Caray, Caray!

EPISODE #126 (Univision); #131 (Mexico):
* Santi tells Barbie that he will be leaving town as soon as possible; he wants to get as far away from Aurora as possible. Barbie agrees and thinks that is what is best. Santi leaves. She smirks and thought bubbles that now she won't have to share Aurora and the baby with anyone.

* Franco returns home. Steve tells him what happened at the apartment with Venus; that Venus has agreed to keep quiet about the plan with the condition that they go through with the whole plan for Camilo to fall in love and walk down the aisle with Lovely. Steve says that Venus pretty much thinks all men are the same -- PIGS. Franco says Fer thinks the same thing right now. Steve is impactado (stunned). Franco explains Fer's tirade and revelation about accidentally seeing Gardenia kissing him in the kitchen, and that he had no choice but to let her continue thinking he's a womanizer (he can't just come out and explain the whole truth about his identity and plan to her right now). Then Franco tells him that Barbie called - Don Artemio has agreed to meet with them. Steve is stunned. They discuss AB, Ana Gregoria, Soledad and the links with the Elizalde family and Barbie herself. Then they discuss a plan for dealing with AB.

* In the car, Barbie thought bubbles to herself about her own little schemes.

* Aurora talks with Mother Superior in her room. Aurora is almost content with Santi's fury and anger when he left the convent. Mother S and Aurora discuss if he knows about Camilo - Aurora says no; she's grateful that he doesn't; she doesn't want him to go to jail for murder. Aurora loves Santi way too much. Mother S. gives her some advice about telling Santi about the baby and the truth. Aurora says she can't do that.

* Natasha and Camilo enjoy a 'roll in the hay' in Camilo's bedroom at the apartment.

* Franco and Steve discuss his going with Barbie to meet AB. Steve wonders what would happen if he didn't go. Franco has no choice - he has to go; for the sake of Barbie's trust as well as to rescue Lili.

* Fer talks with Gardenia in her office about what happened at Las Animas, and with Franco. Fer is totally disillusioned with Franco. Gardenia is totally nervous about what Fer is supposedly talking about. Fer says that Franco had no response or excuse for what happened. Gardenia is still clueless. Fer finally reveals that by accident she saw her and Franco kissing. Just then Flor enters and interrupts - Sr. Villasano has returned. Fer tells her to have him wait for her by her car in the parking garage. Flor leaves.

* In the reception area, Flor escorts Sr. Villasano down to the parking lot.

* In the office, Fer sits down with Gardenia and asks her point blank if Franco forced her to kiss him in any way. Gardenia pauses to think - stands up - and says 'more or less'. Fer wants to know for sure, was it more or less? Gardenia starts to shake, and squeaks, "Yes." Fer consoles her and thanks her for telling the truth. Fer leaves. Gardenia grumbles to herself.

* Barbie and Franco are in the car, driving to AB's mansion. Barbie gives Franco advice on the rules about dealing with AB - he's dangerous so they have to on guard at all times. She tells him how to act around the guy so they can get him to trust them, and have an opportunity to rescue Lili.

* Fer meets with Villasano in the parking garage. He hands her a file with valid proof about Damian's dirty dealings.

* Damian has lunch with his mommy. He is annoyed about Villasano's continuing witch hunt against him. He is also frustrated by Fer's love affair with Franco and her wanting a divorce. Mom is stunned. Damian yells. Mom has to calm him down and not cause a horrible scene. She consoles and advises him how to win Fer back. He grumbles that he's tried everything he knows and has failed miserably. She tells him to be creative, seduce Fer with every weapon he's got. She tells him that he's a much better man than Franco.

* Villasano continues to tell Fer about the trial, the case and all the evidence that points to Damian being the kingpin thief. Villasano also tells Fer what Damian's lawyer has been saying to him. Fer is totally interested in his story, and asks who the witness was. Villasano shows her the papers - she discovers that the key witness was Barbie! (She's totally impactado!)

* Barbie and Franco continue their discussion in the car about their alliance and how dangerous and powerful AB really is. Franco wonders what Barbie has to gain going against AB. All Barbie says is that you won't believe it.

* Fer tries to write a check to help Villasano with his case. Villasano stops her - he doesn't want the money; he wants justice for his mom. Fer promises to help get just that.

* They arrive at the mansion. Franco climbs out and looks around the grounds. Barbie tells him, "Let's go. AB awaits inside." Franco mutters, "Don Artemio Bravo."

* Priscilla sits in bed, crocheting something with yellow yarn. Tomasa enters carrying a baby crib with all the lace and fabric decorating it and a big red bow on top. Prissy thinks it's from Vladimir. Tomasa says that she can't wait for a little Elizalde to be running around the house. Tomasa leaves. Priscilla reads the card and is really happy. Cell phone rings. She answers. It's Vladimir - he's in a panic about a letter from Rolando. Priscilla is upset.

* As they wait on the steps, Franco and Barbie discuss AB and her relationship with him. Men come out to escort them inside.

* Fer sits at her desk and thinks about what Villasano's told her. Damian enters waving a white flag. She's not in the mood. Damian wants peace and sweep her away for their long-awaited honeymoon. She glares at him.

* In the office, Barbie leaves Franco alone. Franco looks around and is impactado to be face to face with the one and only cigar-smoking Don Artemio Bravo.

* Damian hands Fer a red jewelry box. She asks what it is. He tells her to open it. She opens it and reads the note - about a romantic overnight at the honeymoon suite of the local hotel. He explains his idea of the romantic honeymoon evening he has planned. She acts super surprised - but really isn't interested. Damian asks if he should call and confirm with the hotel. Fer sighs and says, yes, call to confirm.

* Priscilla goes to Vladimir's apartment to retrieve the letter. Vladimir lets her in. He complements her on her beauty. Priscilla is anxious and demands the letter. Vladimir leaves to find it.

* Fer assures Damian that she's sincere in her acceptance. He blows a kiss to her and leaves.

* AB tells Franco that for their first encounter, it's best for them to do so alone - that's why Barbie left the room.

* Vladimir searches and searches his bedroom for the letter - he doesn't find it. Priscilla is impatient and bangs on the door; what's up in there? do you have the letter or is this a trick? Vladimir admits that this is no trick. She asks what the letter said. He says that her brother stated that he knows everything about the two of them. Priscilla is paranoid that her brother may tell her dad. Vladimir is in a panic in the bedroom - he can't find the letter anywhere.

* At the reception desk, Gardenia is notably 'shaken and stirred'. Flor asks what's wrong? Gardenia hems and haws in response, and is saved when Fer calls on the phone that she needs to speak with Flor in her office. Flor leaves. Gardenia mumbles to herself what she should do with the secrets.

* Franco talks with AB about AB's men breaking in and searching Franco's home without authorization or notification. Barbie enters the office.

* Flor and Fer are in the office. Fer needs a friend right now, more than ever before. She's scared and feels really alone. Flor swears on her parents' graves that she will always be there as a friend. Fer continues that she needs to confide in someone and wonders if she can confide in Flor. Flor assures her she can. Forlorn Santi enters. Flor leaves. Santi tells Fer that he's dead inside. They hug.

* Barbie joins the discussion with AB and Franco. AB talks to Barbie and Franco in riddles about trust and confidence. Franco is curious. AB explains that trust is the only way he will let Franco get anywhere near Lili. Franco mutters, Trust. AB says, "Now you understand me." Franco and AB stare at each other.

* Santi explains to Fer the story that Barbie told him - that an unknown intruder entered and slept with Aurora. It was painful to hear it; and especially painful when Aurora confirmed it. Fer is stunned. Santi plans to travel to Italy for an Art Expo. Fer wonders about Aurora? Santi doesn't want to see her or have anything to do with her. Fer is confused.

* Aurora is gardening in the convent courtyard. She recalls Santi's tirade.

* Fer wants to know what happened with Aurora. Santi's angry and doesn't want to repeat it. He only says that Barbie told him.

* Gardenia tells Flor that Fer saw her and Franco kissing. Flor is stunned.

* Santi accepts/believes Barbie's story. Fer is stunned and angry and reminds Santi they can never trust the Hyena. Santi demands to know why not. Fer finally yells that Barbie is the reason why their sister Lili has been stuck in the sanitarium for a crime she didn't commit - that Barbie is the real person who murdered their mother! Santi is 'wide-eyed, open-mouthed' stunned.

* Franco and Barbie listen as AB explains the conditions for Franco having permission to visit Lili at the mansion; that Lili will never leave the mansion for any reason, except when AB says so or he dies!

ADVANCE: Find out tomorrow what happens when Fer tells Santi the truth about Barbie murdering their mother and blaming Lili for the crime; Anibal finding Priscilla in Vladimir's apartment; and Barb and AB watch Franco and Lili intently to see if Lili reveals Franco's real identity or not.

Labels: manana

Angelica encourages Paloma to pick a path of her own choosing when deciding on a career. Paloma fears that she will forget Inaki. Angelica reassures her.

Orlando tells Emiliano that he has a date with Camila on Friday. Emiliano is glad to hear it. He tells Orlando that since her divorce she has not dated anyone. Orlando tells Emiliano that he could end up being his step-father in law. Emiliano tells him that it won't happen. He only has eyes for Paloma.

Paloma tells Romina that everyone was nice to her today. Aron comes up and tells Paloma that he hasn't been able to see her and wanted to give her a hug. If there is anything that she needs, a shoulder to cry on or to talk, she can count on him.

Monica, Camila's assistant, tells her that it's too bad Rafael is married. She wants someone just like him for Camila.

Rafael wants Camila to put in new ideas on the ceramics if it's a success. And the next time he sees her he'll tell her. Joel asks when the time comes if he can do it instead. Why asks Rafael. Joel tells him that he is interested in her. Rafael tells him that Camila is going out with Orlando and that he wouldn't want anyone to hurt her.

Camila thinks to herself that Diana is very fortunate to have a man love her the way Rafael does. She calls Macarena and wants to know if they can meet up later, she needs some advice.

Aron tells Paloma that his parents and brother died in an accident. He believes that if he is the only one that was saved, then it must be for a reason. What he doesn't know. The same as you. That is why I identify with you. I want us to be friends. Paloma agrees. Aron thinks that Carlota will be okay with it since she tried to hook them up.

Carlota receives a call from Acadia. She wants to remind Carlota of the amount of money she wants in order to keep her silence. Carlota gets mad and hangs up. She then jumps down Rufi's throat for not answering the phone. She can't do everything she yells to Rufi. Then yells at Macarena to get out of her way. Macarena asks Rufi what is Carlota's problem. Rufi doesn't know and wonders if anything happened at the church. Macarena says nothing happened. Then says maybe she's annoyed that I asked her to help me give Padre Jacinto a going away party. Paloma comes in. Rufi asks her where she got the flower. Paloma replies that Aron gave it to her. He was so nice to me and asked me to be friends. Macarena thinks it's a wonderful idea. Rufi asks Macarena if she told Paloma the latest news. What news asks Macarena. That you are going on a date with the doctor replies Rufi. Paloma thinks it's a great idea and maybe then the curse that fall on us woman in this house will be broken.

