Wednesday, March 07, 2012

El Talismán #25 Tue 3/6/12 In Which We All Discover It's Not a Good Idea to Eat Avocados Before Bed


We open on a blissful Pedro and Camila, playing huggybear kissyface by the verdant pool. (The verdant pool at last!) They seem to have more than recovered from their respective hissy fits of the previous evening. Lots of I love you, I adore you, you’re such a cutie, I’m so lucky to have you, this is perfect, etc. This scene goes on way too long, but Blue Lass doesn’t mind as she is meditating by the pool.
Pedro tells Camila he has a surprise for her, pops a blindfold on her and leads her through the trees…to a table set with champagne for two and flanked by a mariachi band in full battle regalia. The band breaks into a very creditable rendition of the “qué mujer” song, Pedro pours the champagne, and…Camila spies something shiny in the bottom of her glass. Presumably it’s a ring, because Pedro’s talking marriage and Camila’s talking oh-goody-goody, which is too bad because they’re drowning out the mariachis. And she seems kind of inappropriately excited, seeing as he’s already married and…
Oh. Blue Lass has had a long day with way too many meetings and not nearly enough caffeine, but she finally cottons on. This is a dream, isn’t it? But whose? Oh wake up wake up wake up…
No such luck. Now we’re in a church and the not-so-dynamic duo are all trussed up in their boda togs and tied together with a big ol’ rope o’ pearls. (Blindfolds, restraints…anybody else starting to detect a little bondage undercurrent here?) This scene goes on way too long as well – even in actual boda sequences, they never get all the way through the vows before a gun goes off somewhere, but here we’re treated to the whole thing. Yawn! Blue Lass chants a few Hail Marys to the very nice Virgen de Guadalupe on the wall. Querida Virgencita, haven’t we suffered enough?
Guess not. Now they’re waking up in bed and giving each other an incredibly wholesome you’re-my-favorite-plush-toy look. Camila reveals she’s expecting. How did that happen? You have to do more than just hug it real tight and gaze into its little button eyes, you know. Never mind. Now we’re dissolving ahead to Camila, about 48 months pregnant, squealing over little tiny baby clothes with Tracy and Sarita. Blue Lass is trying hard to find something to zone out on, but it’s just the same old Flintstone lamps and other bolted-down El Tal decor.
Cut to Pedro manfully riding a horse through the enchanted forest. Oh noes! Here comes Pigorio on another steed, looking…well, like he usually looks. But this time he has a gun! He raises it and fires! Pedro topples to the ground! Now we know it’s a dream, because in Real Alternate Fresno no action sequence could possibly occur without at least 45 minutes of conversation.
Wake up wake up wake up…
Antonio walks in on the hen party, looking muy grave. I have bad news, Camila. Try not to fall apart. They…they’ve killed Pedro. Camila flings herself into his arms, or at least as close as she can get around the prop basketball she’s got under her dress. NO NO NO NO NO. She’s a good little crier. Maybe this is Antonio’s dream…?
Cut to commercial. Blue Lass and the telenovela cat gape at the clock incredulously. Blue Lass starts to suspect this might be her dream. Who does she have to pinch to make it stop?
We return from Concha-Nacar-Land to…a reprise of the Antonio-delivers-the-bad-news scene, bringing a new depth of meaning to the term no puede ser. Finally, finally, finally, seventeen minutes into the episode, somebody jumps out of bed, gasping…and it’s Camila, fully dressed in the middle of the afternoon! ¡Qué pesadilla! What a nightmare! That’s what I get for taking a nap in my push-up bra!
Unfortunately, it’s pretty much downhill from here. No, really.
Back in Real Alternate Fresno, Pedro and Camila are…talking. I’m going back to Tijuana to pay my respects, and I want you to go with me. Um, I’m not sure. Well, if you don’t come, I may not return. Okay!
Cut to Loocrazy and Elvis Farmhand…talking. Señorita, are you okay? Nobody ever asks me how I am – you’re nice! I’m nice coz I recognize the sadness of unrequited love. Who are you in love with, lil’ hound-dog? Your niece! OK, I’ll help you – I know all about this stuff.
At the Only Hotel Inn™, Marmota and the Windup Boy are…talking. Wooty-woot-woot, that Renato sure has a lot of cool stuff. Enough with the boy-crazy, Mom, help me try on some disguises here.
Up in the Camila shrine, Geno has been raiding the closet and is actually showing a little bit of lace (although from the waist down, she’s all D’Artagnan.) They’re – guess what? – talking. Are you sure about this TJ jaunt? Oh totally! Your Mom will plotz. Yeah, maybe I won’t tell her – she’s real busy with her imaginary boyfriend, anyway.
Now here’s Rennie and Rita, standin’ around talkin’. You really gonna marry that old bag? Yes, and ASAP – in fact, as soon as you give me your ring. Okay, but I want it back later. I’ll buy you lotsa rings, squeezebox. Yummy!
Back at the flophouse, a red paper bag arrives for Elvira. It’s a ring and a mash proposal note. She squeals like a prairie dog: I’m getting married; I can’t believe it! Yo, Mom, I can’t believe it either – you hardly know this guy, and there’s something funny about him. Oh, go back to playing dress-up and don’t be such a whiny puppy.
On the beer-spattered veranda of the Monkey House, Antonio and Doris wind up another mediation session with the usual threats, and Antonio collars Valentín for some mano-a-mano…conversation. That ol’ ball-and-chain has me thinking I’d rather be a widower than a divorcé – howzabout you kill her for me? Dude, I don’t do that kind of work anymore. All right then, go find me a hired killer – jeez.
In the El Tal barn, Pedro runs into Loocrazy. Better find another place to live, girl, coz I want you gone by the time I get back from TJ – and I mean that in the nicest possible way. Take me with you! Nope, I’m taking Camila. Poor poor poor crazy me; what shall I do? And by the way, Loopy-lu, I’m going to ask her to marry me, and it seems like a great idea to tell you before I tell her. Awesome, let me go grab my wirecutters and celebrate…under the hood of your truck.
We close on Loocrazy snipping what she assumes to be the brake lines of La Viejita and muttering that she’d rather see Pedro dead than married. The terrorist twins seem to have internalized a marriage-or-death dichotomy that is not entirely healthy-minded -- but at least it's plot! Blue Lass is happy. Wait: it's really still just talking about plot. Blue Lass is sad again. She sobs quietly into the fur of the telenovela cat and drifts off to sleep…oh, the verdant pool…the verdant pool…

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La Que No Podía Amar #50 Tuesday 3/6/12 Tears, Shrieking, and an Angry Man in a Black Cowboy Hat

LQNPA - March 6, 2012, Cap 50

UPDATE: My Internet is back, I've had some rest, I have a nice bottle of Coca Cola at hand which has energized me, and have now fleshed out this recap a little bit. Put a fork in it, it is done.

