Monday, September 23, 2013

Qué Bonito Amor #115 (Mex 153) Monday 9/23/13 Forgiveness

 

Lo del pasado

Elvirus delights in evicting Amalia and her daughters while making fun of Maria. She then rips something off the shrine to the Virgencita before walking out in her FM shoes. [Elvira, God will get you for that.]

Lo de nuevo

Prison Yard: The band begins playing “Las Rejas No Matan” and Oscar sings as Santos introduces Mike to Maria. He is clearly impressed with her.


D.F., in front of the Mendozas' Building: Everyone has been evicted; Mancia is more freaked out than Amalia. Irasema arrives and invites them to move in with her temporarily.

Prison Yard: Under the guise of coming for a mariachi competition, the band is there to help Santos by testifying in his favor. Mike goes on about how this is a good idea and how eager he is to meet his friends. It looks like the animosity between Oscar and Santos is finally over. A guard tells Mike he has a visitor and then escorts him inside to Wendy and the baby. He asks to hold the baby and is as happy as any new father.

Justo's Office: He tries to call Almira for the third time and gets no answer. Naturalmente, he has a sense of foreboding as he hangs up.

D.F., in front of the Mendozas' Building: Paloma sits alone in a chair, wondering what they will do. We see there is a hole in the back of one of their couches. Vainessa and her cousin arrive and Vainessa begins making fun of Paloma. To her confusion and possible peevishness, Aaron tells her not to make fun of Paloma and then offers Paloma his family's help. They apparently have something vacant she can stay in. Paloma thanks him.

Prison Yard: Fernando shows his wedding ring to Santos and says “This is your fault, you know!” but tells him he's now a happily married man. Santos congratulates Fernando and tells him he has a big surprise for him. He goes inside to fetch Don Nando.

Pensión: Amalia, Isabel, and the dog enter. Ana is there to help. She tells Amalia she will get her a cell phone so she can call Don Justo. Amalia displays her latest level of stupidity by telling her she doesn't have his number; he always called her. She then hands the dog to Isabel and tells her to put him to bed. When she exits with the dog [who, unlike most novela dogs, has just been a set prop] Amalia tells Ana she intends to go back to Doña Magnolia's to cook so they can survive. She finally exits and Ana hugs Isabel.

Cell Block: Don Nando doesn't feel like hearing music and doesn't want to go outside. He tells Santos he remembers. Santos persuades him to go to the visitors' room. The prison librarian is passing through with a cart of books and Santos whispers something to him. He nods and carries on.

Giuliano's Office: Whomever he's talking to, he says that the time has come and soon the attack will take place. As he hangs up, he picks up a photo of Maria and we get a creep vibe. [Maybe it's because I'm at the opera tonight, but I think he will try to play Scarpia to Maria's Tosca.]

Orphanage (Outside): El Jalisquito is trying to leave; the social worker is trying to stop him.
She wants to send him to another family, but he wants to go back to Fernando and Ana. We find out his name is Vicente.

Visitors' Lounge: Santos escorts Don Nando inside and he is face to face with Fernando. Maria is also there and she goes to Santos as soon as she sees what is happening. Fernando isn't quite believing this, finally saying that all those years he prayed to the Virgencita to find out what happened to him. He is unwilling to listen to any explanation. His mother abandoned him and later died, leaving him an orphan in the streets. Don Nando explains that he lost his memory and has been in this prison for many years. Santos explains that this is true and Don Nando's case was never properly resolved. Maria is shocked at the injustice. Don Nando begs his son's forgiveness.

Irasema's Old Place: Mancia is crying over Susanito's absence. Irasema comforts her.

Visitors' Lounge: Fernando is still angry on his mother's behalf. His mother wanted to see Don Nando before she died. He demands to know how long Don Nando has been in prison. “Muchos años” is all the old man can say. Santos then tells Fernando that it has been 35 years. Fernando is still not convinced, demanding to know the reason he is in prison. “They say I killed someone, but I don't remember. Then my countryman said the word 'Mil Amores' and I remembered that my name is Fernando Beltran.” The Son dela Negra made him remember it's been years since he saw his wife. Maria begins crying as Santos watches this with an eagle eye.

