Tuesday, October 23, 2012

Refugio Para el Amor #139 Tue 10/23/12 All Great Stories Begin With A Journey....


...If not all, then most of them do. The main character, through circumstance or choice, is led to leave the comfortable nest of childhood and seek his future destiny elsewhere. The trip involves hardship and joy, triumph and defeat, hope and disillusionment....and God willing a happy ending!

So let's take a look tonight at all our characters, not just Luciana, and see where they are on this long and eventful journey.

Roselena: She seems to be moving closer to her destiny of emptiness, loneliness and abandonment. We see her walking through her soulless house, checking for dust on the banister, and stopping to study the picture of her with her two sons. The vacuity of her life is underscored by the total absence of background music. She lives and moves in utter silence, other than her complaint to Mati about her sister Connie leaving the house.
R- How ungrateful she is, biting the hand that feeds her! But you'll see, she'll come back ashamed and humiliated, abandoned by her younger lover.

Mati defends Connie, noting the courage she showed raising and supporting her children alone after her divorce when Aldo was only one. But none of this cuts any ice with Roselena, who thinks if Connie were decent she'd forgo men altogether and devote herself to raising her children....chastely.

She is daily sinking deeper into criminal cruelty and contempt. And her sessions with the psychiatrist still revolve around her desire to discover the identity of Maximino's lover. When the doctor questions why she persists, when the private investigator has discovered nothing, she mutters “We all know that aparencias engañen (appearances are deceiving) and I will find out who she is.” She is never motivated by love or tenderness. Vengeance and destruction are her only driving forces.


Connie: She is moving forward on her journey of faith and wholeness. Faith in Oscar's love and her ability to nurture it and be blessed by it. Faith in her decision to distance herself from the hatred and negativity of her sister. Faith in the future, that whatever the outcome of her romance with Oscar, she will be okay. Come what may, she'll be able to earn her living, relate with love to her grown children, treasure the time she has with Oscar—whether long or short-- and thrive and appreciate the life she has.

The happiest scenes of the evening are with her and Oscar. When she visits him in the office, he kisses her tenderly, tells her she's beautiful and that he loves her. Later, the entry into his apartment(with two fully packed suitcases) is joyful and full of humor. He's down on one knee, she springs into his arms. They kiss, laugh, execute a little dance twirl and run off in the direction of the bedroom where he promises a wonderful surprise. Sign me up for that!

More than anything, I treasure Connie's laughter. We hear it often. And it's one of the major differences between her and Roselena. Have we ever heard Roselena laugh spontaneously? Sincerely? With joy? I don't think so. There's no room for humor in a heart full of hate.

The Barrio Babes: We're talking Violeta, Serena, and Delia. All three women are on their own hopeful journey, intending to build their own business and make a living on their own terms. Mind you, the form-fitting coveralls are every bit as sexy (or as Pato notes, provocativo) as the Inferno outfits, but these little diablitas are determined to make their new business venture work. The grand opening is launched with balloons ,botanas (snacks), and a blessing (cue the holy water) by Padre Honesto.

Even with all this joyful preparation, the event is momentarily marred by the arrival of Boris, ready again to beat up Lorenzo for stealing his novia. Fabio and Polo warn him that this time Lorenzo has backup and Boris is quickly sent on his way (while false friend Lulu simpers in the background, seemingly happy with the trouble she caused.)

Brigida: Hard to know, at this point, where Brigida's journey will end. Throughout the story, she's been a bitter, scheming, jealous character, anxious to align herself with evil doings, as long as it involves an increase in income. But her eyes may be being opened as she spends her days at Gala's being endlessly ordered around by both Gala and her entitled mother Julie. The latter casually requests a flan (custard pudding) to be made for their guests. I've made a flan and believe me, it takes some work. It certainly can't be whipped up at a moment's notice, but Julie wouldn't know that. I doubt if she's every cooked a meal in her life. Will Brigida eventually tire of this degrading alliance? Especially as she observes Gala's cold-hearted neglect of Rodrigo's baby? Time will tell. She already seems to be disenchanted.

Rodrigo's daughter: Let's not even mention birth mother Gala, because as far as we know, she hasn't even touched the baby (as yet unnamed). When Julie asked if she wanted the niña brought in, she asked Qual niña? So far, the infant has only known the loving touch of her father, who calls her his little princessita and that of the nurses, who hopefully are treating her with affection and caring. Not even Julie will hold the niña, for fear of getting spit-up on her expensive outfit. Her appalled party friend, with considerable more humanity than either Gala or Julie, does insist on holding and cooing to the little one when the nurse brings her out. But we all are hoping that eventually this wee one will end up with a real loving mother, our heroine Luciana.

Gala: Gala remains as committed to deception and evil as ever. When she gets a phone call from Rodrigo saying that he's coming home from the office to eat, she pretends the baby is right beside her and that she's loving every minute of nestling with her newborn. As a matter of fact, she is neither resting, nor cuddling with the baby—simply idly flipping through a magazine, while mom holds court outside, and the nurses fret over the baby's colic and poor reaction to the formula they're feeding her.

While she has absolutely no time for the child, she does immediately launch into plans to have the staff photographer come to take pictures of her and Rodrigo with her daughter—to splash on the magazine cover. In addition to a full spread article inside. The baby remains a simple means to an end— a human prop to solidify Gala's relationship with Rodrigo and to further wound the hapless Luciana, whose own baby has disappeared. It's a gratuitous cruelty designed to drive the knife even deeper into her rival's heart, when she sees the magazines on the newsstand.

Hard to believe that Gala could sink any lower on her spiritual journey. She and Roselena are running neck and neck in the race to see who can reach the lower circle of Hell first.