Acadia is coming down the stairs with a neighbor. Acadia tells her that if she doesn't see her around it's because she will be on vacation.

Carlota is sitting in her room and Rufi comes in saying that dinner is ready. Carlota says to start without her because she is not hungry. She says out loud that she has to do something.

Romina comes to visit Emiliano. She locks the door and tells Emiliano that she still has not heard any news about her father. She wonders if he might be dead. It's a possibility since you have not heard from him in years. Romina tells him that since the death of Inaki and no news on her father it makes me want to live life to the fullest. It makes me want to do things that I want to do. She starts kissing him, but he interrupts saying someone could come in. Romina tells him that she understands that he was close to Inaki and that his death affected him, but it also affected her. She needs comfort from him and wants to be with him in the biblical sense. She starts kissing him again. He stops her and says that I can die tomorrow, but that does not give me the reason to act irresponsible. Romina is upset and says I hope that you are not rejecting me because you have another woman in your head.

Camila tells Macarena that her ex-husband is trying to contact her and she doesn't know if she should show the letter to Romina. Macarena tells her that she cannot keep him away if he finally wants to see his daughter. But he cannot use Camila to get to Romina.

Rufi comes home from errands and sits down to look at pictures taken on the night that Inaki and his mom came officially to ask for Paloma's hand in marriage. Paloma walks in and sees the picture of her and Inaki and takes it from Rufi. She starts crying and runs out of the room.

Camila rips up the letter and says that is exactly what I want to hear. I am going to start living my life and proceeds to tell Macarena that she has a date with Orlando. Macarena says I hope that it will be the first and many more to follow. Camila then tells her that she is Rafael's silent partner. Macarena tells her that she is a great person. And it's time for you to be happy.

German tells Romina that he is with Liliana and he can't keep doing this every time she wants. Romina asks him if he wants to be with her. German says of course, but Liliana is about to come here. Suddenly Liliana comes in and yells out what is Romina doing here? German nervously tries to explain, but Liliana stops him. She knows why and walks out. Romina just grins.

Macarena tells Camila that she is going out with the doctor. Camila thinks it's a great idea. It's time for them to live there life. Macarena reminds her that there is/was only one man for her. How do I move on asks Macarena.

Carlota goes to see an attorney and wants to know if she can take out a large amount of money. She gives him a card and he writes down her balance. Do you want to take it all he asks. Yes replies Carlota and I want it in cash. He tells her that he has to find out if he has that amount in cash first.

Camila tells Macarena that life is giving her another chance and not to let it get away. It's time to live your life.

The attorney tells Carlota that he doesn't have the cash on hand, but he will tomorrow.

Paloma is at church talking to God. She knows that she has to move on, but she can't. She wants Inaki next to her.

Emiliano is reminiscing about his conversation with Paloma. He remembers telling her that he cares for her and she replies that she cares for him too.

Paloma is walking out of the church and runs into Emiliano. Paloma cries that she misses Inaki so much and doesn't want to forget him. He tells her to live with his memory. He takes off his jacket and wraps it around her. She drops the picture of her and Inaki on the ground when their faces come within inches of each other. She pulls away and walks off.

Carlota is running home in the rain and meets the good doctor. She tells the doctor that she wants to talk to him. She knows that he asked Macarena out on a date, but thinks that it's inappropriate. Why he asks. She tells him that Macarena is his patient and that they are too old for romances at their age. He tells her that he doesn't agree with her. Macarena is his patient, but he is not taking advantage of her. If she accepts the date, then she doesn't think anything is wrong with it. Carlota tells him that Macarena is not one to make good decisions. If you knew about her past then you would never have asked her out. The good doctor says that he doesn't need to know her past. Your sister has everything a man could want. Carlota gives him the stink eye. The good doctor says that he is sure that he is not the only man who would give his life for her.

Emiliano is at the church looking for guidance when a padre comes up to him and asks him if he needs to talk. Emiliano tells him it's about a woman. He can't forget about her. The padre says that the best way to get over this problem is to stay away from her.

Cristobal comes to pay a visit to Natalia. He tells her that the promise she wanted him to make regarding getting close to Paloma will not be fulfilled. Why asks Natalia. Because I do not want to see anyone from that family. Natalia doesn't understand why. Paloma is a great girl and needs someone like him. She cannot get close to her, because of Alonso. She wants to avoid more problems with him. She understands Alonso's reason, but not his. Cristobal says he just can't do it. She wants to know if there is any connection with that family and the girl that he fell in love with. He's saved from answering when Alonso and his daughter come home. They are introduced and Cristobal takes his leave. Alonso asks Natalia if that is the same Cristobal that she was going to marry. Yes she replies. Then why didn't you tell me that you found him again asks Alonso. Because I didn't think it was important enough to tell you responds Natalia. For it not being so important, I just find it strange that your ex in our house talking to you. Natalia fires back that did you not notice that she is a priest? And replies Alonso. Don't get your panties in a wad responds Natalia. When I took Sagraio to take first communion classes, I met up with him again. And I was glad, because I didn't get to have closure. He came here to say goodbye because he is leaving town. Yes I was going to marry, but I didn't. I don't appreciate your jealously and he has no interest in me. But what about you asks Alonso. She gets pissed and walks away.

Paloma is in her room smelling Emiliano's jacket. Rufi comes in and says that she is sorry about the pictures. She didn't know she was in the kitchen. It's all my fault also that you came home wet. Let me make you a tea while you go and take a bath. Paloma gives Rufi Emiliano's jacket and asks her to return it to him at his job. Rufi agrees and asks her if she wants to send a message. Paloma says no.

Romina is pissed that men lately have been turning her down. She calls the investigator and wants to know the status. He tells her that her father has returned, but doesn't have his address yet. She is ecstatic. He will have an address for her soon.

German goes to see Liliana and tries to explain. Liliana says stuff it. I know you went out with me to forget Romina. Don't worry, I am not going to act like I did the last time. I do not want to see you again.

Carlota comes home and is greeted by the attorney who is handling Paloma's estate. He is going on vacation and wanted to talk about Paloma's inheritance.

Emiliano goes to ring Romina's bell, but can't. He walks across the street and looks up to Paloma's balcony. Then walks away.

Rafael comes home. He asks Diana why she wanted him to come back home. Because she loves him. That's wierd replies Rafael. Because I do not feel you love or affection. Your actions tell me otherwise. What do you mean replies Diana. First off that picture. You have not hung it up or returned it. Diana says that you are very dramatic. I was just in a bad mood. But don't worry, I will not be returning it. You gave it to me. I haven't hung it up yet, because I was waiting for us to do it together. Do you have a hammer and nails? Oh, I forgot. I'll get it tomorrow replies Diana. Rafael hopes she's telling the truth. She gives him kisses as her answer.

Camila misses her picture that she sold Rafael. The cleaning lady says that he must be special for her to part with it then. This is a business and I had to part with it. Cleaning lady doesn't believe her.

The attorney thinks that it's time for Paloma to know about her inheritance. Carlota is not in agreement. Paloma is to depressed. The attorney thinks that this will make her happy. Carlota thinks they should wait until she's 21, because girls her age at 18 still act like there 15. He understands, but that is not what her brother wanted. Carlota tries to make him see reason, but the attorney says it is what is written. I lost reception for a minute and lost the rest.

Tomorrow: Macarena accepts her date with the doctor; Emiliano smells his jacket which has Paloma's scent on it; Romina says that one day she will marry Emiliano; Paloma tells Carlota that she doesn't care what people think and Carlota gives Acadia the money

Labels: amor

Backwash: Romina sprinkles chili powder on her lollipop and suggests to Paloma that Carlota has been acting too nice. Could she be responsible for Iñaki’s death? Meanwhile, the wicked witch sits in her study reading a book. I tried really hard to figure out what she’s reading, but this isn’t in HD. I’m pretty sure it has a naked torso on the cover, though. Carlota! I’m shocked! I guess she really does have the books which substitute for the internet. The phone rings, and Arcadia says they need to chat.

Fresh swill: Paloma is in serious denial, and says Cruelota may be evil but she would kill no one, much less Iñaki. Get real, says Romina, of course she would, and it would much more likely be Iñaki than some nobody, because eliminating him gives Cruel power over Paloma once again. Paloma still insists that young healthy Iñaki just woke up dead of a heart attack, but Romina sagely says heart attacks can be provoked.

Carlota tells Arcadia they have nothing to discuss; the case is closed, and don’t call again or Carlota will have her arrested for extortion.

Paloma continues to insist that Cruel could never kill anyone because she’s super religious. Apparently religious history is not in the curriculum at Paloma’s school. Romina tells her to believe whatever she wants, but she might consider that everyone close to her dies and Cruel keeps telling her that she is responsible.

Carmen gives Emiliano the medallion and photo to give to Paloma. She thanks him for being such a good friend to her son and says she understands why Iñaki said Emiliano was the only one he’d trust to take care of Paloma. The doorbell rings, and Emiliano goes off to answer it before he can ask whether Iñaki actually left Paloma to him in his will.

Orlando struts into Camila’s shop and, after the necessary words of shock and loss regarding Iñaki, Orlando asks Camila to dinner. She accepts, just as Rafael appears.

Carmen’s visitor is that lousy rat Alonso. She jumps up in surprise, letting something in her lap fall to the ground. They did a good job with her makeup; she looks genuinely destrozada rather than perfectly made up but with a big glycerine tear as so many telenovela ladies do. Anyway, he says he wants to go with her to Spain to put the ashes wherever she wants, and he asks for her forgiveness for being such an idiot, and hopes Iñaki can also forgive him from wherever he is. Heaven, Alonso. Trust me, we viewers know he was angelic even if you couldn’t see it. Carmen actually hugs him and gets snot and tears all over his sweater.

Carlota intercepts Romina as she descends the stairs just to remind her that she’s only letting her visit Paloma because of the current circumstances; it doesn’t mean she thinks she’s an acceptable friend or anything. Romina retorts that she knows very well how mean and controlling Cruel is, and she isn’t fooled by the recent nice act. Romina had better watch her back. If people keep talking to Auntie Maim we won’t have any characters left by the end of the story.

Rafael and Orlando are charmed, I’m sure, to meet each other, and they both sign up for the mutual admiration society centered on Emiliano. That Emiliano, what a guy, says Orlando. I say, show us, don’t tell us. After Orly leaves, Rafa tells Camila that thanks to her help with the designs, they have a new investor and all is well! She acts believably surprised. Then he says he wants to buy a painting for the two-faced harpy, oops, I mean for his lovely wife, and Cami says the previous one has already been sold so they go to choose another.

