbox. Emanuel cheerily greets him and says he looks guilty. Bernardo says he was just fixing up the room for Marianela. Emanuel doesn’t think she should be in that room; it has a bad vibe. Fedra’s orders, Bernie says. Emanuel shows him the silver lily he found. Bernardo is way interested. Emanuel says they must be thinking the same thing, about the old stories Bernardo has told him.

Fedra leads Marianela up the stairs and tells her she’ll have Eva’s old room. Mari says she’d rather have her childhood bedroom back. Too bad, it’s Kristel’s room now, says Fedra.

Emanuel and Bernardo discuss the brooch. It’s the symbol of the man in the legend, right? Bernardo says the story is true. He tells Emanuel not to mention this to his mother, because she had forbidden him to tell Em the story. He doesn’t know why; probably she didn’t want her kids hearing bandit stories. Just forget the whole thing. Emanuel says he can’t forget it. He pulls out a sketch Bernardo drew once which matches the brooch exactly, and which Bernardo had said the man in the story had as a tattoo. Bernardo tells him to leave it alone; there are enough problems in this house already. Emanuel continues to study the brooch and the sketch and look curious and mischievous.

Fedra escorts Marianela into the bedroom and tells her this is it; there is nothing from her mother’s estate to give to her. Eva left behind nothing but debts and bills to pay. You know how she was, a spendthrift drunk. But not to worry, Fedra paid them all off herself. Mari is not happy at the picture Fedra paints of her mother: always drinking, lost a ton of money in the casino, stole money from Fedra’s purse, drank her perfumes when she couldn’t get tequila. Mari looks sadder and sadder and thanks Fedra for everything she did for Eva. Fedra nastily says that all the thanks in the world wouldn’t be enough, but don’t worry, someday I’ll think of a way for you to pay me back. Mari doesn’t exactly look comforted by that. On her way out, Fedra tells Mari to put on better clothes and burn her school uniform. Mari says she doesn’t have much clothing. Fedra agrees that it must be hard to find her size. As a parting shot, she says that Eva must be happier now, because she always wanted to die.

Avances: Marianela wants to go live with Netty. Mari and Emanuel get cozier. Emanuel goes shirtless. Kristel and her evil minions plot against Marianela. Axel disapproves. Emanuel might kiss Marianela.

Labels: llena

In which Jadiya is about to confront a painful truth; Albieri's secret is about to blow wide open; and Daniel and Leonardo finally come face to face.

In the clinic, Dra Silvia and Julio try to make sense of Dora’s story. Silvia knows that the egg was Dora’s because she harvested it herself. Julio is equally certain that the child Dora bore could not have come from her own egg.

In Empresa Ferrer, Fernando tells Clara he wants to live on his own. He dismisses her concerns about how he’ll pay the rent; his father has put the new apartment in his name and is even going to furnish it for him. Well in that case… says Clara. She’s not going to be the one to burst his bubble.

Enrique congratulates Fer on the apartment and then asks him about his drug use. Fer readily admits to smoking pot now and then and more reluctantly says: A veces me tomo un poco de polvo. (At times I take a little powder, i.e coke). He insists he isn’t an addict: uno se sepa controlar (one knows how to control oneself). Enrique points to his own experience and warns Fer that all users think they can control their use, but it isn’t so. (No es así.)

And speaking of users who think they are in control, a freshly groomed and hopeful Natalia is outside her school. Alej beams at her: That’s the Nati I fell in love with! he tells her. (Esa es la Nati de la que me enamoré). Andrea comes along and gives her friend an encouraging hug. Nati tells her she’s going to make up the credits she needs and will graduate, even if a little late.

Fer has gone to see Escobarde in the hotel to talk about moving into the apartment. The Chump is puzzled. Where am I supposed to live? he wants to know. Fer is confused and then angry. Why put the apartment in my name, he asks, if I can’t live there? It’s for the future, says Escobarde. Oh I get it, says Fer bitterly: Es ella que va a vivir en ello – ¡estupendo! (She’s the one who’s going to live in it – stupendous!)

Silvia and Julio continue to pore over the clinic records. She realizes that none of the genetic material she prepared has been used. Knowing this, silence isn’t an option:
Hay varias vidas en juego… yo no me puedo quedar callada.
There are several lives in play... I can’t stay silent.

Cristina and Daniel land in Miami.

Zein brings flowers to Jade in the hospital. He says: Tu atropellador estuvo aquí (The man who ran over you was here.) You mean the person driving the car? asks Jade. No, clarifies Zein, the person who ran over your life was here. (El que atropelló la vida era aquí). And then he surprises Jade (and us) when he says: I’m going to find a legal way to get your daughter back – and you won’t owe me anything. He stops her before she makes ‘promises she’s not going to keep.’

In Fez, Alí regrets sending Zoraida to Miami alone. He’s going to travel there himself to find out what is going on. (Besides, how can he stay in that house with Abdul without sweet Zoraida as his sounding board?)

In the office, Leo phones Rosa. He tells her Nati and Alej never showed up although he waited all day. He’s sure it’s because Alej didn’t want to come. He wants their address. Marisa, at the house with Rosa, says disdainfully:
Sabía que el tipo eso iba a hacer el digno.
I knew that guy was going act as if we had offended his dignity.
Although Rosa firmly asserts that Alej is a good person, Marisa still contends that he’s the one who gave Natalia drugs.

Albieri, Luisa and Latifa are on a later Aeronovela flight. Albieri stews over what awaits him in Miami. Luisa reassures him (even though she still doesn’t know the whole story.) And Zoraida is miserable and frightened and only hopes that this genio malo she is seated beside doesn’t turn her into some kind of beast.

Cris and Daniel reach her apartment. She will shower, he will rest briefly and then they will set out to: desenmascarar el desgraciado de tu papá. (to unmask your miserable/swinish father). Daniel dozes off on the couch and dreams about Jade.

Jade is lying in her hospital bed, Zein’s red flowers on the nightstand the only splash of color. Lucas’s voice is heard…
Hay momentos en que pienso que el destino está escrito.
There are moments when I think that destiny has been written.

He is, in fact, in the office talking to Enrique:
Enrique doesn’t believe in fixed destiny. We have some control over what happens, he says. Or else, why bother struggling?

Leo tells Lucas that Alejandro and Natalia never showed up. He wants to go to their place and bring them both to the house. He is sure Marisa will be ok with the plan. He is also convinced that Alej isn’t the problem. Drugs are. (Score one point for Leo) Lucas will call Marisa to come to the office and then the three will go find Nati.

Marisa, when she hears the plan, tells Rosa: Me encantaría que viniera a esta casa (I’d love him to come to this house) because she’s sure it will then be clear that he is responsible for Natalia’s behavior.

This conversation is interrupted by a phone call from Said inviting Marisa to go out. They make tentative plans for that night. Rosa asks if she’s going to see that Arab and Marisa denies it. ¡Descarada! (Shameless!) mumbles Rosa when Marisa is safely out of earshot. (And who can disagree?) On Said’s end of the line, Rania is watching and listening as he says: Te mando un beso. (I send you a kiss.) (This actually seems an uncharacteristically cursi thing for our revenge sex guy to say.)

