Caray, Caray!

Alternative title: What Goes 'Round Comes 'Round

Hope this doesn't offend anyone's religious sentiments, but I kept thinking of the Stations of the Cross tonight (Via Dolorosa) because of all the suffering and emotional flagellation going on. There's the obvious difference that we visit and remember Christ's sufferings for our sins while doing the stations, whereas these people revisit "stations" (decisions) in their lives that caused their own suffering and that of others. And the recurrent cry is "my fault, my fault" (mi culpa, mi culpa). Also a lot of flinging blame around to others...but we'll get to that in due time. First, the rehash.

Pato is at Soledad's house, asking about his favorite penalty kicker, Chava. He has leukemia answers Soledad. Patricio's stunned and saddened. But...he can die from that, right? No, says Candy, suddenly appearing. You can save him. In the space of a few seconds, Pato learns Candy is alive and that they have a son who is dying. I swear even a young man could have a heart attack trying to process news like that all of a sudden. He's angry of course and bewildered. How could she do this to him? She destroyed his life. And a son? How could they have a son?

New stuff: Remember my 18th birthday? Candy asks. And of course he does. The tender lovemaking on a rose-covered bed. Chava, at least, was conceived in love, rather than the drunken romp that led to Beto's arrival in this world. I want to see my son, Patricio continues angrily...OUR son...I WANT TO SEE HIM. Candy slips out the door. He turns to follow her but first gives Soledad an angry look as well, realizing that she knew all about Chava and Candy but didn't tell him. A tear slides down Soledad's cheek as the door closes. First staion of the cross. Multiple suffering.

Next station. Raúl and Marissa. She's letting him know she saw the fateful e-mail from Santiago telling Raúl that he'll do the right thing by Marissa and his baby but don't expect him to be happy, because he's giving up the woman he loves....Candy. Raúl of course assumes Marissa will give up her wedding plans but no way...she's decided she can't live without Santiago and is determined to have him at all costs.

Another station. Candy waits for Patricio to open the car door for her (even now she has that attitude of entitlement) and once in the car (which is always a very intimate venue for a man and woman. Just think back to your dating days) he remembers their rides as sweethearts....Candy singing a Mana song...and the memory is so poignant and powerful, he has to get out of the car and groan. Finally he gets back in and tells her that from now on, only their son counts. For him, she remains a ghost, a dead person.

Back to the unpleasant Raúl/Marissa scene. She's bad-mouthing Lucia and promising to take her down a peg or two once she's married to Santiago. She also decries Lucia's "empalagosa"(sickeningly sweet) romance with Charly. You mean...she's happy, right? answers Raúl gently. Like you were when you were 15 and in love. All Marissa wants is payback for her crappy life and that means Santiago. But the conversation leads her back to memories of her abortion. We see a very young girl, doubled over with cramps (I've had a miscarriage so I know how painful those contractions can be) while a brisk, and not particularly sympathetic nurse watches over her. Marissa assumes her boyfriend is waiting for her, but the nurse bluntly tells her that he left after handing over the money. No man's worth your tears, she adds, while the girl silently weeps from both emotional and physical pain. They get what they want and then they're gone. But you're young, you'll fall in love again. Next time just use protection.

He used me and then threw me away, Marissa tells Raúl angrily. He destroyed me. From now on I'll do the hurting.

A powerful and painful scene. We're left hoping that one day Chava will listen to Marissa's heart and find that she's a good person. But for now she's filled with resentment and vengeance.

After the ads (which tonight were a relief rather than an annoyance) we see Meño entering Charly's room, finding him gone and the closet empty. At least he has left his dad a note, saying "I don't want to force you to lie. Good-bye." Meño immediately goes into self-blame...The time came and I couldn't be honest. Mi culpa. Mi culpa. Another station of the cross.

At last, a somewhat light-hearted break. Donato is circling Tina in the kitchen trying to reassure her about the results of the tests. Don't worry...you're a good person. You'll be alright. Even good people get sick and die, retorts Tina. Well, I'll fix you a delicious dinner with three kisses, how about that. Really! And the kisses begin. First one cheek. Then the other. Then her mouth. Bof! Another kiss on the mouth. Another "bofetada" (slap) Donato figures it's worth it and takes his punishment gladly. This does not qualify as a station.

And a tender scene with Santiago, Rocio and Lucia singing together. Pretty off-key ("desafinado") to begin with, and some teasing about Santiago's alternative rock group but then Lucia sings a song her dad (Santiago's brother sang to her) and her voice is really lovely. The words are poignant "Reloj, deten tu camino porque mi vida apaga" (Clock, slow down because my life is slipping away).

The next scene is at the hospital and Patricio is impatient with the whole process. He doesn't want explanations of what's going to happen. Just do it. My son's life is in the balance. Candy is babbling her thanks but Pato silences her with a look as he dials his cellphone and tells Alicia to come to the hospital....and hurry! Gregoria enters the room, thanking God that Candy is finally there because Chava is asking for her. So Patricio's anger and pain increase as he learns that Gregoria knew Candy was alive also. Yes...but only recently, stammers Gregoria. She lied to me too.

Another light break. Jaime and Santiago are in his office. Clearly Jaime is there to tell him of his wedding plans but Santiago's having none of it. "Don't do a Beethoven" chides Jaime. (don't be deaf to my words) and of course, regardless of what Santiago says, Jaime's going to marry his mom. Punto.

The doctor reassures Chava about the procedure (Just imagine you're in a space ship). Patricio learns from Alicia's reaction that she too knew about Candy. Everybody but stupid Patricio, he mutters angrily. Santiago greets Candy in the hallway and hands her a rosary that comforted him when his father was undergoing an operation. And of course he asks about Pato's reaction to the news and tries to reassure her that while he doesn't know Pato well, he really doesn't think he'll try to take her son.

Pato is indeed a good match for Chava and Candy at his bedside stammers her gratitude, adding that she'd give anything to be in his place. Alicia stomps in, marks her territory by pushing Candy aside, kissing Patricio and giving little sis the LOOK. (nice try Alicia, but you've already lost this battle). Then Gregoria arrives, kisses Candy as she's on her way out (further enraging Alicia) who then goes on to say I don't care a thing about that kid. I'm only going along with this because it's important to Patricio. Big slap from Gregoria.

Lots of pain being passed around here. Physical and emotional. And lots of stations still to go, alas.