Vicky: Her journey seems similar to Violeta's. She's determined now to succeed through her work alone, rather than subsisting on the crumbs of attention and sexual passion from an older married lover.
She rejects the auto he had Aldo buy for her and snaps that if he's trying to reconquistarme he should ask her what she really wants, rather than loading her now with expensive, unneeded gifts. She also pushes Aldo away. She's concerned that Max could actually kill Aldo, a move the latter shrugs off. But Vicky holds her ground. A good decision for the moment.

Jana: (also occasionally spelled Hannah in the closed captions): She's still the sweet affectionate gal she's always been....and still sweet on Lorenzo as well. While snacking on carrots and celery with her snobby friend Lulu, she convinces her to attend the grand opening of Curvas Continuas (Violeta's new car wash business) in order to prove that she's not a pretentious society chick (fresa). Both she and Lorenzo are so young though, we have no idea where their romantic journey will end.
Oscar: Our favorite mature galan is doing everything right. At one point, during Connie's visit to the office, he's on the phone with Linares. When he rings off, he turns and says “This guy is a genius at business. You wouldn't believe the money the firm is going to make with this deal he's brokering.”
C- Well, he was a founding socio of the business, and he was responsible for getting the corporation off the ground.
O- That's why I don't understand the fraud. It's a real rompecabezas (puzzle). But let's talk about us—are you ready for the mudanza (move)?
C- If you mean by mudanza two suitcases, yes!

Lots of tender kisses, plans for a bigger apartment and tender murmurings ensue. He even hints that one day she might agree to be Señora Gaitan. What's not to love about this guy? He's still a little slow on the uptake about Max's nefarious schemes, but that speaks as much to his loyalty as to his naiveté. He's simply too integro and straightforward to see others' crookedness.

Magda and Paz: While concerned with both their daughters' futures, they're also hard at work on providing an opportunity for the women of HetHet to earn a decent living through the pottery business. Magda has still not moved beyond her resentment of don Aquiles, but is also wondering if Violeta would have been better off knowing her father right from the beginning and perhaps getting some monetary backing. Paz notes that it might not have made any difference at all since don Aquiles is a very strange man. And who knows what he might expect in return (cobrar) if he did give help.

Don Chelo: We get a little of his back story as he loads up a rather unbelievable amount of half-empty liquor bottles. (Seems to me a real alcoholic would have finished them all by now. And how much booze money can you earn singing opera off-key in the park anyway?) As the soundtrack plays opera music in the background, he confesses “No Mateo, I didn't always live in this rusty old train wagon. Before... I had a home, parents, a sister....here's a picture of my mother. So pretty. She's probably died of sadness por mi culpa. Me fui y nunca volvi. (by my fault. I left and never came back.)

As the housecleaning continues, he studies Mateo's face and wonders Who could have thrown you in the trash? You don't have the face of someone “commun y corriente” (run of the mill). But what if someone stole you? What if someone ripped you out of a mother's arms? As if on cue, little Mateo starts to wail. (Please someone, rescue this baby now!)

Hopefully, don Chelo's journey is drawing close to the happy ending of repentance and redemption. He faces his past, gives up alcohol, helps Mateo find his real parents, and makes peace with his previously wasted life. If that's the case, perhaps we can comfort ourselves, that Mateo's destiny was to rescue a lost human being before being returned to his own loving and grief-stricken mother. As for the actual baby playing Mateo, he appears to be absolutely miserable and rather frightened by don Chelo. Another reason to wish for a speedy reunion with Luciana.

Pato: If Oscar is our favorite mature galan, Pato is clearly our preferred young one. His journey started with his ill-fated climb on the mountains of HetHet and has continued through his hard-fought rehabilitation and painful yearning for Luciana. He has been both wounded and strengthened by that love. It fires his determination to get better, even if he will never be her lover as he longs to be. As he awaits the arrival of his physical therapist (whose only training cues seem to be “despacio despacio”) he tells Matilda, “I won't accept any of the limitations of the doctors. I may never run a marathon but I will walk one day. We have seen him grow from an impetuous but sensitive younger brother to a caring and courageous man.

Melissa: Well, she finally spills the beans to Luciana. As the two of them talk about planning a birthday party for Claudio (Melissa's idea), Luciana notes that Melissa likes Claudio a lot. Nope, it's more than that. She admired him from the start. He was greatly respected in university law circles, in spite of his 20-year incarceration. But as she got to know him, she fell in love with him.

Cara impactada de Luciana.

But he's old enough to be your father! she points out. And while Melissa gleams, shines, glows and gushes about the energy and joy Claudio's presence gives her, Luciana points out that that's the love of a little girl for a father. (Maybe we're supposed to assume that the absence of Melissa's biological father in her life has led to this baffling crush on Linares.) So we get more gushing about that tingle in her tummy when she sees him, the rapid heartbeat and the overwhelming gladness when they meet. And when one finally finds the path to true love, one wants to follow it, she adds. Luciana looks pensive, and sadly echoes the words true love. But she really doubts that her dad can reciprocate that love. Well, let's let him decide that, snaps Melissa.

I simply can't predict where Melissa and Claudio's journey will end up. Can you? The irony might be that Maximino loses his young lover Vicky, while Claudio gains one. We shall see.