Leo, still in the office, confides to Roberto that on some days he feels Diego’s loss more than on others. If he hadn’t died, he muses, Cristina and I might be married now, we’d have more grandchildren… Thinking of the grandchild he does have, Roberto wonders: Should I tell him what I know about Natalia?

Clara and Fernando discuss the apartment issue. Clara says she’ll believe that it’s in Fer’s name when she’s seen the papers and examined them with a magnifying glass. As much as I hate Malicia, says Fernando, I have totally had it with my father. (Estoy hasta la coronilla). He is dead to me.

In their hotel room, Malicia tells Escobarde she has tried so hard to befriend Fer. She is sure Clara put him up to the idea of living in the apartment. Escobarde wants to settle the issue right away. Apparently the agreement is on Malicia’s laptop which she has conveniently left at work. She will bring it home tomorrow and Escobarde can amend the papers. (redactar: to draw up; to edit)

Cristina is ready to face Leonardo, but Daniel is sound asleep. She decides it might be better to go without him.

She storms into Leo’s office where Lucas, Roberto and Enrique are also present.
¡Eres un desgraciado Leonardo y me las vas a pagar!
You are a scoundrel, Leonardo, and you’re going to pay!
Leo is startled and tells Clara to call security. Cris continues to accuse him of being a traitor, a hypocrite, a swine. Why? Because he had a son with her best friend, Dora Padilla. And that son is identical to Lucas. Who is Dora Padilla? asks the genuinely stunned Leo.

Lucas asks his father if he knew he had another son. Leo continues to deny the existence of any such son. Cristina is crazy, he says. She holds her ground and says he has a son who looks just like Lucas. Well then, bring him to me says Leo.

Cris goes out of Leo’s office with Enrique.

Marisa arrives and wants to know what’s going on.

Leo swears once again to Roberto and Lucas that Cristina’s story is untrue. But where would she get a story like that, asks Roberto. You know something like that could happen to anyone. (True. There’s more than one way to steal your genes, Roberto!) Not possible, says Leo. I don’t even know this woman Dora Padilla.

Roberto joins Cristina and Enrique and asks how old this boy is. Twenty or twenty-two, says Cris. He was conceived while Leo and I were together. He faked it with me. And what woman wouldn’t fall for him con esa carita de George Clooney caribeño? Clara is sympathetic; she knows a thing or two about traitors and hypocrites.

Marisa and Lucas decide to go to Nati’s without Leo since he is no longer in the mood for a family outing.

At Said’s house, Rania tells Amina she heard Said on the phone with la occidental. Amina tells her everything’s going to be better when her son is born. But Rania can’t stop thinking about Jadiya’s dream that she’s having a girl. An ugly girl. Amina advises her to go all Cosmo Girl for Said, but it looks like Rania’s not feeling very sexy.

Jadiya once again reproaches her father because he hasn’t returned Rania as she asked. Rania is the cause of all the unhappiness in their house. Her mother loves him and he should bring her back.

Jadiya is ambushed by Rania, who at this point seems to have gone off the deep end. She screams at Jadiya, accusing her of plotting against her. Your mother has a lover and she’s never coming back. It’s not my fault your father threw her out. Jadiya denies this. The wedding was just a joke, says Jadiya, and her mother is so coming back. And when she does, she’ll be the first wife. Rania rages:
Ya no te aguanto más! Cosa malcriada, víbora venenosa!
I can’t stand you any more! Spoiled thing, venomous viper! (Or translated more loosely: Little girl who has been told she will never see her mother again and must live her life under the thumb of a jealous witch who hates her!)

Latifa visits Jade in the hospital. Tío Alí is on his way here, she tells her. And Jadiya? asks Jade. I call Jadiya every day, says Latifa. And what do you say about me? asks Jade. Said told her that she’ll never see you again, replies Latifa. You see all the harm Lucas has done me! cries Jade. When I was young and he left me waiting, suitcase in hand, I had much less to lose… but now! He’s off taking care of his problems but I can’t solve mine.

Nati is puttering in the kitchen of her apartment when there is a knock at the door. It’s Marisa and Lucas. Alej comes home a moment later carrying a box, a sound system he bought for Nati. Lucas asks what happened to the money he gave her to buy things for the house. She still has the money, says Nati, she just told Rosa she had spent it so she’d stop asking about it.

Lucas tries to be conciliatory. Marisa not so much. Okay, says Lucas, let’s forget about misunderstandings and offenses on both sides -- Wait a minute, interrupts Nati. We didn’t do anything wrong. Then, says Lucas, forgive us for our offenses. Alej is happy to do so. I’m not one to hold a grudge, he says. Then how about the two of you moving into our house? asks Lucas. No thanks -- I’m happy here, says Nati.

Cris is walking along, muttering angrily to herself. Pablo, Pedro and Vicki see her and think she is mad because Malicia stole her job.

Back at her apartment, Cristina tells Daniel they should confront Leonardo at home.

Poor Zoraida is still trapped on that seemingly endless flight with the genio malo. If he looks directly in my eyes, he could paralyze me or turn me into a goose…

Dora and Estela can’t understand why Cris is so angry at Dora. Estela has left a photo of Daniel at Dr. Silvia’s hotel.

And at the hotel Silvia puzzles over the photo: Why did they leave her a picture of Lucas?

At Lucia’s home, she is talking with Andrea about ways they might help Natalia. Consuelo, aka Skank 3, leaves for the day. Have you noticed, Andrea asks her mother, that that woman always leaves with an envelope?

Karla and Hilda are walking down the street while Karla expresses her disgust for their plan. You’re talking about your future, her mother reminds her. They greet Mohamed.

When the skanks have gone, Mohamed looks meaningfully at Amin and reminds his son that Allah is always watching.

A car pulls up and Jadiya steps out. She is there to see her aunts. She joins Samira, the Naz and Latifa. Samira has been showing the Naz all the things that you can do online -- you can even read the Koran. Hmm, mutters the Naz: hasta se puede conseguir un marido (on line) (You can even find a husband).

Jadiya comes right to the point: Is it true, she asks, that my mother doesn’t love my father because she is in love with un occidental?

Leo has made his way home after a difficult day that is about to become exponentially more difficult. The doorbell rings. Cristina and Daniel walk in. Dios misericordia, says Rosa. Señor, ¡es él, es él! ¡Diego volvió¡ (It’s him, it’s him! Diego has come back!)

credits roll.

Labels: clon

Review: Juan and Regina are happy, kissing, telling each other how much they love each other. Juan is afraid of losing her, and she says don't say that, I am yours always.

Eloisa has prepared a large meal for Fully of his favorite food. Federico is there and Fully doesn't want to eat alone, he wants Eloisa to have some, too. She says she is on a diet, she wants to fit into a new dress. He tries to get her to just take a bite, but she says she can't break her diet. He then tries to get Feddy to eat some, but he says, no I just ate, sorry, not hungry. Eloisa says she made it with her love and Fully should eat. He says he is sorry but he won't eat alone, he is too uncomfortable. Throughout this conversation Fully has a bite on his fork and is teasing them, like he's just going to take a bite.

