Caray, Caray!

We start off with Olga helping Marichuy and Cande bring there things in. Cande tells her not to tell anyone that they are back.

The housekeeper tells Patricio that Ceci and Estephania came back from there trip and that Ceci is devastated. Patricio asks Ceci how it went and she tells him that they did not find her.

Onelia says out loud that the trial for the murderer starts tomorrow. JM asks Onelia if she has talked to the authorities regarding there accusations about Viv. She does not want to talk about it. She tells JM that as of today they will be on opposite sides.

Cande is making breakfast and Marichuy tells her that she has things to do today. She will be going to see JM.

Ceci blames Estephania for missing Marichuy before she left.

Leopard goes up to Marichuy’s room sadden by her sudden departure. Oh, no she forgot her damn bird! He grabs and starts talking to the bird and says something about a bird and how they fly or something like that. He sheds a tear.

Patricio defends Estephania that she is not to blame for missing that girl. Ceci tells him it’s not that girl but our daughter. She starts recalling events of the previous day and remembers that she crossed paths with her while she was leaving and they were arriving. She gets hysterical and he tries to calm her down.

Marichuy is walking towards the house with a bounce in her step. Mayita is playing by the fountain with a baby. Marichuy calls out to her. She goes running to greet her and asks her about her brother that she promised to bring her. Marichuy tells her later and asks where JM is.

Estephania is walking down the street talking to Isa on the phone regarding what happened the day before. She tells her that they just missed Marichuy and that the whole way back she had to hear her cry. They were told that Marichuy left the hacienda forever. Isa says that Ceci will never find her again and she must be crying buckets. Isa is too happy about this. Estephania thinks that she may know where she is.

Mayita tells Marichuy that her dad left. Marichuy wants to know where, but Mayita does not know.

Leopard yells out to Micaela to get his bags ready because he is leaving to go find Marichuy (Lirio).

Marichuy and Mayita go sit in the living room. She asks Marichuy again about the baby she promised to bring her. She tells Mayita that she will complete her promise. Mayita tells Marichuy that someone in her school told her that her mother is dead. She knows it’s a lie like the other time when they told her that her mom was dead and then she came back. Also that her nanny left too. She asks Marichuy if she will return to live with her. Marichuy tells her that she does not know, but will be waiting for JM.

Cosme tells Leopard that he is wasting his time looking for Marichuy (Lirio). Leopard does not care he will not just cross his arms and do nothing. He doesn’t understand. They were going to be married. He was so happy and now in such pain worse then before. When he finds her he will demand an explanation. He will move heaven and earth to find her.

Back at JM’s house Estephania asks Balbina where Marichuy is. Balbina is confused, but hears laughter in the living room and goes in. She sees Marichuy and says “I knew it”. She was sure that Marichuy would return. Yes, I have responds Marichuy, and what’s it too you. Estephania asks her what her intentions are. Marichuy tells her that it’ none of her concern. Estephania tells her that she is the same naca as before and has not changed. Mayita sticks up for her and tells Estephania that she has changed. Marichuy tells her that she has changed inside and is now a woman. She tells Mayita to go to her room and play with the baby for awhile. Before Mayita leaves the room she gives Estephania a dirty look. Marichuy tells Estephania what do you have to say to me?

The lawyer is talking with JM about the case. Blanca sees JM thru the bars.

Estephania asks why she came. Marichuy tells her that she found out that Viv was dead. Estephania tells her you think there is room for you now? Because now there is another. Marichuy tells her that if she is trying to scare her off she is wasting her time. Estephania tells her that she thinks she knows everything but does not. Marichuy tells her that she knows JM is going thru a lot, that he is alone and that I care for him. That is why I am here. Estephania tells her that there are definitely things that she does not know. She is going to tell her everything.

JM asks the lawyer if he can get close to Blanca. The lawyer thinks that it is not a good idea. JM wants to find out immediately after what happens and will be waiting for the attorney.

Marichuy tells Estephania that she does not believe her. She is not the old Marichuy who believed all her lies. Estephania asks her why she is defending JM. Do you not remember what he did to that night? Marichuy says that is in the past and she has forgiven him. Estephania tells her that JM is waiting for Blanca to get out of jail so that they can marry.

Mayita tells Abuela that Marichuy has returned.

Marichuy tells Estephania that she is lying. She will wait until he returns. Estephania then says that JM will be kicking her out again like he did before. She then asks why she left the hacienda since the owner was crazy about her and the baby. Marichuy says how do you know that when no one else does. She then says that it must have been Amador. Estephania tells her that it does not matter. She now knows the truth.

Back at the hacienda Micaela is packing Leopard’s bag. She asks him how long he plans to be gone. He says I don’t know, but I will not be returning until I find her. (here’s a thought. why don’t you ask PA) I have no idea where to look for her, but she has to reappear. Micaela thinks to herself that he will never find out if he uses the name Lirio. But she cannot tell him anything.

Balbina tells Rocio that Estephania is in the living room talking with Marichuy. Rocio runs in the room and greets Marichuy warmly and tells her that she missed her immensely. She wants to know how she is. Marichuy tells her that she found out what has been going on and believes that JM is innocent. Rocio tells her that Blanca was the one to kill Viv and that JM said he did it to protect her.

In the courtroom the judge reads the charges while Onelia tears up. The prosecutor asks Blanca is she is pleading innocent or guilty. She pleads innocent.

JM is thinking about Marichuy and wonders who she will be marrying.

Micaela is having a full conversation in her head about the difficult dilemma in regards to staying quiet or telling Leopard that truth.

Rocio tells Marichuy the truth about Blanca and what has happened. Marichuy asks if there is something between JM and Blanca. Rocio tells her that they are engaged. Estephania is like “I told you!” Rocio tells her that Blanca is a very nice person and asks her about her upcoming marriage. If she is married yet. Marichuy tells her no.

Micaela could not tell Leopard the truth about Marichuy (Lirio).

Rocio tells Marichuy that she hopes she will be happy in her marriage and thought that she would never see her again. Rocio lets slip out that Viv was pregnant when she was killed and Marichuy says what? She was going to be a mother again. Yes, responds Rocio but Blanca is not at fault. I will tell you that part of the story another day. Blanca is sick and that is why JM is defending her. Today the trial starts and JM is there.

JM is thinking about Marichuy. He says that she is fair away and that he has lost her forever.

Rocio asks Marichuy if she is okay. Marichuy gets up quickly and says that she has to go. She runs out of the room. Estephania runs after her and asks her what she plans to do. Are you returning to the hacienda? Marichuy tells her that she does not have to explain what she is going to do. Estephania tells her that she feels sorry for her. Marichuy tells her that I do not need your pity. Estephania drives in that JM does not need or wants her and to return to the hacienda. Marichuy runs off.

Marichuy returns home and tells Cande that JM was not home when she asks if she saw him.
Marichuy starts crying and says that JM does not care for her, but another. Who, asks Cande. Marichuy informs her it’s the woman that killed Viv.

Estephania tells Isa that Marichuy is back.

Marichuy tells Cande everything that she found out. Cande scolds her and says that you should not have left the hacienda or Leopard and that we should return immediately. PA does not even know we are here. Do you want me to tell him? Marichuy does not want PA to know because she does not want to get scolded by him.

Patricio asks JM why he is sitting outside. JM tells him that Onelia is in there and he does not want to be with her. Patricio says that he would have been here sooner, but Ceci was upset. Why, asks JM. Because she went to look for…..

Cande tells Marichuy that she is going to get a taxi to return, but Marichuy stops her. She tells Cande that we cannot make rash decisions. Cande reminds her that when she read the paper she immediately decided to return. And see where that got me responds Marichuy.
Ceci is in her room wondering where Marichuy is. She thinks that maybe Marichuy went back home and decides to leave now to find her.

Tomorrow: Mayita tells Onelia that Marichuy is back.

Labels: Cuidado

Eduardo Juárez Cruz / Franco Santoro - Fernando Colunga is a happy, noble boy, of profound sentiments, who adores his mother. His father died when Eduardo was 6 years old, from him Eduardo inherited his love of animals and respect for nature. He is a dreamer, but his love for Fernanda is solid as a rock. Even though Barbara's malice will separate them for years, when he sees her again he realizes his love is intact and he will fight for Fernanda and for justice.

Fernanda Elizalde Rivera - Silvia Navarro - beautiful, sweet, generous, of strong convictions, without social prejudice and worried for other people. Her innocent heart suffers a great blow when she is separated from Eduardo and, a little while later, when her mother dies. Her positive attitude helps her recover from her losses. When she groes up and works in the family business, she wants to open a center of handicraft activities (aha! Gewgaws R Us!) for her community.

Bárbara Greco / Rebeca Sánchez - Lucero is a beautiful and intelligent, but also perverse and manipulative, woman, who will do anything to succeed in her intentions. A childhood full of blows and abuse deformed her soul, and her way out was to assassinate her parents. Years later, under the name of Barbara Greco, she gets a job in the Gonzalo businesses in order to destroy the Elizalde family on Artemio's orders.

Gonzalo Elizalde - Rogelio Guerra is a rich hacienda owner and owns an important dairy business. An educated, honest, hardworking and responsible man, goodnatured and kind, easily manipulated by emotional blackmail. When he becomes a widow, he marries his assistant Barbara, whom he trusts blindly. He is considered a fortunate and happy man.