Everybody's pacing around, waiting for the surgery. Once Patricio's part is over, Alicia wants him to leave with her but he refuses. He wants to stay for his son, naturally. But it's not natural to her and she's angry and frustrated, angry that he never listens to her or considers HER feelings. Basta! enough, he shouts. I'm staying.

An odd shift here where Candy is back at home (this makes no sense...in real life she would never leave the hospital at this time) listening to Meño lamenting the rupture with Charly. He suffered so much when his own family rejected him...but being rejected by his son is even worse. Candy is somewhat dismissive. Well, if Charlie's prejudiced he'll just have to change. People who discriminate are never happy. This fails to comfort Meño who hates seeing his son suffer because of his fault...more cries of "mi culpa, mi culpa".

Then we have a little twin scene format so dear to the heart of telenovelists. Lucia goes down to the basement with a tray, trying to get Charly to eat. He angrily refuses. And Candy's outside Meño's door with a tray trying the same thing with the same results. Nada. Leave me alone.

Pato has also left the hospital, running, trying to work off his emotional storm with physical exertion (this part makes perfect sense to me). He remembers the romance, the wedding, the fateful kiss, the rupture, the news of her death, her ashes, the brutal reality of finding her alive and learning a son he didn't know he had is dying of leukemia...and suddenly he breaks out in shouts of gratitude, laughter, weeping and more Gracias Diosito, gracias, gracias. Candy's alive! Candy's alive!

I loved that scene. It seemed real to me and well-acted. When Patricio is trying to act stunned, I'm afraid those chipmunk teeth ruin it . But this exhuberant flailing happiness he did well.

Candy now calls Charly's mom to see if she's heard from him, alarming her and bringing forth more cries of it's all Meño's fault. Then Santiago arrives to take Candy to the hospital and we see Alicia at home, going through Patricio's old photos of him with Candy and setting fire to them. More stations, more suffering.

Well it's THAT TIME. You know .......the long chat with the Virgencita. Candy's in the hospital chapel briefly acknowledging her faults (I know I've been thoughtless and hurt a lot of people) and remembering Chava's birth and Meño gentle remonstrances about her lies;and how Chava was named Salvador because he saved her life and gave her a reason for living. And you know what it is to lose a son, she reminds the Virgin, you know the infinite pain, so you must save him. If I could, I'd take his place. But care for him, Virgincita, care for him.

Santiago comes into the chapel, sits beside her. Tells he he's here for her and will be here for her. She leans her head on his shoulder. Patricio enters. The final betrayal. Even his "hermano" Santiago knew about Candy. And in spite of knowing how Patricio suffered from her death, didn't tell him "the secret". Pato storms out. Santiago tells Candy to follow him. After she leaves, he looks sideways at the Virgincita as if to say "Now what?" Indeed.

Meño calls Lucia to see if she knows Charly's whereabouts. She lies and says she doesn't. Well if you do, tell him I need to see him immediately, pleads Meño and then looks sadly at a photo Charly took of them in chefs' hats with his cellphone. Good times. Gone forever? Who knows.
This sad scene is capped by an angry telephone conversation with Charly's mother. He's MY son. In your life he was just an accident. Everything's YOUR fault. "Mi culpa, mi culpa" echoes Meño sadly.

Surgery on Chava is about to begin. Patricio is remembering his times with the little guy, playing soccer, asking for his help with Beto, going to the game with the two of them, wrapping his arms around them affectionately. Candy and Meño are encouraging the little guy, explaining they can't be with him in the operating room but will be praying for him. And he should pray too. "God bless you. I love you." The universal words of comfort and support.

And herewith endeth the lesson for tonight.

Previews: Candy sees Patricio leaning tenderly over Chava as he is in recovery.
Alicia is angrily stating that Patricio is HER husband. Actually, I'm still married to Candy, he replies flatly.

Vocabulary

empalagosa = sickly sweet, gooey, cloying
apagar = to go out, as in a light going out
la verdad sale a flote = the truth comes out in a big way
bofetada = slap, punch
desafinado = off-key

Labels: Tontas

At the pozo, DB responds to Santos' accusations. She denies stealing Cecilia's letters. Then Santos accuses her of hiding the information about the discovery of oil at La Chusmita. DB claims that she was going to tell Santos about it at their wedding but Santos doesn't believe her. Then Santos brings up how Danger discovered the hiding place of the rebels and then disappeared. DB asks if Santos thinks she murders people. Santos says that she doesn't murder people herself. She orders other people to do it. He shows DB the blowgun dart and accuses Melquiades of killing people on her orders.

Confronted by Cecilia, Melquiades leaves her house without returning the letters. Outside, he says that he has failed DB for the second time.

BP is dumped out of a truck. He has figured out that his captor was the remaining rapist, Sapo. He recognized Sapo from DB's photo. So I guess Sapo wasn't involved in the oil business. It's not clear how Sapo found out about BP or Danger's house.

Eustaquia complains to herself about how her food doesn't turn out right in the kitchen at Altamira. She wishes DB had never brought her there.

Santos tells DB that he was so in love with her that he believed she would change but she is the same. She can't love him because deep down she despises him like all men. She is just a big lie.

Bartolo brings flowers to Altagracia but he is allergic to the garlic they are using to cook.

Santos tells DB that doesn't believe in her anymore and he wants to separate.

Cecilia comes to Altamira and tells Santos that Melquiades was at her house to return her letters, which confirms that DB took them. Santos says that he knew that DB was involved but when he confronted her, she denied it. DB comes in and admits that she took the letter but says that she has the right to know where her daughter is. She says that she found out that Marisela is ok. She has gone abroad because of Santos. Santos says that if she is talking about rights, he has the right to be alone.

Santos gets a telegram that Antonio and Maria Nieves are being released from prison the next morning. He tells Melesio and immediately goes to the capital.

DB accuses Cecilia of trying to separate her from Santos and Cecilia says that DB has done it all herself. DB slaps her.

DB comes into the bedroom where Santos is packing up his stuff. She begs him to stay but he says that he needs to be alone to think and decide what he wants to do.

DB castigates Melquiades for failing to return Cecilia's letters without being caught and for leaving evidence of the blowgun. He says that he didn't fail her. It is the bad luck that is all around them. She humiliates him by saying that he is as big an imbecile as the Mondragon brothers.

Carmelito tells Cecilia that Antonio is going to be released. She tells the baby that he will see his father.

Lucia gets Antonio out of the prison the night before he is scheduled to be released. She seduces him.

DB has her rape nightmare again. She wakes up screaming and tells Eustaquia that it is the same as always but now she can't see the faces of the men.