I know, I know, that title could fit just about any episode of LQNPA!

I had a long tiring day, and only half-watched LQNPA as I was capturing it to my computer. I am now waiting for the video to process so I can watch it for real and get my screencaps. In the meantime, I do have some vague memory of what happened, and have a downloaded version of the episode which I saw previously. So until I can get my butt in gear and write a more detailed recap (which won't be that detailed because I am tired and lazy, and let's face it, this was a total bummer episode) here is a screencap from the downloaded episode.

Rohell looks impactado at the news of Fed's sudden death. 


Here's an overview of what happened tonight:

* La Vaca withholds Fed's pills, screaming at him to denounce Cupcake. He doesn't do so, so she watches as he expires on the floor.

* Vainessa and Sinthia are talking on the phone. Kvetching about the Cupcake being dad's bastarda. They learn that Rohell is hell on wheels bent to recapture his errant Cupcake at Boring del Cielo. They wish there was a way to throw him off the scent. David, who is sitting with Vainessa, pipes up and says, "I know someone there." He later calls Juan and they set things up.

* Tia MentiRosa decides she's now "too good" to hang out with her jewelery-selling friend, Elena. She dumps Elena, citing that her new, more elevated social circle won't accept Elena. Elena leaves, angry, but not before telling Tia off.

Tia gives Elena the old heave-ho.

* How many hours or minutes despues, I don't know, but Vainessa is told to come home and returns to see her dad still ON THE FLOOR, DEAD. Everyone stands around and watches as she cries over her DEAD FATHER who is STILL LYING ON THE SAME SPOT ON THE FLOOR, but no Mexican version of 911 has been called, no medical professionals are at the scene, nothing. There is talk of the undertaker coming to cart the body away. Whiskey Tango Foxtrot. Please don't tell me this is normal for Mexico, or anywhere. Even my industrial strength beanie is having trouble with this one.

She comes home, to see her father comfortably lying on the floor, where he has been assuming room temperature for however long. Hours? How much longer would they have let him lay there? Until he started to decompose? Seriously, that is MESSED UP.

Meanwhile, Cupcake is getting concerned because her phone calls to her Papi are not being answered. Little does she know that her dad's cell phone is ringing with her calls . . . the cell phone which is in the pocket of the shirt of her dad's gradually cooling body, which is STILL LYING ON THE DARN FLOOR!!!!

* Back at the hacienda, Sin and Maria are talking about how Rohell has gone off to retrieve Cupcake himself. Dany comes in and wants to see Miguel. A shrewish, completely unsympathetic Sin says no, because it's too late in the evening. Sin then gets a call from David, telling her of the news of Fed's death.

Sin is impactada to hear of Fed's death.

* Rohell yells at the ever-faithful Hugo when their truck gets stuck in the mud on the way to Boca del Cielo. Eventually they get there, though.

It's dark by the time Rohell and Hugo finally arrive in Boring del Cielo. (As an aside, for some reason I was surprised that vehicles in Mexico use the same handicapped logo thing as we here in the USA do. I just never thought about it before. Rohell's truck's license plate, naturally, has a handicapped exemption.)

* Cupcake and MentiRosa are both distressed at the news of Fed's sudden death. Cupcake because he papa died, MentiRosa because her meal ticket died.

* La Vaca claims that Fed died because she couldn't get him his pills in time. (Lying vaca!) Then she goes on to blame Cupcake for all of this, as if Cupcake's appearance is what did Fed in. Vainessa buys into this and the two shrews spend most of the rest of the episode shrieking about how this is all Cupcake's fault.

* Bad guy fisherman Juan is on hand to lie to Rohell when he goes to Cupcake's hotel to ask if she's there. Juan then tells Cupcake that a mutual friend (she assumes it's Bruno) had him send off her husband on a wild goose chase to some other town with a name I will not even attempt to spell.

Rohell arrives at Cupcake's hotel and starts to ask for her . . .

Lying fisherman Juan tells Rohell that he gave Cupcake a ride to a different town...

. . . and Rohell leaves after throwing lying Juan a wad of bills.

* Rohell doesn't find Cupcake but vows to keep looking and orders his men to keep looking. He suspects that something was not right about not being able to find her in Boca del Cielo. He returns to the hacienda, sans Cupcake, and is shocked to hear of the news of Fed's death.

He notices that Maria is wearing black. She informs him that Fed has died, which shocks and saddens him. I want to bring up something here—he asks Maria why she's wearing black. I thought that was funny question coming from a guy who ALWAYS wears black! (A side note: Compare the HD screencap here with the non-HD screencap above from this same scene. Big difference in clarity, huh?)

* At Fed's funeral, MentiRosa makes a spectacle of herself hovering over Fed's coffin and caressing his picture. La Vaca is is deeply offended and the two shrews have words.

La Vaca approaches MentiRosa, who has plastered herself all over Fed's coffin.

* Vainessa has to sign off on some of Fed's unfinished business, sees the bill for MentiRosa's hotel room, and doesn't pay it.

* There's some cutesy stuff between Cupcake and Guscake. Gus will help her out, whatever, I wasn't paying attention. FF>>>

Gus vows to be supportive and help Cupcake, now that she's lost her papa.

* There's some stuff with Mersnotty and Ernesto that doesn't interest me. Mersnotty's friend Chio brings over Ernesto to see Mersnotty and I forget what else. FF >>> Oh, I watched this now. Ernesto is recounting how he and Mersnotty broke up years earlier, he married this other woman hoping to forget Mersnotty. He was going to ask for a divorce but the wife was pregnant, so he decided to stick around. . . blah blah. Regrets, sadness, now he has this snotty little daughter around who won't accept Mersnotty. FF for real this time. FF >>>

* Rohell calls up Sinthia and b*tches about her going off on her own (I think). She's at a restaurant while having this conversation and Effer is getting frisky with her as she's trying to have a serious conversation with her foul-tempered brother. Effer's antics are very funny.