Monserrat Rivera de Elizalde - Erika Buenfil - beautiful, distinguished and traditional, with strong religious and moral principles that she promotes in her children. She is a classist and keeps her distance from the serving class. Her children are at difficult ages and she cannot communicate with them. She resents Soledad, the housekeeper, who better understands Santiago, Fernanda and Liliana, and has gained their affection and respect.

Damián Gallardo - Sergio Sendel is Fernanda's fiance. [And our favorite cellphone hurler.] A social climber allied with Barbara, who hires him to work in the business as Finance Director. He woos Fernanda on Barbara's instructions, and gets her to accept his wedding proposal. He left his home when he was of age because he was sick of his overprotective mother, Ursula.

Soledad Cruz - María Rojo is Eduardo's mother, and her son is the world to her. Widowed after just a few years of marriage, she dedicated herself to caring for the Elizondo children. When Barbara arrives, Don Gonzalo cedes the important decisions in the home and the business to her little by little. Soledad confronts the new assistant when she notices her viciousness. Barbara dedicates herself to nullifying Soledad, separating her from her son for many years and threatening to kill him.

Liliana Elizalde - Dominika Paleta - of strong convictions and noble sentiments, she is frank and direct, she hates hypocrisy. She is a vivacious, rebellious teenager. She is her mother's headache and her father's joy. She loves Soledad and Eduardo very much and protects her little sister Fernanda. Her life goes to pieces when Barbara frames her for the assassination of Monserrat and she spends years hidden in a psychiatric clinic.

Labels: manana, synopsis-cast

More making-out with passed-out persons. Nice. Juan wakes up and is insistent to go get the girls to protect them. Sofia and he argue about who gets to protect the girls.

“Hello Padre. Let me emphasize my ass in your face. Let me curve my back over the couch for you. Let me stretch my arms to the ceiling, giving you the false appearance of double E’s.” No, no. I have come to combat evil, and if that means only half pretending to see you air hump me, we will consider my fledgling self-restraint a success. Apparently Rooty has information which can save Gramps. Salvation and repentance are not sexy, Paddy. She only ruins marriages, not fix them. Seeing that her seductive minutes are numbered, she goes for the “let me lie down and expose myself to you” in a desperate attempt, but PadTad can barely interpret his own feelings, let alone the ultra-mixed signals of an overage, oversexed societal reject.

Speaking of unstable “marriages,” Juan is explaining to Sofia that he never wanted sex with who’s-her-face, it just happened because “they” drugged him. “Ah, I see. I’m confused. That’s why I’m going to make a decision that will change our lives.” Or not really…

Whattayaknow, Jimena still hasn’t flown the coup, and I thought for sure Tijuana was gonna be her big break…

God, what is this? Everyone is having a shitty day around here. Sarita, barer of all things shitty, tells Oscar, who from this point forward will be eternalized as “Cheney” that Jimena is “leaving.” How he didn’t see this from his ever-contemplative state, I don’t know. He wheels away in fury…

I still have no idea who this chick with the painted scar is, but we will call her Shelly. Shelly tells Raquel to face her fears and face her husband. Face…tehe…

Cheney begs Jimena to come back, but she’s nearly made it out the door, and she’s never looking back. He loves her, but she doesn’t know if she loves him. They hold hands.

Gabi tells Hubby that she doesn’t trust anyone around here, not even her own newly-found daughter, Root. Who is “probably getting it on with you [Fernie].” She’s so quick, that one.

Juan is still paranoid that the daughters aren’t safe at the compound. It’s breeding season, after all. Still, he’s content that Sofia “understands” why he was caught with Root. Oscar is sad about Jimena’s slow but sure departure. When he needs them most, the bros. tell him to forget about her because he was a prick from the onset. So he does what they say and decides to fidget with the combination on Fernie’s safe.

Sofia is caught praying in PadTad’s chambers. I always wonder why all the main characters never pray where the normal heathens pray. “Now more than ever,” her kids need a babysitter, and her mother is evil. What should she do? “God is good, child. Honor your mother and father. But it is also written, father: don’t provoke your children.” Does it really say that? Just then he goes of on a preaching rant about parents who are only interested in themselves are evil, and the children are good. So, you’re saying that me hating my mother is perfectly godly? Yes, child, it is.

The nuns are itching to go home and take care of the children. I feel a musical coming on.
Shelly has come to see Gabi. She wants Sofia to know that Gabi isn’t her mother. How sad are you when you hit a blind crippled Scarface? Why is it that the scar changes form and location with every scene? She’s insistent to leave. Oh, her name’s Soledad, Shelly for short.

So even though it makes her an even bigger hypocrite, Sofia’s going ahead with the DNA testing per the attorney’s recommendation. *Putting on my legal/fiscal hat* Never do wills, do trusts. Never leave assets to your children with clauses like “have an heiress on the third moon of the summer solstice then lose it at a waterfall. Taking off hat…

So, naturally, like narcotic/human trafficker father, like narcotic/human trafficker son, Coyote is the “son” of Ricky Uribe. Shelly urges Coyote to accept this and move on. He can’t. So now, like some of the other lost characters, he has telenovela dreams of vengeances, but amateur film abilities of realizing them.

After understanding that DNA was a blood test and not a code for “I killed your sister,” Juan agrees to test the orphans. So will they brand the real kid or what? I won’t even mention how this would never happen in our childcare system. Well, after what was probably the only test Juan ever passed, he gets the results and pulls his crippled brother out of bed by his dead legs and takes him to the bus station. It wasn’t good enough, though. Eva actually had to restrain him in the wheel chair. Something similar happened earlier today when they told Cheney about Guantanamo…

While her parents are arguing about marrying for love or money, Root comes in and blames them for her messed up life. Somebody’s been watching Jenny Jones again… She heads for the bars, while Coyote aims his gun at her. She stands a better chance of crashing into an exploding tree… oh, wait, that already happened.

Not surprisingly, Jimena never made it out of town, and “forgot” something back at the ranch. She accidently kisses Cheney.

Tomorrow: Sofia is “this close” to telling everyone about Root and Fernie. Oh yeah, you all have two days to get out, because I’m now the owner of everything. Root’s going to pay big-time for her adventures.

*Kiddies, I'm exhausted. I'm in over my head with school, and as much as I love you, I can't do this anymore. So, I will do my best to finish my days with FELS, but when it's done, I'm done. Thanks.

Labels: Fuego

Here are two different versions I found on line.

Fernanda is the youngest daughter of Gonzalo Elizalde, owner of a hacienda and proprietor of an important milk product business, and Eduardo is the son of Soledad, housekeeper to the family Elizalde. The two children grew up together, united by an innocent and loyal love, despite the difference between their social classes.

Gonzalo lives happily with his wife Monserrat and his five children, without suspecting that an implacable enemy lies in wait. Artemio Bravo (Gonzalo's half-brother) feels an intense and bitter hatred toward Gonzalo; it has corroded his mind, and his only aim in life is to destroy the entire Elizalde family slowly and sadly. To achieve this he will use an unscrupulous young woman who arrives at the Gonzala business under the name Barbara Greco. Her intelligence makes a good impression on Gonzalo, who hires her as his personal assitant. little by little, with great cunning, Barbara succeeds in gaining his complete confidence.

Barbara's first victims are Fernanda and Eduardo, whom she discovers in a tender kiss. With a subtle, venomous tongue, Barbara convinces Monserrat that Eduardo is a danger for the girl, and the boy is sent to boarding school in the city. The children's letters come into Soledad's hands and she, with much sadness, decides they will not reach their destination. This makes Fernanda feel that Eduardo has forgotten her...

Gonzalo, Fernanda's father, has never been concerned with class differences, but his wife Monserrat energetically rejects this friendship, given that Eduardo is the son of a hacienda employee.

Eduardo gives Fernanda a charm with his initials FE, as a symbol of his strong sentiment. The youngsters have marvelous moments meeting in secret, until the moment they are unfortunately discovered by Barbara (personal assistant of Don Gonzalo), whose wickedness insures the two will be separated for many years.

When the couple meets again, their sentiments are intact, but she doesn't realize that this man, who worries her, is her great love.

Labels: manana, synopsis-cast

Some news: It was so obvious that they are only shooting Génesis from the head up that I prowled around on the TW site until I found the reason - Génesis broke her shoulder.
There was also the rumor that the novela has been extended to 160 episodes, which would take it into March or April. It's definitely running through the end of Feb. Much as I like DB, I think it's time to wrap it up. How long can they drag out the Santos/DB/Marisela thing? IMHO, extending a novela never works.

I've got you beat, novelera, I went to the inauguation on Monday. No ticket. I just stood on the mall near the Washington Monument but I wanted to be a part of history and standing around with two million 'blissed out,' to use Maureen Dowd's term, people was great. The cold was not a problem for me. I have lots of cold weather gear for birdwatching but my feet hurt and still do!

Back to the Arauca-
Not surprisingly, the payback that DB demanded of Marisela is that she refuse the gift of the hacienda. Marisela says that she wants to go far away from here. Santos asks why she changed her mind and Marisela asks him to just respect her decision. Santos won't give up. He wants a reason. We can see Marisela thinking and then she tells him that La Barquereña doesn't exist. DB turned it into El Miedo and her influence is in every corner. Marisela says that she doesn't want anything DB has touched.