Luciana: When the village shaman predicted Luciana's journey to her destiny would involve many tears, I don't think any of us would have predicted the loss of her baby. ( If I'd known, I might not have watched!) The light has dimmed in our beautiful heroine's eyes. She appears fragile, pale and defeated. But, judging from the previews, her faith and determination are about to give her new energy to continue her determined journey to find her son. She plans to search every orphanage, every casa de hogar (temporary shelter for children) and casa de beneficiencia (charity house) in order to find her son. And let's hope her spirits can survive the publication of Gala's it's-all-about-me magazine photo story of her happy-family values- motherhood. At any rate, we've seen her evolve from a simple small town girl to a woman in love, a woman scorned, a budding business executive and successful artist, and now a stricken but determined mother. Hopefully, she's on her way to a happy ending.

Rodrigo: Can we call it a journey when our hero is still circling the drain? We've seen him make small steps, but not many. He resists the idea of the photo spread, but Gala overrides him. And he lets her. After an involved photo setup, complete with special lighting and screens, the infant is brought out like a prize package, tucked into Rodrigo's arms (not Gala's, God forbid) and our witch drapes herself over her husband, noting which is her best profile (while he rolls his eyes), and a number of pictures are taken. A few also including the alleged grandmother (but call me Julie not abuela!) posing provocatively on the couch behind the pseudo-happy parents.

Rodrigo is charmingly affectionate with his baby daughter, but alarmingly weak in every other aspect. Affection is not enough to make a man. He needs to show courage, integrity, discernment and strength. So far, none of those qualities has made an appearance. He pouts with his mother but hasn't set any limits on her, whereas Pato has. He sulks with Gala but hasn't taken steps to free himself of their pointless marriage. He wilts when she insists on the photo shoot and publicity. He seems to win a round when Gala accepts his suggestion that the baby be called Alexis but we don't know if that's just another short-term strategy or it will really happen. He talks endlessly about finding his lost son—both to Luciana and to his newborn daughter-- but has shown no results in that quest either.

Rodrigo's spiritual journey has been riddled with catastrophic decisions so far. He was at least partially responsible for Pato's accident, having let himself be talked into letting Pato lead, even though he knew his younger brother wasn't ready for it.

He pursued Luciana while still engaged to Gala, and did not have the courage to end it until the humiliating balk during his and Gala's first civil wedding ceremony. He betrayed Luciana (and mother Paz) by not waiting until their religious wedding to consummate the marriage. He further betrayed his young bride by believing Gala and Roselena's ugly assertions about Luciana's work at the Inferno. He let the divorce go through without fighting enough to repair the damage and maintain the marriage.

A drunken revenge sex coupling with Gala led to her pregnancy and an ugly second civil ceremony after his divorce from Luciana.

And he's still with the witch, while sneaking around to visit Luciana with empty promises of comfort, and dangerous stolen kisses.

Where Rodrigo will end up on his journey is a puzzle. But we're nearing the end of this story, so we soon will know. At episode's end we hear him tenderly promising his newborn that one day she'll be able to play with her brother and have lots of fun. The baby is gurgling happily in her huge crib, while in the next scene, we see little Rodrigo/Mateo, wrapped up in a scruffy blanket, sleeping peacefully beside don Chelo. Which baby is better off? Hard to say at this point.

Incidental scenes:

Aldo gets together with Lorenzo and Fabian, toting soft drinks, chuckling when he hears about the brouhaha with Boris. Nevertheless, they wonder cynically why he's there-- “Surely not to talk business at this hour of the night.” Aldo protests that he's offended. Can't he just show up out of simple friendship? And what's more, how about going out for a hamburguesa? The boys agree, but insist they'll pay their own way.

Is Aldo the good friend and generous investor he pretends to be? Probably not yet. Aldo's spiritual journey in this one involves a lot of hidden agendas, and light-hearted but larcenous plans to get rich quick. Since he's Connie's son, we hope he'll eventually decide to return to school and then make an honest, if somewhat modest living. Again, time will tell.

Claudio sees don Geronimo at the office and suggests they get together the next day for lunch. Is he pursuing his investigation of Pedro Campos , the mysterious complice who forged his signature on the fraudulent papers? The previews seem to indicate this is the case and that he does learn of Campos' relationship with Max.

At any rate, Claudio's journey is still unclear. He's survived his unjust incarceration, loss of his beloved wife and the seeming loss of his daughter for 20 years without bitterness. (Hard to believe. This guy is a saint!)

He's still on the trail of the criminals involved and is determined to help protect his daughter and find his missing grandson. Whether or not his journey will involve new love and fulfillment is still up in the air. But Miss Melissa is indeed a juicy plum just waiting to be picked.

Previews:

Claudio finds out about Maximino's accomplice. Roselena learns that Vicky is her husband's mistress. Luciana begins her active quest to find her baby son.



Vocabulario:

botanas = snacks, appetizers(what they served at the grand opening of Curvas Continuas...although no new customers showed up that we saw)
por mi culpa = by my fault
la familia que he formada = the family I formed, Gala boasting about her family and wanting to show it off in her magazine.
rompecabezas = puzzle (lit. head breaker)
mudanza = move
commun y corriente = ordinary, run of the mill, average
timar = to swindle, cheat (Roselena feels “timada”...cheated by the p.i. who found no evidence of the mistress)
embonar = to fit (as in pieces of a puzzle)
un par de tomas = a couple of [photo] shots (Gala, persuading Rodrigo to pose for the Happy Family photos)

Dicho of the Day:

El infierno está empedrado de buenas intenciones
Hell is paved with good intentions
This phrase is attributed to Samuel Johnson.
To have good intentions is just not good enough... One needs to convert them into deeds. This is said to reprove the person who makes promises but is not punctilious about keeping them. (Rodrigo, are you listening? Ditto for you Aldo)

La verdad es hija del tiempo
Truth is time’s daughter
Things may be confused and what exactly “happened” may be unclear. But the truth will come out in time. (And let's hope so. Gala and Roselena, are you listening?)

