Friday, February 16, 2007
Acorralada #22 Tues 2/13 Jewel Thieves and Himbos and Frauds, Caray!
Warning: This episode has many, many short, talky scenes. (Note from NinaK--all the episodes have many many short talky scenes!)
We start today’s capítulo with a replay of Max and Marfil by the pool. Max, who has added “attractively serious” to his repertoire of expressions, tells Faux Marfil that he wants a divorce. She responds with that annoying, wounded piglet squeal and the glycerine flows. He has to give her a chance, she sobs, wait until she gets well. Her pleading crescendoes to a shrill, unintelligible whine that makes my hand just itch to slap her. (Fortunately for me, Bruna owes her one.) Max tells Faux Marfil that they’re adults and need to look at the present, not the future. She starts bleating about Diana; he tells her to leave Diana out of it; more shrieking and sobbing about the injustice of it all, or something to that effect. Bottom line: Faux Marfil is distraught and wants to die. Max tells her that she’s young, very beautiful, and deserves a man who loves her. Max is no longer that man. He leaves, and the fiera in Faux Marfil comes out. Stopping just short of turning her head in a complete circle and foaming at the mouth, she heatedly declares to the absent Max that he will never divorce her, never.
Back to Octavia and the purloined emerald bracelet: As she comes down the stairs with Yolanda, Octavia announces that she wants charges brought against the Soriano sisters. One, or both of them, stole the bracelet. Yolanda advises her not to proceed without proof and suggests that maybe Octavia just lost it. While Octavia insists that it was stolen, I marvel how her surgeon, hairdresser, and personal shopper all joined forces to make her look like the love-child of Jaclyn Smith and Tanya Roberts.
Faux Marfil provides a surprisingly welcome interruption by traipsing into the room in her kitten-heeled FM shoes, pushing her walker like a grocery cart. She tells Octavia and Yolanda the bad news. Yolanda (who inherited her powers of intellect from the same ancestor as Larry), asks Faux Marfil if she misunderstood Max. Octavia turns on Yolanda, blaming her for having brought Diana into their happy home. Faux Marfil resumes her faux tantrum. Octavia silences her and intones “The last word has not yet been spoken.” I wait for her to underscore this portentous declamation with a slow sweep of the arm as she “scans the house,” but she disappoints me. Bruja. Instead, Octavia assures our Whiny Blonde Weasel of her support. But Faux Marfil wants more: She wants Octavia to exercise her matriarchal authority and forbid Max to divorce her. Octavia darkly vows that she will never allow Max to divorce Marfil and marry a poor girl like Diana.
Back in the kitchen, with the horrors of the Bracelet Interrogation now behind her, Nancy cheerfully pours herself a glass of O.J. She tells Lala about the Truth Bomb by the pool. Lala’s not amused. In a rare display of perspicacity, Nancy observes that the Max-Marfil divorce is like something out of a telenovela. She goes on to suggest that maybe Gaby and/or Diana stole the bracelet. Lala is Outraged. She chastises Nancy by stoutly declaring that the Soriano girls are incapable of taking what doesn’t belong to them. Nancy looks appropriately chagrined.
On the other side of TeleMiami, Gaby brings Luscious Larry a glass of mango juice. He tells her it’s delicious and to sit down next to him because they need to talk. Gaby gingerly takes a seat at the end of the couch. He says he is sorry that his mother fired her. Gaby agrees that it was unfair, but there’s nothing to be done about it. It’s Octavia’s house, she can fire anyone she likes. Gaby could never go back. But wait. Larry has something rare and wondrous: An idea. She could come back as his wife! He needs her. Not knowing when to stop, he tells her about Pilar’s call for help. While it pains her greatly, Gaby does the Right Thing. She urges him to rescue Pilar and try to be happy with her. Larry nixes that. Pilar doesn’t deserve his help or forgiveness. He pleads with Gaby to to marry him so that he can avoid being trapped into marriage with Pilar. As further proof that he’s a romantic and sensitive kind of guy, Larry proposes a Vegas wedding, then removes her glasses and takes her in his arms. Does she cave? I think we all know the answer to that one, girls and boys. It’s not like Gaby has a spine, or self-esteem. And Larry may be a doofus, but he’s a buff doofus who looks like Brad Pitt with puppy-dog eyes and an oh-so-kissable mouth. Of course she caves.
Over at Bracho Imports, Diana has validated Diego’s recommendation by becoming an ace receptionist before lunch. Julietina? Ovaltina? Okay, fine, Tina congratulates her. Unlike that pack of zorras who preceeded her, Diana is intelligent as well as pretty. Diana recounts her refusal of Bracho’s offer of a ride home and Tina gives her a stern warning. He’s a wolf. Tina knows what she’s talking about. Her tone of voice intimates that she’s a wee bit bitter she doesn’t speak from personal experience.
Octavia walks into Max’s bedroom. His glistening chest tells us that he is fresh out of the shower and his blue bathrobe nicely complements Mamita’s black-lace-over-blue-rayon cocktail dress with the plunging neckline. Just the thing for a morning at the office. But I digress. They argue about the divorce until Max concedes that he’ll wait for Marfil to recover taking action. (Baaaad move, hombre. Faux Marfil won’t be tossing out that walker any time soon.) He’s not content to leave it at that, however. He informs Mamá that once he’s free of Marfil, he’ll be happy his own way. Octavia is not down with that. If Max gets married to that dirt-poor nurse she’ll disinherit him. What’s more, she will destroy Diana’s life. Diana will curse the day she ever set foot in Casa Irazabal. She’ll curse the hour she was born. There will be no end of cursing in Diana’s future.
On that warm and fuzzy note, we cut to Camila and Silvia, who are wandering about in a warehouse? nightclub? restaurant? I can’t quite tell. They have trouble seeing, too, although it doesn’t occur to them to remove their sunglasses. Silvia has an unflattering new coiffure. She must have made quite a haul when she raided Jennifer Garner’s wig collection. Anyway, they stumble upon Pancho and his henchmen, who immediately pull guns on them. Camila explains that she had called earlier about selling some jewelery. Pancho demands to see what she’s got. She hands over Octavia’s bracelet. Without a jeweler’s loupe or even proper lighting, Pancho accurately appraises it with just a brief squint. He asks how much she wants for it. Camila decides that she could use twenty grand herself to stock up on designer hot-pants and FM shoes, so she jacks the price up to $40,000.00.
Larry and Gaby are at the airport, on their way to Las Vegas. This is basically a filler scene. Move along, folks, nothing to see here.
Either I missed something or Diana’s proud resolve is as short-lived as her memory. She’s in the car with Victor the Wolf, thanking him for the ride. He goes from telling her what a pleasure it was to how incrdibly beautiful she is and finishes with “I could steal a kiss from you.” Like any self-respecting Good Sex Kitten menaced by a Bad Studmuffin, Diana is impactada. Victor persists, they argue, she threatens to deck him. This exchange informs Victor that he’s dealing with the Mucha Mujer variety of Good Sex Kitten. He finally claims he’ll behave and Diana finally gets out of his car. As she watches him pull away, who should jog up but Diego, the faithful swain who launched her on this glamorous new career. She gives him the Cliff’s Notes version of what transpired in the car and assures him that she’ll slug Victor if he tries anything. Gallant gent that he is, Diego does not hide his relief at being absolved of rescue detail.
Larry and Gaby are still at the airport. She’s having second thoughts, she can’t just run off without a word to Granny or Diana. He tells her again how much he needs her, blah, blah, blah, Pilar, blah, blah, blah. He leans in for a close-up. Can she resist those big brown eyes with the dreamy lashes? Could anyone? Gaby’s inner conflict is emphasized by the Glycerine Tear of True Dolor that courses down her cheek.
Max and Emilio are having a drink in Emilio’s office. Emilio asks how Marfil took the news of the divorce. Not well. Lala calls Max on his cell phone. She tells him about the missing bracelet and Octavia’s insistence on reporting Diana to the police. Max almost succeeds in looking attractively impactado and says he’ll take care of it.
Back at Casa Irazabal, Faux Marfil is raging to Bruna. The idea that that idiot Max would want to divorce her! Well, not divorce her, Debora/Faux Marfil, but divorce Real Marfil. (I’m not quite following her line of reasoning as Real Marfil is no prize, either, but Faux Marfil isn’t exactly the brightest fiera that ever bared fangs.) Bruna says the whole thing is the nurse’s fault, and we can see her all but salivate over the mental image of shapely Diana in her thin cotton scrubs. Faux Marfil swears to Bruna that that cheap little thing won’t take Max away from her.
Meanwhile, the sale of Octavia’s bracelet isn’t going as planned. Pancho tells Camila that he’ll give her $10,000.00 for it. She says no deal, snatches back the bracelet, and stalks out with Silvia in tow. Pancho tells one of his henchmen to follow them. He wants them to learn the extent of his power. The henchman enlists a colleague and and they set off in hot pursuit of our plucky ingénues. Camila and Silvia realize they’re being followed and make a run for it, just as fast and far as their pleather go-go boots can carry them. They make it to the parking lot out back. Cunningly taking a page from Agent Sydney Bristow’s book, Silvia suggests that they hide in the dumpster. They’re barely inside when the the henchmen come running past.
Cut to Diana at home, thanking the Virgin for helping her get the receptionist job. She asks that Gaby find something, too. She also asks that Gaby no longer suffer for her love for Larry. And come to think of it, she doesn’t want to suffer for Max, either. He belongs to another woman. With her to-do list for Our Lady of Unemployment all checked off, Diana turns away without so much as an “Amen” to address the absent Max. She wonders aloud when she will see him next, even though it’s better that they never meet again.
Max enters Octavia’s office. caustically remarks that he must have informants in the house. He warns her not file charges against Diana. She asks if that’s a threat and he affirms that it is. She plays the filial loyalty card to no avail. Max tells her he will hire a lawyer to defend Diana if Octavia persists. Max will defend Diana from Octavia, from the whole world if need be. They lock eyes as well as horns. They’re Serious. They Mean It.
Camila and Silvia/Lucy and Ethel emerge from the dumpster. For some reason having shredded paper clinging to their hair is more than alarming being pursued by hired gunmen and they scream as they claw at their hair.
At Casa Soriano, Diana helps Granny set the table while the dear old soul wonders what happened to Gaby. Granny leaves the room and Gaby calls, right on cue, to answer that very question. She tells Diana what’s going on. Diana is impactada and tries to talk some sense into Gaby. Baby Sis rehashes how much Luscious Larry needs her. Gradually he’ll forget Pilar and love her instead. She gushes on and finally a glum-faced Diana wishes her the best.