Leaving Altamire, DB tells Melquíades that there is a little problem - Lorenzo refuses to return the property transfer document to DB. DB says that she is sure Marisela will keep her promise.

Lorenzo is sure that DB is behind Marisela's decision. Santos returns and Cecilia tells them both that she thinks she knows what happened. A few days ago, DB came to Altamira and spoke to Marisela. Since then, she has been very sad and withdrawn.

Those who are invited to Marisela's birthday party rub it into the faces of those not invited: Mujiquita to Pernalete; Eustaquia to DB.

Santos accuses DB of doing something to keep Marisela from signing the document. He asks what she told Marisela during their conversation. DB denies having a conversation with Marisela and suggests that Marisela is capricious and probably wants to go off somewhere with Gonzalo. While Marisela avoids looking Lorenzo in the eyes and telling him a lie, DB has no problem swearing to Santos that she had nothing to do with Marisela changing her mind about accepting the gift of the hacienda.

Santos admires Marisela in her party outfit and says that he wants to be friends with her like they were before. "My poor Santos," says Marisela, "always thinking about the wellbeing of others, always concerned about everything. You fought so hard to get that woman to give me the hacienda." Santos reminds Marisela that the woman she is referring to is her mother. Marisela says that she will never call her that. Marisela says that DB never changes. Once again, Santos asks Marisela if DB forced her to change her mind about accepting the hacienda. "Why do I have to swear to you about something to do with DB?" says Marisela, "You should believe her above anyone else, including me and if you doubt her, how can you marry her?"

Don Encarnación and Lucía arrive at the party as does Eustaquia with Juan Primito. Juan Primito has his hair all slicked down but is wearing the same overalls as always. I guess he has a new shirt.

DB doesn't like being left alone and considers crashing Marisela's party.

The rebels arrive at the party is ridiculous diguises.

Marisela comes down to the party and dances with Lorenzo.

María Nieves arrives with Federica and Josefa to make Altagracia jealous. He does some very dirty dancing with Federica to the surprise of Gervasia, Melesio and the priest.
Mujiquita and Dr. Arias get an eyeful when Josefa leans over in her short dress to pick up her fan.

Antonio leaves the party when he sees Cecilia with Lorenzo. Lucía follows him.

Santos dances romantically with Marisela until DB arrives at the party and dances with Santos herself. That makes Marisela start to dance with Gonzalo.

Here, Marisela imagines herself dancing alone with Marisela or is Santos imagining that?

Antonio tells Lucía that he does stupid things when he is drunk. She begs him to take her with him when he leaves with the rebels. He refuses. She kisses him and Cecilia sees them.

When Santos asks Marisela to dance with him again, she refuses to leave Gonzalo saying that he is her boyfriend (novio). Santos is impactado.

Wednesday-

The Mondragons and BP crash Marisela's birthday party. At DB's instructions, they provoke a brawl and after Santos stops it, DB tardily orders them to leave and goes back to El Miedo with them, Eustaquia and Juan Primito. Casilda overhears DB telling Melquíades about the plan so soon everyone at Altamira knows.

Josefa recognizes Gonzalo as a fugitive and is going to blackmail Mujiquita for her silence.

Antonio takes leave of his father. Melesio tells him that when he gets his life straightened out, to please return to Altamira. Melesio says that he won't be around forever.

Lorenzo gives numerous farewells: he tells Marisela how proud he is of her; he thanks Santos for giving him some dignity in his last months; he tells Cecilia how happy he is that they had this time together, and he forgives DB for what she did to him and tells her that she won't win and that while he will die in the bosom of his family, she will die alone.

Lorenzo also makes sure that Cecilia has securely hidden the property transfer document. This is obviously going to be important in the future. All Marisela has to do is sign it and El Miedo belongs to her. He leaves a note for Marisela and tells Cecilia that she will know when to give it to Marisela.

Santos returns from the party to El Miedo and he is angry with DB.

DB manages to cajole him to making love to her, however, during which Santos sees Marisela's face instead of DB's. Even though Santos doesn't say anything, DB understands what happened and is devastated.

Marisela says a final goodnight to Lorenzo.

Cecilia makes Lorenzo sleep next to her in her bed.

DB gets a haunting in the middle of the night presumably when Lorenzo dies. He tells her again that she will die alone. The next morning Cecilia finds Lorenzo dead in her bed.

Labels: barbara

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If you're interested you can click the tiny icon at the bottom of the left column and see our statistics - as of right now, there have actually been more than 607,000 visits because I had to reset the counter in March of 2007. At the moment we average 696 visits per day.

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Melinama

Labels: announcements

Alternate title: Marichuy goes ashore to find her shipwrecked prince.

In the study, Juan Miguel tells Rocío that the detectives think that Viviana shot a man she was involved with and dumped him in the sea, then fled to Madrid. Rocío is shocked and thinks that it may be divine punishment that Viv was also murdered. Juan Miguel thinks that life provides its own punishments and God doesn’t so much bother with it. No deity has any need to bother with punishing Juan Miguel, for sure…he is a master of self-punishing behavior. Anyhoo, Juan Miguel is off to the jail to see Blanca. He and Rocío are hoping to get her out of the pokey and back home with them soon, because Viv’s murder is so last month’s news and they’d like to move on to the next one already. Life’s been getting dull for them with only an attempted murder and devastating heartbreak.

Side note: we never actually see Blanca in this episode, but I hope that JM took her a change of clothes. It pains me to see her in that flimsy nurse uniform day after day. She’s got to be dying for something fresher and warmer to put on.

Marichuy and Cande discuss the newspaper story. Marichuy refuses to believe that JM conspired to kill Viv.

Stefi drives the car along a country road while Ceci navigates. I don’t think she’s very good at navigating, though, because Stef has to tell her that they’re about 40 km from San Felipe. Ceci voices her plan for what must be the umpteenth time—as soon as they get to town, they will stop at the first business and ask for directions to Hacienda Escondida. I know, I know, says Stef. They stop on a road which is NOT in town (we see a pueblo in the distance) and Ceci wants to ask some passing farmers in a wagon for directions. Stef tries to block Ceci’s progress by saying those hicks won’t know anything, but Ceci says in a small town people know everything. She asks the men. Escondida? Escondida?, they repeat, as though they’ve never heard of it.

Mari is crying and telling Cande that she must go to see Juan Miguel, and that she still loves him. Cande is all kinds of shocked and rants at Marichuy at length: Are you going to leave Omar? He trusts you and everyone is getting ready for your wedding; he has been so good to you; you are a total ingrate; how can you just stand him up? Marichuy says it’s not just a matter of her feelings, but also that Juan Miguel is Jr.’s dad.

One of the farmers gets off the wagon (but he looks sober enough) and says sure, everyone around here knows that hacienda. He then gives them complicated directions to get there, mentioning the storm damage and the livestock he lost in the floods. He says they won’t be able to miss the hacienda; there’s a big sign. Ceci thanks him and as they get back in the car, Estafa says she doesn’t want to drive her fancy car on bad roads. Ceci’s like, oh shut up, if this car gets ruined Patricio will just buy you another one, even though you are NOT OUR DAUGHTER. She didn’t say that last part out loud.

Onelia yells at Rocío and accuses her and Juan Miguel of inventing the story of the Jamaican boy-toy’s murder just to defame Viviana.

Marichuy tells Cande that she doesn’t think she has the right to deprive her son of knowing his father, and she doesn’t think it’s right to deceive JM either, besides, surely he would find out her lies eventually. So why did you agree to marry Leo?, Cande wants to know. Mari says she’s been turning it over and over in her mind, and she was never sure she was doing the right thing, but she wanted her son to have a home and family and she thought that Juan Miguel already had another one. She begs Cande to understand that, as it turns out, Miguelito can be with his real father. In spite of everything, Juan Miguel is her one twue wuv. The baby looks like he’s thinking hard about all this.

JM tells Ornerylia that the investigators will find out the truth, and soon they will know what happened.

Marichuy says that it pains her to think that she will hurt Leopardo, but when she felt like she was falling in love with him she felt like she was betraying herself at the same time; that’s why she wanted to leave once before. Besides, JM must be suffering also, and needs her now more than ever. There is much more binding Marichuy to JM than to any other man, including Leo—they were married and have a son, and now they will never be separated, ever (which of course means they will). So, let’s get out of here, says Marichuy.

Onelia marches into the study with steam pouring from her ears and flames shooting from her nostrils to tell JM that she’s thought about it and she’s sure he’s just inventing the murder story to make Viv look bad. JM is like, why would I need to invent anything? You know what your daughter was like, and you know exactly what she was capable of. Onelia insists that he is just determined to mar her memory. JM assures her that he is actually working very hard to make sure no one finds out anything about Viv’s escapades, for Mayita’s sake.

Mayita is in TwinkleLand, where Abuela Mariana is telling her and Cuate the story of the little mermaid. In this version, the mermaid saves the handsome prince when he is naufragado (shipwrecked). The mermaid gets a potion from the seawitch to get legs because they’re so in luurve, and finds her prince on shore, but granny says it’s late so we have to wait for another time to find out whether they get married and live happily ever after.

JM says eventually the truth will come out, and everyone will know Blanca=good and Viv=bad. Onelia says Viv had lots of friends who will vouch for her angelic character. JM thinks the police will disagree. He gives Onelia the detectives’ phone number.

