Monday, October 24, 2016
New Telenovela: Vino el Amor, Starts Tuesday, 10/25 at 9PM
Start Date and Time: Tuesday, 10/25/16 at 9PM on Univision (replacing Tres Veces Ana). Please contact Blog Mom, Jane, if you would like to recap this show: caray@mappamundi.com
Labels: ana, color, dejas, proximas, vino
Was glad to see that Gabriel Soto's character is a man with grown children, meaning he's playing true to age. I guess this IS indeed supposed to be a romance between an older man (late 30s-early 40s) and a very young woman. I'm ok with it if the writers are acknowledging it.
In the rolll of a good guy, she'd be good at it. I've only seen her in 2 crazy lady parts and she really shined in them. Glad to see gabe In any thing again.
Thank you Vivi. I hope someone will recap it.
I know folks are workin, tending family and stuff. But I always appreciate a good recaper.
Thank you all.
In Ni Contigo, her galan was blind and was played by Eduardo Santamaria: https://www.youtube.com/watch?v=Npymgu1OvE4
And in Quien Eres Tu, she played twins, both the heroine and the villainess, and her galan was Julian Gil: https://www.youtube.com/watch?v=96BCeq3KWfI
I've lived in Sonoma County for 16 years and worked in the wine industry for 15 of them and we've always been the red-headed stepchild to Napa. As Tommy Smothers once said, "Sonoma makes wine, Napa makes auto parts".
We really do make great wine over here....:)
Urban- It would be great if you could recap the first episode. I'm sure many folks on the blog would appreciate it. Perhaps your recap will tempt other recappers to come out of the woodwork.
Shouldn't you be sleeping by now?
I've just landed back in Toronto now, but have no idea where the rest of fall and winter will take me (hopefully someplace that's NOT here). I've also been watching this series whenever I've been able to (i.e.- anywhere 'down Mexico(ish) way'), so don't think I can really commit to anything on a permanent basis but, as I wanted to do with 'A que no me dejas', maybe I can give my two cents here, in the hopes of tipping anybody sitting on the fence over to the FUN side! :-)
For starters, first and foremost... the scenery. Unlike you've seen in any telenovela thus far ('Destilando amor', my ass!), and really quite stunning. Not in terms of a 'bucolic magnificence' kind-of stunning... just different, and the director really seems to have done his best to try and emphasize as much as he can so that- without doing anything- the scenery almost seems like another character in and of its own.
The main cast, also, is the thing that- for ME- was one of the biggest draws. Gabriel Soto, as his most recent turn as Galan-of-the-Century Max in YNCELH, I think REALLY hit a BULLS-EYE in terms of determining where his strengths lie. No manly, neanderthal Yanez, no jaws-that-could-slice-cheese, smouldering Colunga, no 'I just want to lose myself in you you're so beautiful' Levy, for all his pecs aside, Soto does 'sensitive', 'devoted', 'silently strong' REALLY, REALLY well. His protagonist here is in the same vein. Max was just a noble, loving, honorable, strong, yet still kind and gentle soul- so OBVIOUSLY the son of his mother than his tortured father. His David here is likewise no 'type A', hyper-masculine brute... this is not a galan that would break up any sketch taverna fight for any reason, but a man trying to be strong, and good and keep-it-all-together, yet still aware that he (for various reasons) may not be able to do so. It plays to Sr. Soto's strengths, and it shows.
Anybody that caught the recent 'El hotel de los secretos' would probably agree that one of the most fun things was watching any scene in which Daniela Romo and Diana Bracho were together. These are two telenovela titanesses, famed most especially for their villainous roles, but two actresses that- whatever they are in- COMMAND their attention, and make whatever show it is better because of their contributions. To have them both TOGETHER was epic. Well, 'Vino el amor' does the same thing, but with what one might call the NEXT generation of epic actresses (again, both more often than not villains)- Cynthia Klitbo (whose villains in 'Cadenas de amargura', 'La duena', 'El privilegio de amar', 'Velo de novia', amongst others, are legendary), and the mighty Azela Robinson (of 'Laberintos de pasion , 'Canaveral de pasiones', 'Contra viento y marea', 'Lleno de amor', and most recently her feral Josefa in YNCELH). Their characters are frequently pitted against one another and the results are always ABSOLUTELY CRACKLING!! It's like watching Godzilla battle Mothra over the streets of Tokyo!
