Monday, April 22, 2013

Qué Bonito Amor #6 (Mex 8.2-9) Monday 4/22/13



Capitulo 8, Part 2 & 9: The Cock Will Crow

Lo del pasado

Jorge Alfredo auditions for Don Concho, forced by Oscar to sing "Jalisco, no te rajes."  Don Concho imposes the ridiculous condition that failure will also result in Maria being fired.  Jorge Alfredo tells Oscar that if he passes, Oscar can no longer call him "pochito."  He seems to fail.

Lo de nuevo (Capitulo 8, Part 2)

JNTR Bar: Jorge Alfredo does his best imitation of Alejandro Fernández, holding a long note without the microphone, shocking the hell out of Oscar and Don Concho, who glare back at him. He defiantly grabs the mike and finishes the song with a vengeance to the delight of everyone in the room but Oscar and Don Concho, who looks like he's trying desperately to save face. Mirna makes some token applause [WTF is her problem??] while Elvira needs a drool mask à la Leoncerdo from AB. Even the band stops to applaud. Don Concho finally gets up and tells Maria and Jorge Alfredo he wants to see them in his office after he has a word with Mirna. Oscar steps in front of him, saying first he wants to talk to him on behalf of the guys. Concho agrees and exits to some minor-key suspense leitmotif. Oscar kicks over a chair before exiting behind him, showing that somehow the cock of the walk's feathers have been ruffled big time. The waiter laughs in grito fashion as he approaches the bar, saying “It looks like the gringo isn't bad at singing rancheras” and the bartender comments [I think] on how the females are all batting their eyelashes at him, so he seems to agree. Fernando Milamores congratulates Jorge Alfredo by putting his sombrero on him for a minute and we see that Jorge Alfredo has won the approval of the rest of the band. The saucy-wench waitresses all stare at him; they know an alpha male when they see one. They all comment on how they can see what Maria sees in him.

I told you you could do it,” Maria says to him. He is astounded that she would have accepted being fired if he had failed. She tells him she believes in him. Some romantic background music as he says he can't begin to enumerate what she's done for him. A casi beso and he kisses her forehead again, restraining himself once more. Lourdes and Elvira sit at another table and it's obvious that the apple hasn't fallen far from the tree; Mama is something of a ramera herself. Despite having none herself she seems to know class when she sees it and wonders why Jorge Alfredo is singing in a bar. Elvira isn't thinking past her hormones and the two conspire on how they will coerce Don Concho into allowing Elvira to pursue Jorge Alfredo.


Office: Oscar is very annoyed at what just happened as Mirna enters, singing Jorge Alfredo's praises. She points out how impressed the female employees were and how this man is a gold mine. Oscar reluctantly begins making very understated concessions but Don Concho is convinced that Jorge Alfredo has the best voice since Maria's father's. Oscar gets a bit defensive, saying that while this guy sings more or less well, it takes years to become a mariachi and the jefe should be concerned with the reputation of his establishment. Mirna, however, thinks that Don Concho should give Señor Vargas a chance. Oscar starts saying that his guys won't take kindly to a stranger invading their turf [Speak for yourself, Oscar!] but Don Concho doesn't sound like this fools him. They'll deal with it. Oscar sensibly gives up, excuses himself, and exits. Don Concho sighs a bit, as though he just realized what he's taken on.

Men's Dressing Room: The guys vocalize and have a good laugh. Oscar returns and Fernando seems to realize that Oscar's feathers have been ruffled, maybe stepped on. “El Pocho” has been hired and that's that. Oscar tells them that coming in is one thing; staying is another. He intends to make his life hell. The others joke with that and go into a verse of “Despacito.” Fernando gives him a piece of advice: Keep rivals very close. Oscar decides his luck has returned because he can pluck the feathers off this little rooster [Perhaps he needs eyeglasses to see what he's really up against]. Two of the guys make bird noises and they laugh.