A taxi has arrived at the hacienda. Marichuy is all packed and saying goodbye to her bird. Marichuy thanks Micaela for everything and asks her to ask Omar to forgive and forget her. It’s a tearfest all around. She begs Mica not to tell Leo who she really is, and Mica agrees. Cande says they’ll write and call, and Marichuy takes a long teary look at the hacienda before getting into the taxi. They drive away. Mica cries some more.

Stef and Ceci seem to have gotten lost. Stef of course wants to give up, but Ceci sees a field wall that the farmer mentioned, and tells Stef to go that way, where the taxi is exiting. They pass the taxi taking Marichuy away.

Leo is in another taxi, excited to be arriving home because he’s getting married and they’re going to be so happy. His taxi passes the other taxi. That is a really nice section of pavered road that they all seem to be going back and forth on which makes no sense directionwise.

Ceci and Stef arrive at the hacienda and Mica tells them that Omar Contreras is not at home. We’re not actually looking for him; we’re looking for Marichuy, says Ceci. Mica is impactada. Does she know that Lirio’s real name is Marichuy? I forget.

Onelia begins to wonder whether Viviana really did kill someone. She calls the detectives.

Ceci tells Mica that she is Marichuy’s mother. Mica is impactada again. She asks whether her brother Padre Anselmo sent them. Ceci is delighted that they’ve found the right place and says she wants to see Marichuy. Mica says you’ve missed her; they just left fifteen minutes ago. And they’re not coming back ever.

Isabela calls Martirio, who reports that Stef and Ceci should have arrived at the hacienda by now, but she doesn’t know what’s happened. Isa worries that if they bring that guacha back with them it will just cause problems for her and Stef, but have no fear, she will find a way to get between Ceci and Marichuy.

Mica doesn’t know where Marichuy has gone, so Stef and Ceci leave. Leo arrives as they are getting into the car, and he asks Mica who the ladies are. She doesn’t answer, so he asks why she’s crying. Where’s Lirio?, he yells frantically, and she tells him that she’s gone. Poor Leo is muy, pero muy impactadisimo. Then he thinks it’s a mean joke, but Mica would never joke like that. Leo runs to the bedroom and sees that they really are gone, but left the bird.

Ceci cries in the car, devastated to have missed seeing Marichuy again. Stefi is totally sympathetic, all “oh well! Maybe next time!” She says she’s sorry, not bothering to sound the least bit sorry. Ceci says she’s lost all hope.

A bus with a very wide aisle, in which a guy is standing and playing guitar, ambles down the road past the cows. Marichuy, Cande, and Miguelito sit in the back and Cande worries about what is going to happen to them. Marichuy doesn’t think she’s very helpful.

Onelia is still telling herself that Viviana may not have declined to amedrentar (frighten), but she couldn’t have killed anyone. She is saying it much more quietly and with much less conviction, though.

Mica tells Leo that she doesn’t know why Liriochuy left or where she went, so will he please stop asking? He tells her to find the taxi driver.

Marichuy and Cande are dragging their numerous belongings through the old neighborhood with a great deal of difficulty. It must be very late, because no one is out and about to help them. Finally Olga sees them and welcomes them warmly and helps with the stuff. Cande is happy to be home.

The taxi driver reports that he took the ladies to the bus station in town, but he doesn’t know what bus they took. The only things he heard them say were “thank you” and “goodbye.” Why doesn’t she want me to know where she went?, Leo laments.

Olga is doubly surprised and delighted to find that Marichuy has a baby. She invites them in for dinner. Cande says they’ve already eaten, but she could eat again. They haul all the stuff up the stairs. That baby basket stand does not look sturdy. They enter the dusty old apartment, and ask Olga not to tell anyone they’ve returned, because they’re tired and don’t want to explain to everyone at this hour. Olga says she won’t say a word. Marichuy says that, being back there, it’s like no time has passed, except she left with her heart broken and her arms empty, and now she’s happy with her baby. The rosy pink lighting tells us it’s nice for them to be back.

Avances: Leo says he’s going to find Marichuy. Marichuy goes to see Juan Miguel and Mayita.

Labels: Cuidado

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Labels: index

Hello friends, this is the second of my four stand-in-for-Cheryl Tuesdays.

We start with: Coyote thinking murderous, vengeful thoughts towards Gabriela while she thinks amorous and trusting thoughts towards him; Soledad begging Juan to protect her son Coyote from those murderous, vengeful thoughts of his; a quick recap of the entire Fuego storyline; Franco and Sarita kissy and hijinxy while he complains that her sisters are stubborn.

Oscar, doing his floor exercises, suddenly can move all his toes. "I will walk again! I'll surprise Ximena!"

Ximena is going to rent a car or get train tickets or something to leave town. Darth Ricky watches and decides she'll be his first victim. X shows Sara her ticket, is determined to leave and not give Oscar another chance. Sara proposes she spend her last night at the hacienda, but Ximena doesn't want a fight with mom, she'll come by in the morning for her things.

In the marketplace, Quintina is selling bread with a side of singing thrown in for free. She and Hortensia have a little squabble. The tiny uncle sings a nice song about pigs/riffraff (I didn't get much of it - can somebody post it?) and there's dancing.

In the hacienda, Juan and Sofia commence almost tearing their daughters limb from limb, fighting over who will give them baths. Finally, Juan leads a procession up the stairs - each toddler in the arms of one of the mute rent-a-nuns.

At the bottom of the stairs, Root appears; she and Sofia glare at each other, and Sofia, despite the fact she doesn't give Juan the time of day these days, smugly informs Root: "Every day he is closer to me and farther from you." "You'll pay - your girls first" is Root's malevolent thought-bubble in response.

After bedtime, Juan and Sofia glare at each other in the hallway and say goodnight over and over. He grabs a kiss. She pouts just like my donkey Jethro.

Proof this story does not take place on our planet - I just realized! The full moon every night! On our planet it is not thus.

Anyway, on this particular night the full moon is shadowed for a while, while Ximena tosses in her bed. The clouds part and the moon is bright when Darth Ricky, swathed in black and with a bandanna over his face, sneaks in, grabs her keys, and then tries to rape and/or kill her. Luckily and pluckily she brains him with a hefty crystal vase and he staggers away.

At the very same time, Ruth (whose mischievous outfit tonight is a tied-off shirt, exposed belly button, gloves without fingers, and ridiculous studded chaps) gleefully puts a poisonous snake on the bed of one of the toddlers. Oh! No! Heh heh. She sneaks away...

... but at that very moment, Juan suffers a cramp and realizes the toddlers are in danger! He rushes into their room, grabs the snake (this is at least the second snake in this telenovela) and stamps on it, but it bites him first, so there is general rushing around and Rosendo arrives with the antidote and Juan staggers all over the place wanting to do stuff but he's too dizzy so they put him to bed, where Sarita tells him he's great and that Sofia loves him and the toddlers need him.

Darth Ricky, with a really aching head, staggers off through the night after being brained. A bunch of guys shows up; he knocks a couple of them down but there are lots more, with guns. They point their guns at him. He begs them not to shoot - "Whoever's paying you to do this, I'll pay twice as much! Triple!" - and gets quite hysterical. Coyote calls off his guys ("That's enough for tonight") and they all disappear.

Sofia busts into Gab's room and accuses Furd of the snake-in-toddler-bed trick. He denies it and Gab is indignant etc. and then the exact same scene I got last week: "Mother, why do you hate me so much when I am your own blood?" "Why do I hate you? Do you really want to know?" etc. and they end up in the study in the same positions as last Tuesday, and Gab is again perfectly ready to reveal the sad secret, but this time it is not Soledad but Ximena who disrupts the revelations; she wants to report her night's adventures.

Gab rolls her eyes in profound disinterest as Ximena complains she was nearly violated. Sofia and Sarita are aghast and take their sis away to give her comfort. Ximena tells them her story. Sofia, of course, has to counter with memories of her own, ACTUAL violation and cries a bit before she says, "well it's not about me this time."

Darth continues staggering off through the night and goes to complain to daughter Root about his headache and failed vengeance. He doesn't want a doctor, just some tequila.

Gab stomps off to the bedroom to complain to Furd: "Why didn't you defend me?" but he is not there. She has some uncomfortable flashbacks and decides he's with Ruth and stomps off to find him...

... and Ruth and Furd are, in fact, in bed together ("Let me go," "You know you want it," etc.) having first fought about Ruth's failed snake-bitten-baby vengeance. (Furd: "You failed because you acted alone, get me involved next time.")...

... Gab blows past Root's unconvincing protestations to look in the her bed, but Furd is gone! So Gab goes back to the hacienda...

... and there's Furd in the bed he shares with Gab! He's pretending to be asleep (about as well as I did when I was eight and had just bolted upstairs at the sound of the garage door). I bet he still has his shoes on. Gab yells and accuses him; he makes unconvincing protestations of innocence ("With your DAUGHTER? You think I'm capable of such a thing?") and obediently, after Gab demands: "I must be loved!," puts his rubbery lips on her.

Sofia, still in her supremely ugly purple outfit, sneaks into the room where Juan is sleeping off the snakebite poison. Oh! No! He's burning up with a fever again. This is perhaps his third fever - one in the barn, one in the jungle, and now. Were there others? Poor lad is so susceptible. So Sofia recaps her rape (which we know was committed by Furd, but perhaps she still mostly doesn't suspect...) to the unconscious fellow (just as well, nobody wants to hear it again, wish I was unconscious too) - and kisses his febrile lips.

