Tuesday, June 03, 2008

Fuego, Monday 6/2 (#25): Through the door or out the window

Father Tadeo has asked Eva about Juan and Sofia. She hems and haws and says maybe it'd be better if Sofia tells him when she comes back.

Juan and Sofia finally reach the river. Amazingly, despite his recent infection-induced delirium, Juan is now doing better than Sofia, who is totally exhausted. She takes one look at that river and says they can't go on; the current's too strong. He says look, there's a rope!

Meanwhile, the search party pulls Oscar and Franco back up the slope. Aw, so close!

At the Eccentric Grandpa home, the creepy administrator is scolding Gramps and the others for their age-inappropriate behavior. (Maybe he should accept only applicants who are already dead.) Grandfather takes umbrage and says they're older youngsters; children trapped in worn bodies, perhaps, but children all the same. The administrator says it's dangerous for them to play. Grandpa says they're playing tag. "Tag, you're it!" (Roñoso="it")

The administrator (I don't know his name, I'm going to call him Dr. Ratched for now) says, "If you think you're going to get the same latitude here that you did at Miss Gabriela's house, you're very mistaken!" Grandpa scoffs and asks what's he going to do about it? "I will punish you. I"ll lock you up until you learn the rules of this place." There are cries of protest from all the residents, as well as Sister Mousie. (I can't bring myself to call her "Sr. Little Rat.") Sr. Mousie says if he's going to punish Grandpa, he's going to have to punish everyone. The residents cheer in agreement.

The orderlies reach for Grandpa's chair, but Grandpa and his new friends fend them off with weakly flailing arms. Dr. Ratched tells them to to calm down and he'll suspend the punishment, but it had better not happen again. The residents jeer at Dr. Ratched and his orderlies as they leave.

Juan and Sofia are having some kind of super-kinky monkey sex hanging from a rope - wait, no, they're just shimmying across this rope of unknown strength/origin over a raging river while megabuckets of rain pour down over them. Their feet slip, and now the hungry current is tugging at their feet as they hang from their arms halfway across the river - no point in turning back now. They get their feet back up, but the rope is starting to fray. Fortunately, they are now almost across.

According to the captions, Sofi is crying for help, but all I hear is the tense string orchestra. (No pun intended.) Sofi reaches the tree first; Juan is holding out his hand. She grabs it, but is strangely unable to hoist his hulking frame with her dainty hand. Now she's screaming with no sound, and there's not much left of the rope. It snaps! This time she does call for help as the river carries him off to Candyland, or wherever people go when they fall into the rapids during a storm.

Amazingly, however, Oscar and Franco are there, but it looks like they're either just passing through or fixing to leave. Oscar seems oddly unsurprised to see her, and doesn't seem to understand what she wants. Finally he gets the message and jumps into the river with a rope to help. (Cool, now two guys are going to Candyland!) Franco helpfully advises Oscar to be careful, and he and Sofia remind him to save Juan (do I smell an Emmy for some lucky writer?); meanwhile, Juan is sinking.

Ofelia apologizes to Rosario for being late and explains that the whole town is talking about Juan and Sofia being missing. (Rosario sighs with discomfort and she lowers herself gingerly into her chair; I don't want to know if that's because of last week's whipping or something else.)

Oscar tries to fish Juan out of the river; Franco jumps in to help. Here I am all excited that I'm going to finally see Candyland in all its splendor as our three heroes build themselves a beautiful house of gingerbread and candy canes, but no, it was not meant to be. The entire search party, plus the tiny slippery hands of Sofia, pull on the line and haul them back to safety.

Eva again tries to convince Crabiela that Sofia is really, truly missing, as is Juan, one of the builders. "Together?" Crabi asks. She can't comprehend why Sofia might be with such a nonentity. Again, Eva plays innocent and says only Sofia can explain. Crabiela is filled with concern... as to what the people will think.

At the river, it seems that the incredibly inconvenient rain has stopped, and now the sun is shining in everybody's faces. Juan coughs out all the water and complains about his arm. They're going to take him to a doctor.

The triumphant search party, now a rescue party, rides into town and are welcomed as heroes. Somebody at the church even rings the bell for them. Quintina, Hortensia, and Fr. Tadeo run out to greet them. Fr. Tadeo seems a little confused when Quintina kisses the boys repeatedly. He directs them to the dispensario.

It's now evening, and there's no sign of our beloved donkey outside the dispensario; maybe his agent demanded more money. Fr. Tadeo says he's going to go, and he wants to take Sofia to the convent. She says she's not leaving Juan's side.

Jimena is moping in her bedroom, wondering where Oscar is. Or Sofia, for that matter. She can't tolerate being shut in any more; she sneaks out the unlocked balcony door, then climbs down the rope that Oscar left earlier. She takes a quick look around and runs into the night.

The doctor shows up at the dispensario. Did Fr. Tadeo finally decide to embrace 19th-century technology and get a phone? If so, he's not telling! The doctor asks for a moment alone with his patient. Oscar asks him to take care of his brother.