Mariela is telling Salma she doesn't understand her attitude about going to church. Salma says she is a gypsy, it's not her religion. Mari says I want you to adopt my religion, you are my daughter, so we will go to church tomorrow. Both say strained good nights. We see Salma getting out her gypsy clothes.

Fulgencio and Feddy are alone and Fully wants to toast his bestest, most loyal friend. He tells Fed he is going to put him in charge of all of his business dealings. He is tired of the business and he knows Federico is incapable of betraying him.

We see Salma dressed like a gypsy, she takes some gold or jewelry and sneaks out.

Fully is telling Fed he is like the son he never had. He apologizes for treating him the way he did at the poker game, he says he did it to test his loyalty. Fed says it's okay Dude. Fully then gives him a big hug. I am expecting a knife to come out at any minute.

Rodrigo stumbles into his house looking very distraught. The maids were both worried about him. They ask him where he was, what happened. He says don't ask. They try to tell him about Aimee, but he won't listen. He says he is going to take a bath and relax and nobody but nobody is to disturb him. They look at each other like what's wrong with him?

We go to the gypsies outside of town, Branco is dancing and suddenly Salma appears. He looks at her intensely and asks her what she is doing there. She says she missed him, she couldn't forget about him and she loves him. Branco says he was very clear with her. She betrayed her gypsy heritage and she has been abusing that poor family. We go to Mariela and Abuelo talking, didn't get most of this. Back to Branco and Salma reveals that Jimena is the real daughter of Mariela. Branco is like, of course! No wonder she was so obsessed with Gabriel! Salma tells Branco that she is a pure gypsy and he tells her again that she betrayed her gypsy blood. She says she will prove that she loves him. Mariela has discovered that Salma/Angela is gone.

Jimena is in the square and sees someone selling candy apples. She has flashbacks and vague memories. A nearby mother is happy to find her daughter, she thought she had gotten lost. More jogging of Jimena's memory. Gabriel walks up and wants to know what is wrong. Jimena tells him about the confusing memories and the feeling of anguish connected with the caramel apples. She wonders if she could have been stolen from someone by Griselda. Gabe agrees.

The fishermen and workers are outside the huts bringing Juan gifts. They want to thank him for giving them the land, for being so generous.

Noel has come to the finca without asking because he needs to have Renato sign the papers for the finca to go to Clemencia. He is talking to Ren and Leo. Leo won't budge, she won't leave the finca and she is shocked and incensed that Juan is giving it to Clem. Noel says they can take their time but Ren is the one who needs to sign the papers. He agrees that he gave his word and he has to. Noel tries to tell them they can find another place, they have time. But Leo is not leaving, and she wants Renato to act like the son she raised and not sign the papers. She will be too humiliated if she leaves. Ren says it is a humiliation to stay as well.

Back to the workers giving Juan gifts. He tells them the land was theirs as soon as they started to work it. All are very happy. Remigio pulls Santos aside and wants to ask him for advice on a personal matter. He tells him he saw Lulu and Santos asks him how he felt. He says his heart was pounding, he loves her. Santos says he has another opportunity, he should take it. Pedro chimes in that Santos is right and happiness is hard to find.

Felipe and Lulu are having a similar conversation about the Remigio/Lulu encounter. Lulu is excited that Remi may forgive her. Felipe says she deserves more than that, but Lulu thinks love is too much to ask. Felipe says no, you deserve his love.

A conversation at the beach I didn't understand, something about the work Juan wants to do, or something he wants to export. These other fishermen/workers show up and want a chance to work at the cooperative, too. Our guys are hesitant, I think the other ones didn't stick around when Juan was in trouble and they don't want to accept them. Juan says they should have the chance to work, too, and makes them shake hands. Santos says they are welcome. Now all are friends again.

Regina is talking to Noel, says she has to tell him about something. She is scared, Aimee told her Renato has a plan to separate her and Juan. Noel thinks Aimee is just lying to upset her but Regina insists she knows her sister. She says if Renato interferes with her happiness he will know a different Regina. Noel says he has always admired her strength. He then says he needs to ask her something as well, about his grandchild, like he knows something is wrong. Regi starts to tell him when who should run up but Renato. He's all sweating and grabs Regina in a hug which she doesn't return. Colibri just happens to see them at that moment, of course. He runs off before she tells Renato not to hug her. (Ack, I don't like them using Colibri this way!)

Felipe and Lulu are with the new Aguacil/former captain. They are telling him they suspect Rodrigo for the death of Brigitte, they want him to investigate, they want justice. He listens to them and says that he will. Juan then comes in and interrupts wanting to see the old aguacil. He is let into the area where the old aguacil is and the other prisoners bring him to the door. Juan says believe it or not I'm not happy to see you here. He says if you're waiting for Rodrigo to help you he isn't going to, he is a coward. He talks about his father and how his father was treated and how justice works in strange ways. The OA asks for his help. Juan basically says see ya later and leaves as the OA is yelling for his help.

Jimena and Gabriel are in the square and someone is selling flowers. Gabe gets some for her and I think says they replace the ones he was going to give her the day he saw her kissing Branco. He tells her what happened that day. Jimena tells him she will love him for the rest of her life, they kiss and Servando is watching in the background holding a flower.

Mariela is pacing and praying. Salma comes back and Mari asks her where she has been. She tries to hug her but Salma won't let her, she says don't touch me! Mari is shocked and very upset and says what is going on, why are you dressed in your gypsy clothes? Salma says I'm not your daughter! I'm not Angela! It was all a lie cooked up between Griselda and me to get money!. Mariela is even more distraught, but Salma walks out and doesn't tell her who her real daughter is.

Rod and Leo are with the new Aguacil thinking they can bribe him like old one. But he tells them there have been several denunciations against them, that Doc Miranda accuses them of killing his uncle, Juan de Dios has his accusations and two employees of the casino accuse them of killing Brigitte. Rod says we are an old, respected family, you can't believe them instead of us. Doc Miranda had designs on Regina and he's trying to get revenge. Aguacil says I don't doubt your word but I also don't doubt those who are accusing you. I am going to investigate and I suggest you get a good lawyer.

Colibri runs up and tells Juan that he saw Regina and Renato hugging. Just after that Regi walks up and is surprised when Juan is cold to her. He wants to know where she was and she says she went to see her padrino on a private matter. Juan says Noel or Renato? He says I am your husband, I should know where you are. He is suspicious and jealous, and Regi doesn't help anything by not revealing what she went to talk to Noel about, infuriatingly she says again it is private.

We go to Aimee remembering what the bruja said about the Montes de Oca child who will be born, that she realizes it is Juan and Regina's child. She vows again that it will never be born and that if she can't be happy at Juan's side neither can Regina. Dun dun dun, end.