I missed the scenes from tomorrow, sorry!

Labels: Fuego

Alternate title: What just happened here?

Alternate title 2: Are we there yet?

Alternate title 3: Lotsa talk but not much action.



Oh my, lots of dangling carrots again but in the end, not a whole lot happened tonight. It was like munching on one big rice cake. A lot of chewing but no satisfaction. Not for me anyway.



But I'm a good soldier...here's the rehash and the new hash. Read it if you must. But don't worry, it won't be on the final!



Old stuff: Marissa and Raul are having their umpteenth heart to heart about Santiago and Candy. He's warning her off Santi...he knows he's a womanizer. She, on the other hand, is sure he'll be faithful once she has that wedding ring on his finger. After all, he was faithful to Paula! (faulty logic, but hey, I've been in love and it's never logical....so we'll give Marissa a pass on that one). She suggests he nail down Candy so she can "keep her enemy near". Faulty logic there too. Remember that old blues refrain "Don' worry 'bout that strange woman, baby, jus' look out for yo' bes' friend." Amen to that one.



The other old stuff is Patricio telling Chava he wants to meet his mom and Chava dutifully calls her. Oh what a tease! How many times have the writers done this to us!? Did you really think it was going to happen this time.?...nah...and dang it, they end this episode with another tease at the engagement party. It's enough to make you cranky. (Plus the Buckeyes are losing tonight.)



Now the new stuff and it gets rather dramatic. Candy's at the door, hearing Chava call her, biting her lip (symbol for deep thinking) and she says to herself...Alright, let's get it over with...and opens the door....to Meño, dressed in drag, ready to be Mother and save his niece.



The plan backfires. Patricio is horrified that Meño's garbed himself up as a woman. He says he's okay with his gayness but not that. You're damaging the kids Meño. It's not good for them to be raised around that and I don't want Beto coming over here anymore.



After Patricio exits with Chava and Beto, heading for the soccer stadium, Charly enters and is as put off by Meño's outfit as Pato was. Why are you dressed like a gay? Candy chides him for using the word like it was something dirty (roña=grime, dirt, grubbiness) and Charly throws in a few more perjorative words like "mariquita" and says he's ready to move into Lucia's house. After all, nobody at this house seems to pay any attention to him or his feelings.



This is broken up by a couple of scenes that are supposed to be light and funny. Patricio has the boys at the stadium and they're cheering and having a good time.



And the Club de Abandonados is pulling a "24" type surveillance of Head Tattoo Waiter (sorry, ever since Paula started the Sven/Olé thing I CANNOT remember his name). He's merrily riding along on his bike, singing a love song and ogling women when the Abandonados, led by Santiago, trap him, stuff him in the trunk of a car and whisk him off to the clubhouse.



He has a bag over his head and is begging for his life while Santiago does various primitive Iron John moves with some big broom-like thing. Don't ask me what the ritual represents other than that Santiago's p***ed about the tattoo. He assures Santiago the tattoo will disappear in two weeks (good thing since they mispelled Marissa's name) and furthermore Candy MADE him do it. To chants of An Eye for an Eye, Tattoo for a Tattoo...we get some idea of where the plan for vengeance is going. Nowhere...as usual.



However, the fallout from Meño's escapade is going somewhere....toward a real conflict between Candy and Soledad. Soledad is siding with Patricio, saying it's unhealthy for the boys to be around a cross-dresser and from now on Beto can't come to Chava's house. Well, Chava can't come to Beto's house either, snaps Candy, because I don't want him around such intolerant people.



Meanwhile, Meño, upstairs, removing his makeup with cold cream, is staring at himself in the mirror and crying. The Meño situation seems to be going in a truly tragic direction but then it too fizzles out. Here's what happens. First, he stays away from the restaurant and Candy handles his end of it, figuring out the receipts. He asks her if she wouldn't like to live alone, just her and Chava and she says an emphatic NO!...she wants to go on living with her son, her mother (really!?) and her uncle who's the best uncle and friend in the whole world!



Evidently this reassurance wasn't enough because the next time we see him, he's in a drunken stupor at the restaurant while Sven and Olé try to persuade him to quit. You're not a drinker, they plead. And you're not funny....neither one of you, he snarls. Go away...all of you!...I want to be alone.



Lulu, of course, thinks Meño's suffering from lovesickness....over her. Prompting the one funny line of the night as head waiter says....Yeah, that's when "medio naranja" (one's better half, literally one's half orange) turns into "medio limon" (one's bitter half....literally half lemon/lime) Okay, not so funny when you have to plod through a translation but still....



Later we see Meño passing a hotel, checking in to a room alone and beginning a letter (a suicide note?) starting with the words "Dear Niece". I'd be more worried if later on, we didn't see him walking outside again. This time he runs into Patricio, who touches him on the shoulder. Meño's surprised...aren't you worried I'm infectious!? Don't worry, you won't catch anything from me unless the virus is already inside you, he adds.



Look, Patricio counters, I respect you but I don't think it's healthy for you to be dressing up like a woman around the boys. I don't want them growing up with that.



I hope this situation gets resolved without anything irrevocable happening. Meño's everybody's favorite character, aside from the children. Let's not sacrifice our good buddy for the sake of drama, writers.



So that's the tragic gay theme, complete with trumped up strife between the two best friends Chava and Beto, and interwoven with Charly's questions about his dad. He ends up grilling Gregoria (who wants to be called Gogo) and for once, she's discreet. When he asks about the reason for his parents' breakup she simply says she assumed they weren't getting along. One can't know everything about another person's marriage (or even one's own).



So let's put that theme aside and look at some of the other threads woven through this evening's crazy quilt (a little Inauguration imagery here). We have a scene showing Santiago's tender side. He sees Lucia weeping over some old photographs of her parents and together they remember how he helped her commemorate some good memories by burying a bag of family photos and momentos, underneath a plant , within the protection of Mother Earth. At the time he reassured her that anytime she wanted she could dig up those photos again....but in the meantime, Mother Earth would watch over them. But you and Abuela are part of my good memories too! she cries, and they hug and roll around on the floor, similar to an exuberant hugging session Candy had earlier with Chava. I'm sure we're supposed to be convinced by these twin scenes of parental affection that Candy and Santiago are meant for each other. Okay by me, but Marissa's not on board.



Meanwhile, another plot is brewing. This one is the revenge action against Candy...eye for an eye, tattoo for a tattoo. She leaves the house, chipper and saucy (evidently not worried about Meño's depression), hops into a phony yellow cab and is abducted to the club house where Santiago is waiting with the tattoo artist. Very scroungy looking guy with a menacing way of snapping on his rubber gloves.



Santiago asks her where she wants it...on the back, on the front, on the boobs, encircling that little mole...where? Another fizzle. They're not really going to force a tattoo on her, but the artist is going to hit Santi up for a good sum. (More expensive than sending a dumb kid to Harvard! mutters Santi). So what's the payback going to be? How about going off somewhere with him? Just the two of them? She reminds him that it's not just the two of them....there's Rocio...who prefers Marissa as her mother. (The romantic music which was swelling suddenly dwindles to a halt).



Okay, it's complicated. He's a package deal. So's she. She comes complete with Chava. So how about something simple....just going to a little bar and having a tequila or two. Another recurrent joke...he doesn't drink tequila right. It should be done simply and slowly (are we talking about tequila or lovemaking?) Anyway, he concede and does it her way (hmmmm). She's happy, he's happy, the romantic music starts again, they finger dance, his fingers collapse on hers....whoops...she snatches her hand away. Another fizzle.



But he's making inroads. In a later scene back at the Institute, Candy's acting a bit dreamy about him...to the horror of Cece. He's a typical seducer, snaps Cecilia. Marissa's going to be miserable with him but he's exactly the type of guy YOU WOMEN fall for! Not you? asks Candy. No! he's a "borrego a medio morir" (could this be like our "wolf's in sheep's clothing"?) who just wants to get women into bed and then strut off when he's satisfied. Oh, I know he's a liar, muses Candy, still a bit starry-eyed, but I find myself wanting to believe his lies.



While we're on the subject of Cece and her secret love for Candy, there's a later scene where she's objecting to Candy taking time off to go home and help her son with homework. Cece doesn't like the absences. The others don't like Cece's controlling ways. Cece stomps off in a snit. More fizzle? Or delayed drama? We don't know at this point.



One more little fizzle to recount before we get to Marissa's scheme for a surprise engagement party. We have Chayo's campaign to get Santi to augment her bosom in the hopes of reviving the passion in her marriage. And we have her husband's objections to the whole idea...fighting with both Santi and Chayo over the situation. There's a telling scene where Eduardo dismisses his wife as "estupida" (there's that word again) for wanting the surgery. So are you saying all our clients are "estupidas"? counters Santiago.



It's all resolved when Chayo realizes that if she has it done, and it still doesn't help the marriage, it will all be very confusing. So she's changed her mind. She's going to stay just the way she is. Candy naturally approves.



Now the biggie: Marissa's campaign to nail Santiago has taken a new tack. She's seducing his mom. First she overrides Isabella's objections to the "surprise" engagement party. Shouldn't Santi know? No. Mom folds rather quickly and says I know we haven't always gotten along but I WANT to get along with you, and want you to see in me the mother you lost. Ooooh, gushes Marissa, may I call you Mama Zu?