Justo's Office: He looks at a document, asking himself why a certain call wasn't investigated. A maid enters to tell him he has a very insistent visitor. Carl Summer enters, announcing himself as an old friend. “When were we ever friends?” Justo asks him.

Visitors' Lounge: Fernando tells his father how much he hates him. He can't forgive him. “you can't understand how we suffered!” Don Nando acknowledges this and tells of his own suffering at missing out on seeing Fernando become a good man, handsomely dressed as he now is. Fernando is finally tearing up. Don Nando thanks Santos, telling him this was the best gift anyone ever gave him, then comments on Maria's beauty.

Justo's Office: Of course he demands to know what this man is doing here where he is not welcome. Summer tells him it's not a social call. It's about his son's case and he better not rest. He reminds Justo that he has a 100% conviction rate. [Author's note: Not even Vincent Bugliosi had that.] Justo tells him not to cry victory yet, that the case against Santos is full of inconsistencies. This doesn't phase Summer, but Justo reminds him that they aren't a pair of criminals. Summer's threat is about the downfall of Justo's entire family. Justo is incredulous that this hatred has gone on for so long. It seems to be a hatred similar to what Elvira feels for Maria. Justo thanks him for the warning and warns him that he will not allow this hatred to hurt his son, whom he will defend to the end. They stare at each other.

Vistors' Lounge: Santos prevents Don Nando from leaving. Maria begs Fernando to not punish the old man further. As Don Nando is about to exit, Fernando tells him not to leave, then calls him “Papa.” They embrace. Lagrimas de todos. Finally, Fernando forgives him .

Prison Yard: The band continues to play, Santos dances with Maria. The prisoners are enjoying themselves. Someone hands a guitar case to Oscar, who opens it to reveal Mexican drinks and treats that he begins distributing to the prisoners. The guard on Giuliano's payroll watches with a belligerent expression.

Visitors' Lounge: Fernando wants to know what happened all those years.. but can't see it in his father's eyes. Don Nando wants to know about Fernando's life. [I am having a sense of foreboding now.] Fernando doesn't provide much detail, only that he was briefly a delinquent. Finally that he loved women and thus earned his nick. However, he now loves only one. He shows his wedding ring, saying he wants to start a family with Ana. Don Nando is sorry that he didn't make that happen. “It's in the blood,” Fernando tells him. [Do people still really believe this?]

Prison Yard: The band plays on while Santos and Maria dance to “Mexico Lindo y Querido.” He sings this. For once Oscar doesn't look resentful as the music segues into Don Vicente's theme song and Santos picks Maria up and kisses her.

The kangaroo court begins tomorrow and it looks like while Santos is in a suit he was denied the privilege of a razor [Need I mention that this is not the American way?].



Lyrics

Las Rejas No Matan” [It's on Pablo's 4th album]

Si hasta en mi propia cara
Coqueteabas mi vida
Qué será a mis espaldas
Y yo preso por ti

Unos guardias me han dicho
Que ya tú andas perdida
Y que ya ni te acuerdas
Lo que hiciste de mí

Qué rumbo tomaste mi vida
Qué puerta a tu paso se abrió
Qué luna te espera angustiada
Oyendo tu nombre, oyendo tu voz

Qué labios te cierran los ojos
Los ojos que a besos cerré
Aurorars que son puñaladas
Las rejas no matan
Pero si tu maldito querer


Mexico Lindo y Querido”

Voz de la guitarra mía, 
al despertar la mañana 
quiere cantar su alegría 
a mi tierra mexicana 
Yo le canto a sus volcanes 
a sus praderas y flores 
que son como talismanes 
del amor de mis amores 
México Lindo y Querido 
si muero lejos de ti 
que digan que estoy dormido 
y que me traigan aquí 
Que digan que estoy dormido 
y que me traigan aquí 
México Lindo y Querido 
si muero lejos de ti 
Que me entierren en la sierra 
al pie de los magueyales 
y que me cubra esta tierra 
que es cuna de hombres cabales 
Voz de la guitarra mía, 
al despertar la mañana 
quiere cantar su alegría 
a mi tierra mexicana 
México Lindo y Querido 
si muero lejos de ti 
que digan que estoy dormido 
y que me traigan aquí 
Que digan que estoy dormido 
y que me traigan aquí 
México Lindo y Querido 
si muero lejos de ti

Labels:


Comments:
Coloso was never a bad guy, so I'm glad to see he's finally put his jealousy of Pochito away to make Maria happy. That's actually love right there. Coloso is putting Maria's needs & happiness above his.

