Sunday, September 05, 2010

A comment on the genesis of a novela, by Yiddish author Sholem Aleichem

Hello friends, I'm in Berkeley where I can't watch Univision, que colmo, but I'm working on a translation of "Khasrileke Progress." In the passage below, the author, ostensibly visiting the town of Kasrilevke, notices how they draw in their readers with a crazy novela that sounds like the ones we watch!

During the time I was in Khasrilevke, both local newspapers, "The Yarmulke" and "The Cap," published a highly interesting and thrilling novel. One called it "The Forbidden Kiss from the Stolen Bride" and the second called it "The Stolen Kiss from the Forbidden Bride."

As the above-mentioned Khasrilevke highbrow led me to understand - confidentially, as usual - the said novela was taken from an old Russian book through the efforts of two literati, who endeavored to stretch its plots out as thinly as possible in all directions to make it longer, and - in order to keep the public in suspense - they were constantly thinking up new sensations, suddenly coming up with a fresh, healthy hero, lively right off the bat, who was not slow to bring a couple of women down from the Other World if it suited them.

And if you like, they'll start right over again from the beginning...

The truth must be told, however: in Kasrilevke the said novela was being read with great eagerness. People lick their fingers over it, looked forward to it. Morning barely passes, they throw themselves at the "Forbidden Bride."

In the normal course of things, there'd have been an end to it long ago. The authors themselves were hard-pressed to continue drawing out the suspense. They'd killed off the novela's protagonists long before: some had been hung, some poisoned, some shot. But in the course of their dismal competition, the editors demanded the story be drawn out still more: neither wanted his story to end before the other's.

During that time I was in Kasrilevke, it happened that some of the story's heroes were being shot for the THIRD time, and the Forbidden Bride had been stolen twice - kidnapped and tortured, thereafter sought and found, then stolen again, and again murderously tortured. There was just no end to these authors' atrocities - I have no idea what they were thinking!

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Comments:
Ha! Something about that seems vaguely familiar, as if we've seen other novelas strung out to the nth degree. Thanks for sharing that reference with us.
La Paloma
 

Yes, serial torture is endemic to human history, I think. (What's the date of "Khasrileke Progress?")

Probably tribal storytellers tortured their listeners every night during snowy winters.

From http://www.answers.com/topic/charles-dickens

"...In 1836 Dickens also began to publish in monthly installments The Posthumous Papers of the Pickwick Club.

This form of serial publication became a standard method of writing and producing fiction in the Victorian period and affected the literary methods of Dickens and other novelists.

So great was Dickens's success with the procedure - summed up in the formula, "Make them laugh; make them cry; make them WAIT" - that Pickwick became one of the most popular works of the time, continuing to be so after it was published in book form in 1837..."

 

And so it goes...everything old is new again. We all like to be tortured with a good, juicy tale. Thanks for sharing.
 

This was wonderful – thank you! I guess we’re all the same everywhere, every age in history.
 

I recently read The Hakawati, which is roughly about the old storytelling traditions of Lebanon (it's fiction and kind of wanders back and forth between the present day, the narrator's family history, and the stories that the grandfather (the hakawati, or storyteller) used to tell). Same thing in the hakawati tradition...they kept the story going on, and on, and on...

I actually like the long formats (movies drive me crazy because they're too short to have enough character or plot development to satisfy me) but I hate it when they stretch things out without adding more STORY. Pointless filler is annoying. I love fully developed side plots and intricacies, though.
 

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