I'm only being slightly hyperbolic here, but Klitbo- in a role one would think Victoria Ruffo would LOVE to have been offered- is quite good as Martha- the loving, dedicated housekeeper (with long, flowing hair, shawls, and floral, 'Laura Ashley' style frocks), of Sr. Soto's home and family, with whom his kids grew up with and view almost as a grandmother... AND, also the mother of our eventual 'protagonista'.
Pitted against her we have Azela Robinson in the role of the resentful, envidious Lilian- mother-in-law to Soto, mother to his wife (Laura Carmine- EXCELLENT) and sister-in-law (Kimberley dos Ramos in a role that ten years earlier would have been MADE for Catherine Siachoque), and grandmother to his children. Big Lil' is a piece of work, but watching Sra. Robinson in the role is like watching a force of nature. She can do more with PERFECTLY delivered line than most actors and actresses do with a whole monologue complete with histrionics. Lilian and Marta, then, are from two totally opposite ends of the spectrum- Lilian is money, class, power, and spite. Marta is humble, humility, the hearth, the family, and the home. Marta as such represents everything that Lilian despises, the fact that she and her family are immigrants makes it even worse. Wouldn't it make it even more deliciously better if I were to tell you that- from episode one (so I'm not revealing any spoilers)- there is also BAD BLOOD between the two for a reason that none of us know of? I only hope that the writers come up with something worthy of the talents of these two women, as they can obviously bring it- WHATEVER it is- in spades!
We also have two newbies to villain-land- Christian de la Campa-And-His-Lips (they're just so magnificent, they always have to be mentioned) in the role of Sr. Soto's "best friend" and financial advisor (without saying anything, I will ask you all to note the quotation marks...), and Kimberley dos Ramos in the vital role of Sra. Carmine's sister, Soto's sister-in-law, and Robinson's daughter, the capricious Graciela. The writers are making Graciela a much more vital character than her counterpart in the Chilean original, but dos Ramos- who already stands out in every scene just on the basis of her flawless, porcelain/alabaster skin and white blonde hair- is proving up to the challenge. Personally, it's nice seeing these two young, attractive actors being cast against what historically has been type for them. Sr. de la Campa's 'Juan' would have been perfect for a Sergio Sendel, and I've already remarked on how Graciela would have been tailor-made for a Catherine Siachoque (even if she's not the kind of murderous psychopath La Siachoque is so good at... yet!). Supporting roles are also well-cast. Sofia Castro is excellent at playing roles in which we don't like her, without necessarily wishing harm to befall her. She is likewise here, but gets much more to do. I think it is to Srta. Castro's credit that our feelings towards her adolescent Fernanda (daughter to Sr. Soto) are always varied and changing, much like adolescents themself! Laura Carmine and Alejandro Avila, neither of whom I think need much introduction, are cast here in two 'featured actor' roles (like Susana Gonzalez was in LSDP). After her turn as the thoroughly evil Nuria in AQNMD, it is striking to see her here in the role of Soto's beautiful, wonderful, incredible wife, and the two of them make an almost impossibly handsome mature couple. And Sr. Avila here is cast against type as Sra. Klitbo's husband, and Sr. Soto's character's most trusted employee.
The supporting cast (which features Mar Contreras (Nanciyaga in LI), is comprised of many new faces to Televisa/Univision viewers, and fulfill all of their roles demands admirably. One person, I think, must be singled out in particular. The Dominican actor Juan Vidal is cast as local policeman/enforcer Brian Gutierrez and, ladies... you have your new eye candy. I mean, the last reason I watch telenovelas is to ogle anybody- male or female, but Sr. Vidal just looks so obviously like a Chippendale Dancer in his blue policeman's uniform that I keep thinking he's going to tear it off any minute! He's certainly in his late-30's-mid 40's, but even I have to admit that the many is sexy. His character is also intriguing... I of course can't give away too much but let's just say he factors prominently into the story and with all of the major players but for different reasons, and whether it's the writing, the character, Sr. Vidal, or any combination of the three, I find his tormented character almost adorably compelling.