Sin is on the phone with the Angry Man in a Black Cowboy Hat as Effer gets frisky.

More of Effer and his public display of affection. . .

He dips below table level to do . . . whatever . . .

. . . and is disappointed when Sin pushes him away.

* Rohell, in a bad mood (as if there is a time when he's not in a bad mood!) rolls into Miguel's room and asks if Cupcake has any friends or anyone she knows in (other town that I won't even attempt to spell). Miguel doesn't know anything. Rohell threatens Miguel and says he'll make sure he returns to jail if he doesn't tell all that he knows. Miguel looks like a deer in the headlights.

Rohell on wheels barrels into Miguel's room, with important questions on his mind. He sends Dani off so he can talk to the Unibrow.

Rohell threatens Miguel with a return to the jail if Miguel doesn't tell all!

The Unibrow has a deer in the headlights look.

* Cupcake and MentiRosa are wringing their hands in the hotel room that Fed paid for when there's a knock on the door. It's Vainessa! END OF EPISODE!

Cupcake is shocked by the appearance of Vainessa at the hotel room.

AVANCES: MentiRosa calls Rohell and indicates that she's with Cupcake. Rohell looks beyond relieved.

Bonus picture with a technical note:

(A screencap from the downloaded version of this episode.) All those "comby" horizontal lines you see in this image (click on image to see larger version) are called interlacing. They are often more evident in scenes with more movement (like people running, or the camera panning quickly over a scene, etc) If you are processing a video on your computer, you can often select a filter (or find some button somewhere in your software) that says "deinterlace." This will supposedly get rid of the comby lines. I tried to get rid of these lines in Photoshop's "deinterlace" filter but it didn't work!

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Abismo de Pasión-index

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Tuesday, March 06, 2012

Una Familia Con Suerte #151-152 Tue 3/6/12

Lupe visits a badly bruised Tomas in jail. Things are not going well. She wants to know what *really* happened. He's lucky that Chela spoke some words in his favor, because she is sweet to him (horrifying face and all). He presses his advantage, and lays it on her... All I want is to be with you forever. Fortunately, visiting hours end.

Chato seems like he'll be leaving. They're having a going away party... He gives a sweet goodbye speech and everyone claps. Sandrucha is suddenly much nicer. Chacho has been a very positive influence. They have a kiss, and everyone watches with wide eyes and mocks them... "se quieren, se quieren..."

Mike is back, our favorite dorito-colored jerk. He wants Beca to come on a vacation with him. She's wearing fluffed-up pink crepe paper. God, he's awful. That face he makes....

Since Ana lost her contract, The family has decided to sell them on their own.

Vins is extremely unhappy that Sandrucha is dating Chacho, and calls him a "chayote de campo!" Chacho stands up for himself, briefly, but then Vins threatens to fire her.

Chela kisses Pancho and sends him off with some lunch.
Beca will go to Miami with Mike. She admits that Pancho is the love of her life, but wants to keep living. Mike: *I* was the love of your life.

Pancho and Enzo are quite nice to each other about Chela.

Candy flogs the cd on her show. And Oh, God, I hadn't heard her sing lately. I'm not even sure she's not lip-syncing. It doesn't sound like her. We're treated to shots of folks all over Mexico singing along, dancing, and tapping their steering wheels. They're even listening in jail. It doesn't help his case with the thugs (one of whom is 4 feet tall)

Ines, in a silly blue suit/dress and hat, comes to Vins to... talk about Mike! But that's not all. ... Vins lets her know that Pancho could inherit everything. The combination of that and the whiskey just about gives the old bag an infarto. They connive convincingly. She reveals that the merger is crucial to her revenge... She's still sticking to the story that the only reason for the feud is the dead husband, but I bet there's more.

Chela is also hawking the disc at her Avon party.

Pepe is not making much headway helping Moni with calculus (or is it the other way around?).

Pancho overhears Rebe telling Arnold that she's going to Miami. Pancho makes a face. Arnold, on the other hand, is delighted. He's been telling her to do it.

There's a gross, gross kiss between Pancho and Chela. God, it looks uncomfortable. Temo walks in and is delighted. The brat runs off to tell the rest of Mexico and they get back to it.

Fernanda and some old dude are happily strolling through some small-town historical museum (are they on exhibit)... they can't believe they're together after all this time. The old dude proudly mentions that it used to be a wealthy mining town (18th century? Mexico? look how this old dude happily reminisces on the misery and abuse of indians). Ahhh, it's Doctor Octop--Octavio. That's a little creepy, dating your doctor. Haha, they dance in some randomly empty dance studio.

Candy is becoming more and more like Pina, yelling at the maid and succumbing to paranoia. But in her case, there is a real conspiracy - Napoleon. Napoleon's hot agent Deborah drops by to point out how crappy it must be to live in a house owned by Vins, AAAND propose to Candy in Napoleon's name with some threats of consequences for proposal.

She tells Vins, and he demands to meet this Napoleon character.

Mike comes to pick up Beca, who is ludicrously squeezed into a tiny red swimsuit of a dress. Mike is speechless... he comments that he did not know so much beauty could fit in one woman. That's also an awful lot of boob to fit in one micro-dress.

Pancho announces that he's taking it up with Chela. His family pretends to be shocked (Temo already told them)..


Good night, friends!

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El Talismán #24 Mon 3/5/12 It’s always sunny in Fresno




I will be out of town on a fun, short trip from Thursday through next Monday or Tuesday so I thought I would be the sub for this Monday’s recap. Blue Lass will post headers for discussion for Thursday’s recap. Oh, and next Monday’s too unless someone else decides to recap it.

The title? Well, it *does* always seem to be sunny in El Tal Fresno, and I was too lazy to think of a better title.

Reminder from last night in the words of Novela Maven:
As soon as Camila closes her bedroom door, Lu slinks out from her hidey-hole and needles Pedro about getting snubbed by Cami.
Alone in the bedroom, Cami reconsiders. Maybe she was a bit prudish – what’s a little kiss, after all?
She opens her door to rejoin Pedro ... just a second or two after LuCraziest has pulled Pedro onto her face.
Camila gives them the stinkeye. The credits roll before Pedro can say “Déjame explicar ...”

