Sunday, April 15, 2007

Duelo April 13 - In SE, 2+2= uh I don't know

A quick note before getting started – great recaps last week everyone, for whatever reason I was swamped at work all week and wasn’t able to really participate in the daily discussions. Stupid making a living keeping me from my fun.

Also, I have decided that from now on I will discontinue the usage of “Flor” for Alina. If I write both names it just seems weird and even though I know you all know that the two names are for the same person, I must have some super minor OCD or something and having two names for the same person just gets under my skin. So she is now always Alina, or some variant, like Stupid F%@ing Alina. On with our story –

Celso asks Coral if the other guy is bothering her, she says no, he’s just asking why I’m going to marry you, after all he is your nephew! Celso says he isn’t his nephew, he’s just an opportunist who thinks he’ll inherit everything, but…. he starts to have Julio in Heridas-like heart attack symptoms. She just asks him if he’s ok, doesn’t get up to help or anything, he comes around and says he’s fine, sometimes he just can’t get enough air. She stupidly believes him. He says something about wanting to spend his days with Coral and they toast. How can she not see that he is about 30 seconds away from death?

Edelmira and Granillo enter Alina’s room, Edel wants to know where he was. He flamboyantly explains that he was out taking a walk, you know to get exercise and stay in shape. Ha. He’s so lumpy. She says fine, but he better not be out looking for help for Alina, there isn’t anyone in all of SE that would help her. Sure. Well, actually, maybe not, since they are tired of helping her and then watching her voluntarily go back to wherever they just sprung her from. Perhaps Edel is right. Granillo tells her to leave him alone. He suddenly realizes that Alina isn’t here, where is she? Edel says they have to go find her. These two don’t even seem like they are trying anymore to be believable in their acting. Sure, Granillo is still being as swishy as possible, but otherwise they look like they are reading their lines off of a card.

WHOA what happened to Thelma? She is suddenly on the verge of giving birth. Was there a “six months later” in one of this week’s episodes that nobody told me about? Jeez she must be carrying twins. Anyway, she is assuring Don Loco and Soledad that Alina most certainly did NOT receive good treatment in this house. It’s strange to hear someone telling some parents “No, don’t worry, I treated your kid like crap, I swear!” Soledad wants to see Alina, Don Loco says “I told you to shut up!” He asks where Alina is now, Thelma says someplace she deserves to be. She says if he wants, she’ll take them to see her. He nods. I don’t know if that’s ‘yes’ or ‘I understand’ or ‘how the hell did your belly get so big overnight?’ or what.

Mexican Larry and Santos are talking when Castulo comes up behind Santos and says something stupid, Santos turns around and just about kills him. He hits him, kicks him, all the things he should have done in the other ten fights he ran away from, Mexican Larry and another guy are trying to get him to lay off. They finally pull Santos off of Castulo, Castulo is now sporting a nice bloody mouth. Then, the usual: “You’re going to pay dearly for this.” Yawn. After ML hustles Santos off somewhere, Castulo says he’s going to fulfill Don Max’s wishes, and Santos is going to suffer like his daughter. I’m not sure if he’s referring to Rosita’s dead baby or what, did they discover at some point it was going to be a girl? I’m confused.

Edelmira is yelling at one of the working girls, wanting to know where Alina is. Between the two of them they determine that Thelma did not return to pick her up. Granillo whines that she isn’t in any room there where is she? Just then Don Loco and his posse roll in. We have DL himself, then Soledad, Thelma, and Alfonsina. Soledad starts screaming that she wants to see Alina NOW. Edelmira ignores her and tells DL that ‘this woman’ (pointing at super preggo Thelma) told her that he would be pleased that Alina was being kept here at her place, and that Don Loco would compensate her for it. He says of course and gets his money wad out of his coat. He gives her some cash. She tries then to say “ok thanks run along now” but he wants to see her. She answers that it’s strange that she isn’t here, she is supposed to be cleaning. Soledad says she hopes that Alina escaped. Edelmira says it isn’t possible, she left instructions that nobody can help her, etc etc. Don Loco says again that he wants to see Alina. From the back, one of the girls (who I can’t help notice is wearing pink sweat pants – is that the typical whorehouse slave outfit? Although the sweats are tight and she has a nice body so whatever) yells out that she found Alina. Soledad finds her on the floor passed out, she starts freaking out. Don Loco yells at her and says it’s time to leave. He grabs Granillo’s shirt on the way out and warns him that if anything happens to Alina, he and DL are going to have a problem. I was going to say I don’t know why DL wants Alina to be taken care of just to be enslaved, but then I remember he wants mental suffering for her and Soledad, not to have them dead. I guess somebody (Soledad?) knocked Edelmira onto the floor when they rushed back to where Alina was, she is screaming at Granillo for help after he went to see Alina first. Edel apparently can’t get up by herself, like a turtle rolled onto its back. She has these big dorky blocky shoes and she can’t get up by herself. Granillo say something like “you heard what he said” and ran past Edel, maybe to go get help for Alina. Alina opens her eyes a crack and closes them again.

Adela sits Mariana next to a window. Mariana thought bubbles how if she could talk she could straighten everything out.

Dr. Love tells his younger, more handsome, associate that he is quitting his job to run off and find Mariana. He says he can’t leave her now in her moment of need. The other doctor says that the odds of her getting better are slim, it’s not worth it. What if she doesn’t get better, he says, are you (Dr. Love) going to dedicate yourself to taking care of her for the rest of her life that way? Dr. Love says no, because he has to believe that she will return to being the Mariana he knew.

Vera meets Orlando in the living room, Orlando just wants to know if there is news of Alina. Vera says no, nobody has heard anything. Haaaa Orlando says he’s tired of looking everywhere for her, “I’m going to take a bath.” What is he a woman or what? Calgon take me away. A man would typically say “I’m going to go find something to hit” or “I’m going to go get drunk.” I’m not sure “I’m so irritated, I’m going to take a bath” really pushes up Orlando’s reading on the macho-meter. Vera says wait, she has a note for him. He reads it and gets an angry face and says “Damn viper!”

Luba tells other highway guy about Elias. The guy says he needs to see Elias, he needs to know who hurt him, the perpetrator cannot go unpunished.

Frank asks Emilioooo how he is doing, Emiliooo launches into some stupid speech about his feelings, his soul, crap like that. Frank looks at him with a face that plainly says “You dumbass I’m asking about your arm.” Emilioooo rants on. Frank plays along and asks if he’s talking about Alina, or what. Emiliooo says yes. Perhaps Frank was asking about the pain in his soul after all, though I doubt it, because he encourages Emiliooo to return to SE and fight for Alina. Or maybe he just wants Emiliooo to take his wet blanket self and go away.

Orlando finds Thelma and she tries to be all ‘oh how nice to see you’ and he’s all like ‘you bitch’ and she’s all ‘WTF?’ ok I can’t keep that up. How can teenagers talk that way all day long? It hurts me. Orlando yells at Thelma that he knows what she did with Alina, Thelma looks both a little impactada and a little scared. He says he’s been looking all over for Alina and here Thelma knew where she was the whole time. Thelma says ok you caught me, what are you going to do about it? Orlando doesn’t answer, he just issues the standard “you are going to pay” proclamation of people who have been done wrong. Thelma says, what can you do? She really thinks she has it all covered. Orlando says for starters, he’ll tell Emilioooo about Thelma and Castulo. Thelma hobbles back down in a hurry, “no no no.” Then, says Orlando, he’ll tell Emiliooo that the baby isn’t his.

Emiliooo says he can’t go back for Alina, Frank says he should. They have a boring conversation about all the people involved, Angel, Emilioooo’s baby, etc.

Granillo tells Alina that he left a note for Orlando. Alina whines that she doesn’t ever have any luck. Dummy you keep throwing yourself back in jail, that’s not bad luck, that’s being stupid. She gets all morbid and Granillo tries to cheer her up. He says she just needs to eat. She just still wants to die. Good, die, and we can start watching a new show.

Thelma and Orlando argue some more about her baby. She tries to tell him that he’s going to win in the end, he wants an explanation. She tries to make Orlando believe that she had two reasons for locking up Alina – to exact vengeance and to make Orlando look like a hero when he swoops in and saves her. He isn’t buying it. She tells him her plan. First, they’ll go see her….

Highway guy is back at Luba’s cave, very glad to see Elias alive. He says Elias is lucky that this woman found him. Luba says “This woman? My name is Luba!” Highway guy wants to know who shot Elias. Elias says no, nobody shot him. Gaspar says yes, you got shot! Luba grabs him and tells him to come with her to find some herbs. She smacks him on the head. For whatever reason they don’t want highway guy to know what’s going on. I’m not sure why, I would think getting more people involved would help the truth come out. Elias says he was practicing his shooting and shot himself. Highway guy says, “does this have anything to do with the death of your wife?” Elias says no, he wasn’t trying to kill himself. Besides, he has fallen in love again. At least he admits it now, rather than just being creepy/clingy/pushy with Soledad.

Soledad and DL come to talk to Mariana. DL tells Soledad that she must recognize now that the people of SE are with him. She says no, they are just scared, they help him because it’s the easy thing to do. She calls him infeliz. He says watch your mouth, my sister is here. They fight some more, conveniently right here in from of Mariana, Don Loco says again “You cheated on me, that’s why I did this and that and the other thing.” Mariana bugeyes a bit and thought bubbles “No DL you are making a huge mistake!”

Granillo tries to get Alina up, she wants him to leave her alone. He refuses, he won’t just let her die. Alina whines an whimpers some more. Granillo says he doesn’t want to see her this way, so Alina tells him “fine, then leave then you won’t have to see me this way.” Ha good one Alina. Granillo whimpers like a girl and leaves the room.

Emiiooo gets some award, perhaps for letting himself get taken hostage, not sure what. Frank steps up and says that Emilioooo was valiant and whatever the whole time. The general tells Emilioooo to go back to Puebla and recover from his injury. Emiliooo says Puebla? The general says wherever, just some place you are comfortable, you can go to SE if you want. Emiliooo gets a “I’m trying to look like I’m thinking about something” face.