Outside the room, near the noisy peepee fountain (besides the annoying loud trickle, the lighting sometimes makes the water look yellow), Fr. Tadeo asks Sofia what happened. She tells him she was on her way to meet him at the church ("because it didn't occur to you to simply meet me at the convent where it'd be safer," she doesn't add) when along came a truck without lights. (In the flashback, the truck has its lights on. In fact, during this scene last week, I noticed that sometimes the truck had its lights on, and sometimes not.) She was afraid, and began to run, but some guys attacked her, and one of them was going to rape her (in the flashback, Feo is punching her). Then Juan showed up, they fought, Juan had just about gotten the situation under control when somebody shot him and he slipped off the cliff. She tried to help him, and then they both fell in and the river carried them away. Surely those guys left them for dead. Fortunately, they're alive, and nothing happened to her. And then they got rescued! (I think she skipped a few things, but that's okay.) She hugs Oscar and Franco to thank them.

Pedrito shows up at the convent with his little dog Mariachi to tell the head nun that Sofia's okay and she's in the pueblo right now. The nun is happy, but I'm thinking she'd be even happier if they got a damn phone so they wouldn't have to send a kid out by himself at night. The nun asks about someone named Delfina, who must Pedrito's mother or guardian. He says the rain caused her rheumatism to flare up.

The nun asks why he doesn't hang out with more kids. He says there are hardly any kids where he lives. Well, there's one, but they never let him go out. (HMM, I wonder who that might be *coughcoughRosario'ssonAndrescough*.) He lives with a woman who must be his grandmother. He thinks the boy's name is Luis.

To make sure that this subtle hint is lost on no one, next we see Rosario staring at her son's photo again and studying his drawing, wondering where they've hidden him. Ofelia tells her it's time to sing, so she needs to stop crying. To cheer her up, she says they found Juan and Sofia. Rosario says that's why she never stops believing in miracles - someday she'll get her miracle too, she'll get her child back and then they'll never be apart again.

The fountain at the dispensario is louder than ever; it sounds as though they've fitted it with its own microphone. The doctor comes out and tells them Juan's on antibiotics. He's young and strong, and he'll get well soon. The brothers hug until Oscar is red in the face.

Sofia and Juan make typical "I love you and I'm glad you're not dead" small talk. Juan says they're now one forever and no one can separate them; however, she's gotta go or else people will point and gossip and talk trash about her. She doesn't want to go, but he says his brothers will watch over him, and anyway, since they're one now, he'll always be with her wherever she goes. Until everything's been worked out, they don't want to arouse any suspicions. His brothers will take her back to the convent, and he'll be able to rest easy knowing she's safe. She agrees to this, but wishes she could shout to the world that she loves him, and that she is his and she loves him forever. He repeats that he doesn't want people to suspect their love. They kiss.

Jimena shows up at the dispensario and asks the Padre if it's true what they're saying in the pueblo - that Juan and Sofia were found. She asks to see her sister.

At the hacienda, Sarita asks Eva about Grandpa and Sofia. Eva says Jimena is probably wondering the same thing; she was just about to bring her dinner. Eva says Juan is missing too, "and don't ask me anything more because I don't have any response." Oh please, that's like saying "I have a big secret and I'm not going to tell you what it is." She repeats that she's bringing Jimena's dinner because Gabi was too tired to do it. Jingle-jingle, she's got the keys. "I'm going to open the door to see how she is," she explains needlessly as she opens the door to see how Jimena is.

Sarita brings in the tray and they note that Jimena isn't there. The balcony is not locked as expected. Sarita, being the clever sister, deduces that Jimena must have gotten out that way.

Eva is just in the middle of saying "if your mother finds out" when Crabi herself yells for Fatima, the maid, to bring her some coffee... in Jimena's room!

Sarita and Eva panic, and I wonder if Sarita is going to get in bed and hide under the covers and pretend to be asleep, or something silly like that. You never know, with this show.

Father Tadeo is shocked to hear that Gabi has been keeping Jimena locked in her room. She says it all started with that little luncheon, when she had too much wine. (I'd say no amount of wine would be enough for a gathering like that one, when they first met the Uribes at the height of their twittiness.) Her mother wants total obedience, and it's worse every day.

Fr. Tadeo offers to speak to Crabi again - I don't know why he thinks their next talk will turn out any differently. I guess this is a man of infinite perseverance! Jimena begs him not to do it now - she doesn't want Crabi to know she snuck out. The padre assures Jimena he'll do it at some other time.

There have been a few comments about the padre's forehead looking a little strange (like, a little too perfect, or maybe having something like a line of demarcation just above his eyebrows). We get a very up-close look at it during this scene. If you're curious, the actor's name is René Casados; you can search his name on Google and then click "Images" at the top of the page. At least you'll have some context for your research...

Also, I know this is totally out of the blue, but last week during a scene in his office, I noticed his pencil cup was filled with those same damn green pencils we saw in La Fea and in Destilando Amor. I wish I could send away for these amazing pencils that just float from one telenovela to another, never getting used.

But let's return the fascinating action.


Sofia is asking Juan to promise that he'll get some rest. They say they'll dream about each other. (Even though it's well after dark, there seems to be blue sky outside the little window - or is that just a decorative blue square on the wall? I noticed the same thing at Lety's house in LFMB.) They kiss, and they're still at it when Jimena walks in. She takes one look, impactada, and walks out. HA! There you go, Jimena, now you know how Sarita felt every time she caught you with Oscar!!