Cecilia did keep the property transfer document and Lorenzo's letter in the same unlocked and accesible secretary as Marisela's letters. Fortunately, no one has stolen them. She takes out Lorenzo's letter and reads it. It contains Lorenzo's final request for Marisela. We don't know what it is but Cecilia decides that it is time to share the contents of the letter with Marisela.

DB has devised some plan to get Santos back but we don't know what that is either.


Santos comes to the prison to wait for Antonio and MN to be released. He sees Marisela there. She is in a hat I did not find attractive at all and we still only see her from the neck up.

Labels: barbara

Tonight is an extravaganza of ugly. Ugly situations, ugly attitudes, ugly reactions, ugly results. Feo, feo, feo. The writers used their entire February ration of ugly all in one episode, so maybe they won’t have any left for the rest of the month. Ojala! Tonight is also Episode #42. Perhaps Pat will begin to find the answer to life, the universe, and everything.

Gregoria tells Alicia that Chava has leukemia, and Alicia says she doesn’t want to tell Pat, just as Pat walks in and insists on knowing their secret. Suegrita suggests, “I’ll tell my secrets if you tell me yours.” Pat prefers to go see a man about a dog.

Lulu shows up at the park looking ridiculous, as our pair of metiches spies on her. They see Meño arrive for his mystery date, discover that it’s Lulu, and leave without being seen. Lulu waits, feels rejected, gives up, and leaves. The writers have treated Lulu badly all along, but tonight they were at their worst. Feo, feo, feo. Charly and Luc conclude that Meño isn’t interest in Lulu. Charly speculates that maybe his dad really is gay.

I’d like to forget that scene. Fortunately for me, Santiago is wearing an orange sweater that makes me forget every feo thought I’ve ever had. I always thought Camil looked best in black; I was wrong. In orange, he looks as good as Colunga. No, I lied. But Dang! He looks good!

Santiago takes Rocío to see her good friend Chava. She’s healthy and masked against germs. Chava says that when he gets well, he’ll be Rocío’s novio. Roc makes a hearts-and-flowers picture of the two of them so she can always be with him. Can anyone tell what Chava’s picture is? A monster? A germ? Meanwhile the doctor advises Candy, Santiago, and Meño about marrow donor compatibility. A brother is the most likely match. Lacking that, Santiago gently suggests Chava’s father. Candy is not willing to talk to Pat. She tells the doctor that Chava has no father. Santi has been wrestling with himself, debating how much to push and how much to respect her choices, but he can’t take it anymore. “Candy, you’re playing with your son’s life.” She still refuses. Feo, feo, feo. The doctor brings up the subject of costs, and Santiago assures them that he’ll be responsible for the costs. Outside by the noisy fountains, Santiago again promises Candy his complete support. They give each other warm looks. I give Santiago and his sweater warm looks.

Raúl starts reading Santiago’s e-mail, the one where Santiago tells him he’s in love with Candy yet he’ll marry Marissa, but Raúl shouldn’t ask him to be happy about giving up the woman he loves. Raúl gets called away without closing his e-mail. Gee, I wonder what will happen next.

Back at the institute, Chayo tries to talk to Lulu, still in the pink dress, but Lulu has a mental block against all reason because of the way the writers portray women who are unattractive. Feo, feo, feo (the writers, not Lulu). Lulu even speculates that maybe the anonymous card was someone‘s cruel joke. Bull’s-eye!

A power outage strikes Raúl’s office, and his e-mail from Santi is lost before anyone else reads it. Yeah, and if you believe that, you also believe Sophia when she says, “I’ll never doubt you again, Juan.” Actually Marissa comes in, reads the e-mail, and throws an ugly fit, throwing papers everywhere. Feo.

Meño counsels Candy on the couch. If she’s not a viable donor, she’ll ask Soledad to get Beto tested. But not Pat. Anyone but Pat. Meño tells her to think positively, and to take care of herself so she doesn’t get sick too.

Santiago consults with a new patient, Pilar. She wants the works, a total rebuild. Santi brings up the question of cost. Pilar says that is no problem, since Santiago will be doing it for free. Santiago is of course curious about why he would operate for free. Because if he doesn’t, she’ll cry rape. Feo, feo, feo. (He hasn’t had good luck with that name. I think he should refuse to work with anyone named “Pilar.”) She admits that many won’t believe her, but the doubts will be enough to ruin his reputation. As Pilar lists her demands, he’s interrupted by a call from Chava’s doctor, to remind us how many demands weigh on Santiago. He can’t believe Pilar would do this. I can’t believe someone in his position isn’t prepared for such situations. And as if that weren’t bad enough, he’s not wearing the orange sweater anymore. Que lastima!

Gregoria also tries to talks sense to Candy, to save Chava’s life. If Candy’s not compatible, she needs to ask Pat. Candy won’t budge. She’s the one who makes the medical decisions for Chava, and Pat must never know he has a son. Feo, feo, feo.

Meño answers the door to Raúl. Note Meño’s formal and deferential language. Raúl offers his support as well. Meño later encourages Candy in her office, reminding her of when she played Super Mama with a little fair-haired, fair skinned, square-faced boy who is supposed to be Chava. He reminds her that she needs to call on Super Mama again. The conversation shifts to Lulu. He told her directly that he’s gay, but she refuses to listen.

Tina talks to Isabel about her fear about her medical test results. Isabel tells Tina about when she got her diagnosis, and Tina asks Isabel to pray with her.

In Candy’s office, Chava’s doctor (has anyone heard his name?) shows Santiago the projected cost, Santi again agrees to cover it, and they join in a PSA for charities for kids who can’t afford medical treatment. We know the PSA was shoved in because Candy actually shows concern for someone other than herself! Note, Jaime Camil always participates in Teletón Mexico, an annual event which supports children’s rehabilitation facilities.

Isabel and Jaime talk about her son’s jealousy, their upcoming wedding, and decisions they need to make before that time. While they talk about their mutual attraction, Donato manages a well-aimed accidental spritzing, trying to dampen the fire.

Chava’s doctor makes another house call to introduce the nurse that will care for Chava. And there is encouraging news. The orange sweater is back! Chava wants to thank Santiago for paying for his operation. Chava promises that when he gets better, he’ll pay Santiago with lots of kisses because he likes him so much. For now, they trade man-hugs. Santiago is such a papa!

Charly goes to the restaurant and tries to get answers from his dad. Meño avoids him.