I thought Isabella would gag at that one...I did...but she gamely plays along. So they're off to do some female bonding over shopping for the party. But first we see Marissa talking to Isabella's photo and saying, You didn't think I was right for your son but I'm winning you over. She kisses the photo triumphantly. The strategy is working. Isabella sees her and is touched....and asks her to kiss her on the cheek rather than the photo. Ugh. If we didn't already know Marissa was a sneaky schemer, (after all Chava listened to her heart and it wasn't good) we get further evidence when she's back from shopping and after gushing all over Rocio and forcing her to put on a drippy looking dress she bought, she muses to herself about how irritating kids are. Flee, Rocio, flee!



We're nearing the end of this episode now. The stage is set for the big surprise engagement party. The guests are already there, Lucia and Charly on the balcony, and Isabella and Jaime down below. He thinks the engagement party is a perfect time to ask her to marry him. No way, she laughs. I don't want a "borrowed engagement party". Give me my own. But her smile convinces him it certainly wasn't a "no".



Enter a confused Santiago (he thought they were going out to dinner) firmly in tow with Marissa and when he sees all the flowers he thinks it's a funeral. (Yeah, his.) Welcome to your surprise engagement party, she crows. And of course we end with Santiago looking very very IMPACTADO.



And the previews: They're a great big tease. Are Patricio and Alicia going to catch sight of Candy at the party? Three guesses.

And will Santiago convince Candy to see Patricio? He's dreaming about you. He loves you. He deserves to know you're alive.



Well, call me cynical but I think we have another big fizzle coming up folks. Here's hoping I'm wrong.



Vocabulary:

amolado = ground down, crushed. Meño in this episode

roña = dirt, grime, mange, Can also mean "stingy". "Jugar a la roña" means to play tag

ojos de borrega a medio morir - lit. eye of a half dead lamb, but in our lingo we'd say "puppy dog eyes" (thanks Margarita)

medio naranja, medio limon = better half, bitter half

Labels: Tontas

Candy feels remorse for something! Como puede ser? (How can this be?) She regrets that she was harsh to her mama. Meño tells her that Pat asked him about Chava’s dad named “Patricio.” They recall that when Candy was little, she thought the water stain (mancha de humedad) in her bedroom wall was a monster. Meño helped her to not be afraid of monsters, and they cleaned up the stain together. Now she is afraid of another mancha named “Patricio,” but that one isn’t a monster either.

Ed is annoyed that Chayo is falling short on her “waiting on him hand and foot” duties, since he works a real job, as opposed to the girls’ club she calls a job. And as for what she does at the house, well that isn’t even work.

Santiago takes Raúl to his office to interrogate ask him about his so-called relationship with Candy – it doesn’t seem genuine. Raúl wonders why Santiago cares so much, and assures Santi that he is very satisfied, nudge, nudge, wink, wink, with Candy. Upon hearing that, Santi plays a game with Raúl called “Sadistic Chiropractor.”

Marissa is serving Rocío breakfast, all lovey-dovey, just like Hansel & Gretel’s stepmother was just before she took them for a walk in the woods. Roc says she wants Marissa to be her mother, not Candy, even though her papa kissed Candy at the movie theater. That news certainly gets a reaction from Marissa. Notice how nervous and stressed Rocío looks? She has more acting talent than some TN headliners!

At Marissa’s request, Candy goes to Santiago’s office to meet her. This time Santiago is on the other side of the interrogation, and he looks like he’s been in bed with the flu for the past three weeks. Candy sits down and Santi moves next to her – is it to protect her or hide behind her? Marissa wants to know why Candy kissed her novio in front of the children. Candy and Santi kibitz, trying to decide who is in the biggest trouble. Santi more-or-less discreetly begs Candy to cover for him, since he knows she’s a much more accomplished liar than he is. Candy tries the sincere approach, but every time she says something like, “You know I’d never do such a thing to you,” and Marissa almost swallows it, Santiago feels compelled to chime in, “Neither would I.” That just hurls the credibility of their defense right out the window! Candy leaves so they can work it out alone, but not before whispering to Santiago, “Suerte! (Good luck!).” After Candy leaves, Santi tries to claim that Marissa is the only woman engraved (grabado) on his heart. Even Marissa is not stupid enough to believe that whopper. Listening outside the door, Candy observes, “Lo del grabado, se le va a cumplir.” Or as Yul Brynner’s Ramses said, “So let it be written, so let it be done.”

Do you remember that we’re seeing a transition in Santiago? He is shifting from trying to get Candy into his bed, toward trying to get her into his life. It seems to be working. When she found out about the hamsters, she told him to leave her alone instead of screaming at him. When he kissed her in the theater, she left but didn’t kick him. And today when Marissa challenged Santi on his andanzas (running around), Candy covered for him instead of helping Marissa attack. Yes, the weather is getting a little warmer. Or maybe it’s just Indian summer.

Jaime meets with his son Ramón, who hasn’t visited him for a few months. They meet at Guadalajara’s kiosko. My friends tell me that all the older towns in Mexico have a kiosko in a park (or the town plaza?), and it is used for band concerts, etc. In fact, even the predominantly-Hispanic city near me in central California has a kiosko in the city park. Back in Guadalajara, Jaime shares his delight at finding love again. His charming son tells him to stop making a fool of himself. People his age don’t fall in love, and he should spend his attention on respecting his wife’s memory instead. Jaime’s wife has been dead for a few years, but his son would prefer to see his dad crying for her, rather than finding love.

Lulu tells Chayo her great news – that Meño is wild about her. Chayo tries to enlighten Lulu about Meño, but Lu charges blindly ahead. Lulu asks Chayo for advice on how to show Meño how much she likes him, since she has never had a boyfriend.

Candy asks Sven and Ole for a favor, but we don’t find out what it is.

At a café, Jaime introduces his son to Isabel. Ramón says, “Are you the one who is after my father’s money?” Isabel slaps him and walks out. Jaime just stands there feeling awkward and whines, “Why did you do that?” instead of tearing his fool head off. Is it any wonder his grown son is such a brat? Jaime takes the brat on a field trip to see Isabel’s mansion, outbuildings, lawn, gardens, and groves. He suggests that maybe he is the one suspected of being a gold-digger. The brat doesn’t even understand that his dad plays piano in hotel bars because he likes playing piano for other people, not just for himself, and he met Isabel because she liked his music. Ramón apologizes for being so stupid.

After surgery, Ed asks Santiago to cover for him tonight since he told Chayo he’d be with the Abandonados. Santiago tells him he should be ashamed of himself, but by the way, is his date fair or dark? Ed only remembers what she looks like from the neck down. I wonder if she has a mole.

Marissa tells Raúl she’s worried about her novio because he kissed Candy in the theater. Raúl advises her to forget about Santiago. Marissa tells him she’s not about to quit. She has endured so much already, she can endure a little more. Raúl thinks he’ll never change, but Marissa recalls that he was faithful when he married Paulina. She knows he has a strong attraction to Candy, but she’s not worried because she knows Candy will never betray another woman. She won’t get in his bed, and he‘ll get tired of waiting for her. She assures her brother that she earned Santi, and she knows she’s going to win.

Candy calls to invite Santiago out for coffee. He fondles the bell cord and sighs. At the restaurant, Sven and Ole greet him with flowers and a drink, and they treat him like an illustrious potentate. Candy has reserved the restaurant for him alone. She brings another drink which he tries to turn down because he just finished one, but Candy is offended so he complies. She hands him a menu and asks what he’d like. “Tacos de ranchera, or caldo tlapeño (chicken-garbanzo bean soup), or to ask you to marry me,” he jokes. Don’t you just love that face?

Isabel is thinking about Jaime, trying not to cry. Donato brings her a cup of tea and a listening ear. As she starts to ask about his romantic progress with Tina, the doorbell rings. It’s Jaime’s son, Ramón, who brings her a rose and an apology. He asks that she not be mad at his father; it’s not his fault that he has a fool for a son.

Back at the restaurant, Santiago is looking a bit drunk Sven and Ole, acting like Funhouse extras, bring him a bowl of soup, and they all crowd around as Candy encourages him to drink it all. That’s some right-powerful soup! The voices get fuzzy, the faces get fuzzier, his speech gets muddled, and Sven and Ole step up just in time to catch Santiago as he passes out. Candy discovers that Ole put an extra-extra dose of knock-out drops in the soup, so did Sven, and so did she. Santiago will be separated from his senses for a good, long time. Candy needs him to be heavily sedated, so he doesn’t wake up while the tattoo artist decorates his upper back behind his shoulder. The artist tells Sven it turned out super-chido. Sven thinks he’s writing “Chivas.” On Santiago? Que horror! Chido means cool; but hardly anyone over 25 says it. Sometimes I use it just to get a reaction from my native-speaker friends.

There are so many things wrong with this tattoo scene, I don’t know where to begin. A tattoo artist who works on someone against his wishes. Candy gives Santiago a permanent inscription against his will, as a joke. They do such work in a food preparation area. Candy gained his trust by staging it as a date, with the two of them alone in the restaurant. The artist can hardly work because Santi’s shirt is in the way. The list goes on and on. When Santiago regains consciousness, he will drive his car while still heavily drugged, but with his seatbelt safely fastened, just like every telenovela actor. They can drive drunk, drugged, drowsy, or decapitated, but never without a seatbelt.