Interestingly, as the policeman in the California town where this takes place, most of Sr. Vidal's dialogue is in English, which brings me in to a little quirk which might annoy some of you, but that I just LOVE...
The absolute BEST (for me) is Azela Robinson... I knew she was born and partially raised in Britain... but I had no IDEA that her English-speaking voice is a PERFECT, CULTURED, BRITISH ACCENT!! I think of how many times we'd watch her SPIT out a line towards some hapless heroine as Apolonia or Josefa or Dinorah, that it's absolutely AMAZING to hear her here sounding like Julie Andrews!!!
Anyway, those are the positives.... the negatives... well, I don't feel I am in any position to comment about them, as they're all subjective, and what I hate is what some of you may like. I will say this, though... with the story that they have, and the CAST that they have, I guess I was hoping for something along the lines of 'Tierra de Pasiones' or even 'Abismo de pasion' here, and I would have loved to have seen what Angelli Nesma Medina would have done with the script. But the last Jose Alberto Castro production that I REALLY liked would be 'Sentimentos Ajenos' from the late 90's. I couldn't stand CdL, LM left me cold, and I felt nothing for good for PyP either. I don't like, or buy, many if not ANY of his recent female characters- he seems incapable of drawing an aggressive female character, let alone a good villainous one, and his heroines I find insipid (LM to me seemed to border on misogyny). I guess I'm just not a fan of Sr. Castro's work, but even with that being said I can still realize that.... there's still a lot of really GOOD stuff, here!!
So, that being said... I hope you guys can form some kind of a patio!! And I look forward to hopefully reliving it all with you again soon.
With my continued best wishes to all.... :-)
A huge thank you too to Stevey for all the information.
UA, thank you so much for agreeing to recap. I hope others will also offer (so many talented recappers out there now).
I was afraid that for the first time in close to 9 years, I wouldn't have a show to watch. However, I need the recaps as my poor language skills won't allow me to "follow" on my own.
Diana
I might volunteer for one night a month, if that is at all possible. The time is a little more do-able than 10pm and I sincerely hope that there is no gum-chewing, staccato, slang-spewing Stella and her two Stooges in this one. That's the only reason that kept me from volunteering for Silvana, once I had time (well, there's Trini, too).
If anything it will be interesting to see if Irina Baeva can play a good girl. She seemed to have so much fun as a bad girl in PyP.
Stevey, have you watched La Que no Podia Amar. It is also by Jose Alberto Castro.That is I think his last good production and a some what similar setting to this novela.
Jarifa: This will tell if Irina Baeva can play the female leading protagonist because I was so used to her being the bad girl causing havoc in "Pasion y Poder".
I hope someone knows!
Did you get to see Quien Eres Tú?
I started watching and just when it was getting interesting, I thought it was being pulled from the US but they may have kept it going in other countries.
If it is complete on YouTube, I think I will give it a shot to finish up. And if it isn't uploaded into a playlist, I'm not sure I want to watch something with missing episodes.
OMG I haven't watched El Gran Final yet of TVA. I hope the writers did not shred it to pieces on the cutting room floor.
O/T
Hey Stevey, what's up? I know from your comments that you left gorgeous country of Nicaragua, went home to Canada, then to the remote never ever lands of south Columbia near the home jungle of Tarzan 🐒
I just don't understand why Televisa and/or Univisión don't hire one of the super-duper Caray recappers or at least get our input/suggestions on how to write, produce, edit, and air a great story. We would really pick up their ratings!!
IMHO Caray Recappers/Commenters should put on our 'bucket list' writing one, or perhaps two, decent telenovelas: one great murder mystery for Urban; and one that ignores the typical telenovela rules. I would love it.
Hulu is worth every dollar I pay, more than Netflix which,IMO, hardily ever uploads new stuff.
Anita and dy77- I hope you guys get in touch with Jane and Urban and see if you can wrangle up some more recappers. I think you all would make a fantastic team!
Any other willing recappers out there?...
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