Outside, Santiago tells Candy how moved he was by Chava’s hug. Candy is moved as well, moved to kiss Santiago, but Raúl interrupts them before they can, setting the stage for dueling galáns. The battle is as much in their stance as their words. Santi takes a step back to allow them room to talk.
Raúl informs Candy that he has set up a bank account in her name to cover medical expenses. He’ll provide whatever she needs. He strokes her hands to express his concern for her son. At least that’s his pretexto.
Santiago moves in and removes Raúl’s hands from Candy’s and tells him that won’t be necessary since Santi has already offered to pay all expenses.
Raúl tells his sister’s fiancée that he should save his money (and his affection) for his new wife and family. Smacked down, Santi steps away again, Raúl takes her hands again, and Santi moves back in again. Raúl says he doesn’t want them to ever lack for anything; he wants to be the father to her son.
Santiago can’t restrain himself any longer. “I can’t believe what I just heard!”
Raúl tries to pull Candy away to talk, but Santiago follows.
Santiago sets Raúl straight. “Chava already has a father.” Candy tries to say something because she thinks she’s involved in this conversation. Santiago cuts her off because he thinks she’s not. He’s not willing to risk Raúl scoring any points, so he has to think fast. “Candy, don’t you realize he’s taking advantage of your crisis, of this vulnerable time in your life, to capture/win you?”
Raúl protests, “That’s a low blow. You know I’m not like that.”
Santiago hates to admit it, but he knows Raúl’s right. Failing to score his point, he steps back.
Raúl, seizing his momentary advantage, moves in to close the sale. He takes Candy‘s hands yet again and says, “You know I’m in love with you.”
Santiago moves into panic mode and steps between Raúl and Candy. He asks, “Raúl, do you have the half talisman?” Raúl is totally baffled, but he says he doesn’t. Santiago turns to Candy for the first time in this conversation, and he’s getting desperate (he does ‘desperate‘ really well, don‘t you think?). “See? He doesn’t have it.” Turning back to Raúl, “You’re not the love of her life. She’s waiting for someone else.”
Raúl asks if Santiago has been smoking his mother’s weed again, and Santiago insists that he has never smoked.

I know I devoted lots of attention to a relatively unimportant scene, but we had so much sadness Friday, and so much ugliness today, wasn’t it fun to focus on something fun and pleasant? Did you notice that while Santiago was obviously defending Candy as if she were his territory, she never protested?

At the restaurant, Charly tries again to talk to Meño about an important question, but Meño avoids him again.

Pat calls Santi to invite him for poker. Pat asks Santi not to tell anyone what he said about Candy. Pat implores him in the name of their friendship, even brother to brother because he feels so close, not to betray him in this. Santi says, “Who would I tell?” but all the while he recalls telling Candy, “Pat still loves you and feels responsible for your death.” Several things were odd about this scene. 1. Pat only met Santiago recently, but he acts like he is his very best friend. I think Santiago is his only friend. 2. Why is it suddenly so urgent to Pat that Santiago doesn’t tell anyone? Alicia already knows he still loves Candy. 3. Does Santiago’s hair look much shorter? The sun is on the wrong side so he’s usually in shadow, but it seems really different. If his hair is shorter, then they shot this scene long after the surrounding parts. It seems like an unnecessary scene. Why would they tape something useless, long after this phase in the show?

Rocío and Beto are once again trying to figure out how the world works. Beto knows that when people get sick, they die, since his grandmother got sick and she died. Rocío counters that only old people die, not kids (we’re with you, Rocío; run with that thought!). She remembers she had a cold and she didn’t die. You can’t argue with logic like that!

Gregoria asks the doctor what will happen if Candy is not a qualified donor.

Candy tells Santiago that Chava will be in the hospital for two or three weeks, and she’ll really need his support. He is glad to offer it. Then she says she’ll tell Marissa so she’s not jealous, and Santi is not so glad. He tells her it’s unnecessary since they’re not doing anything for Mar to be jealous of. Candy insists on telling Marissa anyway. In other words, “Pay a mountain of money to save my son’s life. Come running whenever I call. Support me because I’d be a basket case without you. But I‘m keeping my distance from you.” Feo, feo, feo.

Charly is angry because his dad keeps running away from his questions. He takes out his anger on Lucía. Feo.

Santiago takes Candy to a church and reminds her of all the things in their favor. Candy says that she used to think she could manage everything, but now she has to leave her son’s life in the hands of others, and she realizes how much she needs God.

TWO WEEKS LATER
At the institute, the staff talks about Chava’s upcoming operation. Soledad says that tomorrow they’ll test Candy for compatibility.

Charly goes to talk to Meño with a chip on his shoulder because his dad has been evading him. Charly says, “Are you gay or not?” Meño lies with the truth. “I feel like an animal being chased. And I’m not!” Feo.

At the hospital, the shorter doctor, Martin, a leukemia specialist, explains the procedure to Candy. Candy is surprised to learn that if all goes well, when Chava recovers he’ll be able to live a normal life. He’s already been admitted to the hospital.

Santiago takes Candy home, and the strain is just too much for her. She begs him to promise that she’ll be a match and Chava will be alright. He would do anything for love, but he won‘t do that. Candy breaks down. He holds her and promises that he’ll never leave her alone, that he’ll always be with her.

The next morning, Dr. Martin gives Candy the news – she is not a match; she cannot be a marrow donor. Candy, grasping at straws, suggests Beto as an alternative. Santiago once again tries to convince her to contact Pat, because she is playing with her son’s life.

Pat takes Beto home and counsels him about soccer. Beto misses Chava and tells Pat that he’s sick. A girl in his class says Chava might die. Pat is visibly shaken by the news, the universal tragedy of a terminally ill child.

Candy tells Soledad that she is not a qualified donor, but Beto is a possibility because siblings have the best chances. Soledad starts to tell Candy that she is afraid to put Beto through the procedure. Candy interrupts her because what Soledad wants doesn’t really matter, does it? Candy wants Soledad to subject her son to surgery, because Candy isn’t willing to face Pat to save her own son. Feo, feo, feo. Es tan feo que, por eso se inventaron la palabra feo.

Charly goes to tell Lucía that he’s leaving town. He’s fed up with the way his dad treats him, not talking to him. Luc is desperate to keep him from leaving, and she suggests that she can hide him in the basement (sótano).