Labels:


Comments:
Great Re-cap Judy!
That Girl Lula / Lola IS A HOT MESSSS!

I see her being the behind the scenes instigating the hash that that Stupida of Boris has with Lorenzo.
Oh Me Oh My!!!
 

Poor Matteo always crying his poor little lungs out.
I thinks it's borderline torture having the baby in so many scenes and crying 90% of the time.

And what about that RICKETTY RICKETTY box of a stroller Matteo is subjected to. The Chicken Coup wire as headboard worries me. And the thought that the top heavy contraption could topple at any moment has me scringing with anxiety as it definitely looks Unbalanced
 

Great work.

Does Gala own the magazine she works on? Even if she does it's a bit presumptuous to think that the public is interested in her marriage and private life vs that of political wives, actresses, models, or musicians.

Whom we never see her hang with.
 

Great recap!

Please move this TN along, already.


 

Judy- A wonderful theme and a perfect time to reflect on the evolution (or devolution) of our characters. I got chills when Gala asked "What niña?" Wow! Simply unbelievable.

Poor little Mateo does looked scared of Chelo. Perhaps it's the shaggy beard?

 

Judy- What a supurb recap. Wonderful. I love how you tell the story of the character's journies.

So love Conny and Oscar, and I don't think they will ever break up. Roselena is so WRONG about this one. Conny and Oscar were made for each other, all the love and joy they have is wonderful to see.

Love the girls Vio, Serena and Velia opening the car wash and having Padre Honesto coming to bless the bidness, that was wonderful. Couldn't stand that Boris showed up. I wish he an Lulu would just go away already. Glad Polo and Fabian had Lorenzo's back.

Gagme is so full of herself. Like taking those pics, with the Champagne Queen in the back ground will make any difference in how Rod feels. He will never love her although I love how unconditionally he loves his daughter. I hope they keep the name of Alexia. It is very pretty.

Poor Luci she does look all done in, but little by little she will get her backbone back, especially after those advances. It looks like she is finally getting it back.

As far as Rod's journey, I think he is at sixes and sevens. So much has happened in such a short period of time, I don't think he is dealing with things well at all. He can't seem to decide what he should do. He still can't stand Gagme, loves Alexia, and does love little Roddy, but I notice he isn't actively looking for his son. All the P.I.'s they have hired haven't found a thing, and I think Luci has a good idea to look for herself.

I can't beleive Gagme or Champagne Queen won't pick up Alexia but Carolla, the partying friend does. I wonder if Carolla has any kids, they never said. She is really good with Alexia.

So now we know a bit more about Don Chelo, but not why he started drinking. It looks like he came from a good family, and if he only knew what he said was so true about Mateo being stolen from his mother's arms. How prophetic!

Pato continues to be so strong and I love that about him. He is such a good support to Luci, I wish Rod would get a clue about that. Maybe down the road.
 

So Gala2 once again causes trouble for Lorenzo. it is time for Jana to wake up and see what a false friend the little witch is and dump her behind. If Boris has 2 cents worth of brains he will head for the hills when the little sneak comes around .

Loved Conny and Oscar. What a perfectly realized relationship and the only one going. Poor Melissa not getting much support from Luci when she confesses her feelings for Claudio. Luci may be right that it is the lack of a father figure but maybe not. Still the chances of Claudio and Melissa getting together looks slim, at least at this point in time. Now if we get a time jump who knows.

What nina? Are we surprised? Gala apparently never even had a name in mind. Talk about the contrast between two mothers.

I howled with laughter with Max's frustrated scream after his latest call to Vicki. She is really turning the screws but it looks like in those previews his house of cards is about to come tumbling down. He's had to share his business with an enemy, his grandson is lost, his mistress is out of his control and his lunatic wife is treading ever close to madness.
 

The LQQK on Luci's face when Melissa professes her love or her dad Claudio was PRICELESS!!!
How will Claudio react when he becomes Privy to this bit of news?????
WOW!!!

I loved the TRES CURVAS Uniforms how exciting that they are owners of their own Bisness!!!! Yeah!!!
Violeta is truly as GANGSTA as her mom Magda ~ did you see her wide legged STANCE when the ran Crazy Boris off te lot! Magda's very own Daughter indeed!

Loved that Polo was there and also when Fabio stepped in betwix Lor & Boris when the toss up ensued!!!!
 

Judy, it's so interesting to have a recap that sums up to date the qualities and unfolding paths of the characters. Reading it, I let go of the emotions I'm carrying toward them and look at them from above. It's renewing at this, imo, tired point in Refugio.

I can't 'feel' Rod and Luci anymore. Your summary of Rod, and all of them, is spot on. But Rod especially is a disappointment. Eventually, since he's the galan, I'm expected to forgive him all his weakness and wavering and buy into el amor verdadero between Rod and Luci, but what can he do after all he hasn't done to show the kind of character that will raise him again in this viewer's eyes. It's like HE'S forgotten Luci, he wavers so much. And since when is work more important than mounting a search for your missing baby, ummm, Rod and Claudio and Max. Even Pato is MIA when it comes to the bebe. But that's the writing now. When Melissa, all sparkly eyed, was saying to Luci, 'you know about amor verdadero,' and Luci repeats the phrase in this rueful voice, well that's about where the magnetism between those two former lovers is now. I guess Rod is kinda dead to me and he may never resusitate. I loved the previews when Luci goes all gutteral-Tina-Turner about the bebe she's lost ... well you go Mama 'cause no he-man in your life is gonna do it for you.