Crabi gets to J's room and asks Eva where Jimena is. "She's in the bathroom. It seems she's not feeling well." Ooh, that's much better than hiding Sarita under the covers - now I know why these writers make the big bucks! Crabi knocks on the door. Sarita moans sickly through a rumpled towel. Crabi continues to rattle the door; Eva suggests that it might be better to let her rest for a while. Crabi agrees but says they might as well take away her dinner if she's not feeling well. Eva sits there and nods in terror. Crabi prompts her for the keys. Eva hands them over and takes away the dinner. Crabi knocks on the bathroom door once more for good measure; Sarita cowers by the toilet, but Crabi gives up and leaves, locking the bedroom door.

Sarita timidly creeps out of the bathroom, nearly hyperventilating with terror; Crabi scolds Eva for taking too long with the tray; Eva tells Fatima to bring Crabi's coffee to Crabi's own room after all.

Sarita realizes she's locked in Jimena's room. She looks at the balcony and debates with herself whether she'd rather die falling off the balcony, or get caught by her mother; that's an easy decision. She crosses herself and looks down; I dunno, I'm a big wimp. I think I'd take my chances with Crabi. But Sarita knows her better than I do, and she's willing to chance it; so I say good luck, Sarita! Be free!

Eva is on the ground below to encourage her. She reminds Sarita to close the doors so they look locked.

Juan is still telling Sofia to leave, and says if she doesn't, then he'll have to go. (Take a hint, lady! The guy's been shot, he's tired!) Franco sticks his head in and asks if he can come in. Juan says why bother asking, since you're already in, dum-dum! Juan thanks Franco for saving them. He asks Franco to take Sofia to the convent. Franco says he'll do it, since Oscar is taking Jimena back to the hacienda. Sofi is surprised to hear that J is there.

Back at the hacienda, Sarita finally reaches the ground and complains about her hands and how scary it was to be in the bathroom and how Jimena is going to PAY for this. Eva offers to make some tea for her fear (chamomile, maybe?), but Sarita wants to wait in that spot until Jimena returns. Eva says in that case, she'll wait with her. If Mom asks what they're doing out there, they'll say they came out for some air. Sarita tells Eva she wishes her own mother were like Eva.

Oscar notes that Jimena seems uneasy. She tells him she saw Juan and Sofia kissing. "You didn't know?" he asks. "They're in love." She agrees to keep quiet about it until Sofia tells her. Oscar hesitantly tells Jimena that there are things we sometimes can't understand, can't comprehend, and especially when it's your own brother or sister, it's too powerful... I think he's referring to how he felt when he found out about Libia and Bernardo. Anyway, Jimena says she's not judging her sister. She doesn't - okay, say it together, folks - she doesn't love her husband, she has never loved her husband, and there is nothing between them. They sleep in separate rooms... Oscar is barely paying attention; I think he's still thinking about his sister!

She calls Oscar back to reality and he asks, if they sleep in separate rooms, why doesn't Furdnando leave her? "Because he doesn't want to give her her freedom."

Oscar clears his throat abruptly as Sofia enters the room. She and Jimena hug. Sofia says it was a nightmare, but now it's over. She asks about Grandpa. J has no news, and explains that Mom has locked her up, and Oscar left the door open for her and now she has to go back. Oscar offers to take her back on the horse, whew glad that's all sorted out. Sofia sends greetings and love back for the rest of the household, and Jimena says their mother is doing worse than ever, which makes Sofia sad. As they hug again, Oscar stares at them with a strange look. (Is he picturing them naked?)

Poor Juan is never going to get any sleep... now Franco is asking him what's going to happen next. Juan gets a goofy grin and says he doesn't know. Then the padre comes in and wants to talk to Juan; Franco leaves. Tadeo says he knows it's not a great time, but he won't be able to retire for the evening without asking Juan if there's anything he'd like to tell him. After some hesitation, Juan tells the priest to get comfortable...

Oscar tells Jimena he's happy to see how much she loves her sister. She says they're all different, but they're united and have always protected one another. Even though they are close in age, Sofia has always been like a mother to her and Sarita. Oscar says it's the same with Juan. He promised their deceased mother that he would always care for and protect them. When their younger sister died, they couldn't do anything, and they felt responsible; it affected Juan deeply. Oscar felt very guilty.

Jimena says losses are so painful. She has a cheerful disposition and many people think she's never sad, but that's not always so. She often thinks of her father, and his untimely death. She misses him so much. Her and her sisters' lives changed greatly after that. Oscar, crying, says it's the same for him and his brothers. He's embarrassed to be crying. They hug and cry together.

Juan tells the padre he doesn't know where to begin. He struggles with his words, not making much sense, says "it was like a bolt of lightning..." (he bangs his hand against something and yelps in pain, then laughs - another unscripted moment, I think). Finally he explains that it's as if the forces of nature gave him a big shock, everything was dizzy, dizzy... it seemed the only thing to do was to hate Sofia, and take out his vengeance on her; but he looked into her eyes and his heart was revealed. He couldn't hate her. He was in love with her, a love so big, so true, and then he found out she was married, and he didn't know she was forced to marry him... (he pouts), but he's sure that she loves him as strongly as he loves her, and no one will ever split them up ever, no matter what.

Juan asks forgiveness for saying all these "barbaridades." Tadeo blesses him, and says he's blessing him the same way he has always blessed true love. He leaves Juan to rest; Juan wipes some invisible tears off of his face.