Back at the apartment, the doorbell rings. Soledad warns Candy that it’s Pat, and Candy hides in the bedroom. Pat sends Beto to the bathtub and asks Sol what’s wrong with Chava; Pat heard he’s very sick. She tells him that it’s leukemia. Pat is taken aback by the news and asks, “He could die from that, couldn’t he?”

“No, he’s not going to die,” says Candy, coming out of hiding. “You’ll save him.” Pat tries to stand up but his legs fail him. He tries to talk but his mouth fails him. All he can stammer out is “Candy.” Before Pat can corral his thoughts and emotions, while he’s still trying to comprehend what his eyes are telling him, the second Richter 8.2 earthquake strikes. “Our son needs you. Chava is yours.” And the third, “You can save his life.” Pat looks like he got hit in the gut by a meteor.

Welcome to Paris. The weatherman says it’ll be a dark and stormy night.

Labels: Tontas

We start with Coyote and his loyal dead pets learning that Feo killed Libia.

Evil Uribe is fretting to Ruth because he can’t get close to Soledad, that the house is surrounded.

Pa Uribe tells Root someone tried to kill el Padre and he found a dagger in the horse stalls so knows it was Fer that tried to kill him. He has it hidden and won’t tell her where it is. Root adds to the hatred by telling Pa said Fer tried to abuse her last night, but Coyote saved her. Uribe warns her she needs to stay close or her enemies will get her. Root wants to leave here for a new life but first wants to find out who her brother is, and she thinks that Sole and her brother might actually forgive him if he tells the truth that he was a victim of Gabi and they can all go somewhere and live together far away from here. What is she smoking? These people have sworn vengence for 40 years and all of a sudden they are going to play nice nice? Didn’t they already live somewhere else for a long time anyway? Hmm…

Ruth tells Pa she’ll see if she can’t change things, she’s going to look for Sole. She tells him…don’t move. He’s thinkin’ “I won’t but I’ll drink this fifth of tequila….”

Fer gives money to Gabi as and advance on the contract they signed. He does it as a sign of his “loyalty” for Gabi she accuses him of having something to do with Ruth, of course he denies it and yells at her for trusting a guy whose full name she doesn’t even know over him? Well, he does have a point there.

Ruth is interrogating Sole and tells her she knows her Dad and he really loved Sole. She wants to know who he bro is. Bro, with pets in tow, shows up and admits to her he is the brother.

Ruth is all excited. Sole leaves them to chat. He tells her how much he wished that he could have gotten to know her, but life didn’t allow it. She syas they still have time to be together and start over. He says he almost wishes she wasn’t around him. He can’t tell her why and asks her to leave, but he’ll look for her later. She begs him not to disappoint her that he is her only hope. She gives him a huge backwards hug. He makes that funky sad smile and proclaims he will have to disappoint even against his will, sorry, he’s got to kill Daddy, or something.

Fer is yelling some crap at Gabi but she’s not listening. Oh no, she’s telling herself she thinks it’s best if he thinks she does believe in him, and if he betrays her she’ll undo him. She then says she has to go see the padre and asks him to come in.

Ruth goes to look for Pa but he’s not there. She wants to tell him who his son is but he betrayed her and left. And we see indeed he drank nearly that whole tequila bottle. I’m surprised he could walk anywhere.

Gabi shows up to see the padre but Juan wants to prevent her from going in. Juan warns Feo he suspects him of doing this but Feo says nope, besides I’ve confessed to him many times that makes it impossible for me to kill him. Juan says watch out, if he dies you will be first on my sh*t list.

Gabi tells Pad that she never really repented, ha! He goes into shock and she tells him nothing would thrill her more than if he died. Nice. The nun goes for the doc and Juan comes in and is told by Pad to go and find the bishop.

Ruth is on happy pills as she paces and wonders where her drunkard Pa went off to so she can tell him who’s her bro.

Juan essentially kidnaps the bishop from Puebla.

Feo returns Ma to rest and proclaims that damn priest has more lives than a cat. That’s because he lives in Telenovela land. He walks into his office and who is there but evil Uribe who shows him the bag that had the hidden dagger in it. Evil Uribe says now they are even that he knows the secet so don’t f with him.

Juan returns with the Bishop who kicks Juan out. Finally this guy has some balls. Tad wants to reveal a secret of confession to the bishop. Bish is impactado.

Ruth and Crabbi’s turn to face off. Crabbi throws out insults about Juan rejecting her and that they are the sameshe knows Ruth pulled the serpent on the babies. Nope, Ruth doesn’t want to end up like her it gave her pleasure to be bad to people but Ruth had no choice but she will be saved. Ruth swears she will be saved by her brother. The son of the only woman that Ricardo really loved. Crabbi will know soon enough who he is. So take that.

Coyote is spying on Ruth leaving the hacienda and he deduces that something is bothering her. He wonders if he should give up his revenge to help her out. He has to think really hard about this. I say don’t think too hard lest you crack that egghead of yours. He recalls that Feo killed Libia and decides that Juan needs to know this.

Bishop refuses Pad’s request. Pad’s talking anyway he decides. Let God judge him.

Juan gets the news that Coyote wants to see him. He tells Oscar he has to go because it’s about Libia. Somehow evil drunk Uribe marches on the scene. He makes fun of Juan as the hero and Juan says look I know you offed Raquel you had a motive, remember those documents. Justice will catch up with you and you’ll pay. Urbie jibes, yeah just like it did the killer of your parents, you lost. This was great. Buffed Juan is no match for the Uber drunk Uribe and he clocks him to the floor. Uribe gets up eventually and wonders what Juan is going to Coyote for and maybe he needs to see Gabi about it.

Gabi goes to see Sole. She wants to know who the son is. Sole of course isn’t giving up the goods. Crabi curses her and then comes back with a can of gas and waives it in front of Sole’s face. She can of course smell what it is and screams. The thing I’m wondering is, this happened once before, so wouldn’t your next move be to try to run out the door? I know she’s blind and all, but she knows how to get to her front door I think, she could at least try while psycho beatch is pouring gas all over the place. But, alas, she waits too long and gets knocked out with a giant cross instead. Now she’s done for.

Uribe catches up with Coyote on the road to his house and wants to ask him what he’s going to tell Juan. He tells him it’s about a Reyes death, why? Might you have something to do with one? He says people have thought so, but I killed no one if Gabi said so it’s a big fat lie. Hmmmm Coyote whips out his trusty peace of snakeskin and says well what’s this??? Uribe looks impactado. Coyote says I know you killed Raquel, but I’ll have to deal with you later. His gunmen move it to make sure of that.