Ivy

Labels: salvaje

lived a princess. There was a handsome prince too, and an evil aunt who…. But let’s not get ahead of our story. Let’s begin at the beginning, where all good stories start. Before we start, though, here’s a list of the characters you’ll see tonight in case you have trouble keeping the names straight. They introduced an astonishing amount of characters, so I hope the list is close to correct.

Marianela – our pudgy protagonista
Eva – her beautiful mother, a singer
Ricardo – Eva’s assistant or manager
Luis Felipe – Eva’s husband (framed and matted)
Netty - Marianela’s aunt, Eva’s sister

Emiliano - Eva’s brother-in-law, so uncle of Marianela.
Fedra – his wife, Marianela’s aunt
Their kids:
Emanuel
Axel
Greta
Kristel – novia of Mauricio
Nereida – the family maid at Emiliano’s house
Bernardo – Fedra’s right-hand man

Mauricio – novio of Kristel

Lorenzo - Father of Ilitia?
Ilitia, a model
Camila? – Ilitia’s mother

Brandon
Bladiola – Brandon’s mother?Dolores - Brandon’s grandmother?
Doris – Brandon’s sister?
Oliver – Brandon’s friend
Javier – a child in Brandon’s family


First we see a modern office building, and inside, in a big office, the press is flashing photos of an impatient and annoyed beautiful brunette, Eva. In comes Ricardo, her assistant, who politely but firmly tells them that they can get all the photos they want in the main room. What? says Eva angrily. He ushers the press out.

She tells him off: A press event? Today? You have to cancel it right now! He shows her a newspaper and says Look! This is about your triumphant return to this country. The headline, which we see for a nanosecond, says something about a singer’s big success.
He tells her they have to take advantage of it, but Eva protests that he knows very well that she’s come back to Mexico to be with her daughter, and she’s never going to be separated from her ever ever again, plus today is her graduation and she’s not going to let her down. Oh, to be at with her, to hug her! She’s going to kiss her after all these years. There’s nothing more important than that.

Cut to an aerial view of Internado San Agustín, nestled by a lake in some soft wooded hills. Inside the dorm, we see Marianela excitedly showing her schoolmates the headline about her mother, and telling them that her mother has promised that she’s is going to come see her graduate. A schoolmate points out that it says her tour ends in three days. Oh, says Marianela, hugging the paper to her, maybe she can’t make it. She gushes that she can’t wait to hug her mama. She takes a bite off a candy bar. The girls are excited and decide to put on some music. They start hopping around, dancing and lipsyncing to the music. They shove each other onto the beds in fun, and when Marianela is shoved onto hers, it collapses. Laughter all around.

Now we’re at a race site complete with bouncing pom-pommed cheerleaders and there’s our main man Emanuel pulling up in his hot and happenin’ red three-wheeled motorcycle. Another fellow, Lorenzo, greets him warmly, I think calling him yerno (son-in-law), though the captions say “tierno,” and telling him that he’s going to have his daughter at the ready at the door of the church if Emanuel wins. Emanuel says it looks like he’s going to be a married guy then, because he’s going to win. They backslap and yuck it up.

Lorenzo laughs that Fedra, Emanuel’s mother, called him six times last night, telling him not to miss the race. Then, pointing at the cheerleaders, he tells Emanuel to watch out for temptations. So saying, both guys look their way and the girls giggle and make eyes back. Emanuel tells him to watch it, or his wife’ll have him sleeping on the couch.

Lorenzo asks where Emanuel’s father is. Emanuel looks around and says he doesn’t know, his mother wasn’t doing too red hot this morning. Hooboy, your mother! says the other guy, rolling his eyes, she’s a hurricane!

We are in the large bedroom of a modern home. Emiliano, Emanuel’s father, is adjusting his collar at the mirror, and his wife Fedra, still in her silky red bathrobe, demands to know how can he go to a race when they are about to lose everything. He reminds her that their son is about to be in an important competition – he’s defending his title. Well, she huffs, exactly where are we going to put the trophy when your sister-in-law throws us all out of this house? Emiliano doesn’t figure that’s going to happen, but she shows him the newspaper, which says Eva’s coming back to Mexico City. Emiliano doesn’t think that means she’ll throw them out. He reminds her that the house belongs to his niece, that his dear departed brother left it to her.

Listen, she says, wheedling, Eva’s left a long time ago, and I’ve been the one who has taken care of this house, and it just doesn’t seem fair that…. Calm down, he says, Marianela has been in that boarding school all these years, and of course she’ll want to come to her home and live with her mother. We’ll be a united family.

Oh, great, says Fedra, a drunk – is that the example you want for your kids? Emiliano protests that Eva’s completely recovered from that, so it pains him to hear that Fedra still thinks that. He gives her a kiss on the forehead, tells her to get dressed, and he’ll wait for her downstairs.

In her office, Eva is looking at a photo of Luis Felipe, her dead husband, and saying she can’t imagine living in that house without him. It’s been so difficult since he died! She can’t wait to see their daughter – how she wishes he were there with her! She hugs the photo and sighs.

Fedra, still in her robe, is pitching a fit. She grabs the phone and calls somebody named Bernardo, telling him to come up to her room right now - they have a major problem. She glares at the newspaper she’s thrown on the floor and says You’re not going to ruin my life, not you, not your daughter either.

The boarding school gals have arranged themselves in front of the TV where Emanuel appears with a reporter, and says his fiancée couldn’t be there. He throws her a kiss. Marianela smiles and touches her fingers to her lips.

Eva’s manager comes in and tells her that he has cancelled the press conference, as she asked, but reminds her that they have a signed contract and she has to comply with what’s in it. She says she will, she’ll be at the event tonight. She’s going to dedicate her performance to her daughter, and sing the best she ever has.

He hands her what looks like a boxed bottle and a gift card, saying it looks like she has an admirer. She opens the card which says So you never forget the past. She stands up to open it, and we see her impressive mile-high platform stilettos. Those, along with her ample white bosoms offered up by a lift-up bra, make her quite a sight to behold. She opens the gift and holds it up – a bottle of hooch. Her assistant says it must be somebody’s idea of a bad joke. She says she knows who it is, somebody who’s always wanted to destroy her. Well, they won’t succeed this time.

In the meantime, Bernardo has arrived, and Fedra , hands on her hips, asks how long he’s worked for them.. Almost a whole life, he says. You’re my right hand, my trusted employee, she tells him. No no no, he says – I’m not just your employee. I’m much more than that as you well know. I know you better than anybody else does, which is why I don’t like seeing you distraught. She tells him that that booze hound is going to come back and take over the house like a big lady, and she’s not going to let that happen. He swears that it won’t – it’ll always be the queen’s house. She strikes a royal pose.

The phone rings. It’s Eva, who says Hello, this is your conscience calling. Fedra says her conscience doesn’t sound like an alcoholic. Eva laughs and tells her she received her gift and she just wants Fedra to know that she’s not the weak woman Fedra knew before. Fedra nastily recalls Eva on her knees, begging for a bottle of booze. Eva informs her that she’s coming back to care for her child.