Meanwhile, dumb cluck Diana is heading out to the rosticería to buy the chicken for dinner and runs into Inés. Diana gives up the hot gossip…she and Rafael have reconciled; the poor man just could not live without her and beeeeeegged to be taken back. Her poor henpecked husband might possibly have experienced that from another perspective more closely aligned with reality. Inés is still politely “concerned” about the factory and all the people who will be out of work, but Diana says not to worry, the factory is better than ever and will be the most important in the region. She lets Inés twist her arm (Inés says nothing and Diana barely takes a breath) into confessing that she, Diana, was the one who came up with the great new product line that saved the day. Inés thinks Diana is such a great wife.

Paloma is still sitting in bed musing on Romina’s suspicions, and she quickly throws the comforter over the huge stash of junk food Romina left as Carlota flings open the door. Paloma can’t lick a lollipop and look at a possible murderer simultaneously without choking, and the secret is revealed when Carlota runs over and sits on the bed to pull Paloma’s arms over her head and smack her back. Carlota says not to worry, that dear Romina is a good girl, just a little misguided. Paloma looks at her sideways and scans for clues.

Rufi and Macarena prepare dinner and discuss Mac’s potential date with the doc. Mac says she hasn’t decided whether to go, but they’re still mourning (en luto) so it’s too soon anyway. Rufi says to go out and get on with life would set a good example for Paloma. She thinks Mac has to do it to keep her promise to Sagrario, even if she only goes out one time. Mac finally agrees but emphasizes that she’s only doing it for Paloma. Sheesh, what a martyr.

Emiliano drops by the witchery to deliver the goods to Paloma. That’s not a euphemism; not yet.

Romina, meanwhile, has dropped by her mother’s shop to attempt to control her mom’s life. She notices the new flowers from Orlando and is not happy to hear that Camila has accepted a date with him when Romi doesn’t want her to marry again. Camila rolls her eyes and says she’s not thinking of marriage, she just wants to go out and have friends and live while she can. Romina says in that case Camila shouldn’t complain when she makes plans regarding Emiliano or her father.

Rafael brings the new painting home to surprise Diana. She hates it. She only wants paintings by famous artists, so she tells him to return it. He’s sick of her attitude (that was a short honeymoon) and says she’ll never change, and he’s not going to return the painting but she’s welcome to do it herself.

Emiliano asks Paloma how she feels. Well, duh, dude. He gives her the photo and medallion and says that Carmen also asked him to take care of her. He tries to console her but she is obviously inconsolable, but he still tries to find a silver lining by pointing out that she made Iñaki’s last days so happy he would certainly have preferred that to a long, long life without her. They agree they will still be good friends and they both say te quiero. Paloma sobs and Emiliano looks at her all moony-like. Musical flashback of happy Iñaki memories.

The song (Fin del Capítulo by Tommy Torres):
Ya no llores, mi niña
Ya no mas corazón
Sé que duele tanto, tanto
Cuando en el alma muere una ilusión
Muere una ilusión
Yo te doy mi palabra
Que afuera ya salió el sol
Es tan difícil ver el cielo
Cuando el dolor nubla tu corazón
Nubla tu corazón
Aunque tu cuento de princesa
merece un final mejor
Mañana vas a darte cuenta
Que en este capítulo
Él es el que perdió
Seca ya tu carita
Y arréglate el camisón
Él no merece tus lagrimas y
Yo te aseguro que mañana estarás mejor
Un poquito mejor
Y aunque tu cuento de princesa
Merece un final mejor
Mañana vas a darte cuenta
Que es tan claro, amor
Él es el que perdió
Que no hay mal que por bien no venga
No es tanta contradicción
Cuando es muy fuerte la tormenta
No ves el horizonte, no
Y aunque tu cuento de princesa
Merece un final mejor
Mira en mis ojos y date cuenta
Es tan claro, amor
Él es el que perdió.

My hack translation:
Don’t cry anymore, my child
No more, heart
I know it hurts so, so much
When in the soul an illusion dies
An illusion dies
I give you my word
Outside the sun is gone
It’s so hard to see the sky
When pain clouds your heart
Clouds your heart
Even though your princess story
Deserves a better ending
Tomorrow you’ll realize
That in this matter
He is the one who lost
Dry your little face
And fix your shirt
He doesn’t deserve your tears and
I assure you that tomorrow you’ll be better
A little better
And even though your princess story
Deserves a better ending
Tomorrow you’ll realize
That it’s so obvious, love
He is the one who lost
That there’s no bad but that some good comes
It’s not such a contradiction
When the storm is very strong
You don’t see the horizon
And even though your princess story
Deserves a better ending
Look in my eyes and realize
It’s so clear, love
He is the one who lost


Some days later:

Natalia strolls with Cristóbal in the church yard and tells him they’ve just returned from taking Iñaki’s ashes to Spain, and Alonso is still very disturbed and wants the family to go on a trip and spend time together. Cris offers condolences and advises her to do it. He tells her he’s definitely going to Real del Monte, and she asks him to pay special attention to poor Paloma.

Back at the big house, Paloma decides she is going to return to school the next day.

Over at the office, the Emiliano Admiration and Support Society holds a meeting. Orlando is so worried about Emiliano burying himself in his work and never leaving the office that he tries to get him to come along to the Express office to mail a package. When Emiliano bursts into tears Orly figures out that this is about Iñaki and Paloma. Emiliano bizarrely says he would never have wanted Iñaki to die. “Well, of course, none of us would,” says Orlando. “But none of you are in love with Paloma!,” Emiliano wails. Well, how does he know? Orlando says it isn’t his fault Iñaki died, regardless, and he never betrayed his friend so he has no reason to feel guilty. But Emiliano is all conflicted and doesn’t know how to act around Paloma now. Orlando tells him to get on with life and quit wallowing.

Romina calls Germán at work and complains that Emiliano works all the time and doesn’t pay any attention to her. He correctly interprets this as a booty call and his little angel and devil start to battle it out.

Paloma returns to school and gets lots of compassion from a nun and Angélica.

Carlota and Macarena stroll past the church and Carlota notes that now everything is back to normal. Mac runs off to see Padre Jacinto, giving Arcadia a chance to seal her doom. Carlota tells her not to be foolish (necia) but Arcadia is apparently suicidal because she tells Cruel she knows that she poisoned Iñaki with belladonna. Cruel says no one will believe her, and how dare she try to defame upright respectable her and cause more pain to the families who are mourning? Arcadia doesn’t give up, but shows her a number and says she has three days to come up with the money. In totally unrelated news, guess who probably has less than three days to live?

Mac returns and says the padre is definitely leaving, and Cruelota should help her plan a goodbye party, and a welcoming for the new priest. Oh, won’t that be fun?

Cris packs up his stuff; he’s planning to go in a few days. The senior priest gives him a little cross figurine as a token of thanks. Cris drops an envelope out of a book he’s packing, and picks it up and looks at something inside. He tells the pictures (I’m guessing, we don’t see them) you were my only love, but that’s all in the past and I’m going to bury the pain in Real del Monte. Then he tears up the pictures and chucks them in the wastebasket.

Paloma tells Angélica she’s wondering whether someone killed Iñaki. Angi thinks she’s just looking for something to blame since she’s angry and confused about his death. Paloma moves on and says she wants to get a scholarship and go to college which would make Iñaki proud of her. Maybe she will study music, since that’s what he loved. Angi says she should definitely go to school, but she should study what she likes and lead her own life; Iñaki would be proud of that. Paloma is worried she’ll forget him; Angi assures her it won’t happen.

Emiliano is happy that Orlando is going out with Camila. Orly says maybe he’ll become Emiliano’s stepdad-in-law, but Emiliano thinks that’s unlikely as he’s only stuck with Romina until he manages to make a breakup stick.

Avances: Rafael praises Camila’s fine qualities. Aron tries to bond with Paloma. Cruelota plots. Romi and Germy are caught by Liliana in flagrante flirtigo. Emiliano and Paloma stand together in the rain, and we all know what that means.

Labels: amor

But will we actually get any tonight? Our first confession is what I thought would be a confessus interruptus from Flor to Fernanda about Rubiel Villasana. But technically that's from last night, so it doesn't trigger our confess-o-meter for this evening. Given that he's a new player on the scene, I wonder if he might hang around for a while to do us the favor of both helping end Fer and Damian's marriage AND partnering one of the eligible ladies.

Evil Barbie summons Fernanda to Daddy's office, but she also asks if Fer has talked to Santiago. By coincidence, Santi calls and Fernanda borderline rudely tells Barbie that she wants to take the call alone ("a sola"). Santi tells her Aurora is in Purificacion, that Barbie is the one who found her, but he won't give her any more details until he sees her tonight. She notices his depressed tone and keeps trying to cheer him up, talking about how he's coming home with Aurora, but Santi doesn't reply.

Lurvely asks Caaaaaamiiiiii what he would think about getting a 2 for 1 deal in his marriage. Cami is intrigued. Lovely explains he gets one chaste, virginal gal, but the other isn't shy ("timida") or naïve ("ingenua"), isn't afraid of anything and only wants to give him pleasure. And the best thing about that woman? That she expects nothing from Camilo--not love or understanding. Hm, sounds like a good deal for him. She says all "that woman" needs from him is to pay what's fair. Well, maybe not such a god deal, then.

Barbie gripes to Fernanda about Gardenia being there, about her covering the phones, about Fer making a decision without consulting anyone else. She tries to say it's because Gardenia quit her job at the hacienda. Gonzo, who hasn't been paying attention, seemingly, now chimes in to say he agrees with Barbie--anyone hired for a job in the president's office ("presidencia") needs to be on the family's good side. He demonstrates that he has been attending the Franco Santoro School of Acting With Your Jaw Muscles and gives us a flex just to show that he's serious.

Flor and Gardenia gossip about how Fernanda's going to have Flor's back with Evil Barbie. Gardenia blabs about Fer needing to know everything about her skeezy husband. Flor says she did it because Franco had already spilled the beans to Fer. Gardenia gives Flor an "oh, if you only knew the truth about that Franco Santoro", but she doesn't actually give her any information before flouncing off.

Margie tells Franco that he has a call from Erika. She wants his birth certificate ("acta de nacimiento"), but he says he left it in the US. She proposes they request a copy and he says he'll look into it. She sends him "magical" kisses before hanging up. I thought only the Keebler Elves could do that, but apparently so can Erika. Franco tells himself it was a bad idea to agree to marry Erika. Duh.

Fernanda, Barbie, and Gonzo continue their argument. Gonzo tells Fer that she's going to have to get used to consulting people before she makes decisions. She counters that no one consulted her before hiring Vlad (the Impregnator) and isn't she supposed to be the director of human resources ("recursos humanos")? They're interrupted by a call to tell them that Gonzo's lawyer is here. Gonzo tells Fernanda the lawyer is here to make some "changes" about the distribution of his assets.

Cami says Lovely's being very mysterious and he wants to know if those two women are actually both her. She moans a yes. He asks if that was the truth she wanted to tell him about. Another yes, but there's still more. She asks him if he'd rather she undress ("desnudar") her body or her soul first. He leaves it up to her, so she starts with her soul. "Lovely doesn't exist." He's confused. As she starts to explain, the doorbell rings. It's Tío Esteve! He gripes her out for being there and Lovely looks terrified. Confessus Interruptus: 1.