And on a lighter, style note ... I noticed yesterday that Rod, Aldo AND Oscar all had the scruffy shadow, almost a beard that seems to be the manly trend. I don't really love it on Rod but it's too much when the three of them show up all shadowed. Must have been a new stylist on the set.
 

Judy B I owe you my understanding of this tn. Your individual analysis of each character is precise and detailed. I don't need an english translation of this tn and anyway the english ccs sucks. Great recap and thanks.About Rodrigo, I know you are right but I am hoping he would really for once do what he said he would do. That of leaving Gala as soon as the baby is born.
 

JudyB, I love when you have a theme. And your vocabulario es muy erudito, y más importante, expresivo.

You can't really blame Luci for her reaction to Melissa's announcement (although one wonders how she didn't see it herself), after all, if this played out Melissa would be her stepmother.

Carol-or the barber has been out on sick leave...LOL

And now, after reading this beautiful recap I must make my own journey...a mi trabajo.

Rompecabezas-love it.
 

As always Judy, you offer so much more than a recap of the story but a brilliant something extra. This analysis of our major characters was not only spot on, but gave us some food for thought as we reach the end. Was amazing.

How fun to see Connie and Oscar last night. As Max and RE see their world crashing and they fall apart, these two get closer and are finding what Max/RE never had. So happy for Connie, and someone can bottle Oscar for me please?

For her kiddies--don't want Melissa and CL as a couple, and I think poor Aldo is lonely.

Seriously with Boris--how long has he and Jana been broken up and he still calls her his novia? What a douchebag. I still worry about what this jerk could do before the end. But I do think eventually JanLor will be a twosome. (or I'm hoping).

As for Rod, I sound like a broken record, but these galans who remain dumbasses to the bitter end drive me insane. Honestly, he doesn't deserve Luce and if, well face it, when they get together in this TN he better grovel forgiveness at her feet. At least one partner in that pairing will have a brain in their head.

Which worries me still with Pato. His future is so perplexing to figure out and leaves me nervous. CL as well. The thought that the writers could do something to either or both and leave Luce only w/ Mr. Universe actually bothers me. Sorry.....

And I have to also thank you Judy for filling in the Chela scenes. I'll be honest, I can't watch those anymore. I'm not good watching a baby constantly crying...I was one of those mothers who never left her baby to cry. Well, when you have twins, you pounce. One cries, you better answer or you've got two going. But still...it does nasty things to my heartstrings.
 

Judy, your shrewd insight, amazing writing and wry wit elevated this recap into the stratosphere. "The vacuity of her life is underscored by the total absence of background music. She lives and moves in utter silence..." and "A few also including the alleged grandmother (but call me Julie not abuela!) posing provocatively on the couch behind the pseudo-happy parents" were just several of many phrases that mesmerized me.

The vocabulary (embedded and list) and dicho were excellent. What's better than sopping up these fantastic phrases?

The episode. ITA with all who rejoiced in Connie's happiness and frowned at Gala's pathetic attempt to show her perfect family.

I thought Luci reacted perfectly to Melissa's admission. It would be difficult and cruel to dim the light in her eyes (father worship? true love?) but frankly, there has been absolutely no indication Claudio considers Melissa anything but a friend. Will the lightening bolt strike him? Not sure...

And Brigida. An enigma. What is going on in that feverish brain?

Thanks again Judy. Simply outstanding.

Diana
 

Good morning everybody....thanks for all those kind comments and for your wise observations about our story and our characters. Like you, I am feeling very frustrated right now. "Move this story forward". Indeed Anon!

I can also tell everyone is as distressed with that frightened baby crying as I am (Daisynjay...I too pounced whenever my babies cried...I wanted them to grow up knowing there was a kind and loving response to their distress...so that they in turn would grow up to be confident, kind human beings.

And Vivi...I also think it's that wretched beard that's scaring little Mateo. And wouldn't you know, don Chelo smashed him right into it when he held him. Idiot! ('Scuse me...got a little carried away there.)

Diana...yes, indeed...what's going on in Brigida's feverish brain. She reminds me a little bit of that Dickens character, Uriah Heap, who was servile and overhelpful, but simmered with resentment and vengeance underneath. Okay by me...as long as the vengeance is wreaked on Roselena and Gala!
 

AMOR...I always get a kick out of your exclamation comments. And I too was struck by Violeta's Amazonian stance defending her car wash. Actually it made me think of don Aquiles...I can see him taking that position to protect his "territory" also. Wide stances are typically male.

Violeta is the product of two strong-willed feisty people (even if we think don A. is despicable).

EMARIE...Glad you still have hope for Rodrigo. I do, at times, but it's taking an awfully long time for him to grow up. Typical in TN writing but frustrating for us viewers.

CAROL has expressed what a lot of us are feeling right now...that the spark between Luciana and Rodrigo has faded. And I keep remembering that one dream where she saw Pato coming towards her while Rodrigo hovered way to the side. I don't know if that's foreshadowing or not. Just wish we could skip ahead a month and be at the grand finale!

DECIE GIRL...."a perfectly realized relationship". What a great way to describe Oscar and Connie. Yes, the writers have given us romantics one consolation in the midst of this sturm und drang. I suppose it might be boring if that was all there was...but I sure could use an expansion of their happy scenes right now.

UA...I think Gala DOES own the magazine. She always refers to it as HERS. But in the real world it would be highly unlikely that anyone would want to read about her life. She's no Princess Di.

MADS...Thanks for the name Carolla. I had no idea (wasn't sure about Delia either)...although I knew she was Julie's hard partying friend.