DL and Soledad rehash further for Mariana’s benefit. He throws Alfonsina in Soledad’s face, she says whatever, I never cheated. Blah blah blah. Soledad tells DL that Alfonsina doesn’t love him, she just wants money. He says she just can’t stand to see him with another woman, she’s all alone. She says no, there is someone else who loves her. Don Loco grabs her arm and sticks his chin out at her. Is this how she plans to convince him that she hasn’t ever cheated? He wants to know who it is, she says nobody, she was just trying to piss him off. Now of course he believes only the part about another man, he tells her that saying that she was joking was a lie. This guy will not believe something said 5000 times, but one little comment about something else is the word of God. He is going to kill whoever this other guy is. What kind of idiot is he? It’s Elias of course. DL storms out and Soledad fusses and cries. We see Mariana’s face, she looks like Don Loco got mad at her too, she has black all around her eyes. Not quite like she got beat up, but it looks gross.

Gaspar tells Elias all about his woman who is going to have his baby, Elias thinks it is a great story. But then Gaspar is sad that he hasn’t seen her, she told him to stay away until the baby is born. Elias, not knowing who this woman is, tells Gaspar he has to go find her and proclaim his love to her, fight for her, la la la love is so great, etc. Gaspar says he’s going to go find her.

Emiliooo says he doesn’t want to leave, there is too much work to do. The general says he could get hurt more if he stays. Emiliooo vows to be careful. The general astutely says “It seems like you are avoiding something in Puebla, what’s the deal?”

Angel tells his doctor that nobody is making him return to SE, but he desperately wants to return there. The doctor says the climate there is bad for him, he needs to be better before going there. They talk about a cure for him, he wants to know answers and the doctor says it’s too soon to know everything yet, just wait a little longer.

Alina whines some more. She has an orange flashback to when Don Loco dropped her off at the cave so long ago.

Emiliooo tries to make the general believe that he isn’t avoiding anything. He orders Emiliooo to return to Puebla to recuperate. Emiliooo salutes and says “yes sir.”

Don Loco tries to figure out who loves Soledad. He says Elias is the only one close to her, then moves on down the list. I can’t figure out why he didn’t latch onto Elias’s name immediately. He goes on – Sergio? No. Maximo? No. How can he not realize that it is Elias? This goes against all sense and reasoning. Don Loco has accused him directly of sniffing around Soledad. How can he now not realize that’s who the other guy is? Argh I’m going to go crazy myself.

I apologize for any abbreviating that may be done over the rest of this recap, I have a meeting tonight and I need to wrap this up –

Mexican Larry and Vera are talking and in though the back comes Gaspar, with Ifgenio trying to stop him but not able to, here’s here to see his munequita. They tell him how she is too busy for him, she spends all her time with Orlando. Gaspar doesn’t look happy, he heads back out.

Edelmira comes to Alina’s room, followed by Orlando. Orlando offers to help her, she declines. Orlando is impactado, just a little. He mostly still has the Haskell face going.

Santos serves food to Rosita, what a pleasant turn of roles. He’s letting her take it easy after her accident. Santos may be a wimp but apparently is heart is in the right place. Rosita wants to help Alina, but Santos says he can’t. He wants to, but he can’t. Something about getting mixed up with Maximo. I can’t believe how often people just talk about the same thing over and over and over.

Orlando wants to know why Alina doesn’t want his help. She says just no, he says fine. Orlando talks about how bad Thelma is treating all the staff, Alina gets all riled up about how unfair it is. I suppose soon she’ll volunteer to return to the viper’s pit to try and save them. What a martyr she is. Won’t help herself but will constantly throw herself under the bus to save someone else. I would call this selfless normally, but I think Alina wants to be seen as selfless, which just makes it selfish.

Castulo sees Santos’s horse outside Rosita’s house, he says he needs to think about how he’s going to kill Santos. Why does everyone talk out loud about this stuff? This is TV. We have thought bubbles. People can think stuff. Maybe that takes too much extra production time – one take to film it, then later the voiceover, if they just talk out loud it’s done all at once. That must be it.

Gaspar marches through the forest. He’s upset about Orlando getting so much quality time with his woman. He decides to not let her stray, he’ll go fight for her, like Elias told him.

Asi es la Vida commercial – one bikini babe, one super cleavage dress, then two babes in their undies in the same room at the same time. I love those commercials. Oh sweet – then the Alfonsina getting drenched clip coming out of commercial. Great commercial break.

Thelma whines to SA about Orlando.

Orlando totally plays Alina about the poor people of SE. He is playing her like a violin and she is falling for it hook, line, and sinker. He actually convincers Alina that she can convince Thelma to treat the employees better. Alina accepts his help, on the condition that they will try to help the people. She is off the charts naïve. So easy to manipulate. No wonder Orlando likes her, he likes to do that stuff and she’ll fall for it forever.

Don Loco still doesn’t know who it is. Alfonsina comes in and he wants her to help him forget Soledad. He’ll give her whatever she wants. She thought bubbles various things Hugo said to her about getting money.

SA gives Thelma a drink – Thelma is pregnant mind you. Orlando runs in all happy that Alina agreed to his help, Orlando and Thelma congratulate each other with hugs and kisses, which of course is what Gaspar sees when he looks in the door. He runs in, demanding to know what’s going on.

Elias lays in bed, dreaming about how he’ll save Soledad. Luba comes in and wants to know where Gaspar is, Elias says he’s after his munequita, whoever that is, Luba is impactada.

Gaspar says nobody can touch his munequita. Orlando is confused, Gaspar says the baby is his. Thelma takes him aside and yells at him for putting the baby in danger. She tells Gaspar that Alina is at the meson, he leaves to go see her, after giving a threatening look to Gaspar. Orlando wants to know how she controls him so easily and what’s with the munequita bit? Huh? HUH? This is playing out as if Orlando doesn’t know that Gaspar is the father of Thelma’s baby. Didn’t he just threaten her earlier today to reveal that same secret? Wtf? Does he know, or not?

Granillo is happy because Alina is eating. She says she discovered that there are still good people in this world. Whatever. Granillo knows she’s talking about Orlando, she explains that he’s going to help her.

Thelma is trying to blame Gaspar being slow for all that happened. Orlando has a flashback of the bartender at the devil’s cave describing their busboy the same way, he’s starting to put it all together. Orlando demands to know the father of her baby, he wants more info on her to prevent her from screwing him over. She says she won’t cheat him, she promised Alina and he’ll get Alina. Orlando still thinks something strange is up with Thelma and Gaspar.

Let’s discuss quickly the geniuses who live here. The other night, Alina escapes and the only person who left is Mexican Larry with the ‘garbage’, nobody figures it out. Elias has just about dropped his pants in front of Soledad, while in Don Loco’s presence, Don Loco can’t figure out if he’s the one who loves Soledad. Thelma was knocked up by a ‘mental’ at the Devil’s Cave, now a ‘mental’ named Gaspar is around claiming to be the father of the baby, Orlando isn’t sure if the two ‘mentals’ are the same person. Can we just drop a bomb on this neighborhood and wipe these people out? They are too dumb to live.

Don Loco is back on the couch, I thought he was going to get some action. Alfonsina has a document she wants him to sign, to keep his promise that he’ll give her whatever she wants. Don Loco is drunk as hell, he actually passes out at the end of signing his name.

Granillo brings Gaspar into Alina’s room for a visit. He says Thelma told him to come see her, Alina tries to convince him that Thelma is bad. Gaspar gets upset and leaves. Alina is confused.

Don Loco wakes up and is super hung over. Alfonsina says something innocuous to him, like ‘you woke up’, and he tells her to shut up and draw him a bath. Yes, indeed, the glories of being Don Loco’s woman. She asks were he is going, he says something about making an animal miserable. Adela had been about to come in and heard that last part, she runs off before anyone sees her.

Orlando runs into Gaspar at the meson. He asks him if he wants to get drunk with him. Gaspar gets a look on his face that actually kind of looks like he’s already drunk.

I’m just remembering now that the actress who plays Alfonsina was some Miss Fitness Mexico or something a few years back, that sure explains her amazing body. Sorry, it has to be said. She wants DL to send someone else to do whatever, he says he has to do it himself.

Orlando tells Gaspar that he wants to hear all about the munequita. Granillo waits on them, Orlando orders tequila. They toast and start drinking. Gaspar just about yaks after the first shot. Orlando immediately starts interrogating him – “where did you meet your munequita?” I have to say, this is a great move by Orlando. People on this show are always wanting to know something, it seems so obvious now that they should just get whoever has the information drunk and they’ll spill the beans.

Don Loco is ready to leave, he says he’ll kill the dog.

Elias and Luba are trying to sort out the Gaspar/munequita business when some crazy woman starts screaming Luba’s name from outside the cave. It’s Adela, she has come to warn them that Don Loco is coming. When did he figure out that it was Elias? I thought his next suspect was going to be the priest.

Ganillo tells Alina that Orlando is here, drinking with Gaspar. How strange, she thinks. Duh.

Orlando wants an answer, but before he can hear it Thelma and Castulo enter. Thelma tells Gaspar that she told him to come to see Alina, not to hang out, this is a bad place and that drink is dangerous. Gaspar of course wants to stay and drink. Thelma tells him to obey her and leave, he gets up and stumbles out. Thelma warns Orlando that it is dangerous to be her enemy.

Don Loco enters the cave, screaming for Elias. Luba says he isn’t here, Don Loco smacks her onto the floor. Luba wants to know what’s going on, Don Loco says he doesn’t have to tell her anything, then storms out. Luba picks up the box and says something about if she gives the box to him, but if she doesn’t she’ll know his truth. I didn’t really quite catch it, but I think we all get the gist of it. Some powerful secret in the box.

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Acorralada # 62 -- Tuesday, 4/10/07 Fears Multiply, Suspicions Are Aroused, and Secrets Are Revealed

(Not much here but the plot, girls and boys.)

We start with a replay of Debora, feverish and delirious, babbling to Marfil. She then begs Max to save her. Diana screams and pounds on the door. She still hasn’t gotten it into her thick skull that this only annoys their captors.