Meanwhile, Larry enters the Vegas hotel room. Evidently he has an eye for women’s clothing that’s almost as keen as Pancho’s eye for gemstones. While Gaby was on the phone, he was out buying her a wedding dress. She loves it, a low-cut little number made of off-white stretch fabric. All she needs to go with it is a pair of ice skates and a ticket to the Winter Olympics. Larry heads for the bathroom with a box of his own. Something tells me that he bought some smokin’ hot wedding briefs and wants to try out a few new poses in them.
Octavia is dining with the clan. She’s cranky. She has a perfume empire to run. Her MS Outlook calendar is with shady deals, industrial spy jobs, acts of sabotage, all kinds of mayhem. And here she’s had to spend the whole day dealing with hysterical invalids, thieving slut-nurses, and sons who won’t be forced into blind, loving obedience. Yes, Octavia has good reason to be a grumble-bunny. She asks when Larry is going to to get over his depression and come out of his room. Yolanda defends him. Faux Marfil isn’t having any of this. Larry can’t be the center of attention when he’s not even in the room. She decides to pipe up, artfully adopting the tone of a pouty four-year-old to signal her innocent victim status. Larry’s not the only unhappy camper at Casa Irazabal, not by a long shot. Max knows what’s coming and thinks “Oh, God, not again.” I’m with Max on this one, but Paola hasn’t heard about the divorce, so it gets rehashed for her benefit. Octavia and Max argue again. Yolanda tries to make peace. Faux Marfil apologies for “unintentionally” causing a family squabble. Max congratulates her on a job well done anyway, states that no one has a say in his business, and leaves the table. Octavia orders him to return, but he ignores her. Faux Marfil whimpers that she loves him, doesn’t want to lose him, and so on. Again, I want to slap her. Again, Octavia utters dark vows. Again, no grandiose, melodramatic gestures. Damn.
Back in Vegas, Larry and Gaby become Señor y Señora Irazabal. (The ceremony, much to my disappointment, was not conducted by an Elvis impersonator.) Afterwards, Larry carries her across the threshold of their hotel room, sets her on the bed, and tells her he has to go downstairs a minute to call Max with the happy news. She decides to follow suit and calls Diana, who is less than enthusiastic about this turn of events.
Meanwhile, it’s Max’s turn to be dismayed when Lunkhead Larry calls from the hotel bar. He doesn’t sound too happy as he gives Max the scoop. Max tries to look attractively impactado. He doesn’t succeed.
Camila and Silvia turn up at Emilio’s apartment. At least I’m assuming it’s his -- he comes out in a bathrobe and asks them where they’ve been, why they’re all worked up. Silvia almost spills the beans, but Camila tells her to keep her “spectacularly stupid” mouth shut and storms out. Ouch.
While we were sitting through the filler scene above, it slowly began to dawn on Larry that marrying the maid just because she loved him might have more serious consequences than, say, buying a new pair of Speedos just because they were on sale. The Little I.Q. That Could was working hard! Go, Larry! Aw, he’s sooo cuuute! All right, enough of that. Max runs down the list of reasons why marrying Gaby was a Bad Idea. Larry agrees all the way down the line. Unfortunately, the Little I.Q. That Could ran out of steam when it got to “What Next?” Max doesn’t have any bright ideas right now, either, so they hang up and Larry chugs down four fingers of Scotch.
The next scene begins with an ocean liner cruising by. Why, I don’t know, unless it’s carrying the drugs/guns/women “imported” by Victor Bracho. Either way, Bracho Imports is where we’re going next. The thirty-something blonde who explained the phone to Diana is now dishing the dirt on her to Tina. Cómo te crees, Diana accepted a ride home home from the Big Bad Wolf in spite of their warnings. That pistol packin’ mama known as Mrs. Victor Bracho would become a fiera if she found out. Diana arrives and is promptly busted. Blondie tells Diana that her offense is grounds for immediate dismissal by Sra. Bracho. Just to make sure she gets it, Tina spells it out for her. Victor Bracho is only interested in going to bed with Diana. And again, to my surprise, Diana is impactada. Did she really believe that Victor the Wolf wanted just a kiss? I’m sorry, but I’ll believe in the Satanic Duck that kills people foolish enough to put on the Necklace of Doom in La Estrambótica Anastasia before I’ll believe that! That’s just messed up.
Faux Marfil is sunbathing by the pool, wearing a red bathing suit with appliquéed brown flowers. (We’re talkin’ seriously tacky beachwear, enough to get someone “auf’ed” on Project Runway.) Not wanting to be outdone, Camila shows up in that staple of every Bad Sex Kitten’s wardrobe, the leopard print halter top. After a brief, catty exchange, Camila tells Faux Marfil that the bracelet sale was a bust. Faux Marfil gets agitated. We can tell she is agitated because she’s doing a darn good imitation of a Stepford wife set at the wrong speed. She rehashes the whole dreary tale of why she needs that money. Camila demonstrates far more patience than I during this rant and ends the conversation by declaring her intention of going back to Andrés and giving him the bracelet as payment.
And speaking of Andrés, here he is, in Dr. Evil’s hospital room. He fills in Dr. Evil on the deal with Camila. The good doctor replies that if la zorra de Camila comes up with twenty grand, ten of it is his. He’d like to shovel up the dirt on Our Heroine for nothing, to sink her, to ruin her reputation, etc., etc., but if he can make a little profit to boot, hey, why not? (He makes a good point. It was his idea to frame Diana in the first place. If there can be honor among thieves then I don’t see why there can’t be intellectual property laws as well.) After they’ve settled financial matters, Andrés and Dr. Evil agree
to show Diana who they really are. They will bring her down. She will be at their mercy.
At this point I feel compelled to tally up the number of characters who are panting after Diana. I come up with seven, if you count Bruna. Diana’s got her hands full, all right.
That would be Diana’s cue, but instead we see Sra. Bracho arrive, presumably at Bracho Imports. Her hand is trembling as she takes the gun out of her purse. Apparently she’s not such a fiera after all. Cut to Victor, who summons Blondie to his office. She comes in and is reduced to a simpering, quivering mass of jelly by his red-hot Bad Boy vibe. He tells her to send in the new telefonista and not to let anyone interrupt them. Blondie exits with a lewd giggle and smirk. Victor tells us that he’s going to take Diana to bed. This news flash does not leave me impactado.
Time to check in on the newlyweds. It’s morning when Larry staggers into the hotel room, fetchingly rumpled, tie askew. Gaby has exchanged her white skating costume for a white bathrobe. (Light bulb over my head: Ahhh, she’s la esposa virgen still! But that’s another telenovela.) After gently rebuking her Dream Husband for spending the night in the bar, she tells him she was worried, not knowing where he was or with whom. Why didn’t he call her? Why on their wedding night? (Why didn’t she just go down to the bar? That’s what I ‘d like to know.) Larry kind of tells the truth – one drink led to another, then another, and so on. He flops onto the bed, muttering, then asks Gaby to take off his shoes. Gaby obeys, needless to say, and Larry mumbles “I don’t love her…I don’t love her…” before sinking into a complete stupor. Gaby is taking the virgin bride thing pretty hard. Why did he leave her alone? He’s going to be the first man in her life, and…and…and the Glycerine Tear of True Dolor courses down her cheek.
Victor freshens his breath in preparation for his renewed attack on Diana’s virtue. Enter Diana. I haven’t been able to fully appreciate the unique ugliness of her dress before now. It somehow manages to look both frumpy and slutty, and that’s quite an accomplishment. Oh, yes, the plot. So Victor tells Diana he’s giving her a raise. He circles in on her. He’s the boss, he can give out raises after less than 24 hours. She moves over to the desk. She’d rather earn the raise first. He moves in again. She can earn that raise, all right. Diana hopes to earn it by doing good work, and she knows how to do that. Uh oh. Before Diana realizes that she’s acorralada between Victor Vicor and his fine office furnishings, he goes for it, pinning her against the desk. As they struggle, he tries to make himelf heard over the ominous music and Diana’s extremely loud panting, then decides “The hell with it” and kisses her with all his brute force.
Roll credits.
Labels: acorralada
Acorralada #24 Thursday 2/15 Don't know why . . I would kiss a drippy guy . . . stormy weather . . .
Yolanda is lecturing Larry about how he and his sibs are going to make her die of a heart attack. They should take lessons from the great role models of adults they have around. But Auntie, we have a right to live our own lives. Still, Larry agrees he made a mistake to marry Gaby. Yes, I can’t forget Pilar. I don’t love Gaby, and the worst is I never will.
D/M is trying to call Max. He left his cell phone off. He’s at the beach. She pouts.
More boring kissing and cooing between Max and Diana. She’s fed up with him. But wait a minute. The yacht is moving too much. Brilliant solution? Diana jumps off and starts swimming to shore! He jumps in after her.
Back to house. Octavia is fuming at her children to Yolanda. They will kill me. Larry commits the barbarity of marrying a servant. Max wants to divorce Marfil because he is in love with a nurse. Paola takes drugs and spends the night on the beach with a strange man. She is like a streetwalker. She’s disgusting. This is a curse of god for what I did to Gaviota. And I was your accomplice, says Y. We destroyed her unjustly. We took her fortune and made her a beggar. But don’t cry for her Yolanda. Here I am not exactly sure what she was saying: Something about God and vengeance, and no one but God can get Octavia Irazabal, I think.
Paco is looking at his picture of “Alicia.” I never knew if you loved me or if it was real. But my wounds and scars are healing little by little since I met Gaviota. Gaviota comes in. Are you busy? Never too busy for you. I need a favor. I need to see Diana and Gaby at their house.
Diana and Max manage to swim safely to shore.
Paco and Gav plan to go visit Granny and the girls when the storm stops. Gav says that she must see them because ever since she found out they work at that darned Irazabal mansion she is very worried. Paco says she feels they are like her own girls. She hopes that hers are doing as well. Paco says he would give whatever he could to erase her sadness.
He kisses her and she lets him. Gaviota, that is the first time that you let me kiss you. I never denied I loved you. You deserve someone good. You are wonderful and noble. Someday you and I could be together, but my priority is not love. It is to find my daughters and get revenge on Octavia.
Gaby is in her little room. Lunkhead comes in. He apologizes for his mother having put her there, but then says, well, maybe it's better if you stay here or we stay apart. He kind of chides her for letting his mother roll all over her (but of course he never defies Mom!). It's not completely clear. Larry kisses her on the head and looks up with a prayerful expression. Please God don't strike me dead for doing this. I have things to do. I will return later.
Poor Gaby. She looks very sad. He doesn’t even love me a little bit.
D and M still caught in storm. Diana is scared. It is dark. Don’t worry, says big brave he-man Max. I won’t let anything happen.
Back to bar. Lorenzo is talking about the record storm, but Paco isn’t listening. He says, oh, yes—for the first time, Gaviota let me kiss her. More mooning.
Diana and Max are still in the storm; then they see a place to go inside.