Office: Don Concho is obviously not going to pay Jorge Alfredo what he is paying the (more experienced) others por lo pronto depending on how the public likes him, which Maria considers to be unfair. Not only that, he has to be on serenata call. It's a wee bit uneasy, but Jorge Alfredo doesn't fight it. He tells Maria he needs the work to make the money to get back to Los Angeles as soon as possible and he's alright with this. Don Concho reminds him that he will have to dress like the others, though, which means he will need a traje de charro. Maria is put in charge of getting him one. They exit. Mirna looks like she will follow them, but Concho stops her and tells her to call the charro shop to make sure Jorge Alfredo doesn't get a discount so it will take him longer to pay off the debt. He's going to make it difficult for Señor Vargas to leave Mexico because he intends to keep him employed there as long as he can!

Corridor: Maria tells Jorge Alfredo he caved too easily and he could have gotten Don Concho to pay more; he will need money to pay his room rent, bills, and the rental of the traje. He's not sure what he just fell into and knows he will have trouble working with Oscar. As Maria exits to talk to Oscar, Jorge Alfredo/Santos thinks about his friends in jail and his own family honor.

[Capitulo 9]

Oscar's Dressing Room: He's not happy either at the prospect of working with Jorge Alfredo, but wants to talk to him alone “so he can't hide behind your skirt.” [Ay, por supuesto he should be smart enough to realize that this is a statement against penile interest.] Maria isn't pleased at this remark but exits to make way for this confrontation. After another childish power play about requesting permission to enter and Jorge Alfredo addressing him as “Don Coloso”, Oscar lets him know that he takes 50% of what Jorge Alfredo will earn doing serenatas on commission. [We think that Jorge Alfredo has taken enough humiliation for a month, let alone a day.]

Musicians' Dressing Room: The three younger guys speculate on how long it will take Oscar to drive the new guy out; Susanito thinks it will be about a week. Fernando tells them not to count on it. Susanito asks why and he tells them that it's obvious that Maria has it bad for the new guy; you can always tell. He is absolutely sure.

Maria's Dressing Room: The waitresses are telling her she has hit the lottery with Jorge Alfredo, waxing lustfully poetic about his good looks, talent, etc. They comment on the red roses.  Maria tells them he is only a friend and will be going home in a few weeks. They're not so sure she isn't sorry at that prospect.  The romantic music is certainly sure of how Maria feels.

Mendoza Apartment: Amalia tells Mancia she thinks Maria is in love. Mancia tells her that las cartas nunca mienten and this is normal anyway. Oscar is just jealous because he hasn't been successful with Maria. Amalia is still not happy about this, talking about the perfidy of men while glancing at the enshrined traje de charro. [Methinks she should just sing “Rata de dos patas” and get it out of her system.]

Maria's Dressing Room: Maria says she will miss him terribly when he leaves. The others are sure she's in love.

Mendoza Apartment: Mancia tells Amalia she should tell her daughters the truth. Amalia refuses to ruin the image they have of their father, going on about how Pedro destroyed her. She is sure that Jorge Alfredo will do the same to Maria and comments that hell hath no fury like a mother defending her daughter.  

Corridor at JNTR: The waitresses question her on her symptoms and determine that she's got it bad [and that ain't good, at least according to Amalia] .

Oscar's Dressing Room: Jorge Alfredo asks him why he gets half only to be told that he's not ready for more. But Jorge Alfredo tells him he realizes this is all about his having humiliated him in front of Don Concho and the rest of the staff. Oscar tells him things won't stay as they are and he intends to make his life hell until he splits the scene. However, Jorge Alfredo tells him he won't fall for this, letting him know he isn't dealing with a fool.

Somewhere Backstage: The waitresses continue to tease Maria in a good-natured way as she picks up a covered tray of food and exits.

Los Angeles

Commandante Derecho's Office: Derecho and Curtis speculate on Santos' whereabouts. They can't decide if it's more likely that he is in Zacatecas or Mexico City and they are not trusting any information. Their frustration is increasing.  They finally decide to pay his family a visit.