Tonight:
And does he explain? Well...no because Cami hears Pedro tell Loo to lay off and Cami rips him a new one for yet again luring a woman to him with his masculine wiles and then rejecting her. Hey folks, I don’t write this crap I just report it. Pedro tells LooKrazia to leave El Tal now (Vete ya = Leave already) and tries to do damage control with Cami the drama queen.  Yell, rant, rave, Cami says Loo goes or she goes. Pedro, just tell her.

Renato welcomes El Viral to “his” spectacular palace complete with faux butler. It is a palace so clearly not his. He tells El Viral that he prefers staying at his niece’s apartment. “You must really love her,” observes El Viral. Uh, sort of. Renato tells her he’s looking for a wife.

The Harlot and the Belt Buckle fight about their daughters, Doris says they will never accept Camila. Tony kindly says Camila will be a better mother than Doris. The lovebirds continue this constructive conversation for another scene or two.

Pedro pushes Cami around a little and finally tells her he told LooKrazia to leave. Loo is listening outside the door and indicates to herself she doesn’t agree with this plan. She calls Tony with this update and he tells her to calm down, Operation Opprobriate Pedro Soon (OOPS) is about to go into motion, a newspaper article blaming him for his wife’s disappearance.

Panchito reports to Pigorio that he doesn’t have any chisme or proof of plots yet. Pigorio gripes that LooKrazia is manipulating Antonio and turning him against dad.

Pedro keeps telling Cami that she doesn’t trust him. She tries, she says, but she just can’t. He doesn’t trust her either. I’m having a deja vu here. Didn’t I recap this same conversation last Thursday? I guess the 8 or so scenes from last week weren’t enough. He insists he was found innocent of making Mariana disappear. More blathering and Pedro leaves in a huff.

El Viral strolls around the house admiring trinkets and photos. Be careful Elvira or you’ll slip on your own drool. Ren pretends to be oh, so sad because his sister, mother of Rita, died. Rita is his only relative and he’s so very lonely. He’s looking for someone who wants him for himself, not his money. Oh brother.

Meanwhile the maids set the table for dinner and gripe at the butler for putting them in this mess. What if the real owner shows up? Oho, apparently Rita is keeping him busy with her little lace and vinyl underthingies, promising him the best night of his life.

Cami runs to Geno crying her eyes out because she and Pedro are fighting about the same old thing. I totally get that, they make me want to cry too. In another deja vu from last week Pedro is once again saying “No más” and is about to go after Cami.

Pedro finds Cami’s room empty and hunts her down. I think he’s going to go into neanderthal mode again. Yep!! He grabs the amazon, flings her over his shoulder and takes her back to his cave. Well, her room actually, and he romantically locks her in. Dude, you are such a chick magnet, no wonder they can’t resist you.

El Viral says the night is perfect, just like Renato, gag. Cue the dispassionate kissing. Oh cool, we get to hear their thoughts while they eat. Ren doesn’t want to wait, he’ll propose marriage. Elvira is orgasmically eating her dessert, thinking about the riches to come. Renato escorts Elvira to the boudoir. She’s a little nervous but his amazingly boring kisses soon thaw the ice queen.

Pedro can’t resist going back into the bedroom and fighting some more with Cami even though a few minutes ago he said “No más. Fight, yell, blame, I love you, you’re stubborn. Pedro: "Believe me or leave me."

Pigorio dreams about running into Elvira at the GAGG ball and her calling him an ugly old fart. He wakes up sweaty, ugly and probably farty too, and says he might be old but he’s still the boss of everyone and she’s going to be his diamond.

Over at the the best little whorehouse in Fresno Doris complains to Brigitte that now more than ever she needs to seduce Pigorio and get him to marry her. The overly dramatic music tells us this is very heavy news indeed, but the mask just makes me want to laugh.

Armani is mooning over pics of Fabiola on his laptop. He kvetches about seducing both sisters. Loser.

On the other side of the tracks Fabi wants to show Flor pics of Armani. Saved by a knock on the door. It’s daddy and he wants to talk and explain that he was very mad when he murdered grandpa’s wall safe. Wow, he tells them about granny’s will and that grandpa ignored it and kept the whole rancho for himself. More importantly, he’s asking mom for a divorce and he wants to girls to stay with him. The girls say they will not accept his new girlfriend Camila.

LooKrazy goes to Cami’s room to hang out, have a slumber party, play records, do each other’s nails and talk about boys. Well, that last part is true. Loo’s happy to see Cami suffering. They take turns insisting Pedro will be hers. What a stupid party.

Pedro’s boozing it up and Aunt Patty’s worried. She scolds him that getting drunk won’t help. Au contraire, I say, get some booze in the guy and see if he warms up a little. He’s slightly more animated but basically repeats the conversation about Cami not trusting him. Aunt Patty says he’s a dumba$$, LooKrazia’s behind all this and all he and Cami do is go around in circles. Amen sister. Pedro talks about maybe going back to Tijuana to see his peeps. Uh oh, Aunt Patty reveals that Sister Luciana died a few days ago.

Tony admits it’s true about his girlfriend. He hopes they’ll give Camila a chance because she’s simply marvelous. They mumble they’ll try for his sake. He can’t understand why they defend their mama when she’s never given them the time of day. He says the girls have disillusioned him for not being on his side 100%.

Brigitte doesn’t seem as excited as Doris about her idea to marry Pigorio. Doris whines about Elvira, the new old kid in town who intrigues Pigorio. She needs to snag Pigorio before Tony throws her into the street. Brigitte knits her brows.

Oh ick, Renato and Elvira get horizontal as she keeps saying “No puedo”. Oh sure you can. Cue the 70’s romance music.

Next morning Pedro gathers the troops and tells them he’s going to Tijuana to put flowers on Sister Luciana’s grave. And he might not return. Gasp!

Renato admires himself in the mirror while El Viral sleeps. He goes downstairs and compliments the staff. If all goes well with Elvira he’ll give them a huge tip. Elvira wakes and thanks God for giving Renato do her, what a man! What a lover! What a crock.