TeleMiami General. Pancho’s asleep in the foreground. In the background, Lala and Paola are sitting on Granny M’s old red couch. Paola’s top is almost the identical shade of red, so she blends right in. She spiels the usual about trading Octavia’s yoke of tyranny for the yoke of wedded bliss. “If you only knew,” thought-bubbles Lala as the Orchestra of Doom gets louder and more ominous. Close-up of Pancho, still asleep.

Key West. Paco chases after Octavia. They need to talk. More “Don’t believe Gaviota’s lies.” The camera angle is awful: A three-quarter profile, angled slightly up, does not show her nose job off to advantage. Paco renews his proposal. (WTF?) Piano music. He believes in her innocence. (Well, okay, I guess Caramelo had to inherit her stupidity from someone.) Octavia is overjoyed. They kiss repeatedly as he swings her around in a circle. He sets her down and they go for a long, slow kiss. I am impactado.

Dr. Evil’s Lair. Silvia’s on the couch. The wig du jour is a black Dutch bob, probably stolen from the set of Chicago. She’s brushing out her latest acquisition, which is half black and half white. I suppose it was inevitable that she’d get her hands on a Cruella DeVil “super-peluca.” Silvia’s hoping to land a paparrico with this one. (Lotsa luck, babe.) Ignacio, for example, because he has a “muuuuuy grande…corazón.” (Somehow I don’t think it was the size of his corazón that made her swoon after seeing him in the shower.) We get a split screen midshot of Dr. Evil. “Not that ugly Silvia,” he says, making a face of disgust worthy of René. Well, there’s also that hottie Andrés. Split screen close-up of Andrés. “You’re horrible, no way,” is his response. Max is the next one to get a SSCU. He loves Diana, and no one else. Our Comic Sex Kitten moves on to Larry, “the best.” Close-up of Larry, all bed-head and bedroom eyes and nice white teeth as he laughingly says, “Only Gaby for me.” And since he never knows when to shut up, he adds that he doesn’t like bald women. Larry is followed by René, Kique, and Pancho, each of whom gets a SSCU and rejects poor Silvia. Emilio’s the last one in line, but he doesn’t get a close-up. Pobre de Emilio. Silvia remarks that he may be her cousin, but “Carne de primo también se come.” Drum roll and rim shot.

Emilio’s. Bruna, Marfil, and Dr. Evil are in the living room. Marfil dismisses Bruna and Ignacio fills her in on Debora’s condition. “Should we just let her die?” he asks. “I prefer that…” This is as far as she gets before Max walks in. He demands to know why Dr. Evil’s there.

Key West. Octavia is wading in her Bazooka pink baby-doll dress. As she comes undulating towards the shore, she thought-bubbles about her upcoming wedding and how easy it was to deceive Paco. Ah, the power of a woman's tears. Close-up as she coyly rubs her index finger under her chin, showing off her diamond bracelet. “I took him away from Fedora. He’s mine.”

Helicopter ride over a mall, possibly the same one where Debora shoved Andrés into the trunk of Ignacio’s car. (I can’t see an Office Depot sign, so I’m not sure.) This fine building houses the talent agency (?) of one Arquímedes Ribero, who is on the phone. He needs to have Sonya Smith’s contract by 4:00. Maybe they’re amending the clause that states she can only wear red, black, and white. Enter Larry, looking for an acting gig. What do you know, Ribero & Co. is in the market for studmuffins. Larry gets an audition for that very afternoon. Admin. Asst. Jackie will get him a script.

Emilio’s. Dr. Evil claims he just stopped by to check on Granny Santa’s welfare. Marfil, obviously lying, backs him up. Max tells him Granny’s back at the Mansion. Ignacio starts in on Diana, but Our Hero shuts him up and tells him to get out. Exit Dr. Evil. Max tells Marfil he’d appreciate it if she didn’t receive Ignacio anymore.

Galanes R Us. Larry runs into Kique outside Ribero’s office. “Hey, maybe I can take your part away from you, too,” sneers Kique. Larry takes the bait and threatens to break his face. Macho shoving. Kique promises to take Gaby away as well. He only used Pilar to get back at Larry. With Gaby it’s different. Dueling close-ups. Jackie returns with Larry’s script and tells Kique that Ribero’s expecting him.

Villa Vengeance. Team Gaviota is outside, speculating on what could have happened to Diana. She’s never stayed out all night before. Gaviota’s going to the police. But wait – Diego has an idea. “Do tell,” urges Little Doormat, like she doesn’t know what’s coming. “Maybe Diana’s with Max.” General protest, surprisingly logical, from Gaby, Fedora, Granny M, and Nancy. Diego stubbornly repeats his suspicions, albeit less vehemently. I am sorry that his Death by Estrambótico Snake Ritual was pure fantasy on my part.

Little House on the Beach. Debora’s unconscious. Enter Andrés, in a ski mask, accompanied by Isabel, also in a ski mask and carrying her Marcus Welby bag. Neither of them closes the door. Diana gives Andrés a shove and bolts out of the cell. She makes to the front door, but Andrés catches her before she can get out. They struggle, he decks her, she hits the floor. “Did you kill her?” Isabel asks. “No, she passed out.” Commercial.

Key West. Lady O and her knight in spotless white linen, Sir Nobrain, get married on the beach.

Aboard the Good Ship Lollipop, Caramelo sweeps the floor while Jorge dries glasses behind the bar. They discuss Pancho’s condition and Caramelo decides not to tell Papi about the bigamy just yet. She doesn’t want to spoil his vacation. Jorge says it’s a pity she was so in love that she got married. This might have given Our Good Sex Kitten a clue if he’d been able to put any subtext into the line or longing into his gaze, but no. Jorge just enjoys being goodlooking for the camera. Caramelo replies with the usual “Pancho es mío” crap.

Emilio’s. Max appears to have wandered into the wardrobe room of Bailando por la Boda de Mis Sueños: He wears a hot-pink shirt with his snug black vest and trousers. The doorbell rings. It’s Fedora/Gaviota, looking worried in her chic tomato-red dress with the silver sequin “buckle” appliqué. Max furrows his brow and tries for attractively impactado. “You?” he says uncertainly. The Synthesizer of Doom strikes ominous chords.

A nearby beach. Yolanda is walking alone. And no wonder. Her sundress has a black bodice and a big floral print skirt that was a Holiday Inn bedspread in a previous life. Somebody in Wardrobe really hates Yolanda. Our favorite Comic Studmuffin, a.k.a. René, jogs up. “¡Qué sorpresa!” They cover the usual subjects: Let’s hang out/I’m too old; news from Paola/I hope she’s happy; you look sad/life sucks, what can you do. René suggests they run up to Orlando and spend the day at Disneyworld. Yolanda laughs. They are mutually encantados.

Key West. Paco and Octavia are walking along the shore. They talk about their love being “para siempre.” Octavia cajoles him into prolonging their stay. Paco is as useless and deluded as an ear-to-ear comb-over.

Emilio’s. Max confronts Fediota about sabotaging his job with Brisas del Mar. Cue String Quartet of Doom. Fediota’s not here about that. She questions him about Diana’s disappearance. Dueling close-ups: Max, clueless, and Gaviota, coldly accusing.

Little House on the Beach. Cue Orchestra of Doom. While Andrés carries in Diana, Isabel prepares a hypodermic needle. Debora needs an injection every six hours. “Hell’s just beginning for these two,” Andrés declares. “They’re going to wish they were dead.” “Sra. Marfil’s vengeance must be ruthless,” Isabel remarks. Exeunt. Crescendo.

Emilio’s. Max tells Fediota that he knows nothing about Our Heroine’s vanishing act. She decides to believe him and asks him to let her know if he hears anything. Exit Fedora. Max looks at the camera and says, “Diana, where are you?”

TeleMiami General. Paola, in a tight, off-the-shoulder, beige knit dress, tells Pancho (who’s still asleep) that he’s coming home soon. Enter Caramelo, in another blouse-pushup bra-miniskirt combo. She sees Paola and she’s ticked. Lala looks guilt-stricken. Paola glares back at Caramelo. Orchestra of Doom. Commercial.

Little House on the Beach. Dr. Evil swaggers into the cell, gun in head. He wakes Diana, who springs up, crying. “Let us go!” He points the gun at her and she backs down. Debora needs a doctor. A nurse already gave her a shot. Our Heroine recognizes his voice; he’s trying to disguise it, but she’s heard it before. Dr. Evil threatens to kill her if she tries anything. Diana tearfully plays the Baby Card. Ignacio tells her the kid will be 20 years old before she sees him again.

Emilio’s. Bruna’s arranging calla lilies in a vase. Max gives Larry the scoop on Diana. He needs to find her. “But where, Max, where?” Good question, Larry. Max has no freakin’ idea.

TeleMiami General. Caramelo is gearing up to Fiera mode. She and Paola take turns ordering each other out. Lala begs them to take it outside. Caramelo gets Paola told: She is Pancho’s first and only legit wife. Paola is impactada.

Emilio’s. Bruna is now in the bedroom, filling Marfil in on everything she just heard. Marfil is wearing narrow black pants under an oversized blouse, cinched by a wide, Dalmatian print belt. This ensemble looks like a makeshift imitation of the hostess pajamas Joan Crawford wore in the 50’s, when her face had hardened into that wide-mouthed, thick-browed, Mommie Dearest mask. Marfil hadn’t expected Max to find out so soon, but no worries. Neither Max nor anyone else will ever hear of Diana again. In bursts Max (obviously he’s got the Conceptos listening-at-doors disease). “What do you know about Diana?!”

Hospital again. Caramelo elaborates for Paola, who refuses to believe it. Lala comes out and Caramelo pressures her to bear witness. “¡No puede ser! ¡No puede ser!” Paola sobs. She runs down the hall as fast as her tight little dress and high-heeled FM shoes will allow. It takes her a while, but she makes it to the end of the hall, where she collapses to the floor. She’s still sobbing as she fumbles for her cell phone.