Musicians' Locker Room: Maria brings the food to the musicians, who talk about Santa Cecelia being the patron saint of mariachis; she teases them about their appetites as they devour the tortillas (possibly made by Mancia). Someone comments on her generosity as Fernando Milamores and Jorge Alfredo arrive. Fernando shows him his locker and the guys all talk about wanting a better future. Here we finally meet Jairo “El Aventurero,” who says he wants to have a great restaurant with marimbas and – por supuesto – mariachis! Others talk about living with their families again, going places – New York! – and one even about starting a mariachi school in his home town. Fernando, after some prompting, says something about helping mistreated women [OK, so has he figured out his own role in that problem? We think not.] Jorge Alfredo looks at them all and tells them that one of these days they will realize their dreams. Maria says “You speak as though you were the magician who will grant those wishes.” He pauses for a second, finally saying to seek their dreams and follow their desires. He looks straight at her on that last word.  Fernando notices this.

Club Room: Pinchi (the bartender) and the waiter joke around on the stage as though they were a comedy team, finally introducing Letty, who performs her song, dancing in some real ramerawear shoes and in a double-circle skirt with a bare midriff blouse. [We didn't know Rosario Montes had a sister.]

Garza Mansion: Justo and Altagracia receive Derecho and Curtis, who apologize for their timing. They ask if the police have news of their son, only to be told that he is believed to be using an alias to confuse people.

Maria's Dressing Room: Jorge Alfredo arrives as she finishes dressing and it's clear he likes what he sees [We wonder at the placement of the eagle on her skirt]. He compliments her, thanks her, finally picking her up and spinning around. Don Chente approves this because he sings for them.  Just as the kiss is about to happen Mirna arrives in her usual bitchy mood, demanding to know if she always has to yell at Maria to go out on stage. Maria excuses herself and rushes out to perform. Jorge Alfredo is about to exit behind her but Mirna stops him with a “Felicidades, galán!” indicating she might have some dishonorable thoughts about him. [I volunteer to be the bookmaker taking bets on the outcome of any future catfight between her and Elvira.]

Garza Mansion: Semi-humorous television music underscores Derecho and Curtis' implication that Santos is involved with a “criminal organization” because of his suspicious movements. Altagracia demands proof. Justo accuses the two less than brilliant cops of destroying his family's name and image. Curtis believes that the money found in the car is adequate proof. Justo doesn't accept this, pointing out that they are ignoring the evidence that someone tried to kill Santos. He picks up the forensic report on the crashed plane, hands it to Derecho, and says that someone messed with the engine of the plane and whoever that was is the guilty party. Derecho looks verklempt.

Club: The show goes on as the dancers go on stage. Elvira gets up from the table and approaches Jorge Alfredo flirtatiously. He actually looks a little relieved when Don Concho arrives shortly thereafter to tell Elvira to rejoin her mother.  When she suggests that he invite Jorge Alfredo to join them Jorge Alfredo is sensibly watching the dancers on the stage.  Concho tells her that as Jorge Alfredo now works there he doesn't get to sit with them at the table. Elvira obeys and Don Concho lays down the law that nobody who works for him is allowed to mess with his daughter or else [didn't catch the specific threat but knowing who this actor is it has to be gruesome]. Jorge Alfredo tells him not to worry; his daughter doesn't interest him. This satisfies Don Concho, who then goes about his business.

Garza Mansion: This evidence has not entirely convinced Commandante Derecho, who talks about the Mafia and how they don't like losing $10 million. Justo tells him he will turn Santos in if Derecho can bring him proof of Santos' involvement. He admonishes them to bring him better evidence before Derecho and Curtis take their leave, embarrassed.

Club: Elvira is a bit frustrated at being foiled in her seduction attempt and Don Concho doesn't make that any better by coming to the table and letting her know she is not to mess with the help. Lourdes has by now done a total about-face, saying she had thought Jorge Alfredo was rich, but now referring to him as a “muerto de hambre”, saying she will not have her daughter marrying a “Don Nadie.” [Ay, will she eventually be in for a shock.] Elvira, however, has other ideas.

Kitchen: The chefs dish up food as we learn that the straight-haired waitress has the hots for Fernando. Pobrecita.

