Friday, May 29, 2015
Weekend Discussion: Have the Writers Declared a Competition on Perversity?
IMPORTANT: Please confine discussion here to this general issue and not get into the other elements of LSdP #74. That would not be fair to Lila.
Labels: telenovelas, weekend
I'm hoping that they give this young woman the strength she needs to rise above this, and fight back. I wanted her to scratch, bite kick, do something. He got his nasty finger In her mouth, he's licking her face.they need to come up with something better than this cause I'm about ready to quit watching this telenova. After this she don't need no DNA TEST!!!!
I'm hoping I didn't over do it, if you feel the need to delete this cooment its ok.
Are these writers all men? I would hate to think a woman would write such drivel.
I can't even talk about the trash on La Sombra.
Really, writers?
FeVier of PSMA seemed to be the worst of the worst for a while, seducing his son's girlfriend and almost murdering his own son while going after the two women who got his number and had him put behind bars. I wasn't really satisfied with his Karmageddon because it still left open the possibility that he could escape from prison again and I felt that death would have been the only way for Isabel and Andrea to have any peace of mind that he couldn't do anything to them again.
As to Anon at 4:04AM's question, it seems that most of the writers of all three series mentioned so far are men:
LSdP: 5 out of 6
QTPD: 6 out of 8
PSMA: 4 out of 7
There are no common names on the IMDB listings for these three series among the writers or producers. The first two series are based on original stories by Caridad Bravo Adams, who may be cursing from her grave as I type this. She created a few perverse villains but I'm sure she never envisioned that their perversity would be this blatant in future productions.
IMPORTANT: Please confine discussion here to this general issue and not get into the other elements of LSdP #74. That would not be fair to Lila and I don't want to be kicked off this blog.
Deleted, revised, and reposted to correct an important statistic.
I stopped watching LSDP because it's very depressing & disgusting at what Severiano is doing to Aldonza. Plus, Candela doesn't seem to give an expletive about him attacking her!
On PSMA: You're right about how Feo/Javier, whose reign of terror. He even got one of his co-conspirators to sabotage Isabela's car, which resulted in Miguelito's death.
Plus, other people who got in Feo/Javier's way were killed too.
On LSDP: I'm getting this bad feeling that Aldonza might be driven to either leaving the country or suicide.
In my post above I pointed out how male-dominant the writing teams currently are. That was not always the case; novelas used to have a much higher percentage of female writers in the past.
What I think is going on here is that Televisa is looking to increase male viewership without going over the line into the full-blown narco stories that Telemundo and Mundo Fox are doing. These writers probably think that increased perversity is the way to go and the way to make the villains even more despicable is to have them abuse women in the worst possible way.
I didn't mention LQLVMR because Pedro couldn't commit the crime of rape for lack of equipment. I asked myself why the writers didn't have him do so with an inanimate object but just checked the IMDB page and saw that the writing team had three women as well as three men. Four of them (one female) are now writing QTPD. He raped the minds of all his victims, the privacy of his wife-in-name-only, and endangered several children. All from a position of authority. I was satisfied with his Karmageddon because I felt he would end up dead in prison within a year or so after being raped in the cellblock the last time we saw him.
If anyone knows what people in Mexico are saying about this, please post it here.
Seeping through and blatantly portrayed in many of the TN's (even comedies) is the perpetuation of a patriarchal society brainwashed. A woman asserts herself or gets out of line and rape is used as punishment. Step out of line again and be raped again.
That is what I'm wondering about.
I don't know if you remember the 1980s series Beauty and the Beast. Its heroine was kidnapped, possibly raped, and cut on her face. The "beast" rescued her when she was dumped in Central Park and after she went home, got most of the scar fixed, and (presumably) some psychiatric care, she took a major self-defense course in street fighting and went after the low-lifes who did this to her.
This is something novelas need to do, especially after the recent spate of misogynistic sociopaths. I have trouble deciding which is the worst of the lot.
DC
I keep telling myself that I, as a viewer, am not a victim If I continue to watch a show after something so awful, because that makes me a willing volunteer.
There have been some telenovelas I dropped after the first few episodes because a rape happened right away before I bonded with characters and/or the story. I vote with my remote.
The violence in Que Te Perdone Dios is hideous, disgusting and straight unnerving.I am only sticking to the novela bcause of the actors and because i have to recap the show. It's not just rape, its straight beating the flip out of women and mental torture. The body counts are violent too. Our villian has no name but I like to call him Satan, Leviathan, Reptile. His terror and conquests at the expense of others have no name!
I havent seen much of La Sombra but she should have stayed in Mexico and live happily after.She should have never bothered coming back to Hell Town.
Jarifa
I would like to see more deep villians that have a shred of decency instead of full blown psychopaths.I have always liked interesting villians in other shows.
The perversity of villains who develop sexual obsessions with step-daughters or whomever whom they have known since birth are particularly creepy to me.
Glad to tune in and see your Weekend Discussion page. I have said many times that the male characters in this latest novela trend have taken their evilness, sick sexual obessions, perversions, depravity, etc.,etc. to the absolute lowest level mankind can reach.
If as someone has commented regarding Televisa's wishes dedication to increase its male audience, I don't think they will be successful at all.
Mainly, because at least 30% -- 40% of married female audience, would find such a change in typical novela convention unsupportable and wouldn't be on board letting their their male spouses watch such a dark telenovela. RAPE, INCEST, ETC, ETC
Urban,
looking so forward to seeing you again on QTPD. Please post soon.
IIRC, telenovelas are losing viewers in noticeable numbers, both here in the U.S. And Mexico. These same tired old plots, rerun to death and more over the top each time, might be why. Just a guess.