Fernando Jr. is going to be pithed when he finds out Ms. Social Worker went back on her word and sent Vicente Jalisquito away.

Throughout all the eviction commotion, Amalia's dog looked bored and over it.

I'm still trying to wrap my mind around the (cell) block party in the prison.
 

Thanks, Anon207.

I got home shortly before midnight after freezing on Lincoln Center Plaza. There was no real excitement during the arrivals; didn't see anyone famous, but I bet there were a lot of wannabes in that group.

The performance was beautiful and the main cast members came out on the second level to take a curtain call in front of the outdoor audience as well.

Hosting the event was Alice Coote, who will be in the new production Two Boys, which starts in October, and Nico Muhly, the composer. He is only 31 years old. I'm not seeing this production, but may see it somewhere down the road if it's a success.

Now, about the episode:

I refuse to believe that it's that easy to evict anyone from a building, especially with the history of this neighborhood.

Carl Summer's personal vendetta against Justo will not sit will with his superiors and is also permitting corruption on his own part. Particularly since the evidence against Santos is so flimsy.

I think Justo pulled strings to make the prison yard party happen.

Will we eventually see Aaron turning on Vainessa? I'd like to.
 

UA - Thanks. Lovely recap. I was thinking the same thing about the dog. Too bad they only used him as a set prop.

I enjoyed the meetup between Fernando Sr. and Jr. Nice job by Arturo Peniche. Santos and Maria butting in gently when needed seemed realistic. I guess the mother put Jr. in an orphanage so he would be guaranteed some food and a roof over his head. It doesn't sound like she cut him out of her life.
 

Aaron surprised me last night. Vainessa is a complete snob and spoiled brat but it looks like her cousin hasn't completely gone over to the dark side.

Laugh about the prop dog. In reality the dog is Angelica's and seems to be her lucky charm and it's very well behaved.

I too was glad to see that Coloso has finally stopped acting like a jackass. Loved the prison block party and a mariachi competition is a clever idea as the excuse for them all going to the prison. There is a huge Mariachi festival every year where I live so the idea is plausible.

I can't help wondering how it is that these poor people always seem to have some vacant place for somebody to stay. They found a place for Wendy and who knows how many other people were heaved out onto the street by the Redneck and Evile. Or did they only target Maria and Susantio.
 

Great recap, even though something else was occupying your attention.

Some clarification that doesn't matter in the least--but, for clarity's sake...Aaron wasn't offering Paloma a place to stay, he was offering an unused storage locker to put the furniture. In that instance I thought Aaron, despite his earlier deviousness, is a better match for weepy Paloma than weepy Roddy.

It seemed that only the Mendoza's stuff was carried out to the street. I thought it was funny how all those big guys clearing out the apartment, after picking up the couch and a table, concentrated on the phonograph and framed photos. One of them looked in the kitchen and kinda shook his head.

I didn't think Jalisquito was trying to leave--he was being forced to get in the van to take him to the other orphanage wherever it was he came from. Nothing the poor little guy said moved her. She kept insisting that he would make new friends and would be happy there--cold as ice, she was. Same end result, she went back on her word.

Loved the whole prison scene. Kudos to Arturo--he did a great job with both personalities.

How did these guys get all that food through TSA, unless they checked their precious instruments. I think it was Tostitos and sauce that he took out.

So, Justo is back in LA, just(o) in time for the trial. The Prosecutor is under the influence of OJ. So we'll see how this one goes.

We have another kangaroo court going on over in LaTemp which is a scream because they DO have witnesses swearing on the Bible to tell the truth, cross-examination (sort of) and a full house of jurors--in a capital crime, two days after our hero was arrested. Carolina--if you are watching that one, I'm sure your justice system beanie is on tight.
 

I meant...in that instant...and I don't have an iPad to blame.
 