Club: Jorge Alfredo hangs out at the bar observing the activities while Elvira observes him. Lourdes turns her head back to face her when she notices that. Pinchi suggests that Jorge Alfredo take himself elsewhere to spare somebody annoyance. Jorge Alfredo ignores him as the stage clears the way for Oscar. He dedicates his next song to his “hermano del alma” Jorge Alfredo, then launches into “El Rey” as he descends from the stage and walks up to him at the bar. Jorge Alfredo knows what this is all about and so does Maria, who looks upon this scene with disapproval. Jorge Alfredo keeps his cool through all this despite the temptation to get pugilistic.  The audience applauds Oscar's performance [We do hope he recorded this song] and Maria gives him a dirty look as the musicians leave the stage.

Office: Mirna tells Concho that Oscar is very jealous and Concho comments that he doesn't like competition. He talks about them as though they were a pair of roosters. We also learn that Mirna and Concho have their own booty calls. [No surprise but we do ask to be spared the details just in case.]

Mendoza Apartment: As Amalia, Paloma, and Isabel prepare for la Dia de los Muertos, one of them gets a photo of Pedro that we don't see and Isabel asks their mother if she loved their fathers muchissississimo. She says yes, but we know from her expression that she's lying through her teeth. Paloma gets soñadorada over her crush and we see that the only clear head in this room is Isabel's as she asks Amalia why she doesn't like Jorge Alfredo. Amalia says it isn't that; it's that she thinks he is hiding something. She cautions Paloma that in love there is suffering.  Isabel says something about constant fighting and Almira chides her.  [¡Ay, dios mio!]

Reyes Apartment, Rodrigo's Room: “My only love was your father,” Gloria tells him. He tells her that he used to wish for a father, but she's enough for him; she had been Mother and Father at the same time. She's happy to have a loving son, but asks whether he isn't curious to meet his father. He asks why his father never sought him out, never came to meet him. So he is eager to meet him... not. [TN Cliché #10: He will within the next five episodes.]

Musicians' Dressing Room: Fernando says they have an upcoming serenata in Santa Fe; Oscar points out that they have inadequate transportation to get there; his vehicle is out of commission. Someone suggests they get a mechanic and why not Jorge Alfredo? Oscar becomes insulting again, saying he knows nothing, not even how to hold hands with a woman. Speak of the magician and he appears, saying of course he is a mechanic.

Outside: Jorge Alfredo removes his jacket, which Maria takes from him. He rolls up his sleeves while Susanito holds the light for him. As we flies on the wall hold our breath he actually seems to know what he's doing, quickly finishing and telling Oscar to start it up. It starts, Oscar glares at him as he closes the front hood and wipes off his hands on a rag. Fernando rags on him to pay Jorge Alfredo for this work. Reluctantly he does, forgetting deliberately that he was no longer to address him as “pochito.” Jorge Alfredo extends his hand... and withdraws it just as Oscar did before. Somehow Oscar ends up with the grease rag in his hands, which he throws down on the sidewalk, annoyed. He gets back into the car so they can make it on time to this gig. Fernando makes a joke about this being like throwing down the glove to challenge someone to a duel and after another sarcasm I didn't get they're off. We hear the theme song as Maria helps him back on with his jacket. He stares down at their shadows commenting on she is so close but so far away. She sees what he's looking at and moves farther away, then closer so their shadows touch, then closer until she stumbles into him. They look into each other's eyes again, get closer, and closer and Don Vicente sings for them but.... Jorge Alfredo kisses her forehead again as he looks both wistful and pensive as he stares past her.

Half Moon.

Mendoza Apartment, Outside: Jorge Alfredo has walked Maria home and they talk about seeing each other in the morning to get him his traje de charro. [10,000 pesos says he gets the enshrined one.] She tries to offer him some money because what Oscar paid him won't cover the rent, but he refuses. He just wants to see her beautiful face every day. She is so glowing at this statement she should be modeling vestidos de novia. We think they'll finally kiss when... he kisses her forehead and she goes inside. They both remain still for a moment with the same obvious thought as the romantic music comes back for them. He puts his hand against the window on the door; she turns around and matches it.

Avances

Gritos and bad decisions may be ahead.



Supplemental Items:

Cocks of the Walk (and the Palenque)

Since Oscar's rooster lacks the comb and wattle and we're hearing a lot of references to these birds, here is a useful link about Cock Fighting.  



Lyrics to tonight's most important songs:

Jalisco no te rajes

Ay !, Jalisco, Jalisco, Jalisco,
tu tienes tu novia que es Guadalajara,
muchacha bonita, la perla mas rara,
de todo jalisco es mi Guadalajara.