Speaking of tips, Rita’s rich Gordo hands her a wad of cash and happily tells her his wife is in Europe for three months and he wants to spend every night with her! The sleazy background music is a hoot, with some guy crooning “oh baby” while Rita cringes at the thought. She calls Renato to tell him her Gordo is on the way home. Renato runs upstairs with a rose and tells Elvira they’re going to breakfast on his yacht after stopping by his office. Hurry up! As Elvira dresses he berates himself for making up that crap about a yacht. What’s he gonna do now?

Tracy shows up at Alcatrash to talk to Panchito. Alberta tells her about LooKrazia moving in at El Tal. Poor Camila, says Tracy. She also thinks Panchito is up to something and she’s going to find out what it is.

Panchito’s pathetically following Pigorio around, calling him papa and being concerned for his health. Pig says whatever Pancho does don’t let Tony know he’s sick, otherwise the Pig's unit will shrink. Panchito reports that Tony and Doris got in a big fight and the girls don’t want to accept Tony’s new novia Camila. Pigorio says he’s going to disown Tony and make Panchito his true son. Panchito swallows the hook big time. He might as well just start filleting himself now.

Flor talks with Alberta as Tony strolls through the room. He shuns his daughter and grouses that he wants to have breakfast outside, alone, so he can think. He can’t believe his own daughters turned their backs on him. That jerk-off is more immature than his kids. The girls spy on him while he’s pouting and drinking his breakfast. Doris joins them and they glare at her. So now Doris gets her turn to talk to the girls. She knows something is going on between the girls and their Papa. She tells them about having to marry young and basically tries to get their sympathy. Flor cries; mission accomplished.

Tony and Valentin pace the porch and wonder where LooKrazia is. Tony wants Valentin to somehow keep Pigorio from going to his office at the usual time for some reason, to plant the poison pills I guess. Then they talk about Panchito, he’s a useless gossip and a big brown-noser when it comes to Pigorio.

Panchito sees Tracy and tells her a lot has happened to him lately. She accuses him of neglecting her, maybe he doesn’t deserve her love. He promises that his current busy-ness will be better for both of them. When Tracy looks away he picks his nose. If he grabs her with that hand I’m going to barf. He says finally Pigorio is going to put Panchito in his rightful place. Nose-picking foreman maybe. Or lead engineer for the mining of Alcatrash boogers.

Tony recalls getting Elvira’s fingerprints on the pills and tells himself she’ll be accused of killing the Pig. Then he mumbles his last statement so badly I couldn’t understand him! Probably something about Camila being all his. Doesn’t really matter because it will be repeated at least twenty times.

Avances: Pedro asks Camila to go to Tijuana with him. LooKrazia sabotages the truck.


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Monday, March 05, 2012

La Que No Podía Amar #49 Monday 3/5/12 Where is the Cumaean Sybil When She Is Most Needed? (with apologies to Robert Graves)

That Which Has Passed
Lady Ana Paula tells Sir Gustavo that her marriage was a sham while Lord Rogelio and Maria talk about Vainessa. Sir Gustavo and Lady Ana Paula are on the beach by the bonfire as he presents the ring he hopes to exchange for a proper one later. She remembers – with the words echoing in her head – Lord Rogelio giving her the second ring, the one she had cast away. She then tells Sir Gustavo that the proper symbol of his love was the shell necklace, which he then returns to her.