D/M is complaining to Bruno that Max went out to the beach with Diana. But this storm will ruin their day. But they could go to a motel. How I hate this “muerta de hambre.” This epithet keeps popping up lately. Although it literally means "dead of hunger," it is used for an insignificant trashy low-class person.
Isabel calls D/M on the phone. Is that Deborah. Yes, she answers, who is calling? (Our cleveridentity thief always on the ball with her answers.) It’s Marfil. Isabel is holding the phone to Marfil’s ear. RM says:
I warn you that I won’t let you steal my identity and my husband. I am the real Marfil. The true wife of Max. You are a usurper and one day I will throw you out.
D and Max go into a shack. Diana becomes hysterical all out of proportion. More don't worries from Max.
Back to D/M Well, my dear sister, she says sarcastically. How nice to talk to you. She throws Bruno out of the room. Bruno wants to talk to RM. No dice. For the first time we get to see this actress on the split screen. A double whinny.
D/M says RM should be happy that she is filling in. Your two years unconscious have left you stupid. I am watching out for your interests. You know Max wants to be with that gross, social climbing nurse. Now we get to learn about the dark secret from the past: Pay attention, boys and girls: RM says. You were always ambitious, and envious. You hated me because I married a millionaire. You envied me in school when I was a better student. You never forgave me because papa loved me better because I was better behaved. You want revenge and to take my whole life. My enemy is not the nurse: it is you. D/M says RM doesn’t know what she is talking about. Your two years unconscious have atrophied your brain. RM promises to come and unmask D/M.
Back to shack. More hysteria from Diana.
Granny is talking to Diego. They are worried about Diana. She is out in the storm--and with a married man, no less.
Back to shack. Diana is still hysterical, but Max wraps her in a blanket. More boring entreaties from Max. She drops the blanket and they start kissing. Max's kissing technique seems to me chomping on Diana's upper lip.
The twins are still fighting. I am Marfil--no I am. etc.
RM wants D/M to put Bruno on the phone. She always helps me. Well, too bad. Bruno is a two-face. RM says, I hate you, Deborah for what you have done. Pudrete! (rot away). RM enlists Isabel to help her get up and get back to unmask the imposter.
Diana lying with Max in shack. I told you that I won’t let anything happen to you. But you are married. Don’t say her name. At this moment it is “sale sobrando.” (This apparently means "not necessary." More mush and lip chomping.
Bruno, having been gratuitously humiliated by D/M, goes to the servants quarters to gratuitously humiliate someone even lower: Gaby. Just because you have married an Irazabal doesn’t mean you have risen above me. Ha! Etc. You will continue to be a “muerta de hambre.” Gaby begs for mercy, but no. You don’t even have the power to get your husband to come to bed. (Ouch, that hurts, esp. coming from a woman pretending to be a man pretending to be a woman.)
Larry is lying on his bed and looking at picture of Pilar. I can’t hate you. If you came back I would take you back.
D/M still threatening that RM won’t get back into the house.
Back to the little house. Andres is there. Auntie asks why he's out in the storm. He asks for whiskey. She says it's too expensive. I only have rum. (huh?) They down two rums and discuss Auntie’s financial arrangements for taking care of RM. Don’t they pay rent? Yes, I don’t have to pay rent, so out of my salary, that is profit (“ganancia”).
Auntie is still trying to get him to look at the girl. Imagine that the twin sister has taken her identity. This poor girl can’t go back. What does she look like? Andres asks. Beautiful. Why don’t you look or talk to her. She is very upset. You could entertain her. No, we are spared that revelation for another day.
More wet kissing between D and M.
Diego and Granny are lamenting. Rain has stopped. I hope Diana comes home soon. Diego says, don’t let Diana be with Max anymore. He is going to hurt her. I don’t like it either, says granny. I always taught her morals. But she is going with a married man. The truth is that when women are in love we become stupid. With three or four nice words we give in. Now Gav and Paco are at the door. Diego introduces them. She is the lawyer who will defend Diana.
At the little house. Andres won’t meet RM. He says he has to get back because he has to do something with a jewel (the emerald bracelet).
Back at Granny’s they are chatting about the girls and how Granny raised them. The doctor wants to destroy them and it is terrible. I cared for those girls like mother and father. Gav says that it must have been sad for Granny to lose her daughter. She knows because her daughters were stolen. Granny is shocked. Who could be capable of that? (Audience, doesn't granny know who their real mother is? I don't get this.)
Gav reveals the shocking name: Octavia Irazabal. You know her. The same person where these girls work. Since I learned that Diana was working there, I begged that they wouldn’t go. They must avoid being a victim of this trash. Gav begins to get worked up.
Gaby comes in and is crying. Asks Granny to forgive her for something stupid. I got married without telling anyone. I got married to Larry. y dios mio. Gaviota drops her cup and stares.
Diana has more fear. It’s not fear of the storm but fear of what will happen to us. More promises from Max to divorce his wife. But your mother hates me. Nothing will stop us, says Max, with one of his best constipated looks.
Back at the hospital, Dr. Evil is discussing the pulsera with Andres. Andres tells him the jewel is real. Doc Evil reminds him that they have to split the profits. Andres says it isn't fair, but Doc reminds him that Andres wouldn't have the secret without him. (Is the secret about Diana's trial or is it about her mother being a murderer? I'm still not sure about this either.)
Andres says that Camila is desperate to know the truth. (If he only knew the truth about Real Deborah!) Let her wait. Something about how if you tell her she will tell Max and the nurse will escape. The logic of this escapes me. We can’t let her get away without our eating this ripe fruit. Keep pressuring her.
Gaby is crying to Granny. I married Larry because he begged me. You shouldn’t have. He used you, and now his mother will reject you. Typical of an Irazabal, says Gav. At the mention of Octavia, Gav becomes irrationally incensed. Slowly I turn . . . I guess 20 years in the clink will do that to you.
Gaby tries to defend Larry although admitted he behaved badly by leaving her in the hotel on her wedding night. Granny says: Forget him. You have life ahead of you. You will find someone better. Forget him. Gav has other sage motherly advice: Forget, no! What they have done is a humiliation. You must begin to hate and get revenge on them. Pull yourself up and go! They have to suffer like they make you. Granny protests.
Gav gets madder. You must make him pay. All I ask is that you hate the Irazabals with all your fuerza. (strength/heart/soul.) Then she looks a bit sheepish and leaves. Paco tries to make up for the awkward moment. She is very passionate about the Irazabals, he points out. Paco leaves.
Gaby goes on bed with her stuffed animals. She should go hang out with Granny DS. Granny wants her to forget Larry, but she can’t. If only he would love me a little.
Yolanda is having another one of her filler talks with Larry. Forget Pilar. You are married to Gaby. Pilar is no good. No Auntie, I don’t love Gaby, and I never will. Yolanda doesn't know that Pilar called from Mexico.
Back to the yacht. The sun is now out. You are so beautiful. They have kissed and done who knows what. Max walks away. Diana says. Ay Dios Mio. I hope I don’t regret giving in.
Labels: acorralada
La Fea Más Bella #212 2/15/07 The Bag O'Memories
PM sweetly asks Saimon what time he is going to take her home. Saimon argues that he should have her dance partner take her home. She denies that she knew him but he doesn’t believe her. PM whines. He says he will need to verify that she has ended her relationship with that guy. He says until then he will be cold like an “icehurg” Sarah corrects his English, saying it’s “iceburg.” Saimon mimes closing a door between him and PM, then locking many locks on it. PM mimes being stuck behind the door. Sara yells at Saimon because he has not delivered the phone message to Fern yet. Saimon apologizes and then quickly unlocks the imaginary door to get past PM on his wait out to find Fern. Sara giggles with PM about what a ridiculous boyfriend she has.
Luigi catches Tomas hiding behind a potted tree and demands to know what Tomas is doing. Tomas claims he was walking around exploring the building. He anxiously tears leaves from tree. Luigi calls Tomas a few names before walking away. Alicia wonders loudly why people would want to walk around when they’d do just as well to sit in their office with the door closed and the blinds shut. She walks away and Tomas, now alone with Aldo, gives Aldo a ‘Why I oughta…” look.
Fern continues his search for the bag o’ memories in the dumpster. The sanitation guys try to stop him. Fern says it’s his company. The garbage guys correct him, saying that it was his company. They argue back and forth. Fern threatens to have them disciplined for taking the garbage out, even if it is their job. They agree to leave him alone.
Saimon finds Fern and asks if Fern’s is financial situation so bad that he has to go through garbage.
Aldo asks Tomas why he looks so mad. Tomas crossly mutters under his breath. He says it’s Aldo’s fault that Tomas suffered an embarrassment in front of Alicia. Aldo then mutters to himself in an exaggerated, comical way. Tomas says “What? I can’t understand you!” Aldo responds that he can't understand Tomas either. Aldo asks what he did wrong. Tomas lists Aldo’s offenses: blue eye, blond hair, charisma, smile like Clark Gable, etc. Tomas tells Aldo he doesn’t like him because he’s handsome. Aldo starts in on his Deep Thoughts about looks and character, but when he tries to put his arm around Tomas, Tomas shoves him away and says attractive people are the root of all evil. Luigi comes back looking for Aldo and the two walk away.
PM whines about having to take bus because Saimon is still ticked off with her. Alicia hears this and makes fun of them. Same old back and forth as always: “you guys are so poor”… “ well, you’re poor too”… “Not me, I’m classy.”
Martha remember how badly they’ve seen Alicia treat Tomas. She tells the cuartel that thinks Tomas and Alicia had something to do with all the shenanigans around here.
Lola, who I guess did a great job analyzing The Letter, spells it out for her friends: Lety was with Tomas, then she became Fern’s lover. That resulted in the abrupt end to Fern and Marcia’s wedding plans. Now it looks like Tomas also had a fling with Marcia’s best friend. What a scandal What horror! What promiscuity! What an embarrassment!
Tomas comes in and calls Lola to his office. Before she leaves, she tells them what a nutcase Tomas is, he’s worse then the rest of the execs put together.
Fern denies that he is garbage picking. Saimon finally remembers the phone message from Sarah and tells Fern. He’s not interested. He explains that he’s looking for some important documents. Saimon offers to help and begins to look through the trash. He picks up a bag up and Fern tears it away and holds it to his chest like a 3-year old with his blanky. He sends Saimon away. After much pontification about leaving, Saimon finally leaves. Fern shakes his head then goes back to sifting through the trash.
Turns out Tomas called Lola into his office so she can dial a number and transfer the call to him. Lola dials the number. Tomas’s cell phone rings. It seems he had her dial his own cell. He says he just wants to test the phone and walks around asking “Can you hear me now?” Lola asks if there is anything else he needs. Tomas says “Yes, that blonde… what’s her name? Oh yes, Alicia… I asked her to come to my office and she hasn’t so send her in.” Lola, armed with her new-found theory about Tomas and the Oxi, looks annoyed.