Y me gusta escuchar los mariachis,
cantar con el alma sus lindas canciones,
oir como suenan esos guitarrones
y echarme un tequila con los valentones.

Ay !, Jalisco no te rajes,
me sale del alma cantar con calor,
abrir todo el pecho pa' echar este grito,
que lindo es Jalisco, palabra de honor.

Pa' mujeres Jalisco primero
lo mismo en los altos que alla en la cañada,
mujeres muy lindas rechulas de cara,
asi son las hembras en Guadalajara.

En Jalisco se quiere a la buena
porque es peligroso querer a la mala,
por una morena echar mucha bala
y bajo la luna cantar en chapala.

Ay !, Jalisco no te rajes ...

Ay ! Jalisco, Jalisco, Jalisco,
tus hombres son machos y muy cumplidores,
valientes y ariscos y sostenedores,
no admiten rivales en cosas de amores.

Es tu orgullo tu traje de charro,
llevar tu pistola fajada en el cinto,
tener tu guitarra pa' echar mucho tipo
y a los que presumen quitarles el hipo.

Ay !, Jalisco no te rajes ...

Abrir todo el pecho pa' echar este grito,
que lindo es jalisco, palabra de honor.


El Rey

Yo se bien que estoy afuera
Pero el dia que yo me muera
Se que tendras que llorar.
(Llorar y llorar, llorar y llorar)
Diras que no me quisistes
Pero vas a estar muy triste
Y asi te me vas a quedar.

Coro:
Con dinero y sin dinero.
Yo hago siempre lo que quiero.
Y mi palabra es la ley.
No tengo trono ni reina.
Ni nadie que me comprenda.
Pero sigo siendo el rey.

Una piedra en el camino
Me enseno que mi destino.
Era rodar y rodar.
(Rodar y rodar, rodar y rodar)
Tambien me dijo un arriero
Que no hay que llegar primero
Pero hay que saber llegar.

Labels:


Comments:
BTW, I found a website about mariachi clothing and the full male outfit -- including accessories -- can run to 35,000 pesos or about $3,000 US. If anyone can comment on what percentage that is of such a musician's income, please do.
 

Urban:

Thank you so much for this marvelous recap. Ay yi yi, waiting for Alfredo and Maria to kiss is going to be a long time. They get so close and then....kiss on the forehead, sigh!

I love that song "El Rey", there is a video on Youtube of Pablo singing it live in concert, but I don't know what year it was.

Thanks also for the lyrics you put up of the songs.

I'm glad Alfredo actually knew how to fix the car. Good for him.

I was really hoping we would see that picture of Amalia's husband. I can't wait until we can see it.
 

Beautiful fan too and that pic of Jorge Salinas, sigh.
 

I forgot one more thing. That sword dance they were doing on stage, is that the same one they did in Destilando Amor? It looked like it.
 

Great recap, UA, well done with lots of good snide humor.

He can fly a plane, drive a big rig, sing Mariachi (though there apparently were some early doubts... unfortunately my recorder cut off early Fri and his first attempt wasn't repeated last night), he sells cars so why would we doubt he can fix 'em?

"...talk about seeing each other in the morning to get him his traje de charro. [10,000 pesos says he gets the enshrined one.]"

No doubt, because don Concho didn't send Mirna to call his lawyer but to call the Mariachi suit rental guy to triple his usual fee (instead of a discount as he originally told her in front of Maria and Alfredo) so it will take longer for Alfredo to accumulate enough money to return to LA. He doesn't want him leaving so soon... "No way, José!"

During the avances I cringed because it almost looked as though Rogelio (LQNPA) might be back.

Carlos




 

Thanks, Madelaine, but I don't remember because I didn't see every episode of DA.

I think it will be a while before we see the photo of Maria's father but I think that Maria will give Santos the traje that belonged to him.

Which makes me wonder if anyone is going to take offense at that. Amalia was willing to sell it because they need money and she will be really upset if Maria gives it to Jorge Alfredo because it has to have been expensive.