After all the mush-talk about how much she and her sisters love and protect one another, Jimena and Oscar are surprised when Sarita shows up, scolding J for for being thoughtless, letting them worry while she was hanging around with "this worker." Jimena says she went out to get news about Sofia. Sarita scoffs, but Oscar confirms that Sofia and Juan are safe and sound. Eva is delighted, but Sarita continues to sulk. Oscar says she should follow Jimena's example. Sofia needs their understanding, he says - not judgment, much less critiques. Poor Sarita has no idea what he's talking about. Oscar makes a tiny kissy-face in farewell to Jimena. Eva tries not to laugh. Oscar rides away.

Sarita wants a full explanation right there in the back yard; Eva advises them to go in the house. They agree that the important thing is that Sofia's okay.

Sigh. The episode's almost done, and only now does Feo show up. Too bad, because he's fun to recap.

He comes home from whatever dastardly deeds he's been up to. He starts up the stairs, and even from behind you can see that he's in a bad mood. He catches himself halfway up the stairs, comes back down, and thought-bubbles to us that he needs to change his expression and look really delighted when he tells Crabiela that Sofia and that damn bricklayer turned up.

He puts on his best Eddie Haskell face and goes back up the stairs like a happy schoolboy.

"How do you feel?" Oscar is asking Juan. Juan says he's feeling better. Oscar gives him a mushy speech about how they don't always get along, but he still loves him because he's like their father, etc. etc. Juan says Franco told him that Oscar jumped into the river to save him. Oscar says yes, they wanted to find him alive, because he couldn't handle another loss or imagine life without him.

Oscar says it's just the three of them, like three fingers that can move alone, but when you close them into a fist they're strong, decisive, united. "We are the three Reyes brothers! Only death can separate us." (Ahem, Oscar, you are the three Robles-Reyes brothers.) Juan scolds himself for crying. Oscar jokes that Juan cries like an old man. They hug and cry some more.

Next time:
Jimena tells Sarita and Eva that Juan and Sofia are in love. Only one of them is surprised.
Franco tells Rosario he loves her with all his heart, but he doesn't know what he feels for Sarita. (Rosario takes this poorly.)
Dr. Ratched seems to have lost track of an eccentric Grandpa.
Furd congratulates the happy couple on not being dead.

Labels:


Comments:
Funny stuff, Julie! Thank you for keeping me laughing.

We’re all scratching our heads over this whacky novela. What’s up? A parody? An extreme TN rosa? The earth opened up and swallowed the director, writer, and wardrobe lady, leaving the cast to fend for themselves? My explanation? Two years ago, two Televisa exec’s were fighting over what the public really wants in a novela.

Sr. Block said they want schlmaltz. Lots of skin, emotion, doe eyes, steam coming out of ears, miracles, voices from the dead, the sappier the better. The world disappears when the two stars see each other for the first time. They don’t need any reason to be in love. Madly, earth-shakingly in love at first glance. It’s what our network always feeds the public, and they always gobble it up, ergo it’s what they want.

Sr. Italic vehemently disagrees. He says the only reason the public watches schmaltz is they have no choice. If we gave them quality, they would flock to it. What they want is well-developed characters. The stars should know each other before they fall in love. The villian should be slowly revealed as more and more reprehensible. The audience wants to know WHY a character has a certain personality. Why is she afraid of love? Why is he so jealous? Why is she angry all the time?

No, says Sr. Block. Those nuances would be wasted on them. The character needs to say “I’m so angry!” so the viewer knows he’s angry. Who needs dialog? Just have lots of kisses and they’ll be happy. That’s all the character development they need.

Sr. Italic says the public wants a well-developed plot. Two characters, each driven by a compelling goal, and their goals come into conflict. Figure out the characters’ motivations, have them driven by their motivations, obscure parts of the plot, but drop hints and let the public draw conclusions based on what has been revealed. They’ll stay riveted, following the growth of seeds planted from the beginning of the plot.

Sr. Block and Sr. Italic make a wager. You make your kind of novela and I’ll make mine. We’ll see what the public really wants. The one who wins the wager gets to control all programming for the next five years. Trato y hecho! The result? Fuego has great ratings in Mexico. Pasión had lousy ratings. This does not bode well.
 

Cute recap, I think it's all falling into place, what we care about: the donkey, the bunny, Father Tadeo's hairdo and forehead, whether the headlights are on or off, whether dirty pan from the floor makes it back into the display case... What we don't care about: plot and dialog... this is the only way to avoid frustration with this dippy show. I still await a definition of TN rosa!
 

While watching I got the feeling that last night was a "Very Special Episode", I mean Eduardo Yanez (sp?), is like the Forrest Gump of Hawtness. He plays basically the same 40 year old Virgin role as in DA. Don't get me wrong, I think the guy is uber hawt, but still I get a High school lawn boy vibe off him. Maybe it is that Golly Schzam Cupid Stuck me with an arrow, persona he pulls.

I am bi polar while watching him, cause while he is soooo hawt, I can't help but feel in real life after you got over the thrill of his awesome hawtness you so couldn't take him in public, not cause he is unshaven, poor and thinks baking with copeous amounts of body hair is a good idea, but because well after a romp in the abandoned barn, it would be really hard not to ask if he needs a note to to explain why he missed first hour.
 

Julie !!!***I haven't finished reading the recap, but I had to tell you how much I appreciated the concept of Juan and Sofia making hot monkey love on the vine over the raging river. You always have a unique perspective. That settles it...you should be doing the actual writing for this novela. Keep up the good work. Now, I'll get back to reading the recap.
 