You’re going to throw me out of the house, states Fedra. Eva smilingly replies that Fedra probably doesn’t want to live with the woman she tried to destroy. Fedra throws the phone.

We see Eva in an elevator, leaving the office building.

It’s graduation day – the girls are in their caps and gowns. Marianela and a couple of friends are walking on the lawn, and Marianela says she hopes her mama makes it. She’s munching on a candy bar, and one friend tells her not to eat so much, it’s making her fat. Doesn’t she want to have a boyfriend? They don’t just sweep down from the heavens, you know. Marienela dreamily imagines one who does, who picks her up in his strong arms as if she were light as a feather.

Cut to cousin Emanuel doing some pushups to get ready for the big race. Back to Marianela who suddenly has trouble breathing. Her girlfriend reaches under Marianela’s gown and grabs her inhaler and administers a few squirts of it. Marianela coughs a few times, then recovers. The girlfriend tells her to quit thinking about her dishy cousin and get a real boyfriend. Does she want to end up like her aunt who’s always waiting for her knight in shining armor and has ended up a spinster?

We see the aunt in question, Netty, who is riding on a colorful country bus, fanning herself with her hand.

And on with the graduation – the nuns are giving out the award for the top student, which goes to Marianela of course, because in telenovelaland protagonistas always get straight A’s. The nun hugs her and tells her she’ll go far. Enthusiastic applause from the affectionate students.

A helicopter comes whomping overhead and Marianela runs out from the graduation tent, shouting Mama, you came! The helicopter lands on the grass, its door opens and a stylish platform stiletto-heeled foot presents itself. Eva steps out and affixes a wide elegant hat. Marianela runs to her. They stop, and just look at each from a few yards away, then hurry towards each other, Eva oddly enough now wearing walking black walking shoes, I guess so she doesn’t sink up to her hubcaps in the grass. They hug for a long time, then Marianela steps back and tells her mother that she just got this (medal on a long ribbon) for being the valedictorian. She takes the medal from her neck and hangs it on her mother, thanking her for everything she did to make it possible for them to be together. Her mother is overwhelmed.

I have something for you too, she says. Boys! Out of nowhere materialize a troupe of white-costumed mariachis (were they stuffed in the helicopter like clowns in a VW?). They fire up and Eva, who in another magical shoe-switch now has her heels on again, sings a love song to her daughter (a bit hard to do when your upper lip barely moves. Oh, meow! Sorry.) and strokes Marionela’s hair. The song says nothing except the hand of God well ever separate them; they will love each other forever.

While the song continues, we see Netty on the bus again, and, for local color, a fellow holding a goat in his lap. Suddenly the bus seems to lose its brakes, rolling backwards, then almost tipping over a rise, but it comes to a stop just in time, luggage spilling from the top. Netty berates the driver and points to the statue of a protective santo she is carrying.

Eva’s still singing her heart out in the background while we see Netty walking on a small road in a sylvan area, carrying her umbrella and pulling her little wheeled suitcase behind her. A fellow with a burro passes her, and suddenly a lightbulb goes on over her head.

Eva finishes her song, and embraces her daughter. Elsewhere we see Netty astride the burro, umbrella still aloft, à la Mary Poppins. The burro breaks into a canter and she fusses at it.

Eva and Marianela walk together at a distance from the graduation. Eva tells her that she can never forgive herself for their not being together. Marianela tells her not to worry, the main thing is that they’re together now. Forever, swears Eva, nothing will separate us now. She hugs Marianela and kisses her. Marianela wants to know if she’s proud of her, even though she’s fat.

Eva says the usual Of course, what beautiful eyes you have, and Marianela thinks that’s just a mother talking. Her mother says she’s lovely, because what really matters is what’s inside a person, in their soul. Marianela wishes she were a beauty like her mother, but her mother says that kind of beauty fades with age, and the only thing that lasts is who we are inside. You are beautiful, you radiate from inside! Marianela tells her mama that she is beautiful inside and out. They hug.

Eva wonders where Netty is. She just talked to her yesterday and she said she was going to come. On cue, Netty heaves into view, kicking the burro into another canter. Her umbrella goes flying, and she falls off. Marianela and Eva burst out laughing.

Fedra’s not laughing – she’s doing her makeup in the mirror. Bernardo suggests to her that black isn’t a good color to wear to her son’s race. Don’t bug me, mi amor, she says. He tells her to save the mourning for later - there’s going to be a death in the family real soon. Fedra whips around to look at him and a smile slowly breaks out across her face.

Marianela is in the nurse’s office and has fixed Netty up with a sling. Netty is impressed that she learned how to do that and Marianela tells her they taught her a lot of stuff here. She hugs her aunt and her mother and leaves to tell the head nun her aunt’s okay.

Netty asks Eva how Marianela got so fat. Eva thinks maybe it’s her fault – her daughter was so alone.
N: You say that like you had abandoned her, and we both know that’s not true.
E: Marianela was in this boarding school since she was little, because I couldn’t take care of her.
N: You had to take care of yourself! Your husband’s death really hit you hard, but look at you now! You’re gorgeous! You quit drinking; you got your life back.
E: I couldn’t take care of her; you don’t know how sorry I am. But you’re right, I’m different now (the music swells) and now I have the strength to fight for my daughter against all comers. She’s beautiful to me.

Emiliano is coming down the stairs with his son Axel, who is trying to get out of going to watch his brother in the race. He has something important to do! Emiliano tells him the race is important. Axel wants to know why his father isn’t making his sisters come. Your sisters! blusters Emiliano. You can’t compare yourself to them. They’re doing their makeup or something.

There’s one now (Kristel) in her bedroom with Mauricio, telling him it’s not good to play slap and tickle right before a race. Sez who? sez he, whipping off his shirt. I’m going to prove them wrong. I’m going to beat that brother of yours. She tells him if her dad catches him, he’ll kill him. Mauricio doesn’t care. They start necking.

And Gretel… says Emiliano to his son and gestures helplessly. We see Gretel sitting on the floor in the corner of her room, staring aggressively and stroking her orange cat.

Back at the graduation, Netty is telling Eva she’s nuts to want to move into that house with that horrible woman. Eva says Marianela inherited it and she’s not scared of Fedra. Netty is sure she’ll put up a fight. Eva says she doesn’t want a fight, she just wants Marianela’s rights respected.

Netty wonders again how Eva’s ever going to get a boyfriend, she’s such a fatty.

At the race, some fellow tries to interest Emanuel is meeting up with some girls, but he good-naturedly says nothing doing before a race. The other fellow says okay, maybe after.

We’re in New York! In struts model Ilitia and the press go nuts taking photos. Ilitia smiles happily and strikes poses. Her mother (Camila, I believe, though nobody calls her by name) comes in and tells the press that she has to talk to her baby for a minute. She pulls Ilitia over to one side, but Ilitia zips back to the press and rotates and revels in their attention.

She has her cell and dials, telling her mother that it’s Emanuel’s race day, and she hasn’t been able to even give her darling fiancé a kiss. Her mother, mindful of the press, smilingly tells her in a low voice not to smother the poor guy. Ilitia says oh, she’s not calling him, she’s calling her (future) sister-in-law.