Don Concho is likely to recognize it; I will guess that Fernando will, too. We don't know when Pedro died (or disappeared) so I'm not quite ready to say that Oscar will recognize it.
 

Carlos, avances are often intentionally deceptive and what we think we see often becomes something else. I think Univision takes cues from English-language TV on how it chooses moments from the next episode.
 

When you first mentioned Elvira, I thought you were talking about our commenter Elvira, lol.

'Elvira needs a drool mask à la Leoncerdo from AB.'
 

Hello everyone! Well I ran across this last night and freaked out. I LOVED El Hija del Mariachi! I hope this version of it is as good as the other one. Plus thelead makes me swoon every time I see him.
 

Thank you, Urban Anthropologist, for the great recap, song lyrics and other mariachi related info!

My favorite over the top scene was Alfredo spinning María around and the stars flashing from the hem of her skirt. Alfredo is clearly a man of many talents. :)

Jarifa La Joya del Norte
 

I wonder if they have asked Pablo to 'tone it down' a bit in his singing so that the singing of 'Jose Alfredo' will appear better than 'Coloso's.

'Santos Martinez de la Garza de mariachi... como sea para volver a LA para sacar a mis amigos de la carcel... pero sobre todo... lavar el honor de mi familia.'
what a line!... it shows a lot of Santos spirit and values... in his dreams he never imagined himself making it as a mariachi but he will do whatever to go back, get his friends out of jail and clean/restore the honor of his family. that speaks volumes.
and he will have to go through hell on earth 'Santos, no te rajes!'
 

I don't know who dubbed Jorge Salinas for that scene, but it wasn't a bad choice. In the normal way of things only Alejandro Fernandez would be able to beat Pablo in this sort of competition.

In view of what had happened with Pablo's singing in FELS I am surprised that Mejia is allowing him to sound like himself here. I was half-expecting something different. Had I written this series I might have made Oscar older, perhaps with voice problems and a real reason to resent Santos.

Although as I wrote that I was wondering whether an older or younger stalker is creepier. And Oscar is stalking Maria even if it's not 24/7.
 

I was thinking Celoso said Santos JA couldn't be a mechanic b/c he had the hands of a woman. I guess I thought he said that because Santos is an elegant man....how could such an elegant man know anything about cars?

But if you think about it, Santos' family does own a car dealership and he probably grew up hanging around his dealership's mechanics, poking around under the hood and watching them fix cars.

LOLAPD accused Santos of running around Mexico buying TVs etc. I guess it never occurred to them that his card could've been stolen. If they can get tape of him checking in/out of hotels they can get tape of who was using his credit cards.
 

Anon, unfortunately, not all places where people use credit cards would have surveillance cameras... so unless whoever it was that used his card looked overly suspicious, or it was a major store, i doubt they would have film from that.

On another note, everyone be careful going out there, they just found 4 'suspicious devices' at or near a mall and day care center in east Orlando. I am west of there, between Orlando and Winter Garden. surely our 'peace of mind' has been affected by all these events recently. Prayers go to the victims and relatives.
 

If I can screw that up maybe I shouldn't be doing this. I hate making mistakes. You probably are right regarding the comment about his hands; rich guys get manicures while auto mechanics usually have grime under and in between the layers of their nails that doesn't come out easily.

The repair looked like it was pretty simple and took relatively little time. Something more complicated might be another issue down the road.

"LOLAPD" indeed. They are incompetent if they think that a fugitive would use an easily traceable credit card.
 

UA,
"LOLAPD" indeed. They are incompetent if they think that a fugitive would use an easily traceable credit card.
ITA. and even more so a Well educated well informed fugitive.

Well, in LHDM Emiliano had a PHD in economics which would make him very well aware of that area/fact.
Santos seems to know enough, since he asked Rigo to check into the hotel with his name, and Santos would pay cash for it. So Santos must have enough financial savy.

OT: Sheriff has said on TV that two of the packages in FL are false alarm. hopefully the other two are also false alarms. but at least it shows that we are becoming more alert/aware of what is going around us.

 

Slightly OT: We just had an announcement that QBA was the #1 show in New York this past week. Nothing new, but definitely a statement.

There have to be more non-Hispanics watching for this to happen.