Only new novelas with great casting and believeable storylines will I watch on Televisa. I'll try more Telemundo and Azteca with Edith Gonzalez on board.
And back to Law and Order. I'm sure I've seen each episode at least 1/2 dozens times throughout the last 20 some odd years
I once saw an interview with Angélica Aragón, who is a fantastic actress, and she said that she had lost the interest in telenovelas when more and more males began writing them, she felt that they were losing the female perspective and she prefers a telenovela with a more balanced writing team.
I don't think La Sombra del Pasado generated any particular shock or outrage here, it did great when it started, then it lost steam and recovered in the end when it comes to ratings (but the football season stopped it from getting back to the early ratings). This is the third version of this story, the first one with Adela Noriega didn't create that talk either 15 years ago. I can't explain why, it just didn't.
I don't think there's any tragic event that has upset Mexican audiences in that way in years. I think in Mi Pecado there was a moment when people were shocked at the reveal of Lucrecia being a product of incest for example, but that had more to do with how well hidden that part of Rosario's life was while giving hints of something bigger than Cesar's death being the reason of her disdain for her daughter. It was how well designed that reveal was what caused the emotion, the fact that the writers kept that not just from the characters but from us viewers the whole time, unlike in other stories where we know what they don't and we are just waiting for them to react.
About males, they already watch telenovelas. Many of them just don't like to talk about it.
Jarocha
Hanna
However, I am not in favor of making all novelas G-rated. I like ones that have an adult and intelligent approach to sexual matters and ones that don't shrink from these subjects. It would be ridiculous in 2015 to insist that everyone refrain from sex until marriage, like in Barbara Cartland novels.
I know that men in Latin America watch novelas, but always suspected that the local audiences skewed slightly female. The audiences in the US have been more female-skewing until the introduction of the narco stories. I wonder how this is in other countries, because all television production companies that export their product must be considering foreign sale in their business model.
Jarifa
In CME, we did get to see a victim escape from a tormentor, but even then the tormentor was not nearly as hurt and was able to mentally torment her afterwards.
Jarifa
TNs are supposed to be about human beings trying to find happiness and overcome obstacles together. Neither the stories nor the characters have to be perfect, but it's important that we like and admire our protagonists for the way they cope with and learn from their struggles. But that's impossible when they are repeatedly being deceived and harmed by the same old tactics, failing to recognize obvious warning signs, and meekly offering known evildoers a third or fourth chance to harm even more people.
After the gran final, you wonder how long the happy couple's bliss can possibly last before the next troublemaker rides into town, cons them out of their money and splits them up. And gives them a fatal disease.
Admittedly, there's always been at least a little of that in most of the TNs I've seen, but it seems to have greatly increased in just the last couple of years. These are not stories of empowerment. They're the product of writers/producers who have forgotten that there is any kind of fantasy other than the sick kind.
I don't even particularly mind certain types of sickie shows, in small weekly doses. But watching even one TN at a time is a five-hour per week commitment, and more if I want to hang out at Caray to talk about it (which is the only reason I would watch a TN any more). I had to make a conscious decision not to watch something that I knew would just depress me night after night.
I'm saying use your own discretion people, you can always use the clicker and go "click click", that's what I do when theres a scene I don't want to see.
Even though we are talking about fictional characters, comments like that continue to harm women I the real world.
Jarifa
To me La Sombra merely depicts it but QPD just seems to love engraving the terror inside of us all. Besides we have already heard the message that rape brings million and million times in our novelas, its about time they try moving to more exotic stories.
I have previously stated that I've become less affected by certain kinds of violence and gore in slasher movies and "cult" films. Are these storylines coming from some motive to make women accustomed to the possibility of rape? Are they meant to make us more fearful or accepting of the notion that "this is how men are and you are nothing"? We know that pornography and violent things can provoke such behavior in someone who has never been guilty of it before and we also know that mob mentality can encourage such behavior in those who would never think to do it individually on their own.
While fighting back is not always the answer, this series seems to be going in the direction that it is not possible.
I'm not sure how far the religious model plays in to this, but when I first started watching novelas, the heroines were almost universally child like. A big part of this for me was their ability to forgive, which, imo, seemed heavily rooted into their faith. It was the idea that it was not their place to judge the person that had done them wrong and even to forgive that person to the point of acting as though nothing had ever happened seemed synoymous with being a good Catholic.
I'm all for giving people second chances, but often I think the producers go over the line in making the heroines so forgiving as to seem dumb. Forgive them, but don't allow them to keep hurting you. Remove them from your life because they are toxic. The villains lay these cruel guilt trips on protagonists, basically equating the protagonists' attempt to remove themselves from the villains circle of infuence as "punishing" the villain, judging them where only God should and/or not providing them with a good Catholic example to follow on their new, often overnight journey to be a better person.
Martyrdom is not healthy.
I don't think we ever discussed what to do if this protocol is not followed, but I always assumed that if you don't do something to show your contrition, or if your subsequent actions show that you don't have a contrite bone in your body, I don't have to forgive you. You can work out a penance to God in Confession, but I don't have God's power to see into your heart and it's your responsibility to show me that your intentions are good.
And I was certainly never taught that forgiveness means giving someone a free pass for future transgressions, or forgetting what that person is capable of. What a terrible concept.
So yeah, it's infuriating when a TN character (not all of them have been women) will forgive someone after receiving a really lame apology. In some cases they'll forgive with NO apology, and I even recall some characters who made excuses for what someone else did to them. It's a thousand times more infuriating when this character is our protagonist(a) and is portrayed as a virtuous person. Making excuses for people and giving them a free pass isn't forgiveness. It's not virtue. It's irresponsible and potentially dangerous.
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