Tío Esteve loudly reminds Lovely that a decent woman doesn't spend time alone with a man. Esteve tells Cami that includes the boyfriend, fiancee, etc. Lovely tries to resist leaving with Esteve, but Cami is only too happy to retrieve her bag to help Esteve out. Esteve drags her out before Cami can object. He looks pretty freaked out as well.

Margie tells Franco she's worried about Gardenia working at Lactos and possibly telling Fernanda something. Fernanda calls and asks to talk to Franco, but she wants to come over, not talk on the phone. Franco asks Margie if maybe Gardenia already ratted him out. Margie tells him to spill the beans now, "don't wait, you tell her first."

Gonzalo answers some question from the lawyer, Eusebio, that we don't hear with "everything." He says the situation with Lili keeps getting worse and he wants to protect his family's inheritance ("patrimonio"), and that includes protecting it even from his own daughter. Eusebio thinks he's being extreme and wonders what Gonzo thinks Lili will do. It's not Lili he's worried about, but Obregon, who appears to have completely dominated Lili's will, thus putting his pesos (most of which are actually Franco's pesos at this point) at risk. The lawyer gives him a listing of his assets ("bienes") and says he's already drafted a new will ("testamento") according to their last decision. Gonzo says he wants to put the house in the kids' names, except for Lili's. Barbie steams.

Lili, at Artemio's house, is listening to Ciro continue reading from Ana Gregoria's diary, but we don't get to hear it.

What about the rest, Eusebio asks. "The rest goes in the name of my wife: Barbara Elizalde." Eusebio wants to confirm, because last time Gonzo was splitting it between Barbie and the kids. Gonzalo insists it all needs to go under his wife's name. Eusebio begs their pardon for asking. Gonzo says no sweat, but get on that right away, "¿Quieres?" (literally "do you want to?", but it's more along the lines of "would you?" or "you got a problem with that?" depending on the tone--for example "Damnit, Esteve, just tell Venus you're in love with her, ¿Quieres?" or "Shut up, already, Gardenia, ¿Quieres?") . Gonzalo gives Barbie a reassuring glance that would have made him look like the big strong man…about forty years ago. It doesn't help that we know just how daffy he is today.

Venus yells at Esteve in the car. He won't talk to her in the house, it has to be in the car. He doesn't want to be overheard or interrupted. He wants to explain to her why she can't tell Camilo the truth. Esteve says the game with Cami is over. "El tomado del pelo" he calls it ("taking by the hair" literally; in English we would say, "pulling your leg" or "yanking your chain"). "I knew that" she snaps. She points out he made that decision without consulting her because she doesn't matter. He tries to tell her she does matter and she can ask whatever she wants, he's willing ("dispuesto") to do anything to keep her from seeing Camilo Elizalde again. And then we switch scenes and I can quit holding my breath! Damn you, writers, could you throw us a bone already!!!!!!!!!

Fer storms into Franco's study and says she's found out something terrible and she just can't believe it. He wonders if it's something Gardenia told him, by any chance ("de casualidad"). Fer is confused and wonders, "What's Gardenia got to do with it?" And really, don't we all?

"Why don't you want me to see Cami again?" Venus wonders. Esteve says it's because he knows she wants to tell him about their "joke" and he doesn't know what will happen to her after, or to the other people around her.
V: You care ("te importa"; is it important to you?) what happens to me?
S: Don't ever doubt that.
V: I have a hard time ("me cuesta trabajo"; it takes some work) believing that's true.
S: It is true, that's why I went to find you. Because I can't let you make that mistake. If you tell him the truth you'll destroy the life of someone who loves you very much. You're a woman of good feelings and I'm sure you don't want to hurt that person. Or do you?

And still no confession. But I think we're getting closer.

That waste of space Camilo is on the phone to Natacha claiming he thinks only of her. Vomit. He just hasn't been able to see her because he's sooooo busy at work. He's waiting for her in his lust nest.

Back to the Steve and Venus show…
V: Is that person you, Steve?
S: No, uh, yes, uh, it's our friend Franco. If you talk, you'll destroy his life.
V: Does he know this, did you tell him that I'm going to spill it all?
S: He knows, but he told me it was in our hands.
V: And why is he so trusting ("confiado")?
S: Because he trusts his friends and you're a beloved friend.
V: I would have made him look bad to the Elizaldes!
S: And many other worse things that I hope I'll be able to tell you about one day.
V: I promise I won't talk.
He thanks her and kisses her on the cheek…come on kids, you can do this! But, no. They both get out of the car. Venus bitches at Steve that she's only doing it for Franco's sake. And she has a condition. Esteve agrees without knowing what it is. Esteve is dead to me. He says she'll be protected by both Esteve and Franco. They'll give her the "respaldo economico" (economic support) she needs. She says the condition is to follow through on the plan and make Camilo fall in love with her. Possibly Venus is dead to me now too.

Fer wonders what Gardenia would have said. Franco makes excuses not worth translating. Can we get back to the important things here, people? Fer's assuming Franco was taking advantage of ("aprovechandose de") Gardenia. She finally says it's her dad, he's upset and freaked out and if Lili doesn't come back soon, he's going to give everything to Evil Barbie (trading on the NYSE as ticker symbol BAR, up 10% from yesterday's figures, buy now for best price).

Eusebio has Gonzo sign the paperwork. He explains he can now start to follow through with Gonzo's instructions. He asks if the kids already know about his decision. No answer, just some more jawing.

Anibal is giving Vlad the impregnator his word and the details of the deal: "I'll give over rights to the kid and when I'm divorced from Priscila, you'll have the kid and the possibility of marrying her." Say what?! And in exchange for? "You'll follow my every order without questions. That's my condition if you want to have your kid." Vlad wants guarantees. Anibal says they'll both have to take it on faith. If Vlad complies, Anibal will hand over the kid as soon as it's born and divorce Priscila. Vlad asks why they have to wait. Anibal says he needs time to arrange the divorce in a way that won't damage his assets ("intereses"). And also Pris needs to be left out of it ("al margen").

Priscila happily chats with Damian about what an attentive husband and father-to-be Anibal has turned into. He's cancelled his appointments to come to psychoprophylactic ("psicoprofilacticos") baby classes with her (yes, really, that's the translation--Lamaze, essentially, but Google the term for more info). "He even wants us to pick out the hospital where our baby will be born." Damian quips sarcastically that it's because the kid represents a few more zeros in their bank account. Pris says she thinks a miracle has finally occurred and Anibal is turning into the husband she dreamed of since they got married. Damian says the opposite is happening to him. Last night Fernanda "insinuated" (seriously, dude, insinuated?) that she wants a divorce. He again utters the fateful words "I won't give her one" followed by going directly against his own words and throwing in the towel, er, napkin. Drink!

Gonzalo tells Eusebio that he can't count on his kids at all and the only sure thing in left in his life is Evil Barbie's company. He asks if Eusebio doesn't think it's fair to start protecting her now. And besides, the Hacienda's worth a lot, right? Eusebio, with sarcasm concealed only from the dimwitted Gonzalo, replies, "Yes, I'm sure that's exactly how your kids will see it." Gonzalo offers to walk him out, but Eusebio refuses as he's practically family ("soy de la casa"; "I'm from the house"). Gonzalo gets a last handshake and a hug. Eusebio says once the process ("el tramite"--of getting the assets actually transferred) is complete he'll come by with the paperwork. Hear that ticking, Gonzalo? Those are your few remaining seconds…oh, wait, what's that noise? My, my, they've gotten as fast as a drumroll in the last five minutes.

Evil Barbie's happy now. She thanks him and says the only thing she expects of him is love. He says she's never expected anything from him. She tells him what he's done now has left her speechless ("sin palabras"--without words). He says it's all to give her back a little for all she's given him. She must be amazing in bed, then.

Fer says she's worried about Barbie, but more worried that Gonzo is going to lose faith in her. Franco says they'll get Lili back soon, causing Fer to suspect he knows more than he's telling. He says he's got a lead, but he doesn't want to tell her anything until it pans out.

Barbie calls Artemio to say "the moment has arrived." He asks her "When are you thinking of doing it?" "Immediately," she responds. "I hope so," he replies. Barbie hangs up on him and dials a number.

Fer whines that Franco probably doesn't care because it's just about her money, sniff. Franco says, oh, no, he's all about her needs. He answers an incoming call from Barbie, however, and she tells him it's time to dance with the devil. Like, now. Like, right now ("ahorita mismo"). Jaw flex.

"Can you come with me?" Barbie asks. Fernanda, pissy that she's not his #1 priority, makes for the door. Franco says he can, so Barbie's coming over to his house. Once he gets off the phone, Fer asks if he's busy and says she's got to leave. He keeps her from leaving and she says she's got something to say to him about Gardenia.

Gardenia, meanwhile, having given Flor the 'ol "if only you knew" is now indulging in another favorite pastime of gossips, the "oh, no, I really can't say (but ask me again, I like feeling popular)." Sorry folks, I just have no patience for her tonight. "It's a delicate situation…just to give you a hint, if it were know, it would rock everyone's world." Flor looks appropriately (and for Gardenia, I'm sure, gratifyingly) impactada.

Fer says she's sure she never should have found out, but now she's got to talk. She asks him what women mean to him--she's realized how he manages his relationships with women. And she's not referring to what happened between the two of them, but she's realized that the thing they had going on was going on at the same time he had a thing with Erika and now they're getting married (and yes, it's just as convoluted as that). Franco says he thought they'd agreed it was just their hormones getting the better of them (paraphrasing). Fer thinks it's odd ("curioso") that he often has those "impulsive reactions" ("reacciones impulsivas"). She spills that when she came looking for him the other day, as she was about to knock on the door, she saw him kissing Gardenia. And that's a 1 on the confess-o-meter tonight, but I just can't bring myself to care about this one. Because you know that now she's going to only sort of confront him, but not really give him a chance to explain, and his explanation's going to sound so lame it won't matter anyway. Le sigh. Franco gets a pained, constipated look on his face.

Gardenia tells Flor "All I can say is, when this comes out, even the Elizaldes themselves are going to back up. That's going to be something to see." Flor, in a master stroke of gossipy brilliance, says that if the chisme ("gossip") is sooooo juicy, then Gardenia's going to feel really, really guilty when the shiznit hits the fan later. Mhm, I can see the two of them now, sitting in side by side rockers in the nursing home, tearing all the other little old ladies up one side and down the other. "If something bad happens because you don't tell, it's going to be ALL YOUR FAULT." Then she claims to hear her phones ringing and storms off.