Lola sends Oxi to Tomas’s office. Alicia can’t imagine what Tomas wants. In his office, Tomas gargles with cologne just like the good old days. Alicia comes in and Tomas reminds her of the conversation where she slapped him and blamed him for her losing her car (days ago for us but only hours ago for them). He says he wants to make it up to her. She suddenly warms up and begins to flirt “Aaaaay Tommy!” She asks if he is going to give her a raise. No. Is he going to give her the loan she needs? No. He picks up a bag and pulls out a pair of pantyhose. She thanks him nicely then starts yelling at him and slapping him with the pantyhose before storming out. Tomas looks hurt. He holds the pantyhose to his chest and exclaims, “She still loves me!”
Fern is losing patience and says things are always in the last place you look (that’s because once you find it, you stop looking… pa-dum-pah!). He finds some gross garbage before finding what may be the right bag. He feels the bottom of the bad and thinks that it’s either a stuffed animal or a used diaper. He reaches in and pulls out a cute leopard print giraffe. He lets out a big sigh, kisses the toy and says “Finally, my Lety, we’re together again.” He holds the toy giraffe like a baby.
Lety thought-bubbles that she can’t believe Fern threw the bag o’memories away. Suddenly, Fern walks through her office door with one of the cards in his teeth. He spins Caro around in her chair to move her out of his way. There is passion in his eyes! He calls “Lety”… Lety replies “Don Fernando”… “Lety”… “Don Fernando”… “Lety”… “Ya (enough), Don Fernando”…Fern says he wants to read the card to her. This card is all true and continues to describe what’s in his heart. He climbs on top of her desk and reads, “I need to be with you. I can't tolerate your absence, the absence of your kisses, of your body.”
At this, Lety jumps on the desk and they hold each other tightly. Fern says he’s not done and continues to read, “Life has given me a hard challenge: just days before my uniting with a woman who was supposed to be my life - the true woman appears. This made me change and now I want to be with you all the time. I know this is a tough challenge… but you appeared in time, before I could fall into disaster again.” He throws the card over his shoulder. (Caro is still spinning in her chair under the X-rated ‘Shell from Hell’ painting.) Fern continues as if still reading “Love, Fern Mendiola.” He points to himself “That’s me”. He grabs Lety and they melt into a wonderfully passionate and eager kiss. He stops to tell her again “me”. They kiss again, almost falling off the desk.
Caro has picked up the card and peeks at Fern and Lety kissing from behind it. Fern literally comes up for air, then tells Lety he loved her when he wrote the card and he loves her still. Lety says she never stopped loving him either. As she speaks, Fern holds both ends of her mouth in his hand, making he pucker like a fish. Fern asks for forgiveness and she forgives him. Another kiss. Then Lety snaps out of it and Caro is asking Lety what is going on. Lety is sitting on her desk with a half-pucker.
Outside, Fern re-reads the same card Lety was just daydreaming about. He is near tears.
Caro asks Lety again what’s going on. Lety admits she was daydreaming about Fern. She can’t tear him out of her heart. Caro understands, but thinks Lety needs to give it time.
Alicia is furious about Tomas’s gift. The other women call each other on their desk phones to talk about how mad Alicia is. Meanwhile Alicia mutters that she wants to strangle Tomas and yank his eyes out. The women sarcastically offer to help. Alicia calls them names. She won't share her problem, she has the type of problems unknown to poor and vulgar people like them. Just then, Ariel walks into the office and listens to her little speech.
Aldo comes to visit Lety. This brightens Lety up. He wants to take her out to dinner. Lety says first she needs to call together a meeting for a status on the project. Aldo frets that Luigi is talented but not easy to deal with, plus he wants Aldo next to him all the time. Lety asks“Gee I wonder why?” and they both laugh. Aldo gets up and leans in across Lety’s desk to remind her about dinner. Lety backs away from him uneasily.
An outdoor shot of Conceptos shows us that it is now dark… finally, thank goodness!
Ariel asks why PM is now at the prestigious presidential desk and why Alicia is in a lowly regular desk. He says next she’ll be in the cafeteria, where at least she’s have a uniform and won’t have to worry about torn stockings. Aldo, walking out of Lety’s office, sees this and walks away in disgust. Alicia pretends she hadn’t noticed the torn stockings. He offers her money for new pantyhouse but she is insulted and turns his money down.
Luigi shares his choice of music for the campaign with Marcia, Ricky and Aldo. Aldo wants something more animated, something that “invites one to dance.”
Stalker Tomas is in his office admiring the many photo copies of varying sizes of Alicia’s picture which he probably spent all afternoon making. Alicia walks in but luckily he is able to hide the pictures before she sees them. She demands the pantyhose. He offers them to her timidly and she grabs them and walks out.
Ariel walks into Luigi’s office. Luigi introduces Ariel to Aldo. Ariel promptly asks Aldo what his function at Conceptos is. Aldo gives him a very complete description of the campaign and his role in it. Ariel seems miffed that they have this great gig that might actually bring them out of this mess. He asks if this is the great idea that Lety came up with to bring them out of the ruin that she prevoked. Aldo asks if Ariel really thinks that this mess is all just Lety’s doing. Ariel tells Aldo to mind his own business. Aldo fights back by smiling so brightly that Ariel’s eyes start to bleed and he falls to his knees begging for mercy! … Well, the bleeding and begging didn’t really happen… but maybe in tomorrow’s episode…
Labels: fea
Duelo de Pasiones, Thursday February 15 - Luba freaks out!
She took the tea to Thelma, who whined because there was no honey in it, then went to sleep. (Luba drugged her so she wouldn't go to Emilio's room during the night and discover Alina there.)
Vera went outside and saw Thelma's Aunt Rebeca sneakily discarding Thelma's red dress in a trash can. When Rebeca was gone, Vera retrieved the dress and decided to keep it, saying, "All the women will envy me."
Orlando went into Emilio's room, startling Alina so much that she broke a glass. Orlando assured her, "I've always respected you," and promised not to tell anyone she was there. "I don't want Thelma to humiliate you. Count on me for whatever you need. This will be our secret."
Jose got drunk and told Felicia, "You make me feel much better." He said he wanted to go to sleep, but Felicia kissed him. Of course, since this is a telenovela, Jose immediately hallucinated that he was kissing Mariana. He said, "Mi amor, it is you!" and started taking off Felicia's clothes.
The next day, Jose was upset and told Arcadio he hadn't meant for it to happen. Arcadio just laughed and said, "You are a man," that Mariana would never know.
Santos's mother, Carmen, told him he should stay far away from Maximo. Santos said he wanted to be near Rosita and would kill Maximo if he bothered her. Later Carmen told her friend Chela she was afraid Maximo and Santos would kill each other.
Thelma woke up from her drugged sleep and told Vera she would go see Emilio after she bathed. Vera raced to Emilio's room and warned Alina that Thelma was on her way.
Before leaving, Alina told Emilio, "I love you." To her surprise, he mumbled, "I love you too, Flor." Alina exclaimed to Luba, "Did you hear him? Emilio, open your eyes!" Luba had to drag her out of the room.
Then somehow Luba disappeared and Alina was alone in the hallway with Donkey/Tonqui/Don Quixote or whatever that dog is named. Hearing Thelma approach, she slipped behind a door to hide, leaving Tawnkee in the hall. It turned out she was in Angel's bedroom. He saw her but didn't say anything.
Thelma found the dog and went into Angel's room to ask, "Whose dog is this?" She didn't notice Alina standing behind her, plastered against the wall. Angel said it was Flor's dog and he would take care of it. Thelma snapped, "I don't like animals! I hate animals!" and left the room, leaving Dahnkey behind.
Angel told Alina he knew about everything (Emilio's illness, her almost-marriage to Emilio, etc.) He asked, "Do you think Emilio is going to be OK?" Alina admitted, "I don't know."
She said she loved Emilio with all her soul, then apologized to Angel for saying it. He said, "Don't worry about me," adding that he knew women like strong, macho men like Emilio.
After Alina left, Susi came into Angel's room wearing a tight white outfit. She said, "You look very sad." Angel replied, "How difficult it is to love a woman who loves someone else."
Thelma and Rebeca visited Emilio and heard him mutter, "Flor, I love you too." Thelma said, "Emilio, my love, it's me, Thelma." Emilio muttered, "I don't want to marry Thelma, no no."
Meanwhile, at Marianita's school: Marianita's friend Juanito was singing to cheer her up when she suddenly passed out.
Mariana visited Marianita in the hospital. Her doctor admirer (I'll call him Dr. Love) explained that Marianita was having a reaction to chemotherapy. Mariana said despairingly, "I've spent years listening to the same. The cancer keeps coming back. By God, what do I have to do?"
Back at Don Loco's hacienda, Adela told the suddenly-awake Soledad that Alina was alive. Soledad diagnosed, "Alvaro is loco," and Adela agreed. Soledad said she was glad that Alvaro thought she was loco, too. "I want him to suffer the way I've suffered. Will you help me?" Adela said, "Si, Señito."
(Wouldn't it be smarter for Soledad to try to escape from Don Loco's evil clutches? After all, Adela has the house keys... but I guess sticking around and pretending to be insane is a good plan, too.)
Later Soledad prayed for Alina's safety, saying, "I'm not important. What matters is that she is all right."
After learning from her father that Rosita was at home, Maximo went there and found her dancing while she swept the floor. He said, "Dancing and hard-working!" Rosita told him her father was at the hacienda. Maximo said he'd come to see her.
Meanwhile, Carmen was telling her friend Chela about her bad memories of Maximo. "Maximo was enamored of me. I did not want to give myself. I wanted to marry the good one, but this man no longer wanted to make me his."
In a flashback, she remembered waking up one night and hearing Maximo shouting outside her house, "Carmen, open this damn door! I found out you're seeing another man!" He broke into the house and shouted something like, "I wanted to do good for you, you didn't want it, now I'm going to do bad!" then raped her violently.
Remembering this, Carmen told Chela, "He is a bad man," that he lashed and kicked her when he found out she was pregnant. "And now my son is going to confront him. He's capable of doing harm to his own son." Chela said she should try to forget the past. Carmen said, "How can I forget? He marked me for life."
Back at Rosita's house, Maximo was telling Rosita that he loved her in a good way and wouldn't hurt her. Rosita protested, "I have a boyfriend and we love each other." Maximo sneered, "You love this starving Santos?" Rosita said yes, and Maximo grabbed her violently, yelling, "Then you are an idiot!"
Santos burst in, yelling, "Let go of her!" He said he was there to defend Rosita. Maximos laughed and said, "Defend her? You couldn't defend her from me." He left, cackling evilly and repeating, "Defend her! Hahaha!"