Who we see under the sheets with Mauricio. Ilitia has a weensy fit that she hasn’t answered, but recovers immediately, smiling blindingly at the photographers who snap away.

Eva’s about to leave – her sister tells her to be safe, appealing to the appropriate saint. Eva hugs her daughter and tells her that she has special seats reserved for Marianela and Netty, and the concert will be just for her daughter.

Eva has one more present – a jewelry box with a silver lily in it, which Marianela’s dear departed daddy had given Eva. Marianela looks sad as she has a flashback, and no wonder – it’s her father, flat on the pavement, apparently after a fall, as blood is trickling from his head onto the cement. He gestures weakly to little tyke Marianela, saying “the silver lily.” Eva says she thinks of him every day.

They both say how much they love each other, and Eva tells Marianela that she’s lovely and don’t let anybody tell her different. She tells her to remember their talk. She leaves, and Netty comes over and thanks San Antonio that Eva seems to be happy. Marianela tells her her mother just said she was still in love with her father. Netty sighs and says that’s the way it is when you find true love. Ah, Gordita, there’s nothing like a big love to heal everything. Marianela is wistful.

Mauricio has arrived at the race and is bragging to Emanuel about how he’s going to win, in fact he plans to drink champagne out of the winner’s cup with Emanuel’s sister. They head off to the race starting line.

On your marks, get set… the cheerleaders go nuts, and the runners are off.

Eva gets into the helicopter sending a silent prayer for her daughter as she takes one last look at her.

The runners round a bend in the pathway in the woods.

Emiliano and Fedra have arrived, and Lorenzo greats Emiliano warmly. Emiliano tells Fedra he’s glad she came, and she primly says she would do anything for her children. Axel is with them, pretty much ignored. Here comes Emanuel, ahead in the lead. Fedra makes a big show of urging him on.

The helicopter takes off, then explodes. We see the horrified faces of Marianela (Mama! Mama!) and everyone else. Flames flicker in front of the lens. At the race, we see Fedra with a small smile and Bernardo with a big one.

Now the racers are switching from running to bike riding. Emanuel is looking confident. His family cheers him on – no sign of Mauricio.

Lorenzo has a video camera and he must be a leg man, because he has one of the cheerleaders posing for him on the grass. He tells her to skitch her tiny skirt up a little more, and he videos her legs up close, from every possible angle. She says this is for a future casting, right? He runs his finger along her leg. I get the contract right? she says. Yes, he says distractedly videoing, you’re perfect for the ad for Sexy Leg Stockings. Where would I find legs like yours? He gives her a smooch on the cheek. Blech.

As Emanuel gets set to cycle off, Kristel wants to know where Mauricio is. Emanuel laughs that he’ll be along, maybe in an ambulance.

New York again, where Ilitia is having her hair done, and she’s on her cell with Kristel. She’s excited that Emanuel won the first leg, but Kristel reminds her that Mauricio is one of the favorites. Ilitia pouts that she misses Emanuel. Kristel tells her that are a lot of gorgeous girls there.

Here comes Mauricio staggering. He falls into Kristal’s arms, then ends up on the ground, maybe passed out.

Dressers are fussing over Ilitia while she’s worried some other girl will swipe her guy. Everyone assures her she’s gorgeous and nobody’s going to steal him away.

Now we’re in Los Angeles airport with a new character, Brandon, who wants to catch a flight to Mexico. The ticket lady surreptitiously checks her computer for photos of terrorists. She thinks he looks like the photo of a terrorist with a full beard and pushes the silent alarm. Guards grab him and cuff him.

Brandon’s family is setting the table, expecting him. His mother Bladiola says she misses him. His grandmother, I think she is, says he’s such a good boy, such a hard worker. It’s a loving family and we meet Doris, who I think is his sister. There’s another lady maybe Doris’s age there, whose name nobody mentions, but she calls to Javier (unseen) to stop playing and wash his hands. In comes Oliver, Brandon’s friend, laughing and bringing beer.

They toast to Netty, who is reuniting with her sister Eva and her niece Marianela.

Emanuel finishes the bike leg in the lead and changes part of his outfit.

At the L.A. airport, Brandon smilingly tells the official that he’s not an Arab, much less a terrorist. Why, he’s from Mexico, the land of tequila and mariachis. The official shows him the terrorist photo and Brandon squints at it saying yes, they kinda look alike, but he’s handsomer. They arrest him. Brandon appeals to the heavens, wanting to know which saint handles stuff like this.

Here’s me thinking the race was a triathlon. But apparently not – Emanuel hasn’t switched into a bathing suit, instead he’s got a backpack on and is trotting up into the mountains.

A kaleidoscope of flash scenes: Ilitia working the runway; Emanuel rock climbing; Marianela and others sitting in grief; Brandon being put in a holding room, protesting his innocence; Ilitia again; Emanuel almost missing a handhold, then exulting at the top; Marianela and sad group again.

Emanuel is up on the winner’s stand, getting his trophy while the crowd cheers and the cheerleaders work their pompoms. His family congratulates him, and his sister (girlfriend to Mauricio, remember?) pushes him off when he tries to kiss her.

Fedra is trying to get Greta, who is still staring while she pets the amazingly compliant cat, to come down for dinner. Greta doesn’t want to join in a stupid family dinner. The maid, Nereida, brings in dinner on a tray, but Fedra waves her off, telling Greta no dinner if she doesn’t join them. Good, says Greta, you can leave me alone. Fedra tells her in no uncertain terms that she’s to come down and Greta actually complies, though bad-temperedly.

It’s the service for Marianela’s mother, the schoolgirls are there. Netty brings in her ashes in a box and hands them to Marianela. The MS comes in and tells Marianela that Emiliano just called, and she had to tell him the news.

Emiliano tells those of his family who are gathered, namely Fedra, Bernardo, Emanuel and Greta. Fedra and Bernardo give each other a quiet triumphant look, unnoticed by the others.

I think we’re getting the picture of who’s naughty and who’s nice…

Avances: Marianela has to move with Fedra’s family – into a den of wolves. Fedra discovers some cash. She tells Bernardo to do something, but I couldn’t understand what, and he says he’ll take care of it.

Truth in packaging: If I am a new recapper to you, it’s only fair to warn you that I’m a Spanish-learner, so any additions or corrections are very welcome!

Labels: llena

Muchísimas gracias, Luke M, for tonight's wonderful recap!

At the hospital:
We begin with Latifa's phone call to Lucas. She argues that Lucas is responsible for what happens to Jade, because Jade was hit by a car, because she was nervous about being able to get Jadiya, for which she had been depending on Lucas. (That's a pretty shaky argument.) Lucas says he's headed to the hospital immediately. This is bad news for Latifa, who looks nervously at the waiting Zein and Mohamed.