The Current Happenings
Lord Rogelio's Bedchamber: He sits on his bed, looks at Sir Gustavo's shell necklace, and yells for Hugo. We wonder why the wheelchair is so far from the side of the bed.
Hotel: Tia MentiRosa tells Lord Federico she loves him, which takes him by surprise. Ever since she first went to work for him and even after he fell in love with her sister. He is becoming increasingly uncomfortable with this.
Lady Chatterley's Bedchamber: Maria tries to make her feel better and she speaks of Sir Gustavo's foolishness at leaving her; it was the politically expedient thing to do. Her pride has been hurt, nothing more, says Lady Chatterley. She has renounced love, saying look at what good it's done her brother? Maria expresses concern that Lady Ana Paula has become an obsession with him.
Hotel: After more embarrassing admissions by her, Lord Federico tells MentiRosa that she was like a sister in his eyes. True to form, she lies again that Lady Ana Paula was like more than a daughter to her and pledges her help. He expresses regret that he cannot return her feelings. She know she hasn't been happy in his marriage and says he has the right to be happy, to seek a woman who could make him happy. She then tells him to think about it, kisses him, and exits. The sad flamenco music underscoring the end of this scene expresses how unsuccessful her efforts have been.
Miguel's Bedchamber: Miguel continues to imbibe while talking to Skelator. Horrible vice that. Lord Rogelio enters unannounced before Skelator can escape and he is not pleased at this sight. Miguel is visibly intoxicated and very slow to recognize what is transpiring.
Rogelio: Miguel, we have to talk. What is this? Bruno, what are you doing here? Go to my study immediately. Go! (Bruno jumps off the balcony and Miguel closes the window while concealing the tequila bottle)
Miguel: Set my sister and me free. Now.
Rogelio: Now, relax. Calm down. Just tell me where Ana Paula found the things belonging to her fiancé.
Miguel: What?
Rogelio: How did those things happen to be here? Where did she find them? Tell me what you know. (Miguel says nothing, but walks toward him without taking his eyes off his face.) Calm down, Miguel. Tell me. (Miguel is close enough that Rogelio quickly takes away the near-empty bottle, shoves him onto the sofa to the far corner, and hits the nearest armrest with his riding crop). Tell me. (now shouting) Where did she find them?
Miguel: What things?
Rogelio: What things? Was it in my bedchamber, my study? Where? (Miguel cowers, bending over with his head in his hands). I am talking to you! (raises the riding crop again)
Miguel (still cowering): I don't know, I don't know, I don't know.
Rogelio (thoughtfully, without anger): Miguel, tell me what you know.
No reply is forthcoming, and Lord Rogelio takes a deep breath, looking thoughtful.
Hotel Garden: Tia MentiRosa is walking away talking to herself, but Lord Federico follows her. Before they can speak Lady Ana Paula returns with Sir Gustavo, happy as a clam escaping a New England fisherman's net. She displays the ring made of reeds and the shell necklace. Lord Federico deduces the meaning of this as does MentiRosa and we need not ask ourselves who is and who is not happy about this.
Lord Rogelio's Study: His Lordship lambasts Knave Skelator over the liquor incident, knowing that he is responsible for it. Skelator tries to excuse it by saying that it was more expedient to get him to talk about Lady Ana Paula'sand Tia MentiRosa's whereabouts while drunk, but His Lordship does not accept that. He points out that Miguel is an alcoholic and that this will only worsen his illness. That there had to have been a better way.
Hotel Garden: Tia MentiRosa informs Lady Ana Paula that they will be returning to Tuxtla in the morning. Lady Ana Paula does not want to and Sir Gustavo asks Lord Federico's permission to allow his daughter to stay with him for a few days. This does not please the tia, who insists that it is not proper. She points out the consequences and that Lady Ana Paula is married. She reminds her tia that the marriage is a sham. Lord Federico takes the side of the two young lovers, reminding Tia MentiRosa that Lady Ana Paula is a grown woman and he trusts her to make the right decisions. He will be returning to Tuxtla the next day to arrange for the legal acknowledgment of Lady Ana Paula as his daughter and asks if Tia MentiRosa would prefer to stay in Boca del Cielo while he sees the notario. She tells him that she will go with him to help in whatever way she can before lamenting "estos tiempos modernos." Que hypocrita.
Durán Residence: Lady Sneerwell arrives, talking animatedly about the beauty of Lord Rogelio's estate and the enormous manor house. Sir Esteban, who is present with Lady Chio, asks about Vainessa. Lady Sneerwell tells him directly that she saw her several times at the estate. He does not like this news, especially when Lady Chio comments that Vainessa hasn't stopped loving Lord Rogelio. Obviously she does not know Vainessa very well at all.
Hotel: Lord Federico takes his leave of Lady Ana Paula, cautioning her to take care in the company of Sir Gustavo for her own protection. He has given her his cell phone number if she needs anything. He explains that a medical test will probably be required to complete the legal proceedings that he will begin. He wishes to leave no doubts in the minds of his wife and older daughter. Lady Ana Paula is concerned at that outcome in view of her history with Vainessa. Lord Federico, like any proper father, also wishes to protect her. They express their love for each other and embrace.
Durán Residence: Sir Esteban takes his leave of the ladies as Lady Chio enters with a coffee tray. He is clearly unhappy at the news regarding his Vainessa. After his departure Lady Chio begins to speak of him as though they had had an assignation; Lady Sneerwell looks as though she believes her friend to be delusional. The course of true love never does run smooth. Nor will it ever, we daresay, or there would be no tale to tell.
Hotel: After explaining about his own romantic disaster, Lord Federico advises Sir Gustavo to fight for his love, promising his advice and aid. Sir Gustavo replies that he would give his life for his Lady Ana. The two men shake hands. In another chamber, Tia MentiRosa once again tells Lady Ana Paula she is not pleased with her remaining in Boca del Cielo with Sir Gustavo. She is concerned for the consequences if Lord Rogelio finds out. Lady Ana Paula also wishes to avoid problems, which is why she never told Sir Gustavo whom she had married. She is concerned that there would be a duel if Sir Gustavo knew of Lord Rogelio's threats of violence and will therefore not risk his safety. She is grateful for what he has done for Miguel and wants all to turn out for the best. Tia MentiRosa is still not pleased, but is returning to Tuxtla with Lord Federico to prevent Fishwife Elsa and Vainessa from ruining Lord Federico's plans. The following morning Lord Federico and Tia MentiRosa take their leave of the two young lovers. As Lord Federico and Lady Ana Paula embrace with their “te quiero muchos” we worry for them.
Galván Mansion, Garden: Fishwife Elsa and Vainessa speak of Lord Federico's absence. Vainessa attempts to tell her suspicious mater that perhaps he is not feeling well enough to travel (We recall that the air is substantially different due to the varied altitudes of these areas). The telephone rings and Elsa is not pleased at hearing the voice of Notario Patricio, who seeks to confirm Lord Federico's urgent appointment with him. The meaning of this appointment is not lost on either of these vipers.
House of Fermin: He is pleased at the reunion of the young lovers. Lady Ana Paula expresses her gratitude for what Fermin and his family have done for them. We are not certain of Carmen's feelings, as her last encounter with Her Ladyship was far less than cordial.
Lord Rogelio's Study: Skelator has found Farmer Gomez and escorts him inside. The man looks apprehensive and with good reason, for His Lordship's intimidating ways are infamous. The horse was confiscated by the local constabulary, but he claims to have purchased it from a beautiful young woman who was in the company of a boy. When Lord Rogelio threatens to have him arrested unless he tells him the whereabouts of the woman and the boy (and punctuating that with a lash of his riding crop on the desk) he tells him that they spoke of going to the beach, the nearest one being Boca del Cielo.
Boca del Cielo, Beach: The two young lovers walk near the breaking waves as Margarito and Meli play in the sand. The lovers speak of their present and future happiness as Meli asks Margarito whether he liked living where he came from. He speaks of the fearsome lord of his previous residence and that this is why he does not wish to return there.
Lord Rogelio's Study: Satisfied that he now knows what he needs to know, Lord Rogelio dismisses Farmer Gomez, slams his checkbook shut, and informs Knave Skelator that he personally will be going to Boca del Cielo immediately. He categorically refuses Skelator's offer to accompany him and exits, leaving Skelator to glower at an empty room.
Boca del Cielo, Hotel: The lovers return from the walk on the beach. They enter the Lady's chamber and begin kissing, speaking of their need for each other.
A Posh Hotel Chamber in Tuxtla: Lord Federico's secretary escorts Tia MentiRosa into this room, which she finds extremely satisfactory. She leaps onto the large bed and hugs a large pillow with the sentiment that she finally has received her due. Oh, how little does she know what that truly is.
Boca del Cielo, Hotel: There is but one phrase for this scene – Entrega Total. The author thanks Don Pablo Montero (no relation to Lord Rogelio in this incarnation) for his excellent recording of the beautiful song of that title.
Galván Mansion: (Family Affairs, Act One) Lord Federico arrives home and is greeted by his older daughter.
Vainessa: Father? Are you well? Why did you not come home yesterday?
Federico: Relax; all is well. Now I will explain everything.
Vainessa: Well, begin by explaining to me first why you had an urgent appointment with the notary.
Federico: Who told you that?
Vainessa: He called this morning responding to your call.
Federico: I'm sorry, daughter, I didn't want you to find out this way, but now we have something very serious to discuss.
Vainessa: What about? (sits down)
Federico: I found your sister.
Vainessa: What?
Federico: Yes, and I'm telling you I will be taking responsibility for her because she is also my daughter.