Beach. René’s cell phone rings. It’s Peyote, begging him to score some drugs. He’s reluctant; not only is Bomboncito right there, but Andrés hasn’t answered his phone in two days. He finally caves, though. He’ll see what he can do. Yolanda asks if it was bad news. René makes up a vague story about a friend in a jam. He’s got to run, but it was a pleasure. Yolanda is encantada.

Emilio’s. Max is grilling Marfil. Bruna claims they only know what she’d heard earlier. Max warns Marfil that she’d better not have anything to do with Our Heroine’s disappearance. Menacing chords from the Orchestra of Doom as Marfil snippily replies that the fate of that nurse doesn’t interest her in the least. Max glares and leaves.

Little House on the Beach. Cell. Diana tells Debora that she’s doing better. Debora says Our Heroine needs to escape and get help. Cut to the outer room. Ignacio, Andrés, and Isabel are seated around the table. They’ll need to keep an eye on Diana. She’s a real fiera. One mistake and they could all end up in jail.

At this point the director has decided that it’s 1932 and he’s directing Shanghai Express. We re-enter the gauzily-lit cell through broken lattice-work. Diana and Debora gradually come into focus as we approach. Debora is still urging Diana to escape. Diana claims it will be easier if they try to escape together. Debora says Marfil Dearest wants to eliminate them. She knows that slut. She tells Diana the Real Marfil/Faux Marfil saga, leaving out the parts about Andrés. This is followed by a similarly-edited version of the Soirée of Shame.

Key West. Octavia is still at the beach. She’s on the phone with Yolanda, giving her the happy news. Yolanda is appalled. “Enough lies,” she says, “turn yourself in, 'fess up to killing Reynosa.” “Don’t be stupid,” Octavia snaps. “Fedora took everything from me, humiliated me. I took away the man she loves. She will weep tears of blood.” Another fine opportunity for a grand, melodramatic gesture wasted.

Villa Vengeance. Gaviota announces that she’s reported Diana missing. Granny M fears that she’s been kidnapped. Granny Santa has an idea. “Maybe she’s in my room, playing with my dolls!” This is Gaby’s cue to take her back to the house. No puede ser: Little Doormat’s wearing a tight mini-dress. What happened to the parochial school jumper and Mary Janes? Diego, predictably enough, asks Fedora if Diana was with Max. No. Fediota struggles to hold back the tears. She has a bad feeling about this.

Hospital. Lala sobs at Pancho’s bedside. He’s still asleep. Caramelo explains that she only did what she had to do. This is followed by the all-too-familiar verse and chorus of “He’s Mine, All Mine.” Lala’s crying because Caramelo and Paola hate each other instead of realizing that they’ve both been the victims of that scapegrace Pancholón. This is his cue to wake up. He does, and is surprised to see Wife #1 there. She notices and gets pissed off. “Were you expecting that dirt-cheap bag of bones?” she snaps. The Orchestra of Doom gets louder. Dueling close-ups of husband and wife.

Emilio’s. Larry’s rehearsing his scene. It’s a love scene, qué sorpresa. There’s a rumpus outside, then a knock at the door. It’s Paola and René. They managed to score; Peyote’s bouncing around, telling them to put on some music, let’s party, wheeee! René mugs in horror as she jumps up and down on the couch. Larry asks if she’s using again. The Orchestra of Doom answers his question.

Dr. Evil’s Lair. Camila’s on the sofa, looking as skankilicious as ever. The doorbell rings. It’s Max, demanding to know where Ignacio is. Camila has no idea. Why don’t they jump into bed? Enter Dr. Evil. Now it’s his turn to throw Max out. Our Hero grabs him by the shirt. Where’s Diana? He threatens to kill Ignacio. Round-robin of close-ups. Camila is impactada. Max has a brain-fart. Dr. Evil is apprehensive. Commercial.

Still at Dr. Evil’s Lair. Max continues his threats. Camila hopes that Diana was eaten by sharks, or abducted by aliens. Max tells her to keep her trap shut. After all, he can only concentrate on one thing at a time. (And sometimes not even that.) He turns back to Dr. Evil and vows that if Ignacio had anything to do with Our Heroine’s disappearance, he won’t live long enough to regret it. Exit Max. Enter Silvia. Was that Max she heard? Camila asks Dr. Evil if he’s involved in Diana’s misfortune. Of course not. Either way, she and Silvia are quite happy to have Diana out of the way.

Emilio’s. Peyote is still high on God knows what. Larry’s mad. Enter Yolanda and Bruna. Strike up the Orchestra of Doom. Paola goes from party animal to screaming, crying mess in about three seconds. She runs out of the apartment, followed by René. Bruna asks if Paola’s drunk. “No,” Yolanda answers darkly. “Something worse.” She tells Larry his sister will come to a bad end. Crescendo from the Orchestra of Doom.

Villa Vengeance. Team Gaviota continues to speculate, but no one says anything new or interesting.

Little House on the Beach. Debora needs another shot. Diana does her usual bang-the-door-and-scream number. Andrés opens the little window and says, “Tough luck. She can die for all I care.” Debora turns weakly to Our Heroine. “They’re letting us die slowly, by my sister’s orders. Try to escape.” Yeah, don’t just sit there looking impactada. Go, Lassie, get help!

Roll credits.

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Saturday, April 14, 2007

Zorro-Friday, April 13, 2007: Mangle gets her wedding night (sort of) and bigamy is all the rage.

Show opens up with Diego and Mangle in bed having some champagne. Diego apologizes for his speedy exit at the reception and for leaving her all by her lonesome on their wedding night. He was really upset by Monty & Esme’s baby news and he needed to be alone to sort his thoughts (translate that as have a little romp with Esme). He has resigned to losing Esme and he hopes that with her as his bride, she makes him very happy. Mangle smiles and says, you betcha I will or something along those lines. Diego promises to make the night memorable and they share an awkward kiss. Diego apologizes says that he’s just shy and needs alcohol to loosen him up.

Jump to Esme and Olmos before the Judge recording her signature on the contract turning over Esme’s fortune to Monty. Olmos reminds Esme about her jewels and he will make sure that they get delivered when she makes her escape with her mom. Esme asks Olmos who will help them make the getaway and Olmos says don’t worry its someone he totally trusts. Esme questions him some more but Olmos says no more questions until your mom is free. Olmos starts rifling through some papers and Esme looks at him warily.

At the Moncada’s FS has a strong hold on Dena and she orders him to let her go. FS says she aint going until she tells him what she knows that will stop his wedding with MP. Dena doesn’t want to say anything but don’t force her. FS doesn’t like being threatened and she shouldn’t go nosing around in his life sister or not else he will cut her off from his life. Dena tells him he did that a long time ago since when their parents were killed. FS doesn’t want to talk about it. Dena tells him he hasn’t gotten over their death shouldn’t feel guilty about it he was only a child, etc. FS says yes but I coulda done something, the parents were skinned and tortured to death, Indians showed no compassion. Dena tells him ever since that day he’s lost his compassion even towards himself. You feel bad for FS you really do. I mean you feel his torment but you remember his list of bad stuff and I remember why he’s a villain. FS begs Dena that he’s waited all this time to be with MP .Dena will not permit FS to deceive her and he will regret not having listened to her. When Dena leaves FS starts thinking that it was her who steal the key to SK’s “iron” mask. Yeah sure FS it was Dena (she doesn’t even know about the darn thing) next thing you know he’s going to accuse Monty or even Piza.

At the prison, Hermes tells SK that they are knocking down the wall while SK worries that she is dead meat. Hermes says that maybe they want to help her if VCR is taking all this effort into locating her. SK doesn’t think so because even after all his years imprisoned the battle for Spanish crown still goes on and there are a lot of people who would do anything to get rid of her. Hermes (who I think he wants to use her “rescue” as his get out of jail free card) tells her that this is their chance to get out of jail. SK needs a sign because she’s got a bad feeling about this if she got word from her daughter she’d be more comfortable. Hermes then tells her maybe she’s outside waiting for her rescue. Finally Auggy breaks the wall and makes a small opening. Everyone says PU and they play the blame game as to who let one fly. Just kidding. VCR complains about the stench and Monty tells him well IT IS a sewer, what did you think sunshine and roses? VCR doesn’t care, even if they get sick breathing that filth (inmundicia) he will not rest until they checked out the sewer. Penguin Suit looks in with his torch and let me tell you it looks mad dark in there so I don’t know what he was expecting to see but it woulda been funny if Hermes appeared in front of him and yelled BOO! PS says something, I don’t know his mouth his covered I can’t understand him. VCR takes torch and looks in and asks if there is anybody there and somebody responds with nobody in here but us mice (I always wanted use that line). VCR announces himself to the stench and probably the poo lining the walls while Monty and Piza look at each other wondering who will poop out their brick first. VCR yells out that I’ve come to free you and you will be returned to your rightful place, said the spider to the fly.

Olmos and Esme with her escort not to far behind are talking a stroll planning SK’s escape. Olmos tells Esme that he's just waiting for his contact to give the signal. Dena spots her and Olmos is off to give Monty the contract papers. Dena questions Esme's blind trust of Olmos. Esme says its thanks to Olmos she wasn’t discovered at the prison his contacts are taking care of her mom. Dena tells Esme that nothing in this life is free and Olmos must have some powerful reasons for helping her. Esme says maybe but all she cares about his seeing her mom freed. Dena worries that that everything is going so smooth it scares her. She feels it in her chest that something bad is going to happen. I think Dena and Alej are sharing ulcers. I guess when you marry you also share stomach conditions. Esme starts looking worried (oh my its contagious) but shakes it off and they go for tea.

Cue Amor Gitano

Back to Diego and Mangle and their champagne drinking. Mangle talks about when she first arrived how the smell and sounds bothered her. She thought she was condemned to the worst luck thanks to Daddy but when she laid her eyes on him (Diego) the place turned into paradise, I know she’s the villan but who can argue with that last part she has a point. Diego tells her she made an impression on him too when he first saw her, of course he thought she was a little too bold but he liked it. Mangle says he doesn’t know how bold she can be when in front of the man she likes (I think we already know, they ARE married). Mangle gets really close and kisses Diego. Diego offers more champagne and Mangle says no more she feels dizzy. So Diego instead entertains her with a magic trick. He makes the empty cup disappear under a napkin and reappear filled to the top with champagne from behind her. How did he do that I wonder. Mangle tells Diego he’s a box of surprises (you don’t know that half of it). Mangle wants to know what other intimate magic tricks he knows and Diego sorta evades her advance and asks Mangle what tricks she knows. Mangle makes the champagne disappear by swallowing every last drop. Diego laughs and says make it disappear again which she obliges.