Later Maximo's good-looking minion Castulo offered to make Santos disappear forever. Maximo said not yet because if anything happened to Santos, suspicion would fall on him, so they would wait a little while.
Dr. Vasquez told Thelma that Emilio was much better, thanks to Luba's magical herbs. "This woman knows a lot." Later the doctor told Angel not to let Emilio know he was married to Thelma because that news could kill Emilio.
At the cave: Luba told Alina not to trust Emilio, all men were liars, etc. She reminded Alina that Emilio was married to "la tal Thelma" and she was pregnant. Gaspar, who had been napping, jumped to his feet and exclaimed, "I'm going to have a child?"
Luba snapped, "What stupid thing are you saying? Did you hear that, Flor?" Seeing the steam coming out of Luba's ears, Alina hastily left the cave, saying she was going to look for roots.
Gaspar asked Luba if simpletons' children were also simpletons. "Am I also going to have idiot children?" Luba shrieked, "Why the hell are you asking me that?" Gaspar said, "Tell me. Is my child also going to have a blow to the head?"
Pacing, throwing things, and screaming (very loudly) Luba said his children wouldn't be idiots, "You are a normal boy," and insisted that he wasn't going to have a child. Gaspar insisted, "I know it, I know it."
Luba demanded, "What is it you know?" and Gaspar said, "Senora Thelma is the little doll from the Devil's Cave. Her child is my child, Mama!"
Luba's mouth fell open. She knocked something over, breathing heavily and looking terrified, and said "No, it can't be." Gaspar said, "Si, Mama, si si." Luba roared, "I want you to tell me everything!" Gaspar said he tried to tell her before but she wouldn't listen. Luba hollered, "Now I am listening! Go ahead! Tell me!"
Gaspar told her about the Devil's Cave and his little doll. He finished, "And when I had her in my arms, my little doll said --" Luba interrupted, "Quiet! You don't have to tell me that!" She demanded, "Are you sure the little doll from the Devil's Cave is la tal Thelma?"
Gaspar said, "I know how to recognize. I recognize Florecita; Tonqui; you, Mama. I know who is who. She is the little doll, Senora Thelma is."
Luba said, "I tell you to be quiet!" It wasn't directly shown but apparently she slapped him. She snarled, "Don't repeat that! You're not going to tell anyone, do you hear? No one, because I'll kill you!"
Then she totally freaked out, kicking things and screeching, "I can't believe it, that you do this to me, I can't believe it, Gaspar!" Gaspar wisely chose to hide behind a piece of furniture.
(Luba was really spitting nails in this scene -- Don Loco would be proud. I know there's a lot of scenery-chewing in telenovelas, but I think Luba broke new ground. Along with a few vocal chords!)
Gasping and crying, she went to her picture of the Virgin Mary and said, "Forgive me, Mother." She hit herself on the head, saying, "It isn't fair, it isn't fair. I am a mother... Oh, what's happening to me? The hand burns me." (Because she hit Gaspar.)
She pulled herself together, wiped away her tears, and held out her hand to the cowering Gaspar, saying, "Gaspar, son. Come, sit down." Gaspar obeyed.
Luba knelt beside him and said, "Son, look me in the eyes. You are all that I have. I gave life to you." She said it hurt her to see him suffer, that he was a good man, and her hand burned because she had slapped his face. "I want you to know your mother Luba will defend you because you are more important to me than my life. Do you forgive me?"
Gaspar said, "Mami, Mama. I love you, Mamita," and they hugged, both crying. I think this was the best scene of the show so far.
polvos = powders
acomodo = job, arrangement
hacendosa = hard-working
fuetazo = lash
patadas= kicks
gallito = braggart
atolondrar = to confuse
raices = roots
cortina = curtain
vientre = belly, abdomen
(A question: Can someone explain why Adela always calls Soledad "señito"? It's not in my dictionary.)
Labels: duelo
Thursday, February 15, 2007
Mundo de Fieras, Thursday February 15th--In which Gabe is befuddled (of course that describes most episodes)
Not off to a good start this episode, everyone is busy weeping over JC & Pau’s doomed romance. JC is content to suffer alone, weeping and looking all the more pathetic and pale in his stupid yellow sweater (ugh). Gabe is comforting Paulina, when
Paulina goes back home and tries to do her best b*tch act…which, of course, is not very good, maybe she should sign up for a basic course at Jocelyn’s College of BadA** B*tches. She’s decided to fight for their love and asks to show him the power of her love, yada yada yada.
Otilia and her coven are cackling over her plan to conquer the pre-hispanic clothing market.
As we speak the hussy Karen is out with JC and telling him that Paulina is doing the right thing. Awww…the doctor is in.
Jos & Miriam are scratching each other’s eyes out with worry that their evil plans are all falling apart.
Gabe sends up a silent prayer for JC when Nicolas comes in talking business about investigating the big D’s business affairs. Gabe says that’s fine, just be discreet. Nic asks if he’s heard from MA. Nope….it’s a big fat mystery. How weird!
Silvestre & Elsita are arguing about her drinkin’ ways. She says I promise I won’t drink anymore, just don’t tell my mom or my irritatingly perfect, holy roller brother ‘cause I won’t never hear the end of it!
Jos confronts Gabe about MA’s mystery vacation. Joselyn herself looks like she’s got a nightjob as an Everest sherpa, but couldn’t afford the good gear so she just killed a muppet and made a coat out of its pelt.
JC is pondering what a total idiot he is and thinking of new ways to be an even bigger one.
D is asking
Paulina is busy demonstrating her love by sweeping off eraser dust from JC’s design, picking up dropped pencils and otherwise being an insufferable nag. D bursts in and confronts him about his crappy attitude of late. JC goes to chat with his mom and gets all dizzy—she freaks out and almost blows her cover. They end up crying, hugging and telling one another how much they love each other. Awwwww…
Elsa and Silvestre are home and greeted by Dr. Bedazzler and Cande. Elsa beats a hasty retreat and everyone gives each other a look of discomfort.
Gabe wants to call off Operation BS, but
Nicolas confronts Tiberio about some project or other and wants to know if there are any of Demian’s special little surprises in store. Tiberio, says, no, everything is in order, but Nico isn’t convinced and lets him in on a little secret…he wants to know how involved Ty is in D’s dirty work. Tiberio is totally confused. I say it every week but this plot line could really be underwritten by the National Mexican Alliance of Mental Health Care Professionals if Tiberio would just go and talk to someone about all these conflicting feelings.
Gabe confesses to Lola that something happened between MA and him. He gives her a letter, to see if she can make head or tails of it. She can’t. Lola suggests that maybe Jos has something to do with all this, since she’s the one who wants them separated. Hmmmm….Gabe’s got something to think about.
Dr. Bedazzler, as usual without any patients, calls Gabe about running the tests to be a marrow donor for JC. They’ll do them that evening. Silvestre stops by with the magazine about MA. Leo wishes there was a centerfold, but will settle for the little old article about her professional life.
Elsita is drinking alone again.
Karen delivers her designs to Miriam with a cheery disposition and Miriam is like, that’s enough of that silly attitude, what’s up? Karen says she just wants to be a better person. Miriam tells her she’s just becoming a stupider person every day acting like that. Karen’s all whatever, you guys sure as hell aren’t happy so I’m going to try it this way instead.
Nicolas tells Lola that Tiberio didn’t spill any beans about how wrapped up he is with Demian’s shady business deals. Lola’s worried and so he offers to take her out for coffee.
Miriam is going off on Demian about his little ruse with Jos. She says that there are going to be some pretty serious consequences when Gabe finds out, because he’s certainly going to make a big stink about it, and then
Gabe’s on his way to the hospital, when Jos comes down the hallway, telling that guy that he’s leaving the building. Oh god, how corny. She has set it up so the car almost hits Gabe, but she saves the day, but then will need to be taken to the hospital by Gabe where they can fall in love all over again. But…Nic & Lola (on their way for coffee) are like, no way, there’s nothing wrong with that little faker. Joselyn, however, has a PhD from Joselyn’s
Labels: mundo
Acorralada #21 Monday 2/12. In which I can't come up with a good title because so much has happened
Real Marfil (henceforth RM) is in bed complaining to Bruno. Repeat of yesterday’s conflagration. Why do you want me to sleep? If the neighbors hear, they will call the police. I hope they will. This is scary. She falls asleep. Bruno actually looks tender, and is stricken. My poor little one. She actually cries into her hand.
More payback for Pancho. He is sneaking outside the motel parking lot in a towel. Pancho sneaking around outside in a towel. Two girls come by. Don’t be so modest—show us everything, they say. Then they astutely observe that they are sure you had your manos in the masa (hands in the dough) for your girlfriend to leave you nude out in the street. Good idiom, like hands in the cookie jar.
Granny DS has a new doll and a matching pink hat. Max comes to visit. Where is Diana? She is always with Marfil. Max breaks it to her that Diana won’t be coming back.
Back to M/D. What happened? Did she really wake up? Yes, it’s a miracle. How could this happen precisely now? What about our plan? Bruno tells M/D that RM is very angry. We had to give her a sedative. We must convince my twin to play along. M/D then thought bubbles “She will never return. Ha! I will be the new Marfil. Rolls eyes and tosses shoulders haughtily. Folks, this actress has the whiniest voice and delivery you have every heard. Wait for her crying scenes with Max. (When I was a kid, if I pulled a number like that my mother would call me “Sarah Heartburn.” This punny putdown was always used by mothers in my day. It would stop a tantrum in its tracks. It perfectly describes this scenery chewer’s acting style.)
Granny DS is talking to Max about why Diana isn’t coming back. He lies and tells her Diana has problems at home and her granny is very sick. Why doesn’t she bring her granny here and take care of both of us? Oh, she lives very far away. Then I am going to die. Than I am not going to eat. Max holds the dolly and tells her a story. Of Cenicienta (Cinderella). There was a pretty and poor girl. Lives with stepmother and bad stepsisters. Granny doesn’t like that part: skip to the end. Max does and Granny DS falls asleep. This is kind of touching—and a two-ton insertion of foreshadowing by the writers.
Diana is combing the papers for a new job. It’s hard to get to work without a car—and a nursing license. Reviewing past with Granny. It’s very hard that I can’t get work in a hospital. My license was suspended because of Dr. Evil (I’m still not clear on all the details of her license loss—if anyone knows please add). Granny vows that he won’t prevail. When will the judgment come? We don’t have a court date yet. But I’m going to talk to Gaviota, as she is my lawyer. (Folks, I have not seen the beginning, but I don’t know how Gaviota can be a lawyer. Ex-felons don’t get to be lawyers, except in extremely rare circumstances, and that is if they attend law school after prison (excluding “jailhouse lawyers,” who are just people who help other prisoners without having real training). The idea that she obtained a degree in prison is extremely unlikely, unless Florida has a very different system from New York’s. This has got to be just another fantasy the writers cooked up to add yet another coincidence to this highly coincidence-driven show. Did anyone see how Diana came to retain Gaviota as her lawyer? Did Gaviota hang out a shingle at the “bar”? Does she have any other clients? I will step off my lawyer’s high horse now, con permiso.)