Fer is sarcastically grateful that Franco isn't denying it, since they've still got work to do together and she doesn't need for him to turn out to be a liar on top of everything else. Ha. She calls his silence eloquent. She wants to know why, why is he taking advantage of her vulnerability, marrying Erika when he doesn't love her, and now putting the moves on Gardenia. She blasts him for giving poor, simple Gardenia hope that her wonderful boss might be falling in love with her. She screams at him the she, Erika, and Gardenia, don't go around kissing men "for sport" ("por deporte"). a. Speak for yourself. b. maybe that's just because there aren't any men around worth kissing for sport, miss priss. On and on and on, blah, blah, blah, no you don't get to talk, yadda, yadda, yadda, don't screw around with Erika. Buh-bye. Yeah, he doesn't get a word in.

Santi reports to Barbie that Aurora didn't give him the guy's name, didn't deny it, and didn't say anything else. Barbie tells him he doesn't deserve it and backhandedly confirms that Aurora didn't tell him the truth. Santi says when he saw her again he realized he'd still fall in love with her if he had it to do over again. Barbie thought bubbles happily that she didn't tell him about the baby. She asks him not to think all women are the same, this was just an accident, he's a great guy. He says he's leaving, there's nothing to keep him here anymore. He wants to go somewhere he'll never even accidentally run into her. Barbie agrees it would be good for him to have some alone time. She tries to hug him, but he won't do it and leaves. Barbie says she's sure she'll have her daughter and her grandchild all to herself.

Franco asks Steve if he talked to Venus. Steve says Venus won't tell because she doesn't want to hurt Franco, but she wants to keep the game going, just as they'd agreed. Franco says there's no way. Steve says all men are alike to Venus. Franco gripes that Fer thinks the same thing just because she saw him kissing Gardenia. "Now she thinks my favorite sport is kissing every woman I can get my hands on." The line. Starts. Here. Franco complains that he couldn't even explain to her. And also Barbie's on the way and today he's meeting Artemio Bravo. Dun dun dun.

But that will have to wait for tomorrow. Also tomorrow: Gardenia cries sexual harassment. I have no words.

Labels: manana

Whew. There's a lot right there in the title but that's not all, folks. Quite a bit happened tonight, plus we heard a whole raft of phrases describing"playing in the other ballpark" or "for the other team" and there was no way I could catch them all on the fly. Maybe I'll go back after this is written and stop and start my tape. (Hoping Santa will bring me a Tivo recorder for Christmas.)

There's a brief review of the hot potato number with the muchachas, thinking the package that arrived is a bomb. And once again we get to hear Ximena drop the real bomb that Connie has the hots for Beto (and evidently no olfactory senses).

Our feisty Monita elects herself the Bomb Squad in the Barrio and dismantles the package to find out it's chocolates. Estrella takes quick ownership and flees...but not without discovering there is also a gold chain inside. And a mash note...."To Estrella, the brightest star in the firmament." Uh oh. No doubt about it. Rolando's been having impure thoughts and even more impure intentions. Estrella is offended...but not so upset as to not eat all the chocolates! (How does she maintain that figure?)

In the meantime, Mauricio and Sal, after checking to make sure the microphone is still in place, fake discuss how they're going to meet an informant in the park and hand over a wad of cash for the info on the betrayers. Oscar and Jeri are primed to check it out, with Oscar adding that if they're caught, he'll wash his hands of the whole affair and leave Jeri holding the bag. Joke, joke, he adds slyly. Jeri looks confused.

Aldo, meanwhile, is phoning Estrella and getting rebuffed once more. You should be studying, working, hanging out with kids your own age, she snaps. Don't call me ANYMORE.

Sal is now hassling Mauricio about bringing Monita into the conspiracy mix. And sure enough, here comes our little Monkey in another I Love Lucy moment, complete with mustache, sideburns, suit and hat, swaggering like a miniature macho male.

While she's in disguise, our favorite "loca" is invading the office once more, scaring the bejesus out of Gaby who hasn't forgotten the very serious knife attack of a few months ago. Lorenza vows she's a new woman, just like a 2009 car... latest model ya know! but Gaby isn't convinced. It's true! and what's more, she knows who Sal is sneaking around with. Lots of monkey, King Kong imitations that baffle Gaby until finally Lorenza screams "It's la Monita". Gaby sets her straight. Her "very good source" Jeri is just stringing her along. Lorenza is sad and then mad. She vows vengeance. Now this is something we can get behind! And off she goes, while the camera pans down to her two different shoes. (This is not that weird. A friend of mine, broken-hearted over a betrayal, often ended up putting on two different shoes. We women are emotional dang it!)

More mayhem with women. (This is an equal opportunity violence show). Connie is suffocating Ximena, screeching that she thought Xime was her best friend. Best and ONLY friend, sniffs Xime when she can catch a breath. All right...I'll tell you who Roby's girlfriend is. Oh my. Of course there's an ad so we don't really know if she's going to spill the beans.

When we come back, we see Rolu swaggering into the neighborhood, ignoring the excited shrieks of the children and then flashing them a look of disgust. Oh yeah, for sure we know he's a bad guy. Even Estrella seems to know it. She hands him back his necklace (the chocolates are long gone) and protests that she's a decent girl and resents his obvious attempts to bed her. Rolu's undeterred and smoothly begs forgiveness on his knees, no less. But wait! we see Aldo watching from afar. This can't bode well.

At the park, Monita is acting out her part but seeming to get the intent confused. In the guise of whispering in Mau's ear (so the bad guys won't hear) she's actually caressing his face. Mauricio, making a valient effort to stay in persona, hands off the briefcase with the "cash" and sends her off. Jeri is sure he recognizes the little guy. It's Carlos Balero! (I tried googling this name and got a couple of different guys on Facebook but nothing else) Does this Carlos look like Charlie Chaplin? 'Cause Monita sure did. And she's staying in persona also, flirting with a couple of girls on her way out of the park.

The muchacha mayhem has intensified. Coni has given up on suffocation and is now threatening to cut off Xime's hair. Alright...Beto's girlfriend is P..., Pau....Paula! The "afanador" (cleaner)!? sniffs Consti. She doesn't even wax off her mustache! You're jealous, sneers Xime. No way!

And now, the famous THREE things Xime has to add to their discussion:

1) Connie, you're putting out a lot of negative energy and it's going to come back to you.

2)That negative energy will become a big ball of excrement!

2) I don't want you near me. You're splashing me (salpique) with it!

Okay, after that colorful exchange, we have a knock-down drag out fight. Aldo confronts Rolu. Rolu pretend to leave, then whirls and sucker punches little Aldo, not once but three times and then kicks him to boot. What a crud! If Estrella had any doubts, they're put to rest now. He's only 17! she rails at Rolu. He's still in full seduction mode. I love your eyes, your mouth, your legs and BAM! Estrella slaps him a good one. And he's gone. So is Aldo. But wait! she follows Rolu out to the sidewalk, he grabs her and forces another kiss on her....just when Xime arrives in a taxi and sees it all. Oh woe is Xime. And Estrella too, for that matter.

Seems that Nieves has organized a little lynch mob and now they're trying to run
Estrella out of the barrio. But I don't look for problems, problems just seem to find me, wails our little redhead. The mob ain't buyin' it.

Let's break this up with a little romance. Monita's in Mau's office and he's helping her take her mustache off. But that brings him close to her lips and well, you know....Our goofy galan wants to tell her something but she more or less says "shut up and kiss me" and he does.

Does the cellphone ring? Nope, something even worse. Beto walks in on them and thinks Mau is gay. We get a veritable flood of words, with Beto trying his darndest to be p.c. and broadminded, but finally excusing himself and saying he's going to vomit. Well, he tried. He really did.

Paula meanwhile, is entranced with the new little guy and is coming on strong until Monita finally clues her in. After that scene, Beto bops in the coffee room saying he's got big news and lays down a lot of slang about Mau's tendencies, one concerning "rice" which I've heard before but didn't catch this time. (Went back and checked the tape. See vocabulary below.)

So Beto's bewildered. So is Pau. And frankly, Mauricio still doesn't have a clue...not about who planted the microphone in his office, anyway. Neither does Gaby. No one will believe Sal when he accuses Oscar and Jeri of the spying. For Gaby, it's strictly sexual jealousy on Sal's part. For Mauricio, I think he's just missing a few cogs. All brawn and no brain, this one.

Lorenza been busy with her car again. This time she not only mowed down Jeri and Oscar (who come limping into the office on crutches) but it seems she also swiped some hapless street merchants in an outdoor market and has gone from jail temporarily and then back to the loco ward. But of course, Oscar is intimating it was all part of a scheme by Sal to assassinate them.

The mob scene is still going hot and heavy back in the neighborhood. Estrella's protesting that she pays rent like everybody else but Nieves reminds her she's a month in arrears. Lots of insults about being a "prostituta" and a "mujerzuela" and then our little Monita shows up and delivers a snappy "let ye who are without sin cast the first stone" sermonette. She rattles off an impressive list of everybody's shortcomings including that Nieves doesn't even know who Beto's daddy is. Chagrin all around and the crowd melts away.

Estrella's still downhearted. They always thought the worst of me, she laments. Paula's not sympathetic. "Te conozco mosco" she snaps. And why do you light up men's water heaters (boilers) and then expect them to take a cold bath! (This brings back memories of Austria. When I lived in an apartment there, we did have to light up the gas heater above the bathtub if we wanted warm water. )Great image though of Estrella's effect on men. She does light fires left and right.

One singed little guy... our Aldo... is in bed, trying to avoid having Mauricio find out he's been beaten to a pulp. But Mau isn't fooled and wants to know who did it. Just a guy. I was defending a girl. He was trying to get fresh. Estrella? Don't pry into my life and I won't pry into yours. Well, they settle with a little male bonding. Mau invites him to come to the racetrack tomorrow where they'll be running some laps. And advises that life is like a race...you have to control your speed so you can take the curves and finish strong. Okay then. Monita sermonette. Mau sermonette. Are there any more to come?

Guess not. Monita's in bed thinking about you know who. You know who calls. Says they have unfinished business. She says they can take up where they left off the next morning. Oh, a little early a.m. romance?! Dang, no, he's coming in late. Gotta go to the racetrack first. No matter. She'll prepare a sumptuous breakfast for him at the office and they'll...take it from there.

From hope to despair. We see Estrella, looking bedraggled and sad, walking slowly away from the barrio, after leaving a note for Monita.

Aldo's at the racetrack. Nasty Rolu shows up and sneers. Want another beating? Mau overhears, accuses him of bribing the doctor to give him a false health report (Rolu looks confused) as well as warning him if he ever touches his son again, he'll kill him! ( Rolu looks amused).

Back in the barrio. Monita's dressed to kill and Beto's worried. Everybody's going to be whistling at you in the bus! That encounter is cut short when they find Estrella's note saying she can't take any more garbage from her neighbors and is leaving....forever.

While at the primo's home, our broken-hearted Xime is in obvious mourning. Sympathetic Jeri says Why are you down on the barrio girls? Did they rob you of your cellphone? No, wails Xime. The Love of my Life! You'll get over it, he smiles. (and no doubt she will).

The coffee room remains a busy place. Paula's now in Monita's disguise trying to pass herself off to Gaby as Rogelio, Paula's twin brother. Gaby says she attracted and wants a French kiss. Paula caves and Gaby says, Now drop that stupid act and get me a cappuchino!