FS is talking to himself wondering if Dena stole the key then crosses her off the list because she doesn’t know about it. FS thinks the key being lost or stolen is not a good sign. FS doesn’t care because to him nothing is as important as SK’s power than MP’s love. Once he gets that, everything else will follow. After sorta redeeming yourself you blow it with your crazy talk.

The VCR is yelling into the sewer if there is anybody hidden in there. Respond lady, don’t be afraid. Hermes tells SK that it’s the VCR and he personally came to help her. SK tells him it’s a trap and they will kill both of them. Hermes wonders to himself if everything SK’s told him is true and that’s really the VCR. I don’t understand Hermes, he’s sarcastic about SK’s story but he wants her to yell out. What’s the deal. VCR aptly points out that nobody answers and asks PS to get in with the torch and scope out the tunnel. Monty tells the VCR that his men will do that and calls to Machado. VCR says forget it its obviously a sewer and nobody could hide in there much less who they are looking for. VCR asks PS to check the basements as there is nowhere else left to look and to close up the sewer wall. Monty smiles and they do that music and commercial impactado pause but instead we get the guards (Auggy and somebody else) surprised that there was no answer and wonder if they are dead. If I didn’t know any better I would wonder if the smelled did them in, cuz I imagine that stinks like nobody’s business. Auggy orders the guard to bring food and water, he will investigate.

We have Esme and Dena chatting over tea, well Esme is the only one with tea anyways. I would think Dena shoulda taken some to calm that ulcer she’s been working on since meeting. Dena then asks Esme what’s wrong and Esme brings up that she can’t stand that Diego and Mangle will see each other everyday. Umm they are married they were bound to run into each other sometime. Dena reminds Esme that she is married to Monty and Esme says but she on the other hand has not done anything with Monty. Dena says well with men its different you know if they don’t get any they’ll get die or explode or soemthing, hehehe, not really but I remember reading that in health class under a heading lies a guy tells to get into your pants. Actually, Dena tells Esme that its not right for man to deny his wife relations. Esme tells Dena that Diego said he would not touch her. Dena tells Esme that he probably said that because he loves her and doesn’t want her hurt but c’mon, men never say no to that and do you think that Mangle will accept, not right now I have a headache. Apparently Dena’s little talk makes Esme doubt Diego and she says that she couldn’t stand it and she’s dying of jealousy.

Mangle and Diego again. Mangle goes to hug Diego and he offers more champagne. Mangle doesn’t want anymore she wants to kiss. Diego says first another cup of champagne it’s a very fine champagne from my dad’s collection, reserved for special occasions and this is very special (yeah because you always toast yourself into a stupor when you sleep with your bride for the first time, not that I’m angry just funny is all). Mangle says the champagne is a little strong but Diego pishaws and tells Mangle that she can hold her liquor, like the when we went out and you got me drunk. They laugh and Mangle falls asleep, I wonder what was in that champagne. Diego tells a sleeping Mangle, YOU got me drunk, ME who knows how to drink. Sorry Mangle but Esme is holding Monty off for me and it’s the least I can do for her.

At the prison, Olmos visits Tobi. Tobi thinks Olmos is there to get him out but nope Olmos isn’t a lawyer, Tobi is on his own. Tobi tells Olmos as secretary to Gov, he can do something. Olmos tells Tobi that he can’t promise anything. Olmos then asks Tobi if he trusts the FM, is it true that he designed the fencing technique used by Zorro because its obvious Tobi isn’t Zorro. Tobi tells Olmos that he thinks FM is not Zorro’s instructor because the only ability “Samaniego” has is to sharpen his knife for cutting into smoked ham. Olmos deduces he is an imposter and Tobi begs him to break the deal in finding out who Zorro is. Just get him out and he promises to unmask Zorro. Olmos acts like his hands are tied but when Tobi finds out Zorro’s identify give a holler, see ya wouldn’t want to be ya.

Cut to Cat feeding fake FM soup. FFM gets upset and calls her and hubby inconsiderate for taking him out to the reception at his age. He then coughs like he choked on a bone and Cat tells him she seems to recall he made out well at the party he never stopped eating. Cat just continues to spoon feed him his soup. He also tells Cat she is feeding a person not a donkey, call Tobi he knows how to feed me. Cat exasperated tells him don’t you remember you went to the wedding reception to finger Zorro and you ID’d Tobi as that bandit. FFM-What bandit? Cat-ZORRO! FFM-Don’t yell at me, what Zorro are you talking about? Cat-Samaniego, you’re a lost cause.. LOL!!!! Cat then gets an idea and asks FFM if she can get his address to write to his family and let them know he’s okay. FFM smiles and asks Cat if she isn’t the daughter of Prudencia, sister of Casilda. How is the harvest of (I didn’t get the word) and he goes on with the harvest while Cat rolls her eyes and can’t believe what she is hearing. ROTFL, I must have missed this part of the conversation prior to recapping.

At the prison, Monty tells VCR that he was informed VCR found nothing fishy in basement. VCR tells him it looks like they hid prisoner real well. M-Or she isn’t here, In what way do you want me to show you? VCR tells Monty that flattery (lisonja) doesn’t work on him only action and from what he’s seen Zorro has done on a number on him. Monty assures the VCR that he will capture Zorro real soon and Monty will deliver his head to Mexico. VCR tells Monty he will be waiting and asks PS if there is any other place they haven’t checked. PS assures him last place was basement and sewers and the entire prison has been run through several times. Well Viceroy, you know what they say when you loose something, its in the last place you looked (this case being sewer). VCR tells Monty that luck smiles on him. Monty smiles and asks VCR why is that women so important to the crown, maybe he can help. VCR tells him its better to ignore what he can’t control and tells him he is handing over maps and prison, he’s returning to Mexico. Monty acts like he cares, leaving so soon and VCR tells him don’t be a hypocrite. Trap Zorro because if not that delinquent will be his downfall. HA!

After their exit, VCR tells PS that the Marquesa lied to him and we get a commercial plug that takes the bottom portion of the screen for the Spanish version of Sex in the City, Sin Vergüenza (Without Shame or when combined sinvergüenza calling somebody shameless cute very cute ) I don’t give a fart about a trampy looking Gaby Espino who is supposed to be the executive. I remember when commercials were in between programs not during, those were the days but I digress. PS tells VCR that the Marquesa is very astute and “Aqui el problema es quien le pone primero el cascabel al gato”, translated means The problem here is who’s going first to put the bell on the cat, remember the cartoon where the mice tried doing that and nobody wanted to. I think that’s what there are talking about, who’s going to rat out Marquesa as liar first. VCR thinks if the Spanish crown has given her lots of power then its because they don’t know she lied and he’s more than willing to expose her as a liar, the Court exile her and cut off her privileges.

Back in the prison office, Monty tells Piza he should congratulate him. The VCR didn’t find SK. Piza tells Monty that they have to be more careful and not move SK until the VCR crosses the border. Monty agrees and now is the time to reap the rewards. He’s going to make FS to tell him the truth about SK. He knows FS said lies and half truths when he questioned him about SK Monty asks Piza aren’t you curious as to what she is hiding behind the “iron” mask besides a great hairstyle (okay the hair was just in my mind). Piza looks at Monty probably trying to figure out if he wants to play Mr. Burns and Mr. Smithers. Monty tells Piza that FS will tell him the truth about SK or she dies.

MP and FS run into each other outside the church. FS tells MP that they should get married immediately and like every good bigamist they have to do it in another town. FS recommends San Diego. MP asks FS if he went crazy. FS says no its perfect, they can have their wedding with nobody opposing it, they can have children live happily ever after. MP asks why can’t family be there, is there something she should know about? FS IS ALREADY MARRIED is reason enough I think, but wait she don’t know that.

Dena and Esme discuss FS asking MP to marrying him and all the reasons why they shouldn’t. Dena says what we already have been talking about, FS is already married and Esme begs Dena not tell MP because she’ll confront FS and complicate things. Dena says that she will try without causing hurt but if worse comes to worse, she will do whatever it takes to stop that marriage. Dena, you better move your butt and quit the rehashing FS is going to elope.

Back to FS and MP discussing their plans. FS tells MP that he’s afraid the family will oppose the wedding. They don’t understand what moves him to marry MP. Don’t act like you are Romeo and MP is Juliet, because that’s not it, hello YOU ARE MARRIED! MP tells MP that she understands Dena, she’s lived with him and knows who difficult life’s been with him and it’s not bad for her to worry about him. FS goes on that he wants to change, heal his soul (and you tell me FS how is committing bigamy going to heal your soul, huh?) MP promises to help him in what she can and FS says then let’s get married I got the car all packed up and ready to go. MP says that they have no clothes, etc but FS convinces her and gives in. Oh, boy.

Back to Esme and Dena discussing what FS could have possibly told MP that would make her change her mind about taking her nun vows before God. Esme spots Diego in the plaza from her window seat and she’s ready to run out to him but Dena restrains her. Dena tells her it’s too public (remember last time Esme) and that she’ll arrange it they can talk privately. Dena talks to the owner of the establishment about arranging a room for her niece and someone else. Wow, how nifty that such privacy is readily available.

At the de la Vega’s Alej is about to ask Dolores where is Dena when they both see some Indians coming up the porch. Alej tells Dol he doesn’t know who they are but that they dress like Yumi’s tribe. Dol thinks that Yumi asked for them. Alej says something in the native tongue and one of them responds in kind. He then speaks Spanish, good because I don’t speak Indian, introduces himself as Adriel and says he is looking for Alej. Alej introduces himself and asks what they need.

Dena goes to Diego to tell him that Esme is waiting in a private room in the tea room but be careful cuz she has an escort. Diego runs off to meet Esme. Meanwhile Dena spots FS and MP riding in their getaway carriage and Dena runs to her carriage. Wakes up the driver and tells him to follow that carriage.