Looks like Sole is coughing so maybe she’ll be ok.

Coyote is not far now, but of course he almost runs into Gabi as she is trying to get away. He tells her to watch her driving. She wants him to hang out a little, but he says nope, I have to talk to Juan, sorry. She says, Juan he’s my enemy what business do you have with him? He says well that’s just it. How stupid you are. I got close to you to do away with you, you are my enemy, I am the son of Uribe and Soledad you idiot. Gabi is impactado.

We are left with a millisecond of a brawny guy in a giant sombrero busting in the door on the burning house. Guess Juan saves the day?? We’ll see tomorrow.

Labels: Fuego

EPISODE 91:
* JM and Omar are talking in the study - Leo tells JM that he is searching for a young lady.

* Beatrix walks out of the house and is confronted by Amador, who checks out her notebook with all the information about her son's baptism. He starts to become very interested in HIS son (Yea, right, now you want to be a daddy). Nelson watches as Bea y Amador go toe-to-toe over the whole paternity issue and whether or not Amador is welcome to come and about his new found interest in HER son. He steals a kiss and Bea is totally disgusted. (Baptism will be on Thursday).

* Omar and JM continue to discuss women - they need them but at the same time they run away from them. Omar and JM then discuss Viv's death and the trial.

* At the hearings, the prosecutor (Lic. Villar) grand stands his objections to Padre's testimony in the case.

* Omar and JM talk about Blanca, the nanny, standing accused of the murder. JM tells Omar her name is Blanca Silva.

* At the theater, MC is sitting in the audience focused on learning her lines. Ceci walks down and sits right next to MC. Ceci is happy to see her again. MC doesn't feel the same way - she's impacto and wants to know why Ceci is there?

* JM tells Omar about Blanca's role in the murder and about Viv faking her own death so she could be free and single, when her money ran out, she came back and faked mental illness. Leo is intrigued. JM then mentions Marichuy by name.

* Ceci explains that she wanted to see MC again. MC is still hurting from the way Pat and Steffie and Tia Isa ganged up and forced her to leave the mansion. Ceci tries to explain and apologize. MC doesn't want to hear it and spouts off against Ceci, Pat and everyone - especially Ceci who MC says just stood by and said nothing. MC continues to rant against Steffie, saying Steffie is her daughter and she's only a street kid that they let stay at their house. MC tells Ceci never to return to see her again. Ceci cries.

* JM tells Omar about his continuing love for Marichuy.

* MC continues to scold Ceci about Pat's attitude towards her and that she should tell her husband about her life now, it's good, it's just, she's not stealing anymore, and repeats all the insulting nicknames that Steffie and Pat had used against her. Ceci cries and her heart break even more.

* Ceci cries and asks if there's any chance that MC will forgive them. MC says no. MC isn't interested in listening to Ceci anymore and asks her to leave. Ceci gets up and walks to the aisle. Ceci turns to look at MC, cries, and leaves. MC looks towarsds the stage and covers her face to hide her tears.

* JM and Omar continue their conversation. Leo says that he's staying at a local hotel; he's trying to stop thinking about someone. JM asks about the lady.

* Nelson is laying on the sofa inside the house. Elsa is rocking Bea's son in her arms. Nelson is melancholy over his illness in impending death. He thinks that some time in the near future another man will be in Elsa's life.

* At the door to the theater, Ceci and Amador talk about the visit with MC. Ceci is disillusioned. Amador gives her some advise about MC. Amador goes into the theater.

* Amador walks over to where MC is still sitting in the audience chairs. He talks with her about Ceci's conversation. MC is still fuming against Ceci and the harsh treatment she received in the past. Amador changes the subject with news about her career plans.

* Omar mentions to JM the lady that lived at his hacienda and recently gave birth. Omar mentions that they were happy and planning their wedding. Omar calls her "Liria".

* Amador talks with MC about interviews and classes in acting, and leaving town.

* Omar continues to tell JM about Liria and her son. JM comments about dreams. Omar mentions the reality of how Liria left and he really wants to confront her to find out why she left so suddenly. He thinks it's hopeless to find her and thinks of giving up. JM advises him that if he loves her, he should continue to search. In fact, JM offers to help Omar in the search of "Liria."

* JM's lawyer brings him the paper - and the news about Blanca's insanity defense may just be accepted. JM is happy about the news.

* Vince is sitting in his wheelchair, looking out the window. He thinks about his life and that Rocio is now with Doctor. Mom stops by to visit. She does her best to cheer him up and convince him to move back home - she and his dad have fixed up a room for him to use as his studio and everything. She admires his paintings. He asks her for help tomorrow. She agrees.

* Rocio talks on the phone to Doctor. She hangs up and thinks about Vince - she prays for a way to get back together with him. Rocio makes a call on her cell phone. Vince reaches for his cell phone and answers it. Rocio says hello, vince, it's me, Rocio.

* Elsa and Bea are outside in the garden discuss Amador's badgering about the baptism and him attending as the father. Bea wonders about Ed's feelings. Elsa thinks Ed will understand.

* Rocio asks Vince if she can visit right now. Vince pauses and says no she can't visit him. He thanks her for the phone call and hangs up. Vince celebrates because he knows she still loves him.

* JM and Omar meet Rocio at the stairs in the front hall of the castle. Rocio is sad and runs upstairs. JM asks Omar to go to the jail and visit Blanca with him.

* MC thinks about Ceci's visit at the theater; about her mother and her son. Amador comes over with career news.

* JM and Omar leave the castle to visit Blanca.

* Ceci is in her car, driving, and thinking about Amador's advice. Ceci can't forget about MC and promises herself that she needs to see MC again - she needs to talk with her. Ceci drives recklessly on the streets and makes other motorists honk at her.

* Backstage at the theater -- MC and Amador are in the middle of a photo session. MC isn't in the mood but goes along with it for Amador's sake.

* Omar and JM meet with the attorney in his office. The attorney remembers Blanca mentioned "Omar" during one of their visits.

* MC shouts to a director on the landing above her. Director leaves. Amador gets her ready for a television interview with a "La Oreja" reporter. Amador informs the reporter about the trip planned for Alejandra Robles and that she is a true professional that the audience will adore. Amador does most of the talking.

* Omar talks with the attorney and JM about Blanca Silva.

* Rocio snaps and argues with Nellie in the front hall.

* Omar gets a phone call - he needs to leave for the hacienda, it's an emergency. Omar tells JM that maybe another time he can meet Blanca. JM walks him out the door so Omar can return to the castle.