Julie: This is a really great recap.

I have no idea what's in the minds of writers or producers of telenovelas. Like the rest of you, I think this story is just plain silly. But, whatever it is, EY brings a certain flavor to it that makes the hour I spend in front of it worthwhile.

But, the writers probably could have gotten similar results with fewer laughs if they had made the characters a little older - say, maybe 25 or 30.

Good morning from lower Ala
 

I don't know which is funnier: the recap or the comments I've read here so far. I've been reading CarayCaray for ages and just now (???) found the "comments." (Ah, well, the mind is the first thing to go in old age.)

doris
 

julie, thanks for the inciteful recap. I was puzzled by that sound/captioning issue at the river; I thought that maybe it was my set, it's been acting wierd,( now the remote can only control the volume, and the changer is stuck on Univision!)...bloggers, bloggers, can't we just accept this show for the fine dramtic video literature that it is? I know that there area few holes in it, but isn't that why we so enjoy swiss cheese? And this show is cheezy, too, so where is the problem?..Someone, sometime, somewhere said something about AN never wearing anything but long skirts to hide her bird legs. Last nite we got a glimpse of her pins on th rope, and looked to me that there is a normal amout of carne en los huesos. I, for one, would like to get a better look. Also, she didn't have access to her usual hair braider, a bit messed up after her trek with Juan, I'm eager to see how it looks after a nite at the convent...I hope that the pueblo doesn't gossip nastily about our rescued lovers, that would destroy Crabi, more than if Sofia had permanently disappeared.
 

Doris, bienvenidos al club! You'll find that the recap is just a springboard for the dive into the pool of snark!
 

Paula, that was too funny - Sr. Italic, LOL!

Melinama - did you see the definition of TN Rosa that Sylvia posted in comments yesterday (or maybe it was Sunday)? I found it slightly helpful, but not entirely, since it relied on an example I've never seen... I think it refers to the stereotypical type of TN that non-TN viewers imagine when you tell them you watch telenovelas.

I agree with Beckster - in both the roles I've seen Eduardo in, he's like a little kid trapped in a super-hot grownup body.

Bess, no I couldn't write this thing - I would have had Sarita and Eva hide lots of pillows under the bedcovers and then hide on the balcony, which Gabriela would then lock and then it would start to rain. Of course that would strike me as very funny, but only because I stole it from Leave it to Beaver and I Love Lucy. (Or I could be more daring and steal from Fawlty Towers, when the maid put on big glasses and a wig and pretended to be the inkeeper's wife so their visitors wouldn't realize that the wife had taken off in a huff...)

Pasofino, I agree about the ages, because having the characters be older wouldn't in any way make them seem less dumb! I mean, once you hit rock-bottom, there's no where else to go.

Dorado Dave - I wondered about the bird legs thing too, but when I image-Googled Adela I had no trouble finding pictures with her showing her legs. So I don't know where that story came from; maybe it was a temporary phase she went through.

Last but not least, welcome to the Comments, Doris... you have now entered the Fourth Dimension! Seriously, the recaps are fun, but this is where all the real action is. :-)
 

Yes Doris, welcome to the Comments as they are JUST as magnificent as the Recappers. And sometimes more brillant that the telenovela produced.

Julie, you are so wonderful. Thank you. And Paula Palvarones, thank you too! Very articulated explanation of why this bomb even had a wick attached.

Melinama, I did start looking into the term sub rosa, because that phrase I'd heard before. But I have not yet found a literary definition for 'rosa'. I wait to hear :-0

I tuned in last night to the funny part when Jimena and Sarina were doing their 'skit' followed by Neonando changing face by turning full front to the camera...leaving no doubt that the viewer was to see the comedy in this. That action and the music was clearly comedic. Sr. Block is not gambling on nuances. Neither he nor Univision is complimenting the viewers.
 

EY = Lil Abner
If they ever do the stage show in Mexico.
 

I am happy to say i am on my new laptop which is a dell in the color of spring green, I have named him(my laptop) Adam Evie(you know like Adam and Eve. cause its the color of an apple).
Anyways onto my comment
those who go down the river go to candyland...lol! I was so caught up in the search party cheering i forgot about the donkey. hmmm I wonder if anyone will find Juan's horse?
great recap! there is always something to laugh about,
 

Thanks for a humorous, detailed, excellent as usual recap. I'm one of the minority who're enjoying this madness. But in all fairness to the accurate observations & commnets of others, my main interest in watching the novelas is in learning Spanish. So, the novela automatically becomes likeable. Because of the recaps and subtitles, I learn as much from the not so good ones like Fuego .. as I do from the good ones like Pasion. Oh, and thanks for that comment about Fr Tadeo... I'm going to google that now.
 

Melinama, thanks for reviewing the most important parts of Fuego: the donkey, the bunny, etc. But how could you neglect the most important, the most gripping, the most critical to our enjoyment? The Green Pencils! In fact, I think we should assign someone Green-Pencil-Watch duty!

Another Fea question distantly related to Fuego (I almost can't bear thinking of the two with the same brain): bonbon - who used that term in Fea? I know it described a man, so was it Paula Marie? She seems the one with enough bimbo status. (Oh, the shame! I've forgotten a detail about Fea! Senility is gaining on me. Next thing you know, I'll be putting the cat in the dishwasher.)
 