Gaby is talking to Lala about how sad Diana is to lose her job. Lala says better my son will help her find a new job (the Diego Employment Agency has a great success rate. For a nice guy he has a bunch of awful associates. More later.) O comes in. You are fired. Because of your sister. Shut up, igualada. Your sister is a golddigger who is waiting to take over for the lady of the house. No, she’s a good and decent girl, she never wanted to conquer a man to raise herself up. Get out of your uniform and out on the street with your sister. I will send your severance pay with Lala . Octavia pleads for mercy. O says, shut up. You have years of service here, but I don’t permit anyone to judge my decisions. If you don’t like it you can go too.
Gaviota tells Diana she is glad she left that horrible house and those bad people. No, all was my fault. I should never have kissed Max. I let him kiss me. No, don’t feel guilty, the truth is that you have been in love with a married man. The same as your mother. No, I was happy working there and I was near him.
I loved him, Gav. But now you have to forget him. You must hate him. You cannot love people who are trash. Diana says he is different from his mother. Gav says no. Forget him before it’s too late. He’s worthless, he’s an Irazabal. Lots of repetitive discussion like this.
Max tells Emilio that if Marfil were gone, he would marry Diana tomorrow. Emilio says O would be mad. Max doesn’t care.
Camila on beach talking on cell to D/M . Asking if she has the money. No. D/M says she will find something to sell. Camila hangs up and gloats about how no one can conquer her and Marfil
Bruno tells D/M that she is going to see RM. D/M is hysterical. Tells her about the secret plan. Enlists her in going to O’s room to steal jewelry.
Diana and Granny are talking about Max. Then Gaby comes home and tells how she got fired just for being Diana’s sister. They are all upset. Too many debts. They are on a losing streak. Granny says God will help us. Gaby is most upset that she won’t see Larry anymore.
Larry tells Lala that he will save the day—he has something very good that he will do with Gaby. Just then Larry gets a call from—Pilar! She is in trouble in Mexico. Please help.
Diana walking in street and meets Diego. Wow, he’s got a new job lined up for her as a “telefonista,” which seems to be a receptionist/telephone operator. It’s working for a company for some millionaire where he is giving piano lessons. Good luck. (BTW, why have we never seen Diego actually playing the piano. Maybe he can't play at all. Judging from his students, they wouldn't know the difference. They certainly are not applying themselves to their studies.)
D/M calls Max in his office. Tries to get him to come home. No, honey—too much work. Meanwhile, Bruno fishes through the jewelry box and finally finds something good—a giant gold bracelet with several large emeralds. (vocab: Esmeralda= emerald, pulsera—bracelet. I like that, it helps to remember: pulse points—wrist--bracelet.).
Back to Pilar: Kiki hit me, he took my passport, and my bag and money and my tarjetas de credito. I can’t get back to U.S. Larry says: oh, now you want me. When you left with that trash and left me at the altar. Please. Kiki comes up and Pilar is cut off. You can tell Larry is torn!
Gaby tells about Larry’s marriage proposal. Granny says it’s not a good idea. He is just looking for a refuge and a balm for his pain. But Gaby likes the illusion. They talk more about finding new jobs.
D/M looks at the pulsera. Tells Bruno to sell it. Bruno wants to use any extra money for therapy for RM. D/M is not happy with that idea. Bruno says that sooner or later, RM will have to return to the mansion. Bruno calls D/M an impostor, and D/M slaps Bruno. It almost makes you feel sorry for Bruno. D/M says, get out of here, igualada. Payback to Bruno. D/M is mad because Bruno prefers paralyzed Marfil. Out in the hall, Bruno cries. I am paying, my golden child, I am paying. We don’t know what this is about yet.
Max is filling in as nurse for Granny DS. More whining about how they both miss Diana.
Diana is trolling streets of Miami in a strapless dress. Arrives at new job at Bracho Imports (I wonder what they import? We can only guess . . . but I bet it isn’t coffee.). Receptionist can’t keep up with calls. Old receptionist says, oh you are young and pretty. Lucky you got this, but you are young and pretty. I am going on vacation. They’ll probably fire me when I get back. I’m now 50 years old. Diana says she would never allow that.
Cut to shot of man in open bathrobe with goatee and ponytail. The effect is not Larry the hunk but Al Pacino in the latter part of Scarface. This is Senor Victor Bracho. Wants to know if the new telefonista has arrived. His wife comes in, and says if I catch you cheating I’ll kill you both. Not to be a looksist, but this is almost too much of a joke—the wife seems to be 20 years older and 75 pounds heavier than Victor. A beauty she is not. Wife puts a small gun in her purse.
Cut to O. Nancy, call the chofer in 10 minutes. I don’t want to drive. She is looking through the jewel box. Naturally she is looking for the pulsera—which Bruno took because she thought she didn’t wear it often and might not notice it was gone right away. O accuses maid of doing it. No, I swear.
Camila and Bruno. Camila wants to see the bracelet—she says she has a place downtown. They speculate on the secret. After Bruno leaves, Camila laughs that Bruno is delusional if she thinks that Camila won’t win out.
Back to Bracho Imports. More instructions on phone answering, Mr. Bracho is cranky. He loves young and pretty girls like you. He always treats them well.
Max is swimming in pool. D/M comes out with walker. She tries to kiss him. He pulls away. Don’t you want me? He says the truth is with two years separated my passion cooled. It’s not easy to maintain a marriage that way. The only solution is that get a divorce. She is impactada.
Bracho arrives and asks how’s this new telefonistsa. She is young and pretty. Send her in.
O is quizzing everyone about the bracelet. Of course, she accuses Diana. Yolanda tries to get her to remember when was the last time she saw it. O is having none of it.
Gaby is sweeping the house. Larry comes in door. Did he even open the door? At least on Seinfeld you saw them come in and open the door without knocking. Here they just walk onto the set.
D/M scolds Max about divorce. She can’t believe it. Major tantrum ensues. He says he will take care of her until she recovers. Tantrum continues.
Come in says Bracho. Leers at Diana. Diego assured me that you are a good worker. In my profession of nurse, but I’m not sure about this. I just want to get experience. How did you get here? I took the bus and subway. Don’t worry. I will pick you up in the morning. No. I am accustomed to public transportation. Don’t say another word. For me it is no trouble. When you finish work, I will take you home. Can you guess what’s coming? (Fool me once; shame on you. Fool me twice; shame on me. All I can say is, Diana had better not use the Diego Employment Agency again.)
Back to more repetitive arguing between Max and D/M. He says, If I could do over my life, you are very pretty and all, you deserve a man who loves you. I am not that man. Don’t go Max, don’t go. He goes. She vows: No no this will not happen. He will never divorce me.
Labels: acorralada
Duelo de Pasiones - Wed Feb 14 - Fairy Land
The singing aunt tells Thelma to get the witch to save Emilio. The aunt reasons that if Orlando said the witch can save him then it must be true. Thelma admits that she doesn't want to contact the witch because she is the mother of that that imbecile. Thelma is afraid to run into the imbecile when she goes to find Luba. The aunt tells Thelma she will go with her. They have to risk it to save Emilio.
The good doctor paints a crazy story about how his words don’t reach Soledad. It’s as if he is talking to a wall. She is living within herself tormented. Don Loco rolls his eyes; he has had enough of this crazy talk. He tries to cut the doctor off but the doctor isn’t done. The doctor claims he doesn’t want to interfere in Don Locos personal life but! It’s Don Loco and only Don Loco “who will answer in front of someone who will realize the injustice that you have committed against your wife.” Don Loco yells “Injustice?! How dare you!” The good doctor yells back that he dares to tell Don Loco that and a lot more! “You have taken your wife on a very slippery path. At whatever moment la Señora can tumble into a deep dark abyss, an abyss of insanity.”
Orlando sits down to chat with Angel in his sick room. Angel wants to know if Emilio is seriously ill. Orlando tells him that yes Emilio is seriously ill and …… “It’s Thelma’s fault! Emilio got worse because of Thelma’s rush to marry him!” Orlando goes on to say that the good Dr. Vasquez told him that Emilio was better before Thelma’s actions. Thelma is vile! Sweet dumb naive Angel takes Orlando’s confessions to be truth and decides to come clean about how he used to not like Orlando. He used to think Orlando was envious of Emilio; that their friendship was false. Now he can see that Orlando really cares for Emilio. Orlando, glad to finally be understood by Angel, tells Angel that he is like a brother to Emilio.
Angel tells Orlando that he doesn't understand why that man shot his brother. Orlando answers that it’s “a strange subject. Don Loco doesn't want anyone to get close to his bastard daughter, and since Emilio was making her his wife… Well finally your uncle is seeing that the town authorities make sure that Alvaro receives his punishment.” Poor sweet Angel comments that now the subject is in good hands, little does he know.
Orlando leaves the room to talk to Thelma who is calling his name out in the hall. Thelma wants Orlando to wish her good luck in getting Luba’s help. He tells her good luck, suerte.
Flor cries one long tear down her face. Luba scolds her for suffering over such a loser. Flor snaps at Luba to leave her alone about it and runs out. Luba asks the Virgin for some more help.
Don Loco is having a hard time realizing that Soledad could be the crazy one and not him. The doctor begs him to avoid Soledad going insane by bringing her daughter to her. Don Loco stares at the doctor coldly.
Thelma and the singing aunt delicately make their way through the forest, over a creek, looking for Luba’s Mc Mansion cave. The aunt carries her purse and both women wisely have worn their heels. Then who should their wandering eyes see? It’s the imbecile. Beautiful fairy! He sings.
Don Loco tells the doctor that Flor will never step a foot in his house! The doctor asks even to avoid your wife’s craziness? No! Nunca! Don Loco insists.
Gaspar smiles at Thelma. He’s so happy to see his fairy. Thelma asks if his mother is in the cave. He answers yes, does the fairy wants him to accompany her there? Thelma tries to nicely tell Gaspar that she is not the fairy; he must be talking of someone who looks like her. The aunt pipes up that she is the Senora Valtierra. Gaspar grins and repeats their words but insists she is the fairy. He met the fairy at the Devils Cave. The women look at each other.
The school kids are making fun of Marianita’s lack of hair. Her little boyfriend tells her he likes her just the way she is; without hair. Somehow she is able to turn the conversation around to her missing father. The boyfriend is surprised to learn she has a father. She wonders if he thinks she can get another father.