Vainessa: Don't tell me this is why you're talking to a notary?
Federico: Yes, Vanessa. I will be giving your sister my name, and I will protect her and provide for her for all the lost time I wasn't at her side.
Vainessa: No you couldn't because you were with your wife and with me, your legitimate daughter. All those years I believed I was your only daughter, the person you most loved. (Elsa enters)
Elsa: Giving her your name? And what else? Are you going to invite her to move into our house to live with us as though we were some great family? That will be over my dead body!
Federico: Elsa, don't exaggerate, and let me talk to her.
Elsa: The one committing social suicide is you. We're not going along with this and we're not sharing a single thing!
Federico: Enough, Elsa! Leave me alone with Vanessa. We'll talk afterward.
Vainessa: Father!
Federico: Vanessa, understand. I have a relationship with my other daughter. At least give her a chance. You'll find out she is a good person.
Vainessa: No! I don't want to know her.
Federico: Life has put your paths together. Regretfully it happened this way.
Vainessa: What are you saying? Why are you saying that? Do I know her?
Elsa (shouting): Who is she?
Federico: Yes, you know her. It's Ana Paula, the wife of Lord Rogelio.
Montero Estate, Terrace: Lady Daniela and Maria discuss Miguel's romance with the bottle. They know not what to do. We must seriously question Lady Daniela's intelligence in her poor choice of suitor. Lady Daniela sees the faithful Squire Hugo and begins speaking with him about getting his help with Miguel when he is suddenly summoned by Lord Rogelio. Knowing the urgency of this summons he apologises to Lady Daniela to attend to His Lordship, who is being wheeled out by the resentful Knave Skelator. As Squire Hugo proceeds to obey His Lordship's orders, Maria suggests to Lady Daniela that they seek out the manservant Simon's assistance.
Galván Mansion: (Family Affairs, Act Two) The family quarrel continues.
Vainessa: No, no, no! This cannot be, Father! Paula can't be my sister. I hate her! I hate her and where did you get this idea?
Federico: I have a letter, daughter, that proves it and all the necessary tests will be done.
Vainessa: No, no, no, no, no. Of all the people on this earth it can't be her. I hate her! I hate her, Father. I hate her!
Federico: You can't hate her; you have no motive to.
Vainessa: She stole Rogelio!
Elsa: And now she's stealing the love of your father, daughter!
Federico: I will never stop loving you, daughter. And Paula never –
Vainessa: Yes, I saw that wretch in Boca del Cielo. Yesterday. And it doesn't matter to her that Rogelio is worried to death about her. And you? You're my father but prefer to stay with her when I'm here helping to solve your problems?
Federico: Try to understand me. I have things to resolve with her. Legal things.
Vainessa: I can't. I will not understand you and I will never accept this nobody as your daughter.
Montero Estate, Terrace: His Lordship orders Squire Hugo to prepare for the trip to Boca del Cielo. Lady Chatterley enters, asking where he is going. He informs her that he is going to fetch his wife. She is shocked that he knows where Lady Ana Paula is to be found.
Galván Mansion: (Family Affairs, Act Three) The family quarrel continues and escalates.
Vainessa: She stole Rogelio. She stole him and it's her fault that I looked ridiculous in front of the whole world!
Federico: I'm telling you it wasn't like that, daughter. It was Rogelio who handled this badly. Paula did not know that he was preparing a wedding to you at the same time as with her.
Vainessa: How quickly! How quickly this nobody convinced you so you're defending her from your legitimate daughter, the only one you had to raise.
Elsa: You have to know if this other is your daughter! Surely it's a deception. A letter... dear God, a letter doesn't prove anything. Who knows what this wretch will do tomorrow!
Federico: Silence! What you are saying is untrue.
Elsa: What? You're saying in front of me that your daughter is this strumpet? Of course she came out the same. Why did she marry Rogelio? For his money!
Federico: That is not true or she would not have left the estate. (to Vainessa) Daughter, please listen to me –
Elsa: Let her enjoy Rogelio's money or is she looking for yours? I will not permit you to humiliate my daughter and me by helping that bastard.
Vainessa: Do not give her your name, Father, because then today you are dead to me.
Montero Estate, Terrace: Lady Chatterley tells her brother not to go, but to send Skelator. He orders Skelator to call out the other men while Squire Hugo fetches his carriage, then brutally tells his sister that despite her dislike of Lady Ana Paula and her wish that she never return, she will. And that she will fulfill her duties as wife and lady of the manor. Whether Lady Chatterley likes it or not. Lady Chatterley looks frightened – as well she should for she knows her brother's dark moods and how they combine with his determination. We leave the scene with her kneeling in front of him and he looking out as though he has doubts he will make this happen.
Boca del Cielo, Hotel: Sir Gustavo and Lady Ana Paula have clearly rode the beast with two backs. He says to her “Now, nobody and nothing will stop us being together.” We hope that he had the foresight to have purchased some French letters, as this does not bode well. One does not challenge the gods and get away with it.
Galván Mansion: (Family Affairs, Act Four, Scene 1) In which Vainessa tries to have the last word.
Federico: Daughter, you don't know how much that hurts me to hear you say that.
Vainessa: Father, do you know what you're asking of me? To accept this nobody when you don't even know if she's your daughter or not?
Federico: But she is! Paula is your sister; you have the same blood.
Elsa: You are being perverse.
Federico: I'll order all the medical tests you want. What's important, daughter, is for you to talk to Paula and understand why she married Rogelio.
Vainessa: You can't make me talk to that bastard. As I see it, you don't understand how much you are hurting me. I don't want to know any more of you. You have deceived me. My own father.
Federico (tries to embrace her): Daughter, please.
Vainessa (pushing him away): Get away from me. (grabs her purse and exits. Federico starts to cry. Elsa gives him an evil look and follows Vainessa outside)
Elsa: Vanessa, Vanessa, don't go. You have to help me.
Vainessa: How? How? If Father is determined to give her his name. To love her. To give her everything. And she wins.
Elsa (grabbing her hand): You and I have to prevent him from recognizing her as his daughter.
Vainessa: It'll be the same as before. Because he says he loves her. You know how that hurts me. I always believed that I was the beloved daughter of my father. The only one. (Lord ShadyDeal appears in the background) Never did I imagine that I would have a half sister, least of all that it's her.
Elsa: Me neither. Neither will I accept this but we can't let this tear us apart now. But together we can get what we want. (grabs her hand) Please, come with me.
Vainessa (pulling her hand back): No. I don't want to see Father.
Elsa: Very well. Very well, but please calm down.
Vainessa: I need fresh air.
Elsa: Very well, but don't say a word of this to anyone. We must pretend that this nobody doesn't exist. (turns and goes back to the house, talking insanely to herself. Vainessa turns around as Lord ShadyDeal approaches)
David: Vanessa, how are you? What's happened? What are you crying about?
Vainessa: No, no, no. Nothing.
David: You can trust me, can't you? Vanessa, I couldn't help but overhear you talking to your mother about your half-sister.
Vainessa says nothing, but goes to him for comfort. As they embrace he gloats over her shoulder while she looks over his with an anguished expression
Durán Residence: Lady Sneerwell shares coffee with Sir Esteban. He tells her directly that while Lady Chio is a nice person, to him she will only be Lady Sneerwell's best friend. Lady Sneerwell is still ill at ease regarding Dr Ernesto. She does not know what to do, but also knows she cannot avoid him forever.
Miguel's Bedchamber: Lady Daniela speaks to Lady Ana Paula over her cell phone, learning that Lady Ana Paula is well and has reconciled with Sir Gustavo. She allows Miguel to hear his sister's words, but declines to permit him to speak to her because she tells her that Miguel has escaped but she does not have a telephone number to call him back. Lady Ana Paula asks her friend to have him call her if she hears from him. She finally tells her that she has found her real father and that he will help her straighten out the mess with Lord Rogelio, but Lady Daniela has to cut the call short as a manservant (not Squire Hugo) opens the door to the room. Lady Ana Paula tries to call her back, but Lady Daniela has turned off her cellular.
Montero Estate, Carpentry Shop: A manservant tells Consuelo he's taking a break as Miguel and Lady Daniela arrive. Just before she leaves she tells Miguel that Lord Rogelio has just left with his retinue to fetch Lady Ana Paula back from Boca del Cielo. Miguel picks up a two by four and breaks it whacking the workbench as Consuelo leaves, then tells Lady Daniela to find his sister. She checks the cell phone and discovers that the call is listed as “number unknown”. He says they have to find her so she can get out of there.
Galván Mansion: (Family Affairs, Act Four, Scene 2) In which Fishwife Elsa's eyes bug out so far we fear (or hope) they will fall out.
Elsa: Drop that martyr's face. What did you expect? That Vanessa would be filled with happiness at the news of this illegitimate daughter?
Federico: Very soon this will be finished. After all the necessary proof you and Vanessa are so insecure about you will know that Paula is of my blood. That they both carry the same blood. I will give her my name and care for her and enjoy being with her because she has every right. (clutches the left side of his chest with his right hand)
Elsa: She has the right to nothing. Because she is a bastard, And I? I will make it my business to put her in her place. (raises her right arm)
Federico (seizing her arm with his right hand): You will do nothing. Of course you will not.
Elsa: Yes. I will look for.. and tell all what kind of woman her mother was.
Federico: You will do nothing. For years I heard you speak ill of Mariana. But that's over. I don't have to defend my feelings for her. But with every force I will defend my daughter, including from you. (clutches his chest in pain)