Esme and Diego meet privately and share a nice steamy kiss. Diego tells Esme that he has a lot to thank Dena for. They tell each other that they longed to meet again. Diego worries about Monty but Esme tells him she doesn’t know where he is, he’s been busy since VCR’s appearance. Diego tells Esme that he hopefully he continues to be busy. Esme says not possible else they can’t free her mom, duh Diego remember the mission; c’mon get your head in the game. Diego apologizes but said he wanted to be with her sooo bad. Esme then asks about Mangle. Diego tells her, she’s fine she’s sleeping, sleeping off her drunken state not precisely due to love. She’s sleeping her hangover that I gifted to her as payback for the one that forced me to ask for her hand. Esme looks at him doubtfully. Diego asks her what, you don’t believe me. Esme tells him of course, I see it in your eyes. Esme tells Diego she loves him and let’s face it after that the gift he gave Mangle, you gotta love him too. Diego tells her he loves her forever and they share another steamy kiss.

Meanwhile at the de la Vega’s Mangle has gotten up from her hangover and she’s got a splitting headache. Maldito Diego, you got me drunk. Looks like Mangle is going to be sick and runs to the bathroom to puke, HA, HA!

Back to Diego and Esme. Esme tells Diego when she leaves with her mom, she doesn’t want to leave him alone. Mangle is very astute and bold and will not rest until she has him. Diego tells her don’t worry, trust in him like he trusts her. They discuss if the VCR’s left and if she’s heard anything from gitanos. Esme tells him no news but she hopes VCR leaves soon. Diego doesn’t mean to be insistent but he wants to be informed as to everything she does. They agreed to free SK together so he wants to know any change in plans. Esme says don’t worry and promises to keep him informed. Okay the de la Vega’s better start stocking up on ulcer meds, their health is the on the line here. They kiss some more, this time with their theme song.

The VCR and crew are leaving and Monty wishes him a good trip. Olmos walks by and notices the departure. Olmos acts surprised that VCR is leaving and starts asking questions regarding the visit and if he was here to visit a prisoner, cute Olmos. Monty tells him no, he was here on state matters and what do I owe the honor of your visit. Olmos hands him the contract papers and tells him he owns Esme’s fortune and he hopes Monty knows how to multiply it as it is a sizeable sum. Monty tells him not to worry because he wants to assure his son’s future and his wife’s. Olmos acts like its wonderful idea as Esme deserves to be happy and he’s sure she will be by his Monty’s side. Monty tired of this little chat leaves and calls for Piza. Piza looks at Olmos (I think he’s not convinced of Olmos’ well wishes for the happy couple) and then follows Monty like the good little lap dog he is. Olmos tells Monty’s dust cloud enjoy your happiness while you can because pretty soon you will lose everything.

Back to the de la Vega’s where Adriel and Alej are sharing a peace pipe. I never thought I’d ever say that in my life. Adriel’s been informed that Yumi is alive and she’s been staying there. Alej asks if they are really her family as it was his understanding that they all disappeared. Adriel tells him they’ve been in hiding from the white man and they should never know where they are. Yes, they belong to the same tribe and he’s there because the grandmother (Adriel said a name that I didn’t catch) is on her death bed and wants to see her granddaughter Yumi before she crosses the big river. Alej says he will get her, Yumi should see her before the voyage. Adriel tells Alej that the gods will help White Buffalo, in his name. Alej is impactado at this name and is surprised that she is still alive.

FS apparently traveled to a church in San Diego and is arranging for a marriage ceremony with the priest while MP waits. He tells the priest, they are going to get some things and will return. FS tells MP that he said who he was and he wants to get married and the priest agreed; well he is the governor I mean what’s the priest going to say no? MP doesn’t look thrilled and FS asks what’s wrong. MP tells him that she wanted a big wedding, with her brother and family and FS says don’t worry after our wedding we’ll through a great reception party and have the family present. Now they are going to buy clothes because he wants her to look her prettiest. FS and MP kiss with their theme song.

Del sees Alej and asks what’s wrong. Alej informs Dena that it appears that the Indians belong to Yumi’s tribe. Del also thought they were all dead but Alej tells her nope they didn’t and they want Yumi and guess what the grandmother’s name is, White Buffalo. Del is surprised, White Buffalo the same name as Regina’s grandmom. They both realize that Yumi and Regina are sisters and that would explain the similarity. Del is impactada and then we get the anvil dropping sound a pause and Del is still impactada. I’m sure you guys got a word for that but not sure what that is.

Cut to Esme walking along the plaza and Olmos riding up in a carriage trying to catch her. Olmos asks Esme to get in the carriage, everything is ready for SK’s prison break. Esme says I have to tell Diego but Olmos tries to stop her saying that they agreed not talk about it to anybody and it has to be now or never. Esme is end credit impactada and worried at the same time.

END OF EPISODE

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Acorralada #64 Thursday 4/12/07 Highlight reel

A repeat of the "Talking Killer" rehash by Andres. Now Diana gets her chance: She throws sand in Andres's face and runs off.

Larry is on the bed in his usual "poor-me" pose. He rants to Yolanda about Gaby.

Diana hides behind a skinny tree with skimpy leaf cover. It's so obvious she's there, it's beyond belief Andres doesn't see her immediately. He creepily tells her that he knows she's nearby. He can smell her and hear her heartbeat.

Octavia and Paco are on the beach. She now says she'll go back to Miami with him. I don't really get this. Perhaps it's her narcissistic feeling of indestructibility at work. The cops surely won't find her . . .

At Lala's house, Lala tells Caramelo that Paola is also a victim. The bad one is her son. Pancho comes out of the room where he hit Paola. Caramelo tells him she still loves him. He gives a strange sly smile. (In doing this quickly, I seem to have mixed up some scenes. I can't keep up with whether Paola and Caramelo are at home, at the hospital, together, separate. I know Pancho hit Paola, but I can't get the timeline straight. If anyone knows, please clarify. It doesn't really matter, though.)

Paola hits up Emilio for a loan. It's not for drugs, she says. She needs to escape. She says she can't be happy with a man who loves two women. I wonder if she will end up with Emilio after all. He actually agrees to lend her some money.

Pancho now tells Caramelo and his mom that he wants to get a regular job as a waiter with Paco. He wants a normal life. Lala thanks God.

Andres eventually catches Diana again.

Marfil, Iggy and Isabel are over at the prison. They have a new plan. They are going to place the two women in a manicomio, or insane asylum, that some friend of Iggy's runs in the woods somewhere. It's so isolated that no one knows of its existence. They will never escape, as they will be in the middle of nowhere. Debora finally overhears the talking from outside the cell. I now think we should call the good doctor Iggy instead, because he is presently suspended from his medical practice.

Pilar enters the homeless shelter. She is wearing another one of the vast supply of shiny plunging cowl-neck halters. They must have bought out the entire Charlies' Angels costume department. She tells Larry that she wants to go back to how things were.

At the mansion, Max is telling the family about the phone call he received from Isabel. Diego, the genius, tells Max to butt out. Gaby, for one, has a bright idea. Max should go home to wait for another call. (But really wouldn't the callers also have his cell phone number?) Granny DS wants to go to church to pray. She should be praying for a new outfit.

Gaviota tells Gaby to go out with her new trick, I mean date. That is, Kiki. She wants her to forget Larry. Gaby doesn't want to do something so frivolous while her sister has been kidnapped, but of course Gaviota tells her it's fine. It's more important to get revenge on Larry, it seems.

At the Carcelito, Diana is back in the cell. Debora fills her in on the manicomio. Debora and Diana put together a plot to have Debora knock out Marfil and switch places again and go for help. Diana naturally believes that Debora will come back for her. Sure . . .

Max, Larry and Yolanda discuss the price of the info. Yolanda conveys that Octavia has gotten married . (Somewhere along here Octavia had called Yolanda. I'm not sure when.) Larry says that it's terrible that their mother will break the heart of his beloved Gaby's real mama.

Marfil enters the cell. Debora mentions the manicomio. Marfil wants to know how she knows about it. Deb says they can hear everything. Deb and Marfil have a bitch-slap fest.

Kiki and Gaby go to a restaurant and talk about nothing interesting. Larry and Pilar come to the same restaurant, wouldn't you know. I'm still not sure why Larry suddenly agrees to go anywhere with Pilar. Larry the genius doesn't believe it's a coincidence. The two couples posture at each other.

In the cell, Debora has beaten Marfil and changes clothes and prepares to leave.

Kiki kisses Gaby at the table.

Paco and Caramelo talk at the bar about Pancho and Octavia.

Emilio and Max rehash the kidnap plot. Emilio realizes that Marfil could be behind it.

Debora gets Isabel to open the door and let her out. She then leaves and says that Diana shouldn't have trusted her.

Paco hugs Gaviota. Gaviota says she needs him. He says that it isn't the best time, but he needs to tell her something. He married another woman. Gasp.

Back at the restaurant, Pilar gets mad when Larry goes to talk to Gaby. He wants her to come home, she's his wife, etc. This time she's not fooled. She says that she's going to divorce him tomorrow.

Paco doesn't want to tell Fedora who the new woman is. She says she still loves him. But you've lost because of all the revenge, he says.

Marfil wakes up and realizes she's been had.

Paco realizes he never received Gaviota's messages. Does it dawn on him that wifey might have erased them?

At the end, Gaviota asks how he could have possibly gotten a new wife in a matter of days.

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Destilando Amor - Friday, 4/13/07 "Mouse-trapped"

Gavi is left to run the desk alone at the hotel during lunch when who arrives but Aaron Montalvo himself, with the easy Eugenia, for a little afternoon delight. Gavi looks up. (Ruh-Roh-oh-oh!)

Gavi is "OMG!" impactada and quickly turns her back to the kissing couple. She remembers Nancy telling her earlier that morning that men bring their lovers there frequently. You can always recognize them because married men never kiss their wives that enthusiastically and, Aaron is definitely all Ren and Stimpy "happy-happy, joy-joy". (Dog that he is, Aaron's tail is thumping so hard right then that the entire hotel lobby should be shakin' and quakin'.)