And once more we're back at the racetrack. Mau and Tano are eyeballing a new contender, some little twerp from the US. He's gonna bite the dust says Mau confidently.

Connie walks in on Moni preparing the nifty breakfast for Mau and wants to know what's up. Moni informs her it's a special moment and she's going to share it with him. Connie draws her arm back to slap her and Moni counters effectively. Watch out Coni. You're dealing with a professional here!

And speaking of professionals, Mau is completely flummoxed on the racetrack. Can't get around that pesky little U.S. contender no how no way. Racer steps out, takes off the helmet and oh no, it's Regina ( or evil Paulina from Tontas if you will) and she's back in Mauricio's life and sure to bring trouble. And there we end.

Previews:

Yep. Here comes trouble. Regina's in the office laying a big fat kiss on Mauricio and Connie and Monita both see it. (As noted on the MEPS line, galans never seem to be able to fend off a kiss. They let considerable time pass before they react. Leading to all kinds of problems!)

Regina's in some kind of meeting at the office and announcing she's thinking of starting a family. Connie goes into a violent coughing spell.

We hear that Mauricio and Regina had some kind of romantic relationship in the past.

And Monita gets revenge by biting Mauricio when he zeros in for a kiss! Yikes. Whadda gal.

Vocabulary:
insinuoso = suggestive
afanador = cleaner
salpique = splash, splatter, as with mud
engrudo = paste (for Monita's mustache)
trenzado con el joven = making out with the young guy (Beto describing the kiss he saw)
se chinga las pestañas = more Beto descriptions of what Mauricio was up to
se le gusta el chivito con el precipice= more of the same
el morder la almohada = more of the above
jugar con el ciclope japonés =and still more...
le gusta el arroz con popote = yep, still more
que hace chocolate con los codos = etc. etc.
que trueno al reverso = finito, that's all I got. But it's a lot for just one proclivity
bozal = muzzle
tianguis = street market (where Lorenza mowed down some vendors)
nunca me tragaron = they could never stand me (Estrella talking about neighbors)
desarmador = taking apart, tearing up (Moni talking about somebody tearing up the barrio)
atole = corn or maize drink. One of the things Moni asked if Mauricio wanted for breakfast. What he wanted was her!)
pinta de maleta =looks like a useless heap. Mauricio, underestimating Regina's race car
encamarse = to go to bed together. The usual male reaction to Estrella's charms

Dicho of the Day:

En gustos no hay nada escrito. Each to his own. No accounting for tastes. (Beto trying to be p.c. when he catches Mauricio kissing Monita disguised as a young man.)

Labels: gancho

Leftovers: Fortunately we don’t have to watch Inaki die again, or Paloma bolt from the church. Now everyone is gathered around the table at Carmen’s wondering what Alonso’s wishes will be. Carmen comes in and says Alonso’s opinions don’t count.

New, but soggy: In another room, Romina is comforting Paloma while Mac stands to one side. Paloma agonizes over why she lost her parents and now Inaki. God doesn’t love her! She wants to die too. Tearful Romina says no, no don’t say that.

Poster child for pinched-lipped town gossips Inez and her nice-guy son discuss what happened. Inez says the women of that family are doomed to remain single, and she tells him to stay away from Paloma– They’re cursed and I don’t want you being friends with her. Aron says that’s up to me, not you, and he walks out.

Back at Carmen’s we see Emiliano and Romina, all in tears. Camila says it’s the worst thing of all to lose a child. Emiliano says And she lost her parents too. Romina says it’s just not normal. In the background, we see Mac slowly walking sobbing Paloma out, Rufi bringing up the rear.

Emiliano looks after them and Romina says ruefully that he always seems to be fixated on Paloma and her family. Emiliano says I wanted to make them happy but now I don’t know what to do.

Mac has brought Paloma back to her room at home and says she’ll help her change into black, but Paloma says she just wants to be alone now. Mac leaves and Paloma remembers the night she and Inaki pretend married, and other lovely moments with him. She slumps to the floor and keens with grief.

Mac prays in her room and asks God why. Carlota comes in and tells her why cry since it was her (Mac’s) fault. After all, she’s the one who put that pearl Necklace of Deception, Lies and Sin on Paloma. Mac says shame isn’t inherited. Carlota strokes Mac’s hair casually and says you brought bad fortune down on us.

Mac says there’s no curse on Paloma and one day she’ll find the happiness she deserves. Carlota says who’d be interested in a girl who keeps having people close to her drop like flies? The best thing you could do for her is to tell her to resign herself to the fact that happiness is just not in the cards for her…before the next victim is you. Oh, and please don’t go blubbering through the wake.

Emiliano is telling his folks what happened. He says and Inaki was so happy and his whole future spread before him. Rafa says maybe Paloma’s youth will help her recover from this. Emiliano wonders why these things happen to Paloma, she’s an incredible young woman. Diana says does Romina know you talk about Paloma like that?

We’re at the funeral home. Alonso is here now, stroking Inaki’s coffin and telling Carmen Inaki never should have come to this town, and that she encouraged him in his foolishness and now look. Natalia is in the background, Sagrario on her lap. It’s your fault, he tells his ex-wife. It’s here that he fell into all this nonsense and started defying me. If he’d done what I wanted, this wouldn’t have happened. (He’s right of course, but only one person at the wake and about 3 million viewers know it.) Carmen says my conscience is clear, but obviously yours isn’t. Maybe you ought to deal with that instead of blaming others.

Natalia thinks maybe she better step in. She says this is a wake, not a court. She goes over to Carmen and says never mind Alonso, he just doesn’t know how to handle this. Probably he feels guilty. Carmen says he always thinks he’s right.

Whoa – it’s the ad break and there’s Inaki with his big smile. Creepy.

Drat, the captions have disappeared. Paloma comes into the living room, dressed in black, head down. Mac and Carlota are there too, also in black. Carlota acts all sorry and says she’s just glad she was able to make peace with Inaki and his family and with Paloma too.

Rufi comes in and Mac tells her to stay home from the wake – surely lots of people will be phoning. Paloma says Rufi is coming with us! Paloma and Rufi walk out and Mac tells Carlota off. Don’t you realize we should support Paloma in whatever she wants? Rufi is part of the family. Carlota rolls her eyes.

Emiliano and Romina are together, reflecting on what happened. Romina says a person could die at any time. If anything happened to him, she would just die. She says she doesn’t want to die without having realized her dreams. They should get married! Emiliano says it isn’t the time to talk about things like that.

Camila comes in, gives her daughter a hug and tells her she loves her. She gives Emiliano a hug, too, since he and Inaki were such good friends.

Arcadia’s granddaughter (niece?) breathlessly tells her about Inaki suddenly dying before his wedding. Arcadia is impactada and remembers having seen Carlota buying belladonna in the market.

Alonso, Natalia and the child are sitting in the room with Inaki’s coffin. Here comes our group of mourners. Paloma spots the coffin, cries and runs to it. Alonso leaps up and says hands off! This whole thing is your fault!

Emiliano goes ballistic. He tells Alonso that Inaki was his friend, and he loved Paloma. He will not allow Alonso or anybody else to talk to her like that. Alonso becomes menacing and says if it weren’t for her, he’d be alive today.

Paloma bawls I never would have done anything to hurt him! Alonso flames back that it was her fault Inaki didn’t go back to Spain, that he stayed here and died. Carmen says you can’t use Paloma to wipe your conscience clean. Thanks to her, he knew what true love is. Paloma thanks her.

Paloma wails over the coffin, while Carmen weeps with her. Paloma says I’m going now, goodbye Carmen, maybe I’ll see you again. Carlota watches, unmoved. Paloma flees and Emiliano follows her. Romina looks upset for a second, but then comforts Mac.

Carlota lets Alonso have it. She spits at him that she’s there to protect her niece and he doesn’t dare smear her like that. This is so scary that little Sagrario runs over and hugs her daddy’s leg.

Emiliano has run after Paloma. He puts her in the car and speeds off. Romina comes out and calls after him, but it’s too late.

Apparently the flower shop has called Camila at home to let her know they want to bring an arrangement by. Camila has to leave and tells them to bring them tomorrow. They read the card – From one flower to another. It’s from Orlando.

She picks up her mail on the way out. One letter catches her attention and she opens it. “Camila – not a day has gone by that I don’t think of you two.” Samuel! she says.

Emiliano and Paloma have arrived at her house. He takes her chin and tells her not to pay attention to what Alonso said. Paloma says it’s true – everyone I love dies on me. But thank you for defending me. Emiliano says I’ll always be there for you. It’s not true that it’s your fault. You’ve just had bad luck. Paloma says no, it’s true and I don’t want to ever love anyone again, or to let anyone love me.

Emiliano says that’s not up to you. People will love you anyway. Don’t give up on smiling, or loving. She says she doesn’t want to live and runs away.

Paloma is in the park and she sees Inaki sitting on a stone wall playing his sax. She can’t believe it. He looks up and smiles his winning smile, then evaporates.

Mac and Rufi are leaving the wake just as Camila comes up. They tell her about Inaki’s father jumping on Paloma.

Camila finds Romina just leaving the wake. Romina says can you believe it? Emiliano drove off with Paloma. Now it’s just Inaki’s family, so there’s no reason for you to go in.

Handsome Dr. Bermudez approaches Camila – he’s looking for Mac. Camila recommends he check by her house in a few days. He wants to show Mac how she can count on him.

Alonso tells Natalia that he doesn’t believe the heart attack thing and he doesn’t agree about skipping the autopsy. Carmen comes in and tells him she can’t believe how he acted with Paloma. It’s your fault, says Alonso. Why did you decide to cremate Inaki without an autopsy, to take his ashes back to Spain? Carmen sobs you have another daughter, but I have only one son.

Alonso suddenly starts chewing the scenery. He sobs, he embraces the coffin. You don’t understand! I can’t grasp that he’s gone. It’s a nightmare and I’ll wake up. Carmen lights into him: It’s your conscience eating at you. Why didn’t you support Inaki to be a musician? To marry Paloma? You wanted him to be just like you.

Natalie begs them not to fight. Carmen says this is our last fight, because it’s the last time I’ll see you Alonso. With Inaki gone, there’s no reason. She stomps out. Alonso sobs on the coffin.

Another break and there’s Inaki smiling again. What’s he got to smile about?

Emiliano has been waiting by his car across the street from Paloma’s. He sees Carlota get out of her appropriately black car and go in to make sure that the level of evil in the house doesn’t fall below acceptable levels. Mac and Rufi are with her. The theme song starts up. Suddenly he spots Paloma sadly returning to the Casa de Spinsters.

Next we see her in her room, stupefied with grief. She looks out the window and he gives a tentative finger-waggle wave. She lifts her hand limply, then turns back into her room and looks at her engagement ring.