Jaime and Isabel note that adolescent novios have to watch out for their parents, while novios their age have to watch out for their kids. They reprise their “Somos Novios,” both in song and in relationship, and refer to Armando Manzanero, the lyricist who made it famous. I could’ve posted clips with Manzanero singing it, or clips of two young lovers, but instead I’ll post this one. The two people in the clip are not young, not lovers, and not Manzanero.

Mar thanks Raúl for his support. He feels like he has failed as a big brother because he hasn’t protected her. One guy hurt her badly (when she was 15 and got an abortion), and he isn’t willing to let Santiago break her heart again. In Tontas it’s a little hard to tell whether Raul is a good guy or a bad guy, but one thing is certain, he loves his sister very much and he’ll do anything for her. Marissa assures him that she’ll live happily ever after, rose-colored glasses and all, just like it was before Candy showed up. She pushes Raúl to make Candy his wife, the sooner the better, because you want to keep your enemies close.

At Meño’s dance class Lulu, in a spaghetti strapped sun dress, primps herself, comes waltzing salsa-ing in, and starts dancing with Meño.

At home, Chava asks Charly what novios do, since Chava now has one. Charly says they talk, they laugh, they kiss. Chava thinks that kissing girls on the mouth is really gross, but Charly assures Chava that he doesn’t have to at his age.

Santiago wakes up in the restaurant, muddled, with his shirt askew. He’s still so dopey, he has trouble remembering who Candy is. Marissa calls to beg him to meet her tonight for some excitement. He makes faces at his phone because he finds Marissa so annoying.

At his house, Raúl explains to Candy that he has left everything as it was when his wife died. It’s like a museum. Candy sees the shrine to his wife in the bedroom – a collage of pictures, her wedding dress, four lit candles, and fresh flowers. He invites Candy to try on the dress. She just wants to exit, stage left. Raúl begs her to stay; he likes Candy because she looks so much like his wife. She tells him he needs to get help; he can’t live in the past, and she thinks they should never see each other again. I figure Candy is Pat’s dead wife; why can’t she be Raúl’s dead wife too?

Lulu is putting the finishing touches on a pink heart cake (she had to do a heart because M’s are too hard to shape). She proudly shows it to Meño who congratulates her for her improving pastry skills. He hopes an anniversary couple comes to the restaurant tonight so her work won’t be in vain. Poor Lulu.

Beto and Pat decide to invite Chava to the Chivas vs. Club America soccer game.

Candy told Meño about the creepy scene at Raúl’s. She thinks Raúl is the living dead. Meño says, “Look who’s talking,” and Candy doesn’t have any legitimate defense, so she sticks her fingers in her ears and hums. Not really, but she might as well have. Lately people have been confronting Candy with her lies and her selfishness – Soledad, Meño, her mother, Santiago, etc. She is not willing to change, so she just refuses to hear them. Meño tells her he’ll never forgive her if Raúl drops his horoscope column because of her, but Candy only cares about Candy.

Santiago wakes up with Marissa pawing at him in the clubhouse, and he is stunned to find her zebra-striped lingerie under his pillow. Last night, he must’ve been too drugged to remember anything. She says “WOW!” and he thinks she’s impressed with his manly talents. He’s pretty impressed with them, himself.



Marissa is ecstatic about his tattoo – not the one on his arm, but the one on his back. Both Santiago and Marissa are impactados, but their impactadidadidades couldn’t be more different. Remember that Candy heard him tell Marissa in his office, “You are the only woman engraved on my heart”? Remember that Candy said, “So let it be written, so let it be done”?

Gregoria and Alicia compete for the “Cruelest Wench” title, and the venom snowballs quickly. It starts with “Why do you live with Meño? If you're lonely, buy a dog.” It quickly passes “Your marriage is going under,” and “I know what you did in Tijuana,” and it ends with a slap and, “I sacrificed my dreams so you could grow up in a family.” Suegrita scores more “Cruelest Wench” points in this round, but we all know, just like a rigged TVyNovelas Premios show, the only points that matter are in the final round.

Marissa is all over Santiago with appreciation, but he just wants to cover himself as if he’s been defiled. One might ask, if he feels that way about her, why did he meet her at the clubhouse? Remember, he was drugged last night. The other times, no, but last night, their first time together since he started changing, yes. Marissa wants to get a tattoo with his name, and he advises against it. When she goes to look for champagne, he acts like he never takes women to the clubhouse.

Santi tries to figure out how he ended up with the tattoo. Then he remembers Candy foisting the drinks and soup on him, and it all adds up. He calls an emergency meeting, Codigo Rojo, of the Cuartel.. oops! I mean the Abandonados. High treason has been committed within the club, and they cannot allow that.

Pat and Beto invite Chava along to the soccer game. Chava has to ask his mom, and Pat is intrigued. He suggests that Chava call his mom to come downstairs so Pat can meet her. Candy hides.

Tomorrow: A taxi abducts Candy. Talk about dumb heroines! Even a gringa like me knows it’s dangerous to take a non-secure taxi in Mexico!

We’ve all noted that this show jumps around a lot. Often one conversation is broken into three scenes separated by other plotlines. Taking my mentor’s advice, I tend to gather one broken-up parts into one paragraph. That means my recap will have a slightly different sequence than the show itself, but in exchange for exact sequence, you get smoother continuity. Please let me know if this works for you, or if it creates difficulties.

Labels: Tontas

At the jail, Nabor and the padre bring a lawyer to meet with Fermín so that Fermín can tell the truth about the crime he's in jail for. Fermin is getting getting cold feet, but Nabor and the padre convince him to be brave. He's afraid for his life, but he agrees to go through with it.

Gabi rubs Feo's feet and asks him to kill Ricardo. A foot-rub? Really? Is that all it took to get Ricardo to kill the Robles? (Feo pretty much asks her the same thing. Stop stealing my thoughts, Feo!) For good measure, she asks Feo if he'd like Juan to find out that he killed Libia. Feo reminds her that he's got dirt on Gabi too - she planned the disappearance of Juan's child. (Can he prove it? He's the one who took the baby.)

She asks what he wants in exchange for killing Juan, then. He wiggles his feet at her and asks her to either name him as her heir, or at least put half of her things in his name. Gabi says she can't do that, since she's already named an heir. "Ruth?" he asks. She's surprised he knows. He admits that he overheard a conversation, and what's more, he knows that Ruth is her daughter.

The two Marias (not to be confused with the three Marias) bring robes to the church. This is obviously just an excuse to chat up poor Nabor. He does his best to graciously ward them off. They insist that he tell them something about himself, so he tells them that he was in jail for a crime he didn't commit. The Marias exchange shocked looks, then smile... after the next scene, the Marias defend Nabor, not that anyone was picking on him, and assure him that he's an okay guy, especially now that he's devoted his life to God. He says he didn't exactly devote himself; it's just that he couldn't find another job. Undeterred, they insist on being his friends, and invite him over for churros and chocolate. They crowd him and violate his personal airspace and promise that it will be a sweet, passionate night. He tries to beg off.

Eva's got a letter from Grandpa. It doesn't say when he's coming back, but he's having a nice time traveling, and Santita's making him happy. Eva asks Quintina if she's jealous. Q says that ultimately, she was just his squire, and they had lots of adventures. But there's a tiny edge in her voice as she asks Eva to read her the rest of the letter.

Ruth is ranting and raving at the cottage when Darth Daddy shows up in his dumbest-looking snake jacket. He tells her that her feelings don't matter right now. Having Juan this close is very dangerous for them; if Juan finds out the truth, Daddy's screwed. Brandishing twin guns, he says wants to get it over with. Ruth asks, what's the plan? "What we've planned from the beginning - revenge." (Huh, not so much a plan as a mere noun.) More specifically, they need to start doing away with anyone who's in their way. (Again, Darth, that's not exactly a plan.) Ruth whines that she thought splitting up Juan and Sofía would be enough to get rid of the Reyes, but it wasn't, and now Juan's closer to Sofía than ever. Sofía says she won't forgive him, and Ruth won't either.

Feo reminds Gabi that he said all along that he'd find out everything and she was wasting her time trying to hide things. She says she didn't tell him about Ruth sooner because she didn't have a chance before, but she's glad he knows.

He asks why she doesn't tell Sofía the truth. Gabi says that if Sofi finds out Gabi's not her mom, she won't be able to blackmail her any more to prevent her for turning Ricardo in for murdering Juan's parents. Also, she doesn't want to give Eva the pleasure. It's more fun to watch her suffer thinking that Root is her daughter. Feo thinks she'll find out someday. "Not if I can help it," Gabi replies. "But what's going to happen to Ruth?"

Gabi is very curious as to why he's so worried about Ruth. Now that he knows she's her daughter, he'd better stay away from her! He plays dumb and claims that he's never even looked at Ruth as a woman! Gabi says that's a good thing, for his sake. She's her daughter and he's her husband and she'd better not see them together. He promises to do as she wishes, as always. "If that's true, you'll kill Juan this very night. If you do, I'll think about naming you my heir. Anyway, being in the house, Juan's at your mercy. It'll be very easy to finish him. Or perhaps you're only capable of getting rid of weaklings, like that stupid Rosario?" Feo looks uncomfortable.