Aaron rings the bell to ask for a room, then turns back to Eugenia and puts a heavy duty liplock on her. Gavi takes a few deep breaths to clear her thoughts and wonders how to stall for time. Suddenly she fakes losing her contact and gets down on the floor to start looking for it. Luckily, Nancy returns just at that moment and takes care of Aaron, who leaves without ever noticing Gavi is there. (What a save!! The crowd goes wild!!)

Afterward, Nancy babbles on about Aaron, starstruck, while Gavi painfully remembers how Rod offered to make her his "kept woman". She bitterly comments that one woman is never enough for rich men.

Back at the ranch, Isa is asking Rod if he's still looking for Gaviota because of his child. He gets angry and swears she never had the child, that it doesn't exist. She says she doesn't believe him and insists as his wife she has the right to know the truth. She calls Minnie later on to whine some more saying she doesn't believe him because otherwise why is he so obsessed with that trash? He wouldn't be if the child were dead. No, as far as she's concerned that baby is alive somewhere and is being used to rob her husband away from her.

Roman finds out that James and Rod hit another dead end with their search for Gavi and tells Ofelia. Roman thinks to himself that Gaviota won't be found until she's ready and that isn't about to happen any time soon.

Back in Mexico City, Gavi takes her lunchbreak late and registers for night classes at the nearby vo-tech school to learn computer skills. When she returns Flavia gripes at her for taking her lunch so late.

Minnie sets up a strategy meeting for later that evening with Grammy Pilar and Sofia to give Aaron and them the juicy details, as Isa has supplied them, about Rod's and Gavi's roll in the hay and the resulting pregnancy.

This family gathering turns into one big conspiracy fest. Aaron is sputtering mad when he hears that his rube of a country-cousin Rod has actually fathered a child (not to mention, he is no doubt jealous that Rod actually hit a home run in the varon department his very first time at bat, and there he is, stuck with Minnie Mouse).

Minnie says Rod has told Isa that the baby died, but Isa isn't so sure. Sourpuss Sofia surmises that Gavi got pregnant while turning tricks with half of Europe and ambitiously returned to hang the baby on her brother so she can squeeze him for money. Either way, they all agree that it would be a social disaster for the Montalvo's if Rod gets involved with the prostitute again. Grammy Pilar hates to imagine the demands that kind of woman will make on them. They could call a special board meeting to get him back to the city since it is 6 months till the next regular meeting, but that wouldn't resolve anything because Rod would just leave for the hacienda after a couple of days. They all fear that eventually she'll return to the hacienda and Sofia warns them they must avoid this encounter at all costs. "Nobody must be permitted to mock the Montalvos," says Grammy P.

That night, back at home, Gavi thanks the Virgencita for her luck and tells her she will hide the fact from her mother that the hotel she works for caters to "Nooners" . She knows her ma will demand she quit, and now she needs the money for her classes. She tells Clara that she registered and that sooner than she imagines she will be working for one of the large corporations in Mexico City as an executive.

Back at the hacienda the next day, Rod apologizes to Isa for his rough and rude attitude towards her, being that she's ill. She answers sadly that she knew the conditions when they married, but it doesn't stop her from asking questions as she is his wife, after all. He reminds her that the conversation is painful for him. He then, says it should be enough to know that Gavi truly lost the baby. He tries to explain his feelings for her better, but Isa starts faking a loud cough to get sympathy. "Where's your medicine?"

Isa starts speaking in this (annoyingly) soft, weak little feminine voice so he has to come in closer and closer to her to hear. "I love you and I only have you, so I am tied to this feeling. I understand and if you find her I will accept my defeat and leave." (Yeah, right.) "Really? I cannot ask you to make such a sacrifice." (Weaker and softer and weaker and softer. My remote is literally cranked up all the way about now.) "It is --cough, cough--to demonstrate to you the magnitude of my love for you. I want nothing in return, Rodrigo. Just accept it." The phone rings.

(Golly geez-louise that's loud! Where's the darned remote already?)

It is Grammy Pilar asking how Isa's recuperation is progressing. Isa turns away and secretly smiles to herself. She is on a roll and she knows it. She asks to take the phone and praises her husband's attentiveness then hands back the phone to him. Grammy says she's been worried about them and advises him that he must remain at Isa's side to build a home full of blessing and love. Rod agrees politely and hangs up.

Aaron orders his wife to call Isa up the next day to confirm the business about the prostitute's baby just in case it's her friend's jealous imaginings. He also reminds Minnie that she needs to get pregnant and fast because she shouldn't forget what is at stake.

Gavi is asleep over her textbook and has a bad dream about Rod and losing her child.


Next day at the office Minnie visits Aaron to tell him Isa just told her that Rod confirmed the baby was born but died immediately. Aaron smiles broadly.

Eight months in total have passed. ~~ Gavi continues to work during the day and goes to nightschool where she has daydreams again about Rodrigo. Isa pretends to be recovering from the supposed riding accident with the horse, and even uses a cane.

Rod continues to miss Gavi. He walks out to the tree in the agave patch and has a chat with Grampy Amador about his feelings towards Gavi. He swears that years can pass but he will love her then as intensely as he loves her now.


Max cannot keep his eyes off Gavi all these many months. One day he offers to give her a lift to school and then take her to dinner after. He explains he is single, has nobody else and, he is in love with her. Cow-eyes surprise for Gavi here. She doesn't want another relationship and tells him this. She explains she is "vaccinated" against the illness called love.

Flavia, our nasty HR biddy, is watching them. Gavi doesn't want to lose her job. Max will have to agree to forget this little talk or he will be forcing her to quit, and that will cost him a good and loyal employee. She walks off leaving poor, smitten Max to mope.

James advises Rod to forget Gavi and to get on with his life such as it is. He suggests that he should finally give in and make his marriage to Isa legit. Rod, though, assures his best friend that he cannot make love to anybody else but Gavi. James asks him if he's sure and has he even tried. Rod shuts him up right away! "I have no desire to try and I don't want to even find out!!" (My hubby has lost patience with Rod at this point. Hubby is enthralled with Martha Julia and so at this point is yelling at the screen that he just does not understand this guy's problem. This Rodrigo should be taking James' advice and getting it on with this Isa chick already!! (Sigh) I have to remind my hubby that, hardbodies aside, NOBODY in this novela should ever take James' advice about anything!)

Grammy Pilar tells Sourpuss that lucky for them the prostitute hasn't returned. However, at all cost they must get Rod back to Mexico City. Now that the board meeting is so close, she's giving him a new apartment there in the city. He'll love being there so much he'll forget the past. He'll then get closer to Isa so that he can strengthen their marital relationship, face his marital duty like a man, and finally have children. (Either Grammy has been eating too many of her own brownies or some self-castrated male wrote this part of the script.)

Once there are children, she says, he certainly won't be able to divorce Isa ever, lest we forget, there are no divorces in this dinosaur's dynasty. Sourpuss agrees the woman remains a constant threat to the family. (So it is better for Rod to be stuck with Isa from a respectable family of their class, than his chasing after some hooking daylaborer.) They start chatting about how to decorate the place. (It is clear to me now why Rod has suffered a delayed puberty. 'Nuff said.)

Isa complains to Minnie that as attentive as Rod is, they're still sleeping in separate bedrooms. Minnie says woman have ways and she should try to get intimate knowing that at least he isn't impotent. Isa shies away from the idea saying she couldn't handle another major rejection. Minnie tells Isa to cheer up that Grammy Pilar has agreed to buy an apartment in the city in order to encourage Rod to stay a while there. Isa is thrilled at the idea of getting him away from the hacienda.

Aaron is losing patience with Minnie. He is actually furious to realize that Minnie is not keeping her end of the baby-bargain they'd made when they got engaged. She swears to him that the doctor is trying a different fertility treatment which should work to speed things up. (Of course it never occurred to Aaron way back when to get a test to see whether he would be shooting all blanks, did it? The misogynistic meathead.....) He tells her the current gynocologist is useless and to change him. Then he warns her that she has only 2 months left to get pregnant.

Gavi still has daydreams about Rod, this time at school.

Dani calls Rod and they talk about his still not hearing from Gavi and not being able to find her. Dani believes a love like theirs deserves to be lived. He cannot understand why Gavi hadn't even attempted to contact him in all this time. Dani tells him what can he expect? A respectable woman is insulted when she is offered houses and money like that. He insists he was going to tell her he was getting a divorce, but she split. Dani tells him that's all in the past. Now he must be patient because she will come back and everything will be cleared up.

Gavi comes home and tells Clarita that Max has asked her to date him. He's declared he's serious about her, is single and.... the whole nine yards. However, she explains she's been burned once and is not interested in the least. Clarita pretty much tells her in her quaint little way that this is not healthy thinking, and that all things considered, Max is a pretty good catch. Gavi says no. She has developed a real aversion to men now and refuses to even consider another relationship, ever. Clarita just looks frustrated with her daughter. (As Rosanne Rosannadanna would say, "Oh well. Never mind.")

Isa runs into Rod's bedroom to give him the "great news" about the apartment in Mexico City. He says that it would be nice for her to get back to the city ahead to see her family, but he has no intention of going till the board meeting. He starts to leave the bedroom but Isa calls him back and asks for a kiss. He kisses her hand awkwardly. Isa grabs him and then kisses him on his mouth. She's waited for months to have him. Rod immediately rejects it and her. "Get away from me!"


He is put off and reminds Isa that they had an agreement. Isa simply cannot believe he's still able to resist her like this. (Me, either. I felt sure he'd go down for the count.) She gets angry and screams why if he can do it with the other woman he cannot manage to do it with her? He feels rotten that she is suffering so much, but he cannot change the way he feels.

She tells him to put himself in her place. She loves him. When she says they cannot continue living like this he tells her the only way to solve things is for him to leave the hacienda. She suddenly changes tactics and tells him she loves him but will accept their contract despite his love for another, as long as he'll stay. She begs him on her knees not to abandon her. He falls for her act and gives in. Isa thinks to herself, "You fell for it. I will become your shadow and this Gaviota will never be able to get near you again."