* Rocio and Nellie continue their debate in the front hall.

* Outside on the patio, Pat and Steffie discuss Steffie's obsession with marrying JM and seeing every lady that comes in contact with JM as her rival. Pat suspects that Steffie had something to do with Blanca being in jail.

* In the prison visiting room, JM meets with Blanca. He tells her about how the hearing is progressing, her defense strategy. He asks her something and she starts to stutter and get really nervous.

* Pat scowls at Steffie, as she whines about his accusation. Pat apologizes. He sits down and wonders where Ceci is. He shocks Steffie with news that Ceci went to visit MC at the theater.

* In the apartment, MC is at home with JM Jr. and Cande. She and Cande discuss her work and her wish to hear JM Jr. call her 'mama'. MC then talks with Cande about all the interviews she had to do. Also, MC tells Cande about Ceci's visit at the theater.

* Steffie and Pat discuss Ceci's visit with MC at the theater. Steffie doesn't approve. Pat supports his wife. Steffie wonders if Pat is trying to offend her so she will leave the house voluntarily.

* JM tells Blanca about his good friend, who is almost like a brother to him.

* Pat and Steffie continue to discuss Pat's decision to recognize MC as his daughter. Martirio brings the phone out to Pat. Pat talks with the Red Cross employee about Ceci being in a serious car accident. Pat and Steffie are impactado.

ADVANCE: Decisive moments tomorrow -- Will Ceci survive her car accident? What happens when JM finds Cande, MC and JM Jr. on the Mexico City streets?

Labels: Cuidado

Mauricio tells DB (in return for putting out her cigar) that Marisela is in the big apple (la gran manzana- NYC) with Luisana. He tells DB that Marisela has no intention of returning to the Arauca.


Meanwhile Santos has found the information about the soil analysis at La Chusmita. He rapidly figures out that DB has been lying to him for a long time. Melquíades tries to get the papers back but Santos says that Melquíades doesn't scare him. Melquíades demands the papers from Santos. "What are you going to do?" asks Santos, "Are you going to shoot me or knife me? Isn't that what DB would usually do?"

Mujica's nephew, Bartolo, spouts poetic nonsense to Altagracia and she swoons with admiration.

Meanwhile, Mujiquita is cleaning out Pernalete's desk. He finds the evidence bag for the ring that was taken from Julian Barreto's severed hand. The ring isn't in the bag but Mujiquita knows where to find it. He goes to Pernalete's house where Federica and Josefa are fighting about the proceeds of their business. He pulls the ring off Pernalete's finger.

Santos tells Cecilia that he is furious but he will only say that is a terrible betrayal.

We also don't see the person who has kidnapped BP except for his thick lips and a strange ring.

In the capital, the doctor tells DB that the fertility treatments haven't worked and she can't get pregnant. She tells him to keep trying until they succeed or she decides to stop.

Mujiquita also finds an evidence bag with the some of the (charred) remains of the body in the jeep identified as Meléndez. Mujiquita doesn't want it but Bartolo puts it in a drawer. Finally Mujiquita finds the evidence bag with the blowgun dart that Dr. Arias determined was used to drug Meléndez in the hotel. Mujiquita handles it carelessly (fortunately, it wasn't a poison dart) and gets drugged himself.

Santos goes to Danger's house and wonders if DB had him killed.

Santos goes to town and comes into Mujiquita's office just in time to hear Dr. Arias' conclusions about the poison dart, Orestes Prieto's death and Melendez' being drugged.

Altagracia tells Genoveva that she wants to marry Bartolo. Pajarote and Carmelito overhear and decide to check Bartolo out for their absent buddy, María Nieves.

Mauricio tells an invisible Marisela about DB's visit.

In a taxi, DB says to herself that she is glad Marisela isn't around because if she were, she would be an enemy and DB doesn't recommend that anyone make an enemy of DB.

Santos is riding and drinking. He tells himself that DB isn't capable of doing something like that.
He flashes back to the day of the flower beauty contest (Concurso de los Flores) when Orestes Prieto died.

Santos goes to see Eustaquia who is putting flowers in a vase. He asks her if it isn't true that pure-blooded Indians like Melquiades use blowpipes (cerbatana) in hunting. Eustaquia drops the flower vase. Santos asks Eustaquia to tell him that DB didn't order Melquiades to kill Orestes Prieto. He demands that she tell him whether Melquíades is a kller. Eustaquia only says that DB adores Santos. She won't answer his question.

Santos shows Eustaquia the papers about the oil. He tells her that the paper is a translation into Spanish that DB sent away to have done. "She and I live together," says DB, "Your boss, who says that she loves me more than anything in the world, has been lying to me since the beginning. Your boss is and continues to be the same as when I met her. She hasn't changed."

BP spills his guts and it rapidly becomes apparent that the questioner is Sapo, the last rapist. I'm not sure if he was involved with Danger before or whether BP recognized him from the picture of the rapists.

Santos tells Eustaquia that Lorenzo was correct in calling DB the "devourer of men" ("la devoradora de hombres"). Eustaquia tells Santos that DB loves him. "She doesn't love," replies Santos, "she owns, she posesses and what she can't buy she steals." He tells Eustaquia that he wants the truth. "It was always under my nose and I didn't want to see it," he says, "Why? Because I loved her. When I saw your boss dying, I understood that this woman that I loved and hated at the same time with the same intensity, this mysterious woman who had such a terrible live, merited a second chance to live and I thought I was the only one who could give her that. My God, what a conceited idiot I am! Me, the salvation of lost causes. Lorenzo told me that a thousand times. Everyone told me and I didn't listen. And now I'm the one falling into the bottomless pit that named DB. Eustaquia, I can't continue to love your boss. I want to save what's left of my life." Eustaquia begs him not to say that. She says that DB will come back and clear up all his doubts. Santos replies that DB will only lie to him again.

On the boat back to Progresso, DB is sure that Marisela is gone and was only an accident in her and Santos' life.

Santos tells Eustaquia that he is sure now that DB was behind Marisela leaving. DB threatened her and she left. Santos says that he will find Marisela. He says that he was so stupid. All this times, DB was laughing at him. She lied to him. She doesn't love him. He says that she's a liar. Eustaquia says that DB isn't bad. She acted out of fear that she would be left alone, that Santos would abandon her. Santos tells Eustaquia that DB will be left alone because all she has succeeded in doing is defraud him. The only thing he feels for her now is a profound disillusion. "It's over, Eustaquia," I am sorry to tell you that from the bottom of my heart I feel that that it's over."