Back to our story. I'm sure that the traje we see Santos wearing in the poster shots is the one in Maria's apartment. If Don Concho plays games to get him to pay more than he should I can easily see Maria taking that suit out of the case and handing it to him.
 

I think Jorge Salinas is not being dubbed. If my poor interpretation skills are in the ballpark, I believe he has been practicing and it has been a challenge for him. Here is a link. Please let me know if my interpretation skills are as bad as I suspect :-)
http://televisa.esmas.com/entretenimiento/telenovelas/que-bonito-amor/noticias/552956/jorge-salinas-disfruta-cantar
 

So much the better, then. This is not easy music and this would be an opportunity to improve on the original. It would have been completely absurd to cast actors who can't sing rancheras when they have guys like Pablo Montero and Pedro Fernandez on the payroll. I know that Jorge Salinas has been on the musical stage but learning this in his 40s is highly commendable and makes him all the more admirable.

I dearly hope he stopped smoking. You need lung power and a lot of breath control for this.

Why doesn't Alejandro Fernandez take acting lessons?
 

UA--You did a great job on this episode. I would have been lost and at sea with all the idiomatic expressions. Thank you so much for the words to the songs. The music does form a very integral part of the story (duh), so, again, thank you for the extra effort.

Elvira has cleaned up a bit since her first appearance. She has a Julia Roberts wide-mouth grin that is actually quite enchanting.

UA, loved the phrases....'Despite having none herself she seems to know class when she sees it' and ...'Elvira isn't thinking past her hormones' and ...'[the saucy-wench waitresses] know an alpha male when they see one' (except that he spends a lot of time thanking Maria for this and that).

The LOLAPD are going on the facts that all these appliances are being bought in different parts of Mexico and suspect that Santos is being assisted to stay in hiding by criminal organizations. The report that the plane had been sabotaged is a very early unveiling--this would be something ordinarily held back until after Santos is captured and put in jail (only a deduction, of course, based on normal tn law).

(I went back and watched the very first episode and I heard Bruno and Arnold talking about the hidden money during the raid. Bruno said he hadn't had time to remove it from the car because it had been delivered late and since Mike was going to be getting the car that night, he couldn't get near it. The Godfather wasn't going to be too pleased to lose the money. So we know there *is* a criminal organization somewhere in the background.)

I suspect Santos' friend Rigoberto, the truck driver, sold the medallion and is now acquiring "stuff" with cash to put in his future house. But if he's using cash, how are the popos tracing him? Santos didn't give him his credit card number--all Santos had on him was the medallion and wet cash.

I knew Santos was going to fix the car. Except that he needed it, he should have refused the cash from Colosso--just to be one up on him. At least he gave him the unshaken hand.

I'm really enjoying the stage numbers and the singing--more than I thought I would.

It seems we are(at least the ladies in the audience, or at least I am) ready to forgive Mejia anything since he got Jorge Salinas in the lead.

We were robbed of a kiss by that metiche Mirna.

Tonight is Ellie's debut as recapper. Let's welcome her to the fold, be supportive and kind to her.

Anita, La Dama del Queso

 

Remember that Santos' wallet was stolen a couple of episodes ago. The thieves are probably trying to max out the card before he reports it stolen; they have no clue that there is a very good reason he can't.

Rigoberto sold the medallion, but I doubt they know this unless it can be identified by an engraving or something like that. I was tempted to think that Santos was foolish for giving it away, but at the time he had no clue he was going to end up on the run.

We may wait a while longer for that first kiss. Does anyone remember how long we waited for the first kiss in Ramona?
 

UA, between you, me, and the sombrero, I still have a hard time believing that it was Jorge's voice in the Jalisco song :-) Thanks for the lyrics and a fabulous recap. So much good info to absorb.
 

I don't quite believe it either, but it's a better match than the other day in the town square.

One thing there will be no argument about: He looks hot in mariachi clothes!
 

I don't think Rigoberto has anything to do with it. The thugs went oops upside Santos' head and stole his wallet. The first thing wallet thieves do is run to Best Buy, Target & Walmart & get their shop on.
 