Elsa stares without concern; yea, with mad glee.
Boca del Cielo, Park: Lady Ana Paula tells Sir Gustavo about the phone call as they picnic. She thinks that Miguel is in a small town and is well. Sir Gustavo – poor foolish young man – speaks of them shortly having offspring. They speak of nothing else bad every happening again. Methinks the French letters had been forgotten and the anvil awaits.
Galván Mansion: (Family Affairs, Act Five, Scene One) Hitchcock-style music underscores the scene we hoped would not take place. Federico is sitting on the window seat, clutching his left shoulder.
Federico: I took all that crap for enough years, but no more. I will see the notary. If only to defend Ana Paula – (grimaces in pain)
Elsa (with a maniacal grin): Another of your threats? You always pretend to be ill.
Federico: No. I am ill.
Elsa (sarcastically): Every time things go bad, you're ill. And at the beach with that bastard you felt very well!
Federico (attempting to open a pillbox, then coughing): Get me my pills from the dining room. The ones in the emergency drawer.
Elsa: You think I will never help you.
Federico: Please, please.
Elsa: You want me to help you? Get the idea out of your head to legitimatize that bastard.
Federico: Elsa, please. I can't believe that at a moment like this –
Elsa: Do as I ask or you can go get the medicine.
Federico (grimaces and gasps): Elsa, Elsa, Elsa, please...Elsa
On the Road to Boca del Cielo: Lord Rogelio's carriage is stuck in the mud. Squire Hugo checks the mud around the rear wheels and informs Lord Rogelio that he is unable to move the vehicle by himself. They will have to send for help. Lord Rogelio summons Skelator on his cell phone, ordering him to send some men out to take care of this.
Galván Mansion: (Family Affairs, Act Five, Scene 2) This turns more horrific as Fishwife Elsa returns with the pills. She holds them out toward him and as he reaches for them, backs away holding them just beyond his reach.
Federico (reaching for the bottle): Give me my pills.Elsa (backing up): Say it! Say it! Say you will deny this bastard!Federico: Elsa, please...Elsa (backing up with each phrase, grin getting more maniacal with each word): Say it! Say it! Say you won't acknowledge that bastard! Say it! Say it!
We end with a look of sheer horror on Lord Federico's face. We fear he will shortly be comparing notes with Gaius Julius Caesar Augustus, whose murderous wife certainly had more class than Fishwife Elsa.

Avances:
Lord Rogelio arrives in Boca del Cielo as Vainessa arrives home to a tragedy.

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