On the burning "leg" question...I just figured those ample legs were those of the stunt double, not our wispy lead actress. I really can't imagine her able to hang onto a rope like that...way too delicate.

But hey, again...it's an indication of where the interest lies in this potboiler, Father Tadeo's suspiciously smooth forehead and mystery legs on the convenient rope over raging river.

Julie, you are awesomely funny...this wretched novela is perfect for your humor. Gracias.

And welcome Doris...yep, the fun starts here.
 

Just trying to get a handle on where everything is located. Okay, Sofia was going to walk from the convent to the church, so they must be close. And is the dispensario also right there? And this all must be close to the hacienda, because Jimena apparently walked there. And the bakery, is that close, too, or is it in town, which is far away, and requires horses or SUV's? I'm confused! We need a map. Or maybe I just need a nap.
 

Sr Block & Sr Italic -- too funny. Arguing and ending up meshing together into a plot that's all over the place but has a lot of screaming Te Quieroooo Te Amoooooo to keep the audience on the edge of our seats!

pick pick pick:
sor = (n.) sister, female member of a religious order
thus, not "sr. ratita," pero "sor ratita"

ademas, yo oi "Luis" cada vez, y no "Andres" -- does the subtitle thing on tv say Andres? I don't have subtitle thing on mine...
 

Thanks for the pick pick. I don't know what you thought I meant by "Sr.", but in English, "Sr." is "Sister," as in a member of a religious order. Just as "Fr. Tadeo" refers to "Father Tadeo," "Sr. Mousie" refers to "Sister Mousie."

And yes, the boy's name is Andres - that's what she called him in an earlier episode when he came to visit. I suppose the people who are keeping him, are calling him Luis so he'll be harder to find.

And yes Paula, it was Paula Maria who said Bonbon.

And you're welcome, Lisa, you had me wondering about Fr. Tadeo's forehead myself! It almost looks like it's a different color, but that's an odd place to have a tan line.

Emilee, Juan's horse is not lost - he very considerately ran home to tell the brothers Juan was lost. He didn't say it in so many words, but they saw it in his eyes. ;-) (Also by the fact that Juan wasn't with him.)
 

Julie, thank you for a hilarious recap as always.
Sr. Hombre de Misterio, I was thinking the same thought as you... where is everything located in this irritating backwater pueblo? I also want to see a map with coordinates, a mileage scale and landmarks clearly indicated. Where is this mysterious other side of the river that Juan and Sofia had never visited before? Wasn't that barn structure the same one where Dad and Sis found the needle?

And as Julie says. isn't Eva a little tease. I have information but it's a secret so I can't tell you. Hah.

Yes, I have more emotional investment in Mr. Donkey, the bunny and the poor little boy with his dog Mariachi, who seemed to have to run the countryside day and night in the rain because this weird pueblo has no means of communication. I am surprised it has electricity. It is much harder to relate to these adolescent 30 and
40 year dunces.

Apparently, Sr. Block's theory is working because I will be watching tonight.

G in CA
 

My mental picture of this nameless pueblo is just a confused jumble of fields, shady paths, and buildings.

Perhaps they rearrange themselves every night to keep us guessing. That would also explain why the phone company can't deal with it - the wires would keep getting tangled up.

I don't even have a good sense of direction in the real world, so I'm really lost with this one.
 

I think we are obsessed with Padre's forehead because it looks a little strange. I thought he was wearing a toupee, but when I google imaged him, he had the same forehead and hair when he was younger. I think it is the spray tan he has applied and perhaps it was appiled unevenly. The mystery remains.
 

Thank y'all for the welcome! Now I know why the telenovela-world foro is slow. Everyone is having fun ... here. ;o) I post over there as doris y'all but I really need to change that. I have no imagination and 'doris' was taken. Gaaaaa...


I finally noticed Fr. Tadeo's forehead last night. I thought it was a serious case of Botox but I finally decided it was latex glued on ? Weird stuff...

Despite the cheesyness of this novela, I am enjoying it because it is simple. And I need simple right now.

doris
 

Doris Y'all? Did you ever post to the ABC General Hospital chat board??

(Or maybe I'm thinking of someone else...)
 

Remember a week or so ago, my husband said something was visually out-of-synch about the bonbon singer? We figured it out last night, looking at her photo on the lyrics page. The poor girl is emaciated! You can count every rib, even on a small picture taken at a distance.

That is the mis-match. A body on the verge of starvation would grab every bit of fat it could find. And girls, when you diet you know where you lose weight first! A huge chest on an emaciated body is virtually impossible in nature. That's why she looks out of synch.
 

oh i must have missed the horse,
it would be a shame if those boys lost there horses,
i know the brothers were rich when younger but i wonder where they got such fine horses,
hmm from the feilds,a lonely old man with out sons,a bet, hard work....."the world may never know".....hey can you all guess where that phrase came from ?
 

Beckster, golly Shazam, you've got it--Juan is a cross between L'il Abner, Gomer Pyle, and Jethro from the Beverly Hillbillies.
 

Doris, welcome! I don't know about the other recappers but I do it for the sake of the comments! When I've recapped shows that nobody comments on I felt very lonely. The party is down here at the bottom. You can go back and read the backchat on earlier posts, it's just a riot.

Green pencils - my tv is too small and far away for me to see them. I've always wondered what the green pencil thing is about. I can't see anything much smaller than the Great Concha of Ladyparts. Heh.
 

(Warning: I'm about to obsess some more about the pencils.)