Watching Arturo Peniche last night was like taking a Master Class in acting. The essence of acting is reacting in character to what is coming to you from another actor. He had nothing coming at him. Add to the extreme difficulty is that the scene was highly emotional. He did a suburb job of showing both Don Nando'confusion and guilt and Fernando's pain and anger. It was riveting. In a word brilliant.

I still don't get Summer's vendetta againt justo and his family and a 100 percent conviction rate isn't close to accurate. DA's with convictions in the 95% range are considered stars and our corrupt friend is full of himself.

ANITA I also had a flash that Aaron might be a beter fit for weepy P than weepy R. I'm really curious to see what will happen when everybody shows up at the Mendoza hovel and noothing is there.
 

Beautiful pics of Danna. That suit sort of makes her look like a Mariachi Wonder Woman-- instead of the eagle being across her boobs, it's across her, uhm...underoos. :)
 

This is the first time that I've seen Arturo Peniche in something and actually liked him, he's doing an awesome job in this one!
 

That eagle on her skirt is just odd. There really is no decent place to put it. The whole outfit would look much better without it.

ELI I've always like Arturo P. Check him out in Alborada in the scene where he talks about having been sexually abused as a child. Riveting.
 

I have wondered about the placement of that eagle on Maria's skirt. It seems odd and some might think it threatening.

El Jalisquito will be back; why else would we have had so much invested in him at this point?

I am concerned, however, about Don Nando possibly becoming the story's sacrificial lamb.
 

Decie, I'll do that! I don't think I've seen him in much but that's because I came back to telenovelas only about two years ago.
 

I find it very endearing that Jalisquito's real name turns out to be Vicente. I'm thinking it is a tribute to Jalisco;'s own great Vicente Fernandez who also used to sing on the street for tips and who of course sings the theme song.
 

Just as "Jorge Alfredo Vargas" refers to Jorge Negrete, Jose Alfredo Jimenez, and Mariachi Vargas de Tecalitlan.

Brag of the day: This afternoon I went to the Met Opera shop to purchase a CD to be signed, so I got to meet Placido Domingo! He's very charming.
 

Urban, Thank you for updating us on your lovely evening at Lincoln Center! Huge thank you for posting your super recap for us in the midst of all you are doing. :))

Some Odds 'n Ends:

Arturo Peniche. I wish I could meet this actor. I wonder if he does legitimate theatre in Mexico? I think he would be a natural.

Coloso's sombrero had a beautiful gold braid. Really stunning.

Maria's sombrero was equally stunning, but in a feminine way.

I've never quite understood the placement of that eagle on the white dress. Is that standard?

Justo, the actor, has a beautiful speaking voice.

Justo and Summers both have beautiful grey hair.

Danna Garcia really doesn't need the filler on the upper lip. It's not over the top like a fish mouth, but she doesn't need it.

I have enjoyed the theme of "finding oneself" in this TN. How far does one have to go and how much does one have to suffer in order to truly know and find oneself?

JA and Mil Amores have certainly found their way to who they are.

I don't see how, at this late stage, that there is any good reason for Justo and Amalia to end up. There has been no real "knowing" about what they would even mean to each other. So, if they get together in the end, it would be pretty phony.

Lastly, Arturo Peniche. How many mores times can I say it? Mr. Peniche, I have no idea if any of you actors read our friendly blog, but I send you my deepest admiration for your acting.

Fatima
 

URBAN!!!! Placido Domingo!!! YIKES!!! You lucky dog!

Tell me, is his speaking voice as beautiful as his singing voice?!

Yes. I have a "thing" for men with beautiful speaking voices. :))

Fatima
 

Yes, it is. His speaking voice is still beautiful.

I will be seeing him on the Met stage this spring when he plays Neptune in The Enchanted Island.
 

Urban, you are one LUCKY DOG!!! :))

Fatima
 

Anita, I can assure you that my beanie is on so tight it's cutting off blood supply. Which, given the current plot twists and turns, may be a good thing.

No, I haven't been keeping up with La T, and I am not even sure what DamFab is on trial for. Is is for killing the Pester Ester?
 

I think so. I can't wait to see what happens when her father learns the truth.
 

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