Salinas was dubbed and with different voices. it is a fact. And later it will be obvious.
Alegria
 

I don't think Salinas is singing on his own, he must be dubbed, at least in some, if not all, of the songs. Otherwise, why are they hiding his mouth / face in most of the songs? if he was signing on his own there would be no need to do that. we see the mic covering up his mouth so we don't see any mistimings of his lips with the voice singing.
 

UA & Anon--I *forgot* about his wallet being stolen. That explains everything. Forget my Rigoberto comment.
 

Carlita, I read the article that you linked to. Jorge said that he did his own singing twice so far... that was him singing (which I missed) the first time he attempted Jalisco no te Rajes and another time (which we haven't seen yet) when he sings to Maria after a breakup. He did say that of course he had to learn not only the words of the songs that he appears to be singing but the proper interpretation of the songs to appear authentic. That's more less what he said.

Carlos
 

This comment has been removed by the author.
 


UA: Thanks for the great read! You had some great snarky lines in this one:

"while Elvira needs a drool mask à la Leoncerdo from AB."

"Mama is something of a ramera herself."

"Despite having none herself she seems to know class when she sees it"

Some of the slang is really hard to follow and/or translate cuz some of these words just don't show up in the average dictionary, and I can go three or four places at times and try differing key words of the phrases and still get nada.

Anyway, I was glad to read how JS had gotten help in learning to sing with the right type of emphasis for these particular songs. His voice even the first time was good, but he was purposely not putting the proper umph into it. So I got the feeling when I watched the whole scene from the beginning again that he didn't want Maria getting fired because he'd blown it, so that spurred him on to throw caution to the winds and to "go for it" during that tryout IMO.

BTW, I've been hit with mariachi-itis and now I'm turning on Pandora and hearing all of these classics. Very invigorating when having to get through the daily grind, ya know?

Jardinera654-La Duena de la Recamara
 

I believe what got him 'going' after the first 1/3 of the Jalisco no te rajes song was not only that Maria had put her job on the line for him, and also that Coloso teased him with 'the song turned out too big for you, Pochito??'
That is when he takes a huge breath and begins the long retained 'AAAYYY' note and the rest of the song. Also, he knew the chances of getting a job elsewhere would be slim to none, so even though he had never seen himself as a 'mariachi', when life gives you just lemons, you gotta make lemonade.
 

In a way, it might also have had to do with his own feelings toward Maria and his knowing that Coloso and Ruben would keep on pushing her until she end up giving in to either of them.
 

I don't think he likes much of what he has seen from Don COncho. Also, he still believes he will be able to go home soon And once he can clear his name up, he can return for her.
My guess is the jalisco no te rajes was a mix of his own singing and dubbing. The later part dubbed.
 

I'm a little embarrassed for Coloso. Around here the guys who drive vehicles like that are either able to fix them themselves or have their own people who can.

Carlos
 

The entire Mariachi Mobile team should be embarassed that none of them knew how to fix the van.
 

Agreed. That wasn't a complex repair so any of them should have been able to do it.
 

Loved this recap UA. I too got a Rog vibe from the previews with the yelling and screaming lol. Speaking of which, I thought for sure that Jorge/Alfredo and Maria were going to kiss. No go. Yet. Love this music in this novela too.
 

Carlos et al--Coloso complained that the hoopty mobile was in and out of the shop so much and the mechanic was charging him too much.

From the little they gave us on their backgrounds (each from el extranjero), it doesn't seem as though any of them learned any car mechanic skills.

At this point in their careers, at least for Coloso, fixing a car would be beneath him.

Probably why he mentioned that Jorge Alberto's hands were not the hands of a mechanic--too delicate.

Anita, La Dama del Queso

 

Gracias, UA, for the recap and astute observations of people's facial expressions.

I think there are something like 5 rooms we've seen backstage. Maria and Oscar each appear to have their own private dressing rooms--not sharing one room like I originally thought. There's a locker room for the saucy wenches, a locker room for the mariachis, and then I think the room that everyone gathers in most is more of a green room.

Seriously? All that was wrong with the Mariachimobile was a loose spark plug?

I'm also really curious about the traje's cost in comparison to expected wages.

And, yes, please, let's hear someone sing Rata de Dos Patas before this is all over!
 

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