Casa Ferrer:
Leonardo agrees with Marisa's policy not to give Nati any money, since she spends all the money she is given on drugs. (This has always been Marisa's policy. Even a broken clock is right twice a day.) Marisa is happy that for the moment they can set aside their differences, in order to help Nati. Leonardo wishes she and Lucas had always been so sensible, but their problems caused them to forget they had a daughter. "¡No, yo nunca olvidé a Natalia! Tal vez Lucas, sí, pero yo jamás." (No, I never forgot Natalia! Perhaps Lucas, yes, but never I.) (She must have forgot she forgot.) Leo responds: "Está bien, no hagamos un inventario de culpas." (OK, OK, let's not make a list of faults.) He wants to try something else with Natalia.

Nati's room:
While Nati is down and out at her computer, Rosa enters with lunch for the "niña consentida"(spoiled/pampered girl) (including a brownie like Alej tried to give her). As usual, if it's food, Nati doesn't want it. Rosa calmly asks once more what Nati did with the money her father gave her, only to get Nati's fire-breathing act. Leonardo tags in. He has a proposition for Natalia: why don't you and Alejandro live here with us? Natalia, surprised, asks: "¿Qué?" Leonardo says they are ready to welcome him in. (Obviously he didn't run this by Marisa.) He offers to talk to Alejandro, and apologize on behalf of everyone, and to ask him if he wants to live with them. She asks, this time very surprised, "¿Qué?"(Apparently she didn't quite understand him the first time.) She doesn't think Alejandro will accept. Leonardo offers to send a driver to bring Alejandro to the office this afternoon. She says no, they'll come alone. He'll be waiting. He reminds her he's willing to do whatever it may take to make her happy. She does not seem especially moved.

Father Andrés's church:
Dora asks if Father Andrés too is going to tell her the story that she didn't give birth to Daniel. She says she can prove she did, that she has a hundred witnesses. Andrés should be ashamed of trying to manipulate her, and should fear divine punishment. When she runs out of breath, he finally gets a chance to respond: I want to tell you how your son was made. It would be scandalous if you found out through gossip. Dora says the real scandal is this: what she'll do if he and Albieri keep insisting on their story. She asks if he called her there to tell her that story again. He nods; she leaves. He calls on God to witness that he tried.

The bar:
Estela is debriefing Dora, and thinks clever Albieri got the priest on his side. Dora thinks Dr. Sylvia can help her, but she doesn't know how to contact her. (Sylvia was Dora's doctor at the clinic, the one handling her fertilization, until Albieri took matters into his own sweaty hands.) Estela advises Dora to go to the clinic while Albieri's gone.

The street outside Zamira's house:
Ramón runs into Zamira, and says he heard from Amin that she got engaged. She says it's a big lie, that only Amin got engaged; she's the one who will choose her husband. Up struts Karla,with Amin in hot pursuit on his bike. She starts to get mad, but asks if he comes bearing gifts. He just wanted to say "hi", so she leaves, as does Ramón. Zamira grabs Amin and tells him not to say she's engaged: he is, she's not. "Mi baba se comprometió por mi. Es totalmente diferente. ¡Yo no estoy comprometida!" (My dad arranged the engagement for me. It's totally different. I'm not engaged!) He says he'll tell father, and she challenges him: tell him, and I'll tell Karla you're in love with her. (That gets his attention.) She'll say he steals things from dad's store to give to her. He runs in side, leaving her satisfied with her victory.

The clinic:
Dora goes to the clinic to talk to Julio. He asks what's wrong—you look "afligida" (upset). She asks for Sylvia's phone number, but guess what: Sylvia's in Miami for a few days! Julio gives Dora her number. He even hands her the phone and suggests she call right now. He watches with interest as she calls. She arranges a meeting for that day, somewhere private. Julio warns her the truth won't always make you happy. She wonders what he knows, but he says: pay no attention to me. She leaves, still wondering.

The gym:
Alejo is in the ring training, or at least kissing canvas. Pablo say she's not looking so good, but Alejo says he's fine. OK, says Pablo,but "Hay algien que puede arruinar todo y es Natalia" (there's someone who might ruin everything, and it's Natalia). Alejo defends her, but Pablo advises him to get professional help. Alejo says today he was tough with her, telling her to choose between him and the drugs. He thinks she was "tocada" (touched, moved). Surprisingly, Nati appears in the gym. She wants Alejandro to come home, and she apologizes. (For the first time in a few episodes, she seems to remember that she's in love with this guy. Perhaps she has sobered up a bit. We hear their love theme.) She's worried that he'll get tired of her, but he assures her that couldn't happen, and he forgives her. (Real tough.)

Salamandra:
Rogelio tells Alicia that while everybody thought Cristina was responsible for the good work around there, it turns out it was Alicia. Although he likes Cristina, he wants to be fair, to straighten things out, to put things in their place. He doesn't think Cristina will be upset about this. Alicia says she feels guilty (for not covering well enough for Cristina's mistakes.) Rogelio gives her Cristina's PR job. She is happy, but maintains control and says she's not in the mood to celebrate. Rogelio is impressed with her compassionate reaction, and says she's "un ser humano increíble" (an unbelievable human being).

Escobarde's hotel room:
"¡Lo conseguí!" (I got it!) she tells Escobarde. And by her hard work, which is what makes her so happy about it. (She can hardly keep a straight face as she says this.)

Back at the hospital:
Latifa is still worried what will happen when Lucas shows up, and decides to call him to tell him not to. But then Mohamed asks his"gacela" to come with him and Zein. She asks for a few minutes "to pray," but he takes the phone, so all she can do is think: Allah, what did I do wrong?

Castle Said:
Said asks Nazira about Jade's accident. She says everyone is waiting in the hospital, but she doesn't know any more. Amina watches from behind a column. (Is that what those are for?)

Rania's room:
(Both Rania and Amina are veiled in their own home, for no apparent reason.) Amina tells Rania about Jade's accident. They seem more concerned about Said being upset. And Rania can't figure out why Nazira would tell him. Amina says not to trust Nazira—she's not your friend. Rania defends her, but Amina says she only helped you because she hates Jade. Rania is worried Jade will come back and be the first wife.

Adorable Jadiya comes in. Rania shows the socks she got for Jadiya's little brother. Jadiya musters all the smug she's got, and says, "No es mi hermanito Rania, porque no vas a tener un hijo varon. Vas a tener una mujer, igual que mi mamá." (It's not my little brother Rania, because you won't have a boy (male child). You'll have a girl, just like my mom.) Let the arguments begin! Rania knows it will be a boy, because she's nauseous, and nausea always indicates a boy. Jadiya knows it will be a girl, because she dreamed it, and "Dicen que cuando los niños suenan con eso, pues es verdad." (They say that when children dream something, it comes true.) She says that in her dream an angel told her Rania's child would be a girl—an ugly girl. Amina holds Rania back and Jadiya leaves triumphant.