Down in the street, Emiliano wonders how he can lift her sorrow. Romina and her mom pull up. Romina reproaches him for running after Paloma. She doesn’t get why he always has to be Paloma’s white knight. He reminds her what Paloma’s just been through. She says okay, but next time you want to rescue her, take me along. It looks fishy.

Carlota is cooking something and Mac and Rufi are commenting that Paloma wants to be alone. They understand. Carlota said you should. It’s amazing how history repeats itself in this family. You know what it’s like to have the man you love just poof! die.

And you know too, says Mac. Because when he died, he died for you too, at least for what you had in your imagination. But for him, as a woman you didn’t even exist. Touché! Mac leaves the room and Rufi thinks Good one! Carlota sends Rufi to go buy some bread.

Carlota gets down the bottle of belladonna and pours it down the sink. She thinks to herself I got rid of him same as I got rid of Inaki. If I can’t be happy, then nobody else in this house can be either.

Arcadia asks the herb lady if she has something to sleep, or relax. The herb lady is very voluble and tells her about belladonna, how if you take to much it’s slow, but then you can’t breathe and finally your heart just stops. Ah, says Arcadia. So you could take it at night and wake up dead the next morning? Yes, says the herb lady.

In her bedroom, Mac is talking to the photo of her lost love. She says maybe it’s true, bad luck can be inherited. But she begs her lost love to help her help Paloma find happiness.

Chris is back from his retreat. He’s decided to go to Real del Monte and face his ghosts.

Paloma has flipped out. She’s having full-on hysterics in her room, tearing at her wedding gown. The aunties and Rufi rush in and can’t contain her. Tranquila! Tranquila! says Carlota who finally slaps her a few time to bring her to her senses. Take me with you, Inaki! raves Paloma. Where is some belladonna when you really need it?

Carmen is at her house, sadly looking at a photo of Inaki and the chain Paloma gave him. Real tears course down her face. She calls Emiliano and tells him she’s about to leave for Spain with Inaki’s ashes, and could he come by and pick up a few things?

Dr. Bermudez is at the house and apparently has given Paloma a sedative. He says he’ll check by every day. Mac says thank you, Doctor, and he says call me Rodolfo. He says I’d like to know you not just as a doctor, but as a friend. Mac demurs and says right now I’m focused on Paloma. Rodolfo says life and time will make things better. I speak from experience.

He asks her to go to a concert at the University of Mexico. He says if Paloma sees that you are trying to re-enter life, maybe she’ll follow your example. Rufi has been listening from the kitchen and she exults, but turns and sees Carlota giving her the snake-eye.

Romina has brought lollipops for Paloma and is sitting on her bed, trying to cheer her up by reminding her of their childhood adventures. Paloma says she’ll never smile again. Romina tells her she’ll get better, like she did after she lost her parents.

Romina says she was thinking all night. It’s weird she says. Your Tia Carlota suddenly changed overnight and was all sweetness and light. What’s up with that? And that dinner where his family asked for your hand? Very weird. You don’t suppose she actually did him in?

Carlota is reading (probably not The Little Prince, but Machiavelli’s The Prince) and gets a phone call. It’s Arcadia who says now that Inaki has died, it’s time for a chat. Carlota looks startled.

Avances: Carmen tells Emiliano that she sees why Inaki said the only fellow he’d trust Paloma to was him. Orlando is at Camila’s shop, asking her out. She says yes and just then Rafa walks up. Emiliano tells Paloma it was all worth it. Best Avance of the Year Award: Romina tells Carlota that she did it just to make it so Paloma had to stay with her, huh?

The singer comes on, clutching her face and looked as flipped out as Paloma was.

Labels: amor

The chapter opens with our star-crossed lovers, no, not Mao and Moni, Beto and Connie, frantically groping each other in a furtive attempt to fulfill their biological imperative, and what better location than the boss'/ fiancé's office? She is arched back over the desk with him atop smothering her pretty neck with lusty kisses when the spell is broken by the appearance of Sal and Gabi at the door. They are appalled as the tryst becomes an assault. Connie suddenly summons the strength to push Beto away, cries foul, and scurries to seek solace from the stunned witnesses.

Gabi invites Beto outside to cool off a bit and for a little job counseling. Sal remains behind with the shaken Connie, but his gaze suggests more skepticism and disapproval than heart felt sympathy. Oh well, she gave it her best shot.

There is unfinished business in the park. A breathless Mao (maybe a little less weightlifting and a bit more cardio is indicated) has caught up with the fleeing physician and questions him about the fraudulent physical. Dr. Perales, who seems to be in better shape than Mao (maybe a third opinion is in order), confesses that he did it for money (well, duh!) from...Rolando Klunder! Mao scolds him,and then, to Moni's chagrin, sets him free. We chased this guy down for that?

In Mao's office, Sal is politely listening to Connie's account of the incident on the desk. "I'm the victim here!" she insists. He gives her an indulgent "of course you are" look and suggests that Mao needs to know about this." Well, maybe not," she thinks.

Outside, Gabi is having a little chat with Beto about office decorum as they are joined Sal who warns Beto to stay away from Connie. Beto firmly maintains his position. "I didn't do anything!" He is sternly cautioned by Sal and then given an errand by Gabi. "I didn't do anything!" he emphasizes as he leaves to take some documents to Mao's home.

Mao and Moni are sharing an moment of intimate conversation over ice cream as (of course), his cell phone rings. It's Cousin Ximy who by now is quite paranoid as the whole world (well Rolu, Connie, and Jerry) pursues her in quest of her secret. "Necesito tu ayuda, porfis." She desperately needs to see Mao. "OK, where are you?" Moni shrugs , gives him a weak smile, and off they go. Conversation put on hold.

Connie, Jerry, and Oscar are lamenting the failure of their latest plan. At least Mao thinks that Klunder was behind it. Mao and Monita chased down the wayward doc. "Say what?!" erupts Connie. She is not happy. Always Monita. Oscar points out that Moni has the inside track in the stakes race to be the next Señora Mao. "If you say that again and I'll kill you." Oscar rebuts with,"Don't bite the hand that feeds you, save the violence for Monita."

Uh oh, Crazy Curls Lorenza is confronting Gabi. "You're not answering my calls." she chides menacingly. Clearly her meds need adjusting again. Lorenza Loca is counting on Gabi to out Sal's mistress, but Gabi's been too busy to gather clues. Well, when she discovers who it is, she'll simply off her, she announces to anyone who might be listening... Nice.

Mao accompanied by Moni has caught up with Ximy. Mao, vouches for Moni, who Ximena acknowledges as her new best friend, "Well, more or less (más o menos)", corrects Monita. Nevertheless, Ximy needs to see Mao alone. Moni, "annoyed but gracious, offers her apartment.

Mao wants to know what big secret Ximena knows that puts her in such jeopardy with Jerry and Connie. Ximy hesitates and as Mao goes down the list of whom it might involve, Estrella warns Moni that the big secret concerns her and Beto. Oops. "It's very delicate, and you're not gonna like it," Ximy warns Mao as Moni and Estrella rush in. If Ximena doesn't come on she will miss out on the food. As Mao tries to pry the secret out, Estrella furiously gestures for Ximy to zip it. Suddenly, Ximy points and shouts, "look at the divine poster!" With Mao distracted she makes her escape.

Well, this is great, Crazy Lady joins Jerry at an outdoor cafe as Oscar and Jerry are discussing their new plan which is clearly not well-developed. Oscar is just leaving, but lurks nearby. Jerry, after pointing out his high ethics, proceeds anyway to fan the flames of jealousy already full ablaze in this bundle of lunacy. Who is the amante? Surprise! It's Moni! Well played, Jer.

Beto arrives at Mao's place as Aldo is reading a not so age-appropriate story to Dani, which Luisa has put a stop to. Dani is delighted to see el Fantasmo Vengador, Teresa offers Beto a glass of water but he requests something a bit more substantial. As she goes to prepare his snack, Dani asks Beto to read to her and he picks up the book and resumes the same racy story that Aldo had begun. Once more Luisa puts a halt to storytime.

In full flight from her latest pursuers, Ximy accosts a tall bewildered hunk and engages him in a passionate kiss as Mao and Moni run on past, Mao huffing and puffing. He definitely needs a new personal trainer. Ximy invites the hunk to come with her, then offers her number, but heck, wouldn't you know, she can't remember. Drat! Off she goes.

Rolu arrives in the barrio with flowers and knocks on Estrella's door. ""I told you I don't know any Ximena," she lies. "I came to see you."

Beto , enjoying his snack in the kitchen has been joined by the pubertos (as Beto refers to them) Aldo and Ivan. He offers them advise about women and the art of the alpha male. He's out of his depth but the boys are enthralled. Teresa not so much, as he explains that they deserve some adult advise. "Where is the adult?" she wisely inquires.

Meintras tanto (meanwhile,remember?) Rolu is giving it the old college try with Estrella. She weakly resists. "Do you have a sweetheart ?" he asks. "No, but you do, and I have a rule not to mess with my friends' sweethearts." He points out that she doesn't know Ximena. She protests some more but ends up with the flowers. She gently rebukes herself as he leaves.

Back at Mao's big casa, Dani is displaying her artwork to Beto. Turns out one of her masterpieces features Mao and Moni. Uh oh." Why ?" Beto suspiciously asks. "Because they're getting married." Say what?! Impactado.

At the office Gabi is complaining to Sal about his unhinged wife. He needs to take some responsibility, give her a call. He does just that. "Where are you?" She's out for a drive. "On your way home," he asks, hopefully. "Not just yet." She spots Moni and Mao still searching for Xemi. We've been expecting this. She asks Sal's pardon, she has something important to take care of. She puts the car in gear, guns the engine and launches the auto forward toward Moni who is sprinting across the street. "¡Hasta nunca, Monita!" Fortunately, Mao tackles Moni, moving her from the path of the speeding vehicle. He hovers asking if she's OK. She is, but the knee is injured and hurts a bit. He tries to check it but she reproaches him for taking advantage of the situation. "I'll take you to the hospital." "No!" "Then how about some chocolate?" "Ah, you know me," she broadly smiles.

Beto continues grilling Dani about what she knows of Moni and Mao. "Do they kiss on the mouth?" "You mean like on the tele?" Well she hasn't actually seen them do that. She wants to work in the tele but without the kisses. Beto warns her of the drawbacks. You have to get up early , complaining actresses, neurotic directors... Luisa interrupts. Bath time. Beto is not done. He suggests just a change of diaper. "I'm not a baby and I don't wear diapers!" Off for the bath. Beto will just take the incriminating art, then.

Mauricio has phoned Sal to report the near accident. Hidden, Jerry looks on and listens as Sal fills in Gabi. Lori emerges from the elevator looking even more looney than ever. She says that she is a bit troubled and wants to go home with Sal. Well he has lots of work and this raises her suspicions once more. This lady does crazy pretty convincingly. Sal asks Gabi to entertain her while he attends to a few matters.