I think the pencils must be from Televisa's own office supply - they probably get custom pencils.

I am pretty sure there are no major pencil brands (ticonderoga, faber-castell, etc.) that sell that color in bulk if you just buy them at the store, but if you special-order your own pencils you can get them with pretty much any color and design.

Yes, I realize it's crazy to be so interested in the pencils, but I have a sick obsession with office supplies. If they didn't want me to be distracted, they should have gone with basic yellow or something like that!
 

Oh - Melinama - you're not missing much. It's just that every time I see a desk, I get nosy about what's on it. On just about every Televisa show, on every desk, there's a pencil cup full of green (rather than the usual yellow) pencils, all of them the same length, as if they've never been used. Almost as if... as if these people aren't real, and never use pencils!

There may or may not be the odd pen or highlighter, but there's always that bundle of fresh green pencils.
 

Believe it or not, I missed the Feo theme music last night when he turned around and leered at the camera and thought bubbled. I hope they play his jazzy theme tonight.

G in CA
 

It's funny, G - I used to laugh at Feo's theme because I thought it was so awful and out of place. Now I look forward to it because it suits him! He's awful and out of place too!
 

Julie, you and your office supplies! Forget the rooster shirts! Let's make a custom order for Televisa-green pencils! Sign me up for three dozen.

You can understand the hacienda having only pencils. After all, they can't afford cell phones. And no wonder. No one farms anything. But Conceptos was a 40-million dollar company, and what? They couldn't afford a single pen in the place? Except Lety's big fat El Marko's or highlighters, for taking notes and filling out forms.

Hmm. I've written two Fea comments on one board in one day. I feel the Fea vortex pulling me. Inexorably. Like a tractor beam. The question is, do I fight it or let myself fall into delightful oblivion? Wonder how long 301 hours of DVD's take to watch, if I FF through all cuartel and horse commercial scenes? If you don't hear from me for a week or two, you'll know what happened. Someone make a pot of soup for my family, 'K?
 

I always enjoy your humor Julie. You're clever and observant. I never noticed the green pencils. I thought you were talking about something else...
jb
 

On second thought, Anon 12:47, maybe you are right - "Andres" and "Luis" sound similar enough (not very, but enough) that it could be just one or another. (It'd be difficult to convince a little kid to use a fake name when he's being hidden away from his mother.)

Rosario was crying when she met him in that earlier episode, so I relied on the caption, which said Andres. But now I'm not so sure.
 

When I first caught sight of Rosario, my immediate reaction was ....female impersonator !!!because everything about her is so exaggerated...big hair, big boobalas...lots of makeup...and then there are those teeny, tiny , tight costumes....add all that to gather..do the math and what have you got ????...female impersonator.
 

hmmm...I'd better eat something...''to gather'' was suppose to be ''together.'' Pardon my lack of proofreading skills. I taught 12 verb tenses today for 3 hours for about the fifth day in a row...and I dreamed about teaching verb tenses last night. My brain is a little foggy.
 

Thanks for the recap Julie. Your observations are a riot. I sometimes get off track on one you mentioned earlier: sometimes when Juan and Sofia are together the camera angle looks like someone is watching them. They get me every time on this as its only an odd camera angle not one of Feo's goons or Feo spying on them.
 

Karen - I started watching telenovelas, it was La Fea and Heridas at the same time, and I noticed that on Heridas a scene would sometimes be shot from an unexpected place, like seemingly behind a plant or a sofa or something.

Since Heridas and La Fea were my first, and they weren't doing that in La Fea, I assumed that it was significant on Heridas, and that someone was spying on people... I was stymied by this for weeks!

But I guess it's just one of the strange things you get used to in telenovelas, because I've noticed the same effect in Pasion, Fuego, maybe some others. I think it's supposed to give US the feeling that we're peeping in on a private conversation, but I find it very weird... I typically don't hide behind things and spy on people!

That particular time last week or the week before on Fuego was a little different because there was a clicking camera sound effect too. But since Feonando is STILL clueless about Sofia and Juan being an item, I take it that there aren't really any pictures, nor a detective or blackmailer with a camera. It was just the sound effects people having fun with us. Sigh, I fell for it. I feel so used!! ;-)
 

Thanks for the recap Julie, a sterling job as usual. I liked the Sr. Block and Sr. Italic dialog, but it scared me, because I want more tns like Pasion. The cliche tns are entertaining in their own way, but...
Obviously, tns, as a dramatic form, have their stock characters or archetypes. Has anyone ever made a list of them? Just wondering.
EY as Little Abner, Gomer Pyle, and Jethro merged into one--yup!
La Paloma
 

I agree with the "yokel" types listed as prototypes for Eduardo Yanez. I was thinking similar thoughts last evening after watching FELS.

To me Fernando Colunga remains absolutely the sexiest man alive. Great body and face, of course, but what's devastating about him is that he always appears to be the smartest guy in the room. And yet ... he manages to convincingly (and without overacting) fall madly in love with the heroine, usually the first time he sees her. What's attractive is: how great would it be to have someone that bright and together, and looking like he does, totally in love with you!

This is the first time I've seen Yanez in anything. He's attractive, great smile, but I just can't summon up any fantasies about spending time with him. Of course, the writing in the novela is not his fault, but the guy seems like he'd bore me to death after one day.
 

julie - That's not me on the Gen. Hosp. foro....I haven't watched in 26 years. I still remember Demi Moore when she had that raspy voice and her face was different (pre-surgery?)