Flor cries to Donkey/Tonqui/Doggie Dog. (Please sing the chorus of Snoop Doggie Dog's song Who am I with Donkeys many names inserted.) She doesn't want God to take Emilio away from of her. Let him live even if it’s not for her.
Gaspar argues that Thelma is the fairy. Thelma says no! She is not the fairy! No matter what she says Thelma can’t change his mind. He tells her that the fairy in the Devils Cave had a red dress. Thelma looses her cool, telling him to be quiet. She is the wife of the owner of La Rinconada. If he insists on this craziness she is going to throw him and his mother off this land! Gaspar understands what she is saying now. He tells them he can’t leave here, he can’t! They tell him if he wants to stay he better go away now. He refuses to go, he wants to stay. After a few more threats the ladies are able to get him away from them. He shuffles off in slow motion looking sad.
The doctor tells Don Loco that he can’t do anymore, he will leave. Don Loco called him because Soledad fainted and now she is conscious. Don Loco looks at his cigar.
Luba talks to the picture of the Virgin Mary about how she doesn't trust Thelma. Thelma walks in as Luba finishes her chat with V. Mary. Luba acts semi normal as she shakes hands with Thelma and the singing aunt. Thelma tells her she needs a favor. She needs Luba to save her husband. Luba has an audio flash back to a man in her past telling her to save his son. Luba’s eyes dart around as she has this memory.
Thelma asks Luba again to save Emilio. Luba replies she doesn't do miracles. Thelma argues that Luba has saved other people. Yes, replies Luba, but peasants, not people who have sad hearts. Thelma doesn’t understand. Luba tells her that she doesn't know if Emilio even has a heart, but, she will go look at him. Luba will go to the Rinconada and see what she can do.
Flor calls Rosita over to her in the plants surrounding the Rinconada. She wants to know about Emilio. Rosita tells her that he isn’t doing well, and Thelma is a witch. She’s the real witch around here.
Don Loco sits by Soledad and tells her that Flor isn’t dead. He shot Emilio not Flor. Soledad doesn't move, react or twitch like she is hearing him. He gets angry that she doesn't have a reaction. He gets mad that she is making him bend, making him feel for her. Her punishment for this will be that Adela can’t get near her anymore. (Oh no who will do her hair!) Only they (the two of them) will be together. He will see how long she resists. He will see how long she resists when she sees he doesn't care that she is going insane. Soledad lies still on the bed throughout his tirade. She never moves.
Rosita and Flor walk through the forest talking over Flors troubles. She should have known better that her father wouldn’t let her just up and marry. Rosita wishes that Alvaro was in jail. Flor prays to the Virgin to watch over her mother.
Marianna is brought flowers by her daughters new cancer doctor.
Marianita is yelled at by some more of her class mates. The kids taunt that Marianita will get her little boyfriend sick. Not to mention that she is going to die and then he will be left without a friend. Marianita runs off.
Rosita is sad and worried that Santos won’t find another job.
In San Mateo Santos tells his mother about Maximo accusing him of letting Don Loco go free. His mother thinks to herself how awful it is that her son is fighting with his father over the same woman!
The doctor explains to Marianna that he came to see her daughter. Marianita’s case has professionally interested him. Marianna tells him that her daughter is at school, busting his white lie about only coming by to see the child. She offers him coffee and he smiles with relief.
Luba tucks Emilio’s covers in around his head. She tells Thelma that she wants to talk about other things. Money? No, Luba warns, life has a high price, so high that there is not enough money to pay the price. That is why she asks for little money so that she can live poorly and with dignity. She asks for little money so that people don’t think what she is doing is a small thing. Thelma asks her if you don’t want money then what do you want? Luba isn’t talking about what she wants. She is going to tell Thelma what she doesn't want.
Marianita has a blood nose. She asks her guardian angel if she saw what those girls were doing to her. Her boyfriend runs up to her. He tells her he will watch over her. He thinks she is the most beautiful girl in the whole city.
Flor goes home to the cave calling for Luba wondering where she is.
Luba wants Thelma to know that she is saving Emilio. She will come at night so no one else will know she is saving Emilio. Thelma will watch him during the day, and Luba will come during the night. Thelma will leave a door open so Luba can sneak in and out unseen. Thelma agrees to this. She wants Luba to save him.
Sergio tries to stop Gaspar as Gaspar literally hops through the Montellano hacienda doors into the courtyard. Sergio yells at Gaspar and corners him with his gun. Gaspar tells him it’s his feet. They always do what they want! He slaps at his feet. Sergio stands there confused watching the strange sight of Gaspar slapping his feet. Nora hears their talking and comes running to them from elsewhere in the house. She yells at Sergio for treating Gaspar bad, he’s like a child! Nora starts to coo at Gaspar, saying that he has a great body. Is he hot? Would he like some water? A glass of horchata? (Rice milk) She grabs his arm, telling him she wants to talk to him. She steers him away from Sergio. They start to whisper to each other. She wants to know how Luba is and he wants to know how Soledad is. They establish that everyone is well and then continue their ruse in front of Sergio. She steers Gaspar toward the exit and tells him to come back anytime. Gaspar takes great big exaggerated steps past the condescending Sergio, who is none the wiser that they just traded information.
Luba and Flor talk over Luba’s new nightingale gig. Flor believes Luba will be able to save Emilio. Luba doesn't want Flor to go near the Rinconada. Flor says she will stay at the cave and wait for Luba to return.
Thelma tells Orlando that Luba will come every night to take care of Emilio. Coral almost gets seen by Thelma.
Luba rubs Gaspar’s body with a secret lotion potion. Gaspar hurts he says, his heart hurts. He tells Luba that his muñequita doesn't want him because he is stupid. He went to the doctor but the doctor said he can’t be cured. Luba is mad he went to the doctor at first and then she breaks down. She hugs Gaspar and comforts him. She tells him he isn't stupid. Not stupid at all.
Angel talks to Flors image on his painting of her. He wonders why she didn’t tell him the truth; that she wanted to marry Emilio. Susi comes into the room with food. Angel doesn't want to eat. Susi talks him into eating so he can take care of his brother. Boo hoo poor Angel.
Meanwhile Thelma is stroking Emilio’s hair telling him he needs to get better. Luba arrives and Thelma goes off to bed. Luba talks to Emilio about how he is handsome, etc and that is why she (she who? Flor? Thelma?) loves him. And because of her, Luba will do everything up until the impossible so that he will get better. She starts getting animated with her words telling him that if he gets worse, if he dies ….. Flor walks in surprising Luba and cutting Luba off from her tirade. Flor followed Luba because she wants to be close to him. She promises she won’t cause problems. She wants to help Luba save him.
Fingido – feigned, false
Inmiscuirse – to interfere, meddle
Resbaladizo – slippery (surface)
Grave – seriously ill
Doblegar – to bend
On a side note, NPR’s program All Things Considered did a story yesterday about how women are dying in high rates in Mexico. They are being killed, and violently. I thought the story was eye opening and disturbing. Especially in light of how much violence is being perpetrated against women in this novela. Here is the link:
Labels: duelo
La Fea Más Bella #211 2/14/07 The Shell of Eeevill, Galan goes trashpicking, & The Importance of Bags
Fer and Omar the Imbecile are chatting about Aldo, Omar says you should be content because now she is going around with Aldo, and just a little bit ago, she was with Tomas. Fer wonders why he would give a picture of a shell. Fer wants to measure how long he is with her and wants Omar to be quiet. Alicia and Marcia too are wondering why Aldo gave her such a gift. Mar thinks it could just be that he’s nice to everyone and a gentleman. Alicia is perplexed at why Aldo wouldn’t like her she’s perfect, except for her stockings says Marcia, and if she did go out with him, it would do her some good to bring her back down to earth. She doesn’t quite get this as she looks at her feet and thinks she’s touching ground just fine, and besides is a great walker. Blond moment for sure. [OK, I have to wonder how many actual days it took to film these episodes. Did they do it all in one day? I haven't really noticed continuity issues so I'm impressed if they did it over more than one, but I feel sorry for them having to wear those clothes for so long. Especially Alicia, whose stocking rip now extends the entire length of her leg. Ugh, it would drive me nuts to have to wear torn up stockings like that!! I wonder if she gets hole imprints on her skin...]
45 seconds. Fer thinks it’s been 38 minutes. Marcia then discovers them spying on Lety. They discuss the whereabouts of the cuartel. Alicia says they spend all their time in the bathroom because they think they are immune as friends of the Presidenta. Marci says we’ll see about that and she leaves Ali in charge of the boys.
Marcia then happens upon the cuartel discussing how Lety the ugly could take Fer away from Mar who is so pretty, blech….and how bothered she must be and so on….Mar bursts in and they try to cover by saying they are talking about a novella, again with things including police. Lola borrows Lui mimisqui.
She tells them the police would come for sure when she rips them to pieces…..she’s not a fool. If you have something to say to her tell her what’s up now that she’s there. Marta asks to go back to work she says yes, but to work, not to gossip.
The cuartel files out of their meeting room and is noticing Fer spying and so call him a traitor. They hiss at him. Fer is clueless but aware. Mar also comes out. As usual, Ali wants to know what’s up. Ali answers PM s phone and tells Lety about the meetings as usual in the bathroom, PM is mad, so she grabs the phone back and says that Ali stole the phone. It’s Lety and she wants to see the cuartel all in her office. They are impactadas
Lety is still with Aldo deciding where to move stuff. Ali and Mar confront Fer, about why they were keeping watch outside the presidency. He says they were just walking through and were tired so stopped to talk about the cuisine project, the mole, etc…. They depart to “their” office, the one that they have, you know, together, like when they were in school, they sat together then too. Mar tells Ali she thinks Lety spilled the beans to the cuartel about the Fer love affair. Ali wonders what the swindler was doing outside of that office. Mar tells Ali should investigate because maybe they’ll raise her salary, but she wants her to let Mar know when Aldo comes out of Lety’s office. Ali is duped. Another blond moment.
Aldo says he’s got to go to the meeting because everyone is waiting. Lety thanks him for the painting and he kisses her hand while the cuartel swarms around them licking up his honey. He flirts some more with them pollinating guapa all over the place. Lety is still upset though.