Back downstairs:
Nazira asks if Said will go see Jade at the hospital. He says no, she's not my wife (though he can't hide his concern). Nazira presses the point: Mohamed is there. Said: but for Latifa, Jade's cousin. I'm nothing to Jade. Nazira: what about going for Jadiya? Said: no, she belongs to me. Nazira: but Jadiya could cheer up her mother, so she'll get better. Said has had enough of this line of questioning, and he tells Nazira to keep this from Jadiya. "Mientras menos piense en Jade, mas rápido se va a olvidar de ella." (The less she thinks about Jade, the quicker she'll forget her.) Nazira is shocked at his heartlessness. He says he doesn't want to hear anything more about Jade. He storms off... and up to Jade's room, to sniff her clothes. Rania looks on, not exactly pleased

Rania's room: Rania tells Amina that Said is crying for Jade. Amina gives her usual advice: pretend nothing happened. And stop crying, it's bad for your son.

Downstairs again: Nazira can't find the phonebook because, as housemaid Mariam informs her, Rania moved everything around. Said comes down and asks Nazira to call Mohamed to see if there's news about Jade.

Fez, Alí's place: Alí tells Abdul the house is so empty without Zoraida, he feels like flying to America to see her. Abdul accuses him of looking for excuses to go to the West, to "respire ese aire de haraam que hay allá" (breathe that air of haraam they have there). Alí has had enough of Abdul's accusations, and responds that Abdul is "retrogrado" (outdated, backward). They bicker about who is the moral and pious one, and wander off to the medina. Zumaya answers the phone. It's Latifa. Zumaya runs to get Alí.

Back in Miami, at the bar (which isn't open yet): Dora greets Sylvia, who asks why Dora didn't send her any pictures of Daniel. Dora is surprised to learn the pictures she gave Albieri didn't make it to Sylvia.

The hospital: Lucas arrives and asks how Jade is. Mohamed asks how he found out, and while Latifa nervously watches, Lucas covers for her—someone at work heard about it. She is relieved. The temperature rises slightly as Lucas and Zein meet again. The doctor arrives and says Jade will be alright.

The bar: Dora has told Sylvia her life story (thankfully, off camera), and finishes with Albieri's strange behavior with Daniel. Sylvia, like everyone else, wonders how Dora could have let that happen, but Dora repeats her excuse: she couldn't deprive Daniel of what Albieri could give him. Sylvia asks about Osvaldo. Dora doesn't want to talk about him, and she's happy Daniel doesn't look like him (nor like her, she admits). This comes as a surprise to Sylvia, who, as she reminds us, selected a sperm donor to fit Osvaldo's description. Dora tells her the latest: even Father Andrés thinks Daniel isn't her son, and only because Daniel is white! Sylvia says he couldn't be white. Dora gives the old story about her Dutch ancestor, but Sylvia isn't buying it, because the sperm donor she chose was black. Dora is impactada.

The hospital: Latifa goes (alone) to see Jade. Mohamed tries to explain to Zein that Lucas is a friend of the family, but Zein says he already knows the story. Lucas stands alone and distressed.

Jade's hospital bed: Jade says she was out of control and didn't notice when she crossed the street. (Apparently her mother didn't bring her up according to our custom of looking both ways.) She is worried about losing Jadiya. Latifa says Lucas is there, and Jade seems impressed, but she's still mad at him and doesn't want him to come in.

Back in the waiting room: Mohamed tells Lucas that because Jade is married, it's an offense for him to be here. Lucas doesn't want to spoil the party, so he'll go. Mohamed gets a call from Nazira.

Castle Said: Nazira is happy to hear Jade's injury wasn't too serious. After the call, Rania and Amina chat with her about it. Nazira snarks: "A ella siempre le ha gustado andar por ahí, atropellando a la gente. Por eso, Alá decidió que ella fuera atropellada tambien." (She had always liked to go around,running people over. For that, Allah decided that she would be runover too.) Instant karma. Amina asks: you never liked Jade, right Lala Nazira? Nazira: No, I knew those odalisques were rotten from day one. They bewitched my brothers, who are weak. Rania agrees: Said was weak. This trips Nazira's alarm: Said isn't weak, I raised him myself! I can't stay in a house where people talk like that about my brother! Rania protests that she didn't mean to say that, but Nazira tells her: "¡Y tú cállate odalisca! Tú eres igual que las otras dos. ¡Ya te ví!" (And you shut up, odalisque! You're just like the other two. I've got your number!) She storms out, and Amina again tells Rania to pretend nothing happened.

The clinic: Dr. Sylvia arrives and asks to see Julio. They have a lot to talk about.

Castle Said, Jade's tower: Said tells Mariam to get rid of all Jade's stuff. Jadiya comes in and protests: I want to stay in this room, with my Mom's stuff. So Mariam leaves it.

Fez, the Medina: Zumaya finds Alí and Abdul, and without provocation Abdul tears into her for being an exhibitionist. Alí lets her speak, and she says Jade was run over. They run back home.

On Aeronovela, coach: Daniel tells Cristina he doesn't like seeing her upset. She says she can handle anything but betrayal, still thinking her Leoncito had an affair with Dora.

The clinic: Sylvia says Dora told her terrible things. Julio says it's all true, and spills some of the beans: 20 years ago Albieri made a big mistake and switched Dora's embryo.

The hospital: Jade tells Latifa she saw Lucas, 20 years younger, just like her fortune said. She knew she would have to choose between going backward or forward. She has chosen to go forward, and hopes Allah will take the "shadow" (Daniel) away, so she won't fall for temptation again. "Porque es el Lucas que yo conocí hace 20años. Yo no podría decirle que no." (Because it's the Lucas I knew 20 years ago. I couldn't say no to him.)

(Credits)

Labels: clon

Welcome Ganchodores. Come on in out of the heat and humidity, take a comfy chair, I'll fix some cool drinks, and then let's share a few minutes together.
This weeks featured beverage is a Black and Tan; attractive and very thirst quenching. Here at Club Gancho we use Guiness (of course) and Dos Equis.

I had a wonderful birthday weekend beginning at noon Friday with the lovelies from my office taking me out for lunch. We had BBQ... great. Saturday night the Lovely Linda took me out to Big Daddy O's (a new seafood restaurant located less than two miles from our home) for oysters and seafood. With the exception of the price of oysters doubling, we are coping in the aftermath of the spill. Sunday, my daughter Andrea came over and prepared her trademark enchiladas, a shrimp and avocado salad, while Linda cooked up jalapeños stuffed with cheese, refried beans, and her corn, onion, and jalapeño relish. I'm dieting this week.

My nurse Kelli's husband took this photo on a weekend trip to West Texas He found it both amusing and a bit frightening. Talk about enhancing the stereotype.


This week we continue to look back on the beauties inhabiting un Gancho. As you all may have guessed, one of our first two beauties (mom and her hembral spawn) is one of my favorite characters ever. Perhaps not the sweetest or even most beautiful, but certainly the most provocative.

Jaqueline... cool elegance

Constanza... be still my heart!

Estrella Falcon...actriz

Regina... racy racer

Angelli Nesma... the genius behind it all

Nieves Ochoa... femme fatale

Isabela... fill in your own caption......

Nice Nurse


Carlos

Labels: gancho