As for the weird camera angles . . . I'm glad Televisa's still getting their money's worth out of the split screen Brady Bunch feature.
 

Julie***A camera???? Would anyone in this strange telenovelaville HAVE a camera since there appear to be no phones [cell or otherwise], tvs, computers, microwaves, etc.
 

This comment has been removed by the author.
 

Excellent read, Julie.

Hey there, doris! Did you bring your beanies for the rest of the class? We'll need them to get through a Peter-Pan never-never land novela like this 'un.

Novelera, although EY doesn't generally ring my bell either, IMHO he did a pretty good job after the cast got their rhythm down and we got over the age thing (or did we ever?) with his role in Destilando Amor.

You're on to something, Melinama. Since there ain't any plot or meaningul dialogue, we are now "elevated" to commentary about peeing horses, little donkeys, bunnies' ears, basketball boobs on bimbos, aging male physiques in butterfly thongs, and finding hairs and bug bits in those very salty tasting concha buns after watching each episodio. > % > } Is there any wonder we use screen names???
 

Hmm..FC and EY...I like them both. Each has his own special charms. I've always preferred the largesized linebackers to the quarterbacks, so EY is appealing to me. However, FC is my number one telenovio because the guy is the best kisser in the world and knows how to put the moves on and can make viewers truly believe that his Onetruelove is Camila/Hippollita/Matilde with his intense, passionate devotion that can melt any doubt. EY comes in second...maybe third after the lovely and talented Marcelo Cordoba [the tialoving abuelo killer Annndresss from Amar sin Limites.]
 

I saw that darn half moon on the bottom shot again but it did not upset me like last time. Now I know It is seen near the equator but not in the U. S.
 

You guys are right -- there are a lot of MYSTERIES in this show --

Like where do the Reyes Bros keep their horses at the bakery? The horses always run home, neigh a few times, and then walk off somewhere...and there doesn't seem to be a barn at the bakery, unless maybe you consider the boys' bedroom...

And I've been wondering where the strange-other-side-of-the-river is too (is it where the hobbits live?) -- it seems to be very close by the town, but no one knows where they are once they fall over the side of the riverbank and get there.

Also how come the Big Black Vehicle that stalks Sofia is never recognized as one of the Big Black Vehicles that they use to drive into town from Hacienda San Agustin? Or are all vehicles in this place Big Black Ominous Vehicles?

The town always seems to be BIG, but also SMALL, in the same century with us but also in the 19th c. -- a kind of time/space warp. The entry titles say Cd. Serdan in curly writing -- do you think Cd. Cerdan is really like that for real?
 

Good point about the camera, Mad Bess... except, I suppose it could be like a Brownie or something. :)
 

Julie, Great and ever so funny recap. Thanks for making us laugh all the way through it. Once again you have surpassed the script for interest.

I'll be following you in a few hours filling in for Ferro tonight. This is sure an easier story to recap than any others recently. So it is always fun to fill in for Chris when he needs it.
 

Hey 8:04! I thought about mentioning that half-moon last night (remembering how many comments it got last time), but I knew I had already made way too many digressions in my recap! At least this time the moon didn't have a couple of stars shining through its dark half. That really bugged me. (I may have mentioned that once or twice at the time. :)
 

I wondered about recognizing the truck, 8:17. Maybe it was Armando's? Don't forget that Sofi also said its lights were off so she wouldn't have gotten a good look. (Yeah, I know we saw that its lights were on, but let's pretend we didn't notice.)

See, I have no idea with the theory that we shouldn't over-think this; the problem is, I never know where to draw the line as to whether I should think about something or even notice it. That's MY big mystery! For example, does it matter that Feo punches with his right and shoots with his left? I don't know!!
 

I dunno -- all the mysteries/discrepancies/oddities of this town make me want to go there!

Porous moon with stars behind, unknown surroundings less than 1/2 mile from perimeter, green pencils, magical horses that appear and disappear, an oven that bakes with no heat, the bottomless brandy bottle of Crabiela & Fer, cabanas that rise magically from lawns from only a dozen or so bricks, everyone sings beautifully like famous mariachis, a shining flower that conveys messages from the afterlife, a secret haystack place that only people looking for needles can find.
 

I forgot to mention -- beautiful bunnies that run around in the wild for anyone to find!
 

Anonymous 8:53, your comments are a hoot and so is this novela, Maybe that's it's attraction.

G in CA
 

Sorry, my typing and spelling are going downhill. I blame this novela.
 

Cheryl! I am glad we have someone in another time zone recapping tonight, because Univision cut in during an interesting scene to give us some news that we already knew was coming, and could have waited for the commercial.

It was only a minute or two, but it was a scene that I had been looking forward to. I would love to know what we missed!
 

Novelera, your comments about Fernando Colunga clearly demonstrate your good taste. I was going to add you to the FC: TBLMOE list, but I see you're already there. Smart woman!

About that place on the other side of the river, I think you have to go through the wardrobe to get there. That's why nobody knows about it.

And as for cabanas rising out of the earth and returning whence they sprung, I think it has something to do with Brigadoon. Maybe the horse stable is in Brigadoon too, but they have figured out how to get there and back in intervening years. Do horses talk in Brigadoon? It will come in handy when Papa's horse has to testify against Feonando.
 

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