Sum total: We're at the "hot mess" stage of our story. The hard tedious slog while we wait anxiously for things to be resolved. Hopefully sooner rather than later.
 

We have 25 more episodes to go, and we're right in the midst of the period where they expanded this tn to please the corporate execs who wanted to keep making money. I have a feeling the torture of our heroine is going to go on till the bitter end.

I hadn't seen any ads in this tn (refreshing) until last night when they had a very subtle ad (like in the US) when a Miller Lite truck was in the background as Lor, Fab and Aldo spoke, then it drove off. I'm not sure if the sodas Aldo brought them might have also been something being advertised, but once again it was so subtle that I couldn't tell for sure. Very different than having 20 bags of Tostitos/Tostachos in one kitchen, or having someone excitedly talk about the virtues of a certain chicken stock. :)
 

LOVED your character journey descriptions JudyB...
I also cringed when Gala was like 'what baby??' and loved Julie's face... seems even Julie and Frigida have their limits as far as being coldhearted... Julie probably because the baby is her grandchild, Frigida probably because she has her obsession with Rod and the baby is Rod's child.
But in any case, they do have their limits whereas it seems neither RE or Gala do.
And as far as the chickenwire around baby Rod is concerned, it seems the box/stroller/carrier is simpler now than it used to be, i thought what i saw early on was more of those thin metal looking xmas garland strings rather than chicken wire, but i could be wrong.

I too am loving the Oscar/Connie romance, loved when RE insisted to Mati that Connie would come back repentant later on and Mati said maybe she won't because she will rather be glowing of happiness.
 

I did notice the lack of background music in the RE walking around the house scene, all you could hear were the birds chirping since the house is pretty open to the outdoor surroundings... and seems most of those doors remain open during the day.
 

daisynjay,
The thought that the writers could do something to either or both and leave Luce only w/ Mr. Universe actually bothers me. Sorry.....

me too, especially last night when he was telling Mati and Jorge (therapist) that he would not be satisfied until he got to walk and he was more than willing to take risks to get there... ouch!... anvil alert.
 

As for the love between Rod and Luci having dimmed, this is not surprising to me. Luci has more important things to worry about right now, and Rod can offer her NOTHING-- not even a reliable shoulder to cry on. He has a wife and a child elsewhere. If he were to finally free himself of that wife, then maybe he could rekindle the feelings Luci had for him and rebuild something stronger. But he continues to be paralyzed by making hard life choices-- like divorcing Gala.

Rod has already asked for forgiveness on his knees for the way he treated Luci. She forgave him and they've moved on from that. That's not the issue anymore. The issue is that he's not free, and she's not spending her time thinking about that or mooning over him. I'm fine with that. There'll be time for romance once he's really free, once he's become a stronger man, and once they have their child back.
 

I have to echo Diana's first 2 paragraphs regarding your recap. It was brilliant and moving in its simplicity and in its depth. Bravo!. You should be out there writing stories and teaching novela writers. Thanks.

Yola
 

VIDA2...Sorry, I missed your kind comment. Sorry also to hear that the English CC's suck. Sometimes the Spanish ones do also. They say that 75% at least (maybe more) of communication is in tone of voice, facial expression and body stance,but I sure need words as well...in any language. Glad our recaps are helpful and glad you're part of our therapy group.

Oh shoot, VIVI..this telenovela was expanded also! They always manage to ruin a good story that way, don't they? Twenty-five more episodes to go sounds horrendous. Poor Mateo!

MARTA...Yes, wasn't that a powerful scene?...just the sound of the birds as Roselena drifted through the house like a bitter ghost. She is so "put together" on the outside, and so ugly and twisted on the inside. Powerful, disturbing character. I think a lot of us are hoping she gets the nod for "best villain" in the awards ceremonies.

VIVI..your analysis of why there's no spark between Rod and Luciana is right on. Both are dealing with two much in their separate arenas. The birth of his daughter has effectively cut into his time and energy for her and their missing son. Arrrggggh an extension....double ACK!
 

YOLA...my goodness, thanks. I always worry when I do theme recaps, that it will disappoint readers who prefer a scene by scene arrangement (something I enjoy reading also).

But my mind doesn't work that way when I write...I need to find a way to organize it in my head before I can put pen to paper, so to speak. Perhaps because I'm a bit ADD and sometimes the rapid back and forth of the scenes makes it difficult to find my footing.

Does that make sense?

Anyway, it's great to have this congenial and open support group, 'cause we sure are dealing with a lot of fictional misery right now.


 

UA...meant to ask you, probably should have written last night...but can you identify the opera theme that was playing last night when don Chelo was telling Mateo the story of his life. It was SO familiar, and yet I couldn't place it.
 

Judy- I think the song playing in the background with Don Chelo was O Sole Mio. It sure sounded like that. Love that song.
 

@ DAISYNJAY
I AGREE WITH you about Rod as a Galan - Not very good or persuasive!

I am new to the TN World and just finished watching SORTILEGIO for the 1ST Time just ths past Friday & Alex/Alejandro played by William Levy was EVERYTHING you could ever ask for as a Galan in a TN.

Incedentally Gabriel Soto was also in that TN - not very believable there either in his portrayal of Fernando!
 

First thing's first:

JudyB, the song in that scene is O Solo Mio. It's not an opera aria although it is frequently recorded by opera singers and is occasionally used as an insert in operas where a tenor character wants to show off.

One of the issues I have with this story in general is that it show that men are basically useless and it seems to lean in the direction of Luci being better off without Rodrigo. I personally hate the single-mother-is-better-off mindset because I think that (barring abuse) a child is better off with two parents.