Jealousy makes Beto hungry so he's back in the kitchen looking for food and pumping Teresa for information about Moni and Mao. He checks the fridge as Teresa tells him basically that Moni doesn't come, stay three hours and make a huge pest of herself. She leaves him alone with some fresh baked bread. Uh oh,, she is replaced by Connie.

At the ice cream shop, Dr. Mao offers to examen Moni's injury. As he advances up the leg she gets nervous and suggests they return to work. He has a better idea. "I'll take you home." Now your talking, cowboy.

Meltdown back in the kitchen. Moni was right. Connie is a cat in heat. She puts up token resistance then yields to Beto's charms and caresses. Dang they're smoldering. Smelling the smoke in the kitchen, Teresa returns to extinguish the blaze. "The gentleman was just leaving," observes Connie. "I didn't do anything," Beto offers as Teresa shows him out. "The lady gave me some forbidden fruit, nothing more." He takes a bite of an apple for emphasis.

Back at Moni's door, Mao is trying to press his advantage when they are confronted with the damning portrait by Dani. Since Dani is of the impressionist school of artists he has to identify the various subjects in the drawing. He points to Moni, Mao, Dani, Aldo, Luisa, and he is especially proud of the rendition of el Fantasma Vengador, nicely muscled. Convincing evidence to be sure, but as Mao points out, "Dani is seven yrs. old and believes in los Reyes Magos... (Hey, I believe in los Reyes Magos! I got the baby Jesús in my piece of rosca de los Reyes this Christmas.

Back at the office, Pau is cleaning and Gabi is carping. Gabi drops papers and as she stoops to retrieve them she spots the bug that Oscar planted beneath the desk. Dumdadummdum.

In the barrio, well, why is Mao here with Moni, then? Simple , she fell at work and (Pau's wet floor) and he brought her home. Mystery solved. Nieves walks up and is less convinced of all this innocence.

Connie is worried when Sal arrives to fill Mao in on the events at work. It's an emergency and can't wait. Mao comes home and, over Connie's objections, insists on hearing what Sal has to say. Reluctantly Connie relents and leaves the room. The bombshell "Gabriela found a microphone in your office."

The three amigas are winding down in Moni's apartment as Moni fill the other two in on the days events. Who would want to hurt Moni? Who indeed? Well, there's la Guerrera..nah. The Mummy? Someone is outside. It's a man, probably a paid assassin The girls gird their loins so to speak... ready? They open the door and drag in this poor geek standing there with a package. The murderous Pau, holds a table knife to his skinny neck.

Sal and Mao are still discussing the bug. It explains a lot. To Mao's surprise, Sal reports that he replaced it. Why?( Must be residual effects of the accident because Mao is several pages behind.) To catch Klunder? Nope, Jerry and Oscar. "you'll see."

Keeping his cool, the delivery guy says that the package is for Estrella Falcon. Oh, well then, she'll sign for it. He leaves without a tip, but at least he's still alive and did get his pen back.. Once again, panic. They play hot potato with the potential bomb which ends up on the bed.

Teresa ushers Ximy in. Is Mao home? Teresa goes to summon Mau and Connie wanders in. What a surprise. The game of hide and seek is over. Now Connie will learn Ximey's great secret. Connie chases Ximey until Mao breaks it up. "You're crazy," points out Connie, "take your medicine." May I tell you three things, Consti? One, I'm medicated for stress, two, don't play dumb, and three Consti wants to know a secret that I know and she doesn't." Mao encourages Ximy to tell the secret. OK, but only because she wants to. "Robi, that is Beto"; here she hems and haws and finally reveals that Beto is el Fantasma Vengador. "That's it? Even Dani knows that." Gyp! "Oh OK, Connie wants to take Beto to bed. Yep, she wants to feast on his kisses and then sleep with him."

Wow! Did anyone see that coming?

Carlos

Labels: gancho

The Cheese Fair! It's so exciting! Everybody is happy and Fer is the belle of the ball! The cheese looks delicious. So does Fer, especially to Fr/Ed. They are making googly eyes at each other - she on the podium being congratulated for all her hard work, he looking dashing in the crowd - but Err dashes up and drapes herself over him and Fer is downcast and Fr/Ed is abashed.

Santi is standing at the door of the convent. The nuns ask Aurora if she wants to see him and she's all happy and says, "Yes, oh yes, if he's here it's because he understands, and Barbara explained everything to him and we're copacetic." "Are you sure you trust Barbara?" "I trust Santi!" Uh-oh, anvil time.

They ask if she'll tell him he's gonna be a daddy and she says yes. You know right then and there that no, she isn't gonna tell. It's telenovela logic.

They fetch him. She's sweet and smiley and offers him water, he gets right down to business: "Who was that guy Barbara caught you in bed with? Say it's a nauseating lie!"

Now I can understand Aurora being flummoxed by that question and needing a moment to collect her thoughts. But she just whimpers and looks stupid until Santi says: "Your silence proves it's true." Now he's the idiot.

And he gets angrier and even shakes her and yells, "Who's the guy?" and then [OH WRITERS HOW CAN YOU PALM THIS OFF ON US?? -- Ed.] she says, "I didn't know him."

What? What?

And now Santi's convinced Barbara was right because that's what SHE reported: that Aurora was having sex in Santi's bed with some guy she didn't even know.

Santi accuses Aurora of being a whore. "When you were out there on the highway, you weren't looking for your mother, you were soliciting Johns. I should never have fallen in love with you, that was my error, I should just -- have had congress with you instead."

He stalks out and goes and sinks against a column and blubbers in a most ridiculous fashion. He spends more time looking at a pink rosebud and crying than he did listening to Aurora. Aurora collapses on her bed, the nuns flock around, she says she wants to die.

I know there are those among you who are thinking: "Go right ahead!"

Totally off-topic as far as I can see: somebody asks Jacinto how it feels to be married to somebody so, was it chipocluda? He says: I feel like a peacock. Nu?

Errorika's dad wants Fr/Ed to eat cheese. Errorika's mother warns her daughter: "Don't keep praising Fer to your fiance, you should be tooting your own horn." Err says (correctly) that would be pretentious. "I don't know, dear, he spends an awful lot of time with her..."

Back at the hacienda, Barb tells Daffy she wasn't surprised to hear that Lili's taped message was not coerced. Daffy is impressed: "How did you know?" "Because after all these years I understand your kids, they're like my own." "But they ARE my own and I don't understand them at all!" he moans. "I must have been a bad parent, why else wouldn't she want to come back? It's so sad and absurd. Lili wants to stay with her kidnapper?"

"She's not normal, my dear, you can't expect reason from her. I'm beginning to wonder if she hasn't fallen in love with Obregon and has colluded with him to do this, to extract your fortune from you."

He goes on a tangent, "But I'm even sadder about you. I called and called and called and you didn't answer! I was dying! Why is my life becoming ruined and solitary? I knew my kids would be leaving, but I'm terrified of losing you, you are the elixir of life! With you, I feel like a whole man - without you, I am just a moribund duffer." They kiss and kiss.

Cad is still turning the puzzle over in his pea brain. Loafly wants to elope. But dear daffy daddy, living font of the folding green, wants Cad to wait till Lili is found. But what if Lili isn't found? If Dad gives so much of his money to Barb, then Loafly's wad looks even more attractive. But if she ticks off her Uncle Steve, maybe HER wad will be endangered. Anyball is not too interested in this conversation.

At the hacienda Daffy continues to turn Barb's theory over in his pinhead. "What? Lili was an autosecuestrada? (A self-kidnapper.)

Barb keeps laying it on till he says: "Well then! All the more reason to hustle ahead and put my money in your name, imagine if Lili married Obregon and then he would get my pile! You need to get what you deserve, not only as my wife but as a vital part of Grupo Lactos!" She strokes his hairy paw.

Fer brings Flor home, they are all "we belong to a mutual admiration society" and laughing together until Fer asks, "Hey, what about that mystery guy at the office the other day?" Flor, remembering Barb's threat to fire her if she blabs about that guy, stammers and stutters and bolts for home.

Uh-oh, Damian is all dressed up nice (he looks good I have to admit) and he spritzes on some cologne and has a bouquet of roses and jumps up when the door opens but it's just Prisila, who says Fer will be along presently and "by the way, I've had enough of spying for you. There's nothing between Fer and Franco, the whole day Err was draped around his neck. And I don't recommend a private detective, you'll just be tossing your money in the garbage."

Fer comes into the bedroom, smells the cologne, sees the flowers - and Damian - and she gets tense, he says: "At last you've come! I'm so sorry, shorty, I was stupid, forgive me." [What did he do this time? I missed it. -Ed.]

She takes the flowers, looks away, tries to leave to put them in water (what an excuse). "You don't need to do that, Tomasa is coming with a vase, and also champagne, to celebrate." "What are we celebrating?" "The success of your cheese fair." "Like you care! You didn't even bother to come. It just proved you don't give a damn. You're an egotist."

"Oh, are we going to begin now?" "No, we're going to end." "What?" "I'm tired." "I'm tired too," he starts to raise his voice, "you think this farce of a marriage is easy for me? That Man is taking what's MINE!" "No, I'm not yours, we haven't had congress. And I won't go on with this."

"When you said there wasn't another man, you lied!" "Even if Franco didn't exist... it was a mistake to marry you." "You said it would be forever." "I tried 20,000 ways, but it's no good." And he finishes with the classic line: "I will never give you a divorce." Readers, you know this means he has to die. Too bad he doesn't realize it. He limps out.

Fr/Ed comes home to find Esteve packing to leave. Esteve has snapped. He knows Loafly is going to Cad's apartment and intends to marry him. Fr/Ed: "But she knows perfectly well he's a worm! Why would she do it?"

[I have to say that, much as I love to look at our hero, his acting in this novela, and this scene as a particular example, is feeble. --Ed.]

"She's not doing it for money, or for love, she's doing it because she's disgusted with me." "She loves you, why are you running away?" "I can't let her be in love with me! What can I offer her? My heart is stone. It was broken once and I spent years picking up the pieces. I can't love. Call me cowardly!"

"Friend, your heart may be stone, but Venus is softening it." "Yes, she's special. How she's suffered! She'll forget this cowardly gringo." "Talk to her!"

Martina rushes in to report what Esteve has already told us - that Loafly is off to Cad's apartment to elope.

And it's true. He's all dressed up. Venus goes straight for the booze and sucks one down in ten seconds flat. He looks surprised. She pours another one. She tries to tell him something but loses her nerve.

At the office, Fer gnaws away at Flor about "the guy the other day." She asks and asks and says, "Flor, we don't just work together, we're friends." (This could be called inappropriate pressure.)

To make a long story short, Flor buckles and admits she heard a guy say: "tell Fer her husband is a swindler, Rubiel Villasana says so!" Then Barb made her shuttle the guy to Barb's office. "And she forbade me to tell." Fer promises Barb won't fire her.

Barb comes in and shoots daggers at Flor. "YOU'RE here!" "Yes, what's it to you?" asks Fer with acid. Barb chews her cheeks.

Tomorrow: Margarita begs Fr/Ed to come clean to Fer.

Labels: manana