Caro-chan shows up looking for Aldo because Lui needs him like heroin. Aldo wants to know how well she knows Fer. She says well. He wonders if it’s possible that Fer really loved Lety. Caro-chan dismisses that and says no you know that story very well. Aldo says but he feels Fer seems legitimately jealous of him. Caro is impactada. She thinks that he’s misinterpreting the signals and tells him it’s just not true. He is convinced Fer was really mad and really jealous, not faking in anyway. Lui then calls from afar for Aldo, he agrees he better go so Lui doesn’t get a mimisqui. Caro fixes his hair and lets him go. I’m telling you, something has to be there between those two. They are just too buddy buddy. The way he looks after Lety, Caro looks after him. Hmmmm……
Lety shows off her painting to the cuartel. They tease her “Bien Po-Po.” They discuss how they might help move the furniture for her. Lola then takes the hammer that would be used to hang it and has a better idea for it; to mash Cheque. She mashes her hand by accident though. Duh! Ouch. After the pain subsides they spend time pondering the shell of evil (ok there’s a better reference here, but I can’t pull one out of my brain right now, but that shell is eerie, like it’s haunted or possessed or has evil powers or will make you turn into a werewolf or something. I can’t look at it too long, it creeps me out) making artistic critiques. Lety decides now it’s time to get tough with the cuartel. She tells them to ixnay so many of the eeting-mays in the bathroom, that they need to work more, she’s worried about Mar watching her under a microscope. She’s cool about it though, because they can talk in her office sometimes if needed. They are bummed but agree.
Omar and Fer are in “their” office talking about Aldo, which Omar says is boring him so let’s talk about Mar instead. Oh yeah, now there’s a subject that can really wind your binder!!!! Omar tells him he should take Marcia with him all over. He says he already sleeps at her apartment etc, and sees her daily at work, that should be enough so I don’t have to take her everywhere. AAAAAhhhhhh! Fer is impactado, he notices the infamous black bag of goodies is gone, that held the Jallmarks, that he put in the trash can, that was emptied and sent to the trask collection site. He wants to know when the trashman comes. The two have another pissing contest over the desk chair, but not as injurious this time.
On the other side of the firm Lety recalls the bag as well and flashes back when she said it should go in the trash and while day dreaming of this she spaces out to the computer install man talking to her. PM shows up with Lety’s calendar etc. She wonders about the trash man too, so PM calls Celso and finds out it’s coming soon. Lety is “anxious.”
Fer asks Juana casualmente when the trashman comes. She also says soon, and he tells her the desk is a little dirty. Fer tells himself if Lety doesn’t care about these things then he’ll save them. Echo, echo, echo, …well actually, Lety tells herself the same thing. Will they reunite while digging through the dumpster? I hope so.
Lety runs out of her office determined to recover her dreams. She is stopped by Caro-chan and she wants to chat and know what her office looks like. Lety tells her she already knows because it is the same as Fer’s because she wants to go dig through trash.
Tomas pays homage to Einstein, oh, no wait, presto, it’s Alibubis!! That’s a great idea to have reversible artwork. I get bored with my surroundings very quickly and could easily be in a Frida Kahlo mood one minute and a Thomas Kinkade, Painter of Light mood the next……well, no not really, but…
Tomas continues talking to his art’s backside and does some prep to confront the Oxi with the little brown bolsa. Bolsas figure prominently into this novela’s storyline I’ve noticed. I wish they’d make better use of them though. I can think of a few cast members whose heads I’d like to pull some over.
Lety tells Caro-chan she’s happy Aldo is here with her and she owes him her current fortitude. Caro affirms Aldo’s dedication to Lety.
Ali practices her next meeting with Aldo and waltzes into his office and fantasizes about his appreciation of her. Tomas overhears her acting out her fantasy solo, but he can’t see Aldo’s not really there. He makes a noise trying to get away, and Alicia hears it and is afraid someone discovered her. She goes to look for whoever it was but finds no one.
Tomas curses that Apachurro de Aldo for moving in on his girl.
Aldo is sharing his thoughts with Mar and Lui & Ricky about the project. Lui of course loves his idea. Alibubis interrupts, Lui wants to know why and she tells Mar she has a message for her. She then tries to pull Aldo out. Lui reprimands her for being inopportune. Ali asks him if she can talk to him about something important but not urgent. He patronizes her. The plants are moving, oh it’s just Tomas playing secret agent 007.
Ali asks Aldo if he’s free tonight. He thinks he might be, but she’s probably not. She says she has many things to do, but if someone special invited her for dinner tonight she could cancel everything. Just then Lui walks up and notices Tom in the bushes. He asks what the metamorphasizing oruga is doing there eating plants, no less. Tomas says it’s just him, and Lui says and he’s wondering what Woody Woodpecker is doing in this tree.
Lety wants to know if Caro will help her with the project and she says yes, but she wants to know what she’s getting into. Lety says welcome to the hell known as Conceptos. Caro says that’s because Fer is here no? Lety says yes, she wanted to stay away from him, but every time she sees him she just feels worse.
Sara answers an urgent call from the US Embassy. They ask to speak with Fer and she asks Omar if he knows where he is or if he would like to speak with them instead but he shirks his responsibility and says Lola can take the call or maybe Fern should call back since he’s the contact with them. Omar says to say Fer is putting on his lion face in the bathroom. She thanks in them English. Sara begs pardon for forgetting to dial Gui for Omar.
Simon wanders in singing loudly. Sara tells him to go find Fer because someone from the US is going to call him back in 10 minutes. Simon says he’s not here he went outside the office. He says he’ll go find him. Simon babbles on about liking this country and singing stuff.
Fer is now outside and is searching the trash areas; he is only finding organic trash at first. He then finds what looks more like office trash. The trash men notice him and wonder what he’s doing. He dismisses them telling them now is not the best time to collect the trash. They think he might have lost some money.
Caro and Lety are talking and Lety says the international publicity is what is concerning her the most. Caro said she and Aldo saw Gui, and he’s lined up advertisers here in Mexico but he’s waiting to speak with someone at Conceptos. Lety says she left that to Omar. Caro and Lety understand the problem now. Caro continues on and Lety drifts off. Caro asks her if she’s listening and Lety says, well I’m thinking that I have to see Fer again and I’m feeling bad…..
Happy Valentine’s Day all!!!!
Funny I was thinking to include these links that I found to the first Fea episodes last night, but I didn't. Ironically some comments are showing up about them so here is the very first one. I noticed no spoilers (didn't search for them, but pretty sure none are obvious). Once you get here you can easily click on the following chapters, each goes up to 5. I can post more of them if you have difficulty finding the successive scenes. Enjoy! I spent my lunch hour watching them yesterday because I never actually saw them. Our network had an outage those first two days and as far as I know they never reran them. Man I was mad, and so thankful I found these!!!!
http://www.youtube.com/watch?v=8KJP_Yg8QWc&mode=related&search
Labels: fea
Wednesday, February 14, 2007
Mundo de Fieras 2/14 - what a lousy Valentine: buckets of tears
1. The Gabriel and Mariangela problem.
Gabriel is straining his last brain cell trying to keep up with the plot. He keeps creasing his face, trying to understand. Mariangela? Hasn't been answering her cellphone? Is gone? Took the baby? Throughout this episode he will be saying he doesn't understand.
He goes to Candelaria and says he doesn't understand. She says she isn't allowed to tell him anything except that MA has gone to represent Regina in some conference out of the country - then she hands him MA's note, which he reads in the same stupor of incomprehension. "I have to leave, for work. After what I heard and saw, there is nothing remaining between you and me. I feel profoundly deceived. We'll talk when I return." He repeats her words many times in befuddlement. He goes to Nicolas and repeats everything. Nic says, be patient.
Joselyn is impatient to find out if her cuddles with Demian-masquerading-as-his-dumb-brother had the desired effect on Mariangela; she is exasperated to hear MA has left town and the showdown must wait till her return.
Jos goes to mommy to complain; Miriam says once again that the whole scheme was a big mistake and will result in disaster for both Jos and Demian, and that now Gabe will never trust her and she will lose everything. Jos says, "that's not what I wanted to hear from my mother."
2. The newly-weds on their honeymoon.
Elsa is drinking in bed. When Sil comes in she quickly hides her bottle under the pillow. At long last he notices the alcohol on her breath and after a brief struggle finds her bottle. "I can't let you destroy yourself," he declares, "I'll take charge now."
3. The JC problem.
Regina read the letters her son has been writing to his future child and hiding under his blotter. "Son, I'll miss seeing you smile, your mischief, your first steps, I'll miss having you sleep in my arms. Know that I left your mother still loving her with all my heart. I had a mortal illless - but I always loved your mother ..." Regina breaks down.
Dolores and Leo are in his hospital, agreeing JC has gone too far in deceiving his mother and wife, when said mother bursts in and shouts: "Stop lying, is my son really going to die?" Their somber expressions tell the tale.
Regina yells at Dolores for deceiving her - "you're a mother, you should understand I needed to know" - but eventually forgives her, knowing JC orchestrated the deceit.
She finds out she might be able to give her son a bone marrow transplant, but JC has refused it because the operation would be dangerous for her. All fear for her heart; she insists on the operation and goes to see the specialist who will determine if her marrow is compatible. Then she makes the exact same mistake JC made: "We must do this transplant without his knowing." (I've heard about this on the internet, in reverse: you wake up in a bathtub full of ice and discover somebody has harvested your kidney.)
JC is determined to leave Mexico, though his ex-boss Manuel says this is all a mistake.
Paulina is sobbing over JC's pictures when Karen comes to visit. Paulina upbrades Karen for trying to steal JC - Karen is about to explain everything, I think, but Paulina shoves her out the door and slams it behind her.
Regina sobs, thought-bubbling about a Mother's Love and how she's been scolding JC when he really needed her support. She goes to him and promises him her unconditional love - but he mustn't leave, he must stay with her. As they hug, he thought-bubbles: "I will never leave her until death takes me," and she: "Son, I'm afraid this will be our last embrace."
Dolores is also thought-bubbling about a Mother's Love and crying when Tiberio comes in. He is surprised to see her crying, saying she has always been so strong. He even gives her a hanky. Is he getting rehabilitated?
Pau tells Daddy that JC is leaving her, so Demian goes and yells at JC. There's a showdown at the apartment. Gabe says JC doesn't deserve Pau and suggests she leave with him.
She says, "You taught me to fight for what I want, I'm going to stay and talk to my husband." She tells JC his eyes are telling her his cruel words are a lie. "Why not lie by my side and be with me when our child is born? How can you think I could be happy with another man?" He says she'll find consolation in the child. She says: "I'll always miss you, I'll remember your voice, carry in my heart the memory of your embrace and the warmth of your skin. We're at the moment of deciding our future..."
She demands he look into her eyes and say he doesn't love her. He manages to do it. She leaves, in tears; he breaks down sobbing after she leaves, soliloquizing: "Forgive me for breaking your heart - I'll die with your name on my lips. In the days that remain to me I'll think of you every moment."
Paulina rushes back home, and she Gabe are rehashing in shock together - he says he'll take care of her and her child, and she will just have to live for her son - when Regina arrives and tells them that JC is dying. The cheery goodbye music strikes up.
desahuciado: terminally ill
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