The silent background to the scene of Roselena in the house was very profound. I'd like to think this is the precursor to her fate. She is so wrong about -- and so envious of -- Connie and Oscar.

Don Chelo... interesting that he named the baby "Mateo" after this actor's last novela character (in Mi Pecado)
 

Thanks MADS and UA. You filled in a major culture gap for me. Those black holes seem to keep increasing as I age.

And you're right UA about Mateo..interesting tidbit. I love the name as my favorite uncle was named Matthew.

I understand your qualms about the single-mother-is-better-off mindset. When I was teaching French in a small college, I did not expect to marry and planned to adopt hard-to-place children as a single parent. Once I actually married and had children, I realized what a daunting task it was to raise a family, even with two parents. My husband wasn't around much, but his occasional appearance, and the financial support were crucial and much appreciated.

I don't know how single mothers do it...but they do. And since I assume there are many single mothers in Mexico, maybe this message is meant to encourage and fortify them. I doubt if many actually CHOOSE to be single parents, but alas it often works out that way.

AMOR...Most of us were madly in love with Wm. Levy the first time Sortilegio played.

Gabriel Soto was not at his best in that one and the romance with Levy's stepmom was really off-putting and hard to believe.
 

I was amusing myself last night thinking about the Don Chelo character. He gave us a little story of his background and how he left his mother and sister. I was remembering Frigida talking about an empty childhood and it struck me what if Frigida is Don C's sister. They have similar coloring and how ironic that he would be the one caring for Rod and Luci's child.

Rod is the usual feckless galan but he needs to step up to the plate and be a man. It annoys me that he doesn't seem to be more actively looking for his son. Max and Claudio appear to be using their resources in the search and seem more concerned than Rod. I hated his counterpart in the prior version through most of the last third of the story but he at least was always consistent in his love for Luci and earned her by the end. This Rod just comes across as one of those types who gives lip service to his OTL but is on to the next new thing. He is so not a multi-tasker like Luci is and unless he makes some major changes i don't want him to end up with Luci. She deserves better.

Twenty five episodes may seem like a lot but there is plenty of story to be told without cramming in extra stuff like extensions usually do. The writers have always moved at a steady pace without rushing the story or throwing in a load of time fillers (unless you count some of the Het Het hi jinks). We need a resolution to the Max fraud story and that looks like we are going to see more of tonight. We need to advance or end the teen Lor/Jana romance, punishment for Gagme and Rosa. a divorce for Rod, good things for Pato, an end to the Vi/Magda/ Don A story, good riddance to Lastra, and of course finding the baby. With this much time my guess is a leap forward in time before finding the baby and reconciling him with his mother and father. It would be too easy if Luci found him in the next couple of days. Unfair but then we would be saddled with TN stupidity.


 

I guess I don't have as much of an issue with the inference that Luce could be ok as a strong single parent. I'm one, and yes it was difficult and sometimes the stress of realizing "your're it" financially can be numbing. But circumstances can sometimes make this a reality, and I don't think it's wrong to let young women know that you can be strong and do it, that your kids will be loved and successful if you find yourself as the sole parent, for whatever reason.
In this TN, Luce has a wonderful support network as well, and that can make the experience more positive. I had my dad around until the twins were 11, and a better male role model couldn't be asked for. Two loving parents-absolutely ideal, but I like the idea to show a woman, or a man, successfully raise their kids alone if that is their circumstance.
 

I was hoping you'd address this question, Daisynjay, since I know you've raised two fine young men. I would think the "you're it" financially would be overwhelming. You expressed it very well when you said "numbing".

But so glad you had your father there during the early years...and wish he were still with you now. We never stop missing our beloved parents, do we?

Also, I am aware, that in Hispanic countries, the extended family IS very important in raising children. They don't seem to get quite as "nuclear" as we do. All the better, since parenting requires so much energy and input.
 

I'm afraid that what will make Rod take action will be learning, maybe in pieces, that the 3W's stole the baby. That's be too late, really. Throughout this long pregnancy stretch, Rod has chosen loyalty to Gala or "tradition, marriage and family" over Luci. He even knows that his mother and Gala were aware that Luci was pregnant and pushed him into a loveless marriage. Yet he's not infuriated enough by that manipulation to stand up to Gala on Luci's behalf, and to be honest with his own love. I say he's dead to me but I want him to rise from the dead and DO SOMETHING REALLY MEANINGFUL for Luci and especially now for their baby. Well, next week is Dia del Muertos and All Saints Day so maybe His Royal Deadness will start to stir. Jeez, already.
 

Perfect summation of where we are in this telenovela right now. Jeez, already.

It's like that in Abismo de Pasion also...but it's been "jeez already for about 2 months now! Hopefully our stagnant period won't be that long. We shall see.
 

Extensions get on my last nerve because they compromise the quality of the series. I also have issues with Rod's stagnation in getting away from Gala and getting back in the search for his missing son.

It would be interesting if Chelo turned out to be Frigida's brother. They will both be confounded at such a discovery.
 

Well, we don't even have two months left with our story, so they can't draw the torture out for that long. :)
 

Glad they can't draw things out too much longer. I was afraid they'd throw in some chula to cause problems with Connie and Oscar, but they have too many other things to solve.

When Don Boxcar mentioned a sister, I thought it would be Juli but I like the idea of Brigida. She's losing her Frigida name since she seems really annoyed at the girls' behavior. Que nina??? The one you've been ignoring for the 2 days that she's been alive! Bruja. Why don't they have fliers out? The boxcar Don wondered if the baby had a family who loved him. If there were fliers around, he might find out the truth and we could get that kid in a proper crib.