In Mexico city Gavi lies awake in bed thinking of Rod's kissing her in the agave field that first night. She knows she ought not to be thinking about him like this. She figures about now he and his wife are probably happily married and expecting a child, a child which she was unable to give him.


The next morning Isa tells SanJuana that if this Gaviota shows up back at the ranch she is to tell her immediately. SJ is only too happy to oblige.

Rod is back in the agave fields remembering Gavi and hoping one day they'll have children running happily through these fields. He then prays that the Good Lord will send her back to him some day.

Gavi buys a television and a sewing maching for her mother on time payments for a year. She tries later to ask Flavia for an advance or a non-interest loan so she can pay them off sooner than 12 months. Flavia laughs in her face and says nothin' doin'.

About this time, that pesky guest, Ol' Stretch De la Garza from up Duranguese-way, calls the desk complaining that his t.v. remote is broken. Gavi goes up to exchange it with a new one. He comes to the door in his bathrobe (eewww!) and pretends he can't find the broken one required to exchange it. She is definitely uncomfortable (if not actually repulsed) at this pot-bellied and bow-legged sight and tries to avert her eyes. He says he is harmless and she needs to help him look for it as it is somewhere in the room. (Danger! Danger, Will Robinson!)

Gavi is wary and pointedly leaves the door open while she enters and starts searching around for it. Ol' Stretch suddenly slams the room door shut and immediately rushes towards her. He grabs her and tries forcibly to kiss her. She begins screaming for help.





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Acorralada #63 Wed 4/11/07 Highlight reel

The group gathers at Emilio's apartment. Rene juggles Paola's silver shoes. Paola has finished her St. Vitus dance. Paola was jumping on the couch like Tom Cruise on Oprah. Yolanda asks if she's stoned.

At the mansion, everyone waits to hear from the police about the missing Diana. The genius chipmunk wonders if the kidnappers are strangers or friends of Diana's.

Nurse Diana is caring for her cellmate Debora. They are now best friends. She calls for another injection to reduce the fever. Debora thinks they will be left to die slowly, but Diana says they'll escape.

Granny DS and Gaby are getting ready to pray for Diana. Granny has a new costume: A gigantic magenta shirt, a yellow hat and a large white tie with multicolored polka dots. Granny looks like the egg lady in Pink Flamingos. Anyone notice that after her almost wedding, Gaby suddenly acquired a new hairdo--much shorter and with blond highlights?

At the hospital, Pancho and Caramelo and Lala discuss whether he will go to prison for his bigamy. Caramelo says she's crazy in love and wants to give him another chance.

Bruno and Marfil rehash. Marfil is going over to the Little Prison that Could. Bruno engages in another round of Guess Who's the Twin?

Caramelo and Pancho rehash some more. She cries a lot. Lala is sorry to see her own son act like a piece of basuro.

Gaby and Kiki discuss his new acting career.
He wants to help with the Diana hunt.

Back in Key West, the new Mr. and Mrs. Paco are on the beach. Octavia wears a skimpy black bikini with white trim that nicely complements her immobile facial features. He wants to go home, but she pleads that it's their honeymoon.

At Psycho Mansion, Max arrives wearing his newest costume. For those of you who have noticed, along with me, that Max often matches Granny DS, he is wearing a magenta shirt with a black tailored vest and pants. He could be a waiter at a local Cuban restaurant, and given his latest employment prospects, he should probably look for such a job. Or maybe he is going to try to get a Gold in men's figure skating. I think Brian Boitano had a costume like this in 1988.
Gaviota wants no part of Max, but he says that they must put their differences aside. Diego tries to throw him out.

Back at the Little Prison, Marfil comes in and asks where Iggy and Andres are. At this point, you are really wondering why the prisoners can't hear everything through the wall. Isabel dons her mask and goes into the room. Diana wants Debora taken to the hospital. Marfil says she wants Max. Diana swears she won't come between them. She only wants to get back to her son.

Max wonders whether Iggy and Marfil have teamed up, as they have reason to hate Diana. Nah, he figures, she's not that desperate.

At the Carcelito, more posturing.

Gaviota calls Paco's cell phone fruitlessly again. She needs him because of the kidnapping.

Granny M is still in her Queen Mum suit, sans hat. She's comforting Gaviota, who realizes that her revenge plans may have resulted in her daughter's peril.

Caramelo wants to go home with Pancho. But Paola will be there, Lala explains. Good going, mom!

Nancy talks to Diego. It's not clear who she wants to help here, as she really wants Diego for herself. Diego swears he wants to get out of that blasted wheelchair.

At the little prison, Diana and Debora now see a brilliant plan for escape. They find some cigarettes and matches and decide to start a fire.

More boring talk between Kiki and Gaby.

Max and Marfil fight about the usual stuff.

At the Carcelito, they start the fire.

Lala and Pancho arrive home. Paola is there and becomes very upset. She launches into a bout of histrionics, you deceived me, etc.

At the Carcelito, Isabel has to open the door and put out the fire, Diana runs out, and Andres sees her.

Larry tries to get Gaby to go to Venezuela again. (The idea of going to Venezuela makes no sense for these Americans, except for the fact that a Venezuelan company makes this show.) He says that Kiki is trash, but she doesn't want to hear it.

Octavia is still trying to prevent Paco from leaving Key West. She feigns a faint.

Andres catches up with Diana on the beach and punches her.

Max gets a call from Isabel saying she knows where Diana is. He demands to know where, and she says she'll tell him for a price. That Isabel works all sides. Marfil comes in, so Isabel has to hang up before revealing her price.

Octavia still plays dizzy. Paco goes to get her a drink, and she thought bubbles about what a fool he was to fall for her tears and fake dizzy spell.

Andres takes off his mask, and Diana wakes up, seeing his identity. (We can see that they're about a half a mile from a bunch of high-rise buildings. Evidently this remote prison is conveniently located near downtown Miami.) Now she'll have to die, he says. But of course it's not before he takes about ten minutes to explain the whole boring plot while she has time to devise an escape. Duh. (Roger Ebert and Gene Siskel call this the Fallacy of the Talking Killer. It's one of their list of famous movie cliches.) Diana looks scared as the credits roll. This is a stretch for this actress.

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Duelo (mostly) Vocabulary Words Part 2

Here is the second installment of the vocabulary words and phrases that the Duelo recappers have been writing down. The list also includes a few words and phrases from other telenovela recaps. If I have forgotten any choice phrases or words from any of the telenovelas let me know and I'll add them to the list. Also, if I have misspelled anything please let me know and I will correct it. I hope you find this helpful or at least interesting. There are some real doozies this time around.

The first list can be found here or in the sidebar under the "Vocabulary" heading.


aguja en un pajar = needle in a haystack
alambrada - (barbed) wire fence
alcahueta = snitch, gossip-monger
amante = lover arisco/a = surly, wild
arrepentido = remorseful, repentant
asesino/a = murderer
asqueroso/o = sickening, disgusting
babearse = dribble, drool, slobber on oneself
bizca = cross-eyed
calidad = quality
caporal = crew chief (foreman)
cascas ligeras = woman who goes with a lot of guys, hooker (Literal – pony that tiptoes around.)
cazador – hunter
Celotipia = pathological jealousy
chinita = kinky hair
(Se me ponga la piel chinita de susto = She’s scaring me and making my hair go all kinky/stand on end.)
cobija = blanket
cofre = chest, coffer
concubina del infierno = concubine from hell
condenar = to condemn
correr = kick out, to run
criatura - creature, child
cualquiera - any, or whatever/floozy
damnificados = victims
de fiar = trustworthy
deprimido = depressed
enclenque = weakling
estafar = swindle
estorbo = nuisance
farsante = fake, imposter, fraud
fogata - fire, bonfire
gritos desgarradores = gut wrenching screams
grosero = rude, foul-mouthed, a rude person
guarapo = juice made from sugar canes
hacer cosquillas = to tickle
Hay gato encerrado. = Something's fishy. (Literal - There is a locked up cat.)
huéspedes = guests
hocico = snout
(abrir el hocico = to open one's big fat mouth)
ingenio = wit, talent, inventiveness
jornalera = common worker/laborer
jugar chueco = to play crooked, dishonest
Le caló? = Did it hit a raw nerve?--Did it bother you?
lengua = tongue
malagradecido = ungrateful, unappreciative
Me caes como higado encebollado = You make me want to puke. (literal - you're doing that liver and onions thing to me.)
Me das asco. = You disgust me.
Me hizo suyo - He made me his, which in novela speak means sex and more sex.
mendigo/a = pauper
mosquita muerta = little dead fly
muerto de hambre – starving
Otra vez, la burra al trigo = Same old s**t (literal - once again the donkey goes to the wheat)
paliacate = big old checkered scarf or wrap
parque = munitions
pelarse = to split, literally to "peel oneself"
Perro que ladra no muerde = The dog that growls doesn't bit.
Que mala pata. = What bad luck.
rastro - trail, trace
recadito = little message
rechazar = to reject
rostro = face
rejego/a = pigheaded
santo y seña = all the details, the whole enchilada, chapter and verse
SESID = Sierra Escondida Stupid Idiot Disease
sobar = handle, suck up to
supuesto = supposed
terco = stubborn, obstinate
seguramente = surely, without a doubt
tinieblas = darkness
todidita = completely
trago = a drink, shot, or swig
tranquilo = calm
usada = used
Venganza es un plato que se sirve frio. = Revenge is a dish best served cold.
vulgar = common

Just for Gaspar:
cuerpazo = studly man
Me gustaría un tequila antes que yo vaya ver la hada. = I would like a tequila before I go to see the fairy.
Te gustaría ver mi hada? - Would you like to see my fairy?
Vino a hablar con la hada de la Cueva del Diablo. = I’ve come to talk to the fairy of the Devil’s Cave.

Just for Thelma:
caperucita negra = little black riding hood
hiena = hyena
loba = she-wolf
rabiosa/o = rabid
víbora = viper
La vieja me condenará. = the bitch will blame me.
Maldita faja! = Damn girdle!

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