Darth Ricardo is pacing the cottage floor, still wearing that tacky jacket, twirling his gun, and worrying that Juan will find Raquel before he does. If so (in case you hadn't heard), Darth is screwed. He's gotta find her, and be careful too, because he's sure that whoever shot at him missed on purpose - to warn him that he's got him in his sights, and he can kill him whenever he feels like it.

Coyote is wearing his own snaky fashions - the cobra jacket - and remembering what Darth told him about the woman he loved and the son he wished he'd had. But Coyote doesn't believe any of it! If Ricardo had really loved Soledad, he would have looked for her and married her. He's just a lying hypocrite. Coyote swears to make him pay.

Wandering around the village, Ricardo just happens to see Soledad getting into a truck. Their eyes meet briefly. He drops his saddle, impactado. The truck drives away. (I have no idea where this is. Is it near the San Agustín stables? If so, what is Soledad doing there? If it's anywhere else, why isn't his saddle on the horse?)

Eva brings Grandpa's letter to Sofía and tells her exactly what she told Quintina. It strikes me as odd that Grandpa wrote to Eva rather one of his granddaughters, but I guess we've established that he's eccentric. With her yet-unrecognized secret mommy powers, Eva senses that gloomy-faced Sofía is bummed. Eva thinks Sofía should listen to Juan, but Sofía is stubborn.

Meanwhile, Hortensia visits with Quintina. Q is worried that H seems upset. H admits that she's worried Saul will dump her because she fell asleep on their wedding night. Q teases her gently yet unsupportively.

Padre Tadeo encourages Nabor to visit the Marias. Nabor has a slew of excuses prepared: It won't look good for two women who live alone to be visited by an ex-jailbird ("for a crime I didn't commit," he adds as usual). He's not sure what their intentions are - they're a bit shifty. He doesn't want to start any gossip. He's worried about his reputation.

The Padre counters all of these excuses: The Marias are religious and generous, so no one will put them down on Nabor's account. As for gossip, he's not married. They're a little crazy, but they're good people, and harmless. But he'll leave it to Nabor's judgment. If he wants to go, he should go; if not, he should tell them and be done with it.

Finally, the punchline: Nabor is worried that they're going to want him to dance like the guys they went to see in Puebla.

Night time. Full moon!! Big surprise!

Feo puts a silencer on his gun as Gabi's promises of an inheritance echo through his head. (Who does he think will be blamed for this murder?) Just as he reaches for Juan's door, Rosario's cartoonish ghost reminds him that he'll pay for every one of his crimes. Feo nearly falls down the stairs in his haste to get out of the house. After the next scene, he blubbers outside the hacienda's front door and tells himself that he killed her because she deserved it. Coyote pops out of nowhere and asks who he killed. "Nobody," Feo says, but with tears on his face, a bright red nose, and a gun in his hand, it doesn't look good. Coyote says he's here to see a woman who interests him. Feo threatens him with the gun and tells Coyote to leave his wife alone. Coyote shows his teeth and says no, he's here to see Ruth Uribe. Feo giggles in disbelief. We're all giddy!

Ruth wants to know why Daddy has been sitting and drinking ever since he got back from the pueblo. "You wouldn't understand," he answers. Ruth says they don't have any secrets. He tells her to leave him alone and go away. She leaves him alone, but angrily tells him she's not Raquel.

Franco sings to himself and thought-bubbles that Sarita and he will go on loving each other and no one will break them up. Meanwhile, Sarita writes him another inky feathergram saying they're in love even though their brothers and sisters are apart.

At Crap From Afar, Jimena fumes silently in bed about how much she hates and loves Oscar and needs to get out of town and forget him. At home, Oscar rubs his leg and says he won't give up until Jimena forgives him.

Sofía closes her Bible and says she can't forgive him. Juan He doesn't deserve it. But she still wishes she could be in his arms, because she loves him, as much as when she swore at the altar that she loved him. In the next room, Juan muses that she's so close. He'd like to have her in his arms, but he has to be patient. He won't leave until she listens and believes him.

They all have kissy flashbacks. The picture divides into a six-pack of longing and insomnia.

Juan is visiting with the three little Marias in the nursery, who are all wearing the same outfits. Man, I bet that's embarrassing! There are also at least two rent-a-nuns there, also wearing the same outfits (as each other, not as the kids). Sofía arrives and has a mixed reaction on hearing that the kids have already been fed and bathed. Maria G and Maria J seem happy enough, but Maria L starts crying as soon as Juan picks her up. Maybe she's annoyed by Juan's loud voice, or the even louder music box. He cheerfully suggests that they be a happy family. Now Sofía is yelling (in the child's ear) at Juan not to talk that way in front of the girls because it's not true. She hands the baby back at him and says she will never forgive him. (He puts the baby back on the bed and she stops crying.) He kisses her and she cracks a smile when he looks away, then erases it when he looks at her again. Juan lectures the kids not to grow up grumpy and awful like their mother, always smile, and especially don't be stubborn or they'll meet a guy like him, who's also stubborn - stubborn and a half! We'll see which of these fools turns out the most stubborn!

Q asks Tio V to go with her to sell the daily bread. She admits she doesn't have a driver's license. He says she needs to work legally, but he gets into the sidecar anyway and she hands him the gigantic basket full of bread and warns him to strap himself in good. There is no follow-up to this scene, so I assume that they don't have an accident and spill beautiful bread all over the road.

Juan tells Eva (why is she still there?) that he's going to take the girls with him to the RR hacienda while he gives his brother his physical therapy and bake the bread. No, Sofía doesn't know, but he can take care of the girls just like she does (I'm stifling a sarcastic comment). He invites Eva to go with him and help. (Since she lives at the RR hacienda, it seems like an odd question.) The nuns go too. Juan has an entourage!

At the store, Sarita tries to talk Sofía into giving Juan a chance, while Jimena is mad that Grandpa sold his share of the hacienda to Juan so the Reyes can bug them forever. She wants to leave as soon as possible. Sofi tells her that if she doesn't want to see Oscar, then don't look at him. Sarita reveals that she and Franco are talking about getting married, but she's having second thoughts - their lives would be hell with her sisters fighting with his brothers. She'd feel like a traitor. Jimena and Sofía say they won't allow that and neither will Franco. They encourage her to be happy.

Juan is watching dough rise when Coyote shows up. Juan says he was looking for Raquel, because someone had seen them talking before (I think it was Eva and Rosendo a few weeks ago) and he has a feeling that Coyote's protecting her. He's found some documents that say she's the sole owner of the Uribe fortune. Coyote agrees to take Juan to Raquel.

Oscar goes to the store, saying that he wants to buy dresses for his daughters. Jimena pretends not to know him. He says he has three adorable little girls, but they're driving him crazy - maybe it runs in the family, could that be it? "I don't know, sir," she answers haughtily. He teases her for somehow knowing how old/big his kids are when she reaches for some dresses. She loses her temper and addresses him in the familiar form. He says their relationship is over, therefore she can no longer tutear (use the tú form) with him.

He asks to see a dress on a high shelf. Reluctantly, she gets on the ladder to reaach it. He wheels over and tries to take it out from under her. "Do you love me? Do you love me?" until she gives in. She climbs down carefully and he pulls her onto his lap and begs her for another chance. She says it's too late. He calls her his jewel in heaven and tries to kiss her. She gets up and asks him if he's going to buy the dresses or not. He leaves.

Eva tells the Padre about Juan moving into the hacienda to annoy Sofía. Padre says Juan conquered his pride to live in the house of his enemy. The padre has faith that Sofía's anger will end when she realizes how brave he was to do this.

Eva's also still upset about Ruth (Eva's lines, Eva's lines, nothing new here). The padre says maybe they can save Root. He'll talk to her.

Juan's at Coyote's house, telling Raquel about those papers. She wants him to hang onto them and keep them safe. He tells her to get ready (literally, ponerse trucha=to make like a trout, i.e. get ready for a tough run, as trouts swim upstream) because the documents are a strong weapon against Ricardo. She's not sure she can face him. She's afraid of him. If he knows she's plotting against him, he could kill her. She runs out of the place screaming. Soledad tells Juan to let her go.

Gabriela is remembering Soledad's recent visit when Coyote shows up. He acts surprised that she's startled, and asks if something's wrong. She insists it's just something silly. Someone warned her that she has an enemy who hasn't shown his true face yet, and she has to be careful. Coyote promises she can trust him and offers his help again if she ever needs it. She says she trusts very few people, and he's one of them.

Juan introduces himself to Soledad. She knew his parents. What she remembers most is how much they loved each other. His father was a one-woman man, but Gabi had a thing for him. She confirms Tio's version - Gabi liked JJ, but he rejected her and that's why she hates the world.

Soledad asks Juan to protect her son. "He doesn't need my protection, he has other people to do that." She says they can't protect him from himself; only Juan can. Coyote wants revenge against the people who hurt her. Who hurt her? It's a long story involving Ricardo Uribe and Gabriela Acevedo.

Mexico airdate: 24 de septiembre
Next time: Oscar wiggles his toes. A masked intruder attacks Jimena in bed - evidently she's the only thing in the store worth grabbing, including the cash register. Gabriela walks in on Ruth and Feo, or does she? Ricardo also gets a blanket party of sorts, except no blanket and lots of guns. Ruth turns a snake on the little Marias while they sleep - lamest murder plot ever; does she think it will kill even one of them, never mind all three? Strap on your foil-lined beanies and get ready to laugh right in logic's big stupid face!

Labels: Fuego