Vio looked like a super hero standing there in her jumper and belt that I'm pretty sure has superhero tchotchkes all around it. SuperVio! Protecting the world from the evil BorisBoy and LulaChula (thanks to Fabian for that fun nickname).

Kelly
 

That WAS a fun exchange, KELLY, when Fabian was ribbing Lulu. Most of the time I can't understand half of what he says, but I followed that verbal goading with no problem whatsoever.

Sounds like we're getting on board for Brigida being don Chelo's sister (KELLY, UA, DECIE GIRL). Only problem...how did she turn out so ugly (sorry, but she is!) with such a pretty mother.

Well, anyway, another intriguing mystery to be solved...in 25 episodes or less.
 

Judy B, thanks so much !!!!! for pulling together the theme and illuminating each character with your insight and journalistic skill. Brightened a dreary Wed.
Spot on re everyone, especially weak Rod.
Melissa, she does gleam and glow, doesn't she?
Gala and the mag, I think she told Rod it would be expected of her to showcase the bebe cuz it was her mag.
Don Chelo, something must be up with his parentage since they zoomed in close about 3 times on that photo. Hmmmm. Small world again.
Much appreciated, vocab too!
Clara
 

Thank you Judy, for your original format. It gives us a welcome break from the straight scene-by-scene translation (of which I am guilty).

I enjoyed the Boris confrontation greatly.

Am I the only one rooting for the Melissa/Claudio paring? There have been many May-December romances that have worked (my DIL's sister and her professor husband). Mel & Clau both have the same temperment, same outlook on life and do look sweet together.

I loved Oscar's welcoming gesture with open arms to Conny. I wish them well. Note to Conny: Stay away from RE--she'll poison your well of happiness.

Don Chelo's scenes were getting old for me, until he got out the picture of his mother. Brigida? Maybe. I'd like to see his sister turn out to be Juli or Roselena. We know RE came from a family with enough means to send her to college, but not to provide her mouth with silver spoons. As for Juli, it would just serve her right--two boozers in a pea pod.

How many bottles of booze he had around. Yes, the fact they most all had liquid in them was just for effect. A serious alcoholic would have finished them all except the last one. He had a fortune in liquor there, at least one of those bottles would buy Mateo formula and diapers for a few more days.
 

I'm of mixed mind about Mel/Claudio. They are similar and she always has that great smile around him. He's been alone for a long time but somehow i see him as a one woman man. He is still talking to Aurora and her picture which would be unfortunate for Melissa. I also think it makes Luci uncomfortable but who knows.

Don C sure did have a lot of hootch hidden around but he had been trying to stop drinking because of little Mateo. Serious alcoholics always have a hidden stash just in case and prior to LRod/Mateo's arrival Chelo had nothing else to spend money on. I do wish he would get the little guy a nicer box to sleep in.
 

Hi CLARA...is it a dreary Wednesday where you are? Here in Columbus it's an incredible blue-sky Indian Summer day...at any rate, glad I brightened things up. I guess I was trying to brighten myself up as well...lots of sad things going on around me in real life, in addition to the drama of this story.

ANITA...forgoshsakes, we all love the scene by scene translation...and you cover it so well. I just don't feel able to do it any more. I did it that way for three years and then quit for a while, because of recap fatigue (and a lot of two-hour shows).

I agree that the multitude of half-full bottles had to be for dramatic effect. Although DECIEGIRL is right that an alcoholic always has some stash for a rainy day, I just don't think the few pesos don Chelo earns on the street would finance that many, and all half full.

Now, as to the Melissa/Claudio question. There has to be some reason why it's in there and why it keeps coming up. I can't quite wrap my mind around it, but that doesn't mean it doesn't work in real life. My great grandfather married his second wife (first wife died) at age 65. His bride was 25! And had turned down one of his 8 son's marriage proposals some years earlier. They went on to have five children, including my grandmother, and if they hadn't, I wouldn't be here.
 

JudyB---I loved the way that you focused in on each character---what great insight and evaluation.

Gala and Roselena are in a race to see who can reach the lower circle of hell first, was great.

Decie Girl---Yes, Max is loosing every round.

Carol---I too was thinking that the past love/mirrage was/is fading---Pato and Luci? maybe.

I noticed as well that Roselena looked very alone when she was walking through the house last night. Things to come? I say yes.

Vivi---You're so right. There is a BIG difference between Luciana and Elisa in Abismo.
the gringo

 

Hola GRINGO. I think just about everybody in our Support Group has checked in now. I'll be brewing up some decaf and putting together some cookies (sugar consoles grief in my book), and we'll settle down in a few more hours, east coast time, to check in on the travails of our characters.

Thanks to everybody for your insights, observations, humor and empathy. We have a great group!
 

JudyB - beautiful recap. Your profile of Rod is perfect. Soooo disappointed in him. Posing for the cover photo is just bonehead. He should be smarter than this by now. Dumbo.

Would love to see an outtake of little Rod/Mateo's scenes. Surely his mom is right off camera waiting to soothe him.


 

Forgot about the birds as RL was walking around all alone. I was surprised to hear them. I thought they'd be able to sense the impending doom of the house and would leave. Or be chased off by Rosalena because of all that horrible racket and bird poo. Just can't see her abiding either of those things.

Kelly
 

NIECE...good to hear from you. Yes, I'm sure posing for that "portada" is going to come back and bite him...and poor Luciana also.

Right, KELLY, I'm surprised Roselena doesn't have some of those special noise machines that some cities here use to scare away the starlings.
 

I'm so sick of Rodrigo not stepping up and being a real man, he lets Gala run his life too much!!
 

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