In prison, MN formally asks Antonio for Altagracia's hand in marriage.

Labels: barbara

Due to my unplanned attention to the SuperBowl game, here's a very rushed recap of Friday's episode. Please fill in anything I missed or correct anything that I got wrong. I'll try to add the vocabulary I gathered to the comments later.

Adrian is escorted into Marichuy and Cande’s apartment by Cande. She is very excited to point out that the building has an elevator. Once up in the apartment, Adrian is surprised to see a baby and Marichuy fills her friend in on the history of her marriage & annulment with Juan Miguel, all due to the return of Viviana from the dead. And now, she tells him, it is a year later and Viv’s been murdered (dead for real now) and JM apparently prefers the company of the murderess to me.

Nelson is reading in the garden and Ed shows up. They exchange comments about how they think the other doesn’t like them, all because of Elsa. Ed says that Elsa is her own person, she doesn’t belong to either Nelson or Ed (how very enlightened of him). Nelson believes he lost Elsa. What, questions Ed. Yes, I lost her when we couldn’t have a child.

Mercedes is at Vicente’s and learns he’s ready to paint again. She happily throws off the dust covers from his easel.

Padre Anselmo is still testifying on Blanca’s behalf. He tells the court that Blanca wasn’t responsible for the crime which was committed.

Marichuy and Adrian discuss Purita and Adrian lets her know that he blames his mother. I think MC was encouraging him to not be so hard on his mother, which makes me think she needs to practice what she preaches. I might have gotten that wrong, let me know if I’ve messed up on translation. MC asks Adrian to keep it a secret about the baby and he agrees.

Stefi and Isa arrive at the hacienda. They find Nacho hard at work and start to ask him about Leo. Since they haven’t read the book “How to Win Friends and Influence People”, they just end up insulting Nacho and he’s not willing to give them any news on Leo’s whereabouts. Mica shows up and tells Nacho she’ll take care of the “ladies”. She tells them that Leo’s not at the hacienda and they tell her they need to leave him a message. They tell her to tell Leo that the woman he’s looking for is not named Lirio, it is Marichuy. If these two were any good at reading people, they’d be able to tell this wasn’t brand new information for Mica, who pretends she’ll pass the message along to her employer (at least I think she’s pretending, since she’s known how MC can be found and hasn’t told Leo as of yet). They leave a note about where he can find MC. They head back to town and seem pretty confident that Mica will deliver it to Leo.

Humberto is at the castle and asking Rocío for news about Beatriz’s baby’s baptism. He finds out the date and is excited because he doesn’t have appointments that day. Pretty presumptuous to think he’s invited, but what do I know, maybe he is invited. He gets up to leave and tells Rocío to remember that he loves her. She doesn’t reply.

Becky visits Vicente and they talk about Israel a bit and then they start to talk of Marichuy. Becky tells Vic that she heard about MC from Rocío. Vic looks moved to hear Rocío's name and we see he’s been working on her painting. Becky says she thought he was trying to forget her. He doesn’t respond to that directly, but instead shows Becky that he’s got some slight movement in his legs.

Rocío flashes back to some of the happy times with Vicente and then hears Humberto say he loves her. She's conflicted.

Vicente works with some dude in hospital scrubs, named Sergio. Vicente gets Sergio to help him stand up from the wheelchair. Vicente waves his arms to keep his balance, but he succeeds in standing on his own.

Padre Anselmo says that Viviana did not live the purest life and perhaps what befell her was a form of punishment from the Lord. The Lawyer is shocked at what the priest is insinuating (as am I, I have to admit). The Lawyer asks about PA’s relationship with Juanmi. PA says he admires JM and knows him pretty well. The Lawyer questions JM’s involvement in Viv’s death and PA says that all JM tried to do was protect Blanca from unjust punishment, he had nothing to do with it otherwise. He adds that he knows Blanca, as two people—first he met her as Blanca, but soon after saw her as Ivette. They are two different people, the priest tells the court. The fact that the priest seems to think she's suffering under this disorder seems to rock the courtroom.

Ceci cries to Patricio about how PA was not at the church. Pat reminds his wife that PA is testifying for JM. They talk about Ceci’s conversation with JM and how JM thinks that MC might have been back in town to get papers for her wedding. Ceci is upset to think that their daughter might be getting married without them.

Marichuy talks to Olga about Purita and Adrian. Olga asks about Leo and MC tells her about how Leo got his nickname. Olga asks about MC leaving him, when they were to get married. MC says she hopes he’ll find someone new, who can really love him.

Stefi visits JM and he asks why she’s always coming around and why she failed to mention that MC was at the house. Stefi says she thought Rocío would have given him the 4-1-1. He says she didn’t, not until recently. He runs through what he knows and Stefi says she’s got nothing more to add other than MC telling her that she’s leaving D.F., to go some place Far, Far Away (perhaps to hang with Shrek and Fiona). To be with whom?, JM asks. Stefi says, “Come on, you know that we don’t have that kind of relationship, there’s no way MC would tell me.” He buys that answer. Then, Stefi asks about Blanca’s case and JM fills her in on the latest, and how the court isn’t accepting the idea of her having multiple personalities.

Padre Anselmo tells the court (with accompanying flashbacks) about meeting Blanca when Rocío brought her to the church for help. He says that she confessed to him that she killed Viviana. The Lawyer questions why the priest hadn’t come forward with this information and PA reminds him that confessional secrets are binding.

Leo goes to visit JM at the castle. The two men are happy to see each other and hug. They talk about how many years it has been since they've seen each other and JM asks Leo what he’s been doing. Leo talks about his travels, and how he’s there today because he’s looking for a woman.

Marichuy tells Cande how Amador has suggested he might have her wearing a wig. She goes on to tell Cande how her name will be on the marquee and Cande clarifies that it will be MC’s professional name, Alejandra Robles. MC says how her picture will be in magazines.

Meanwhile, Pat is reading and comes across an article about the play MC’s doing, along with her picture. He goes and shows it to Ceci. Stefi appears to be shocked that MC might be located with such ease. Ceci is happy to know that they’ll soon be with their daughter. Pat basically tells her, hey I’ve shown you how to find MC, which you want so badly, but don’t ask too much from me, I’m not the one bound and determined to be reunited with her. Pat leaves and Stefi asks her what she’s going to do. Find her, Ceci answers. What if she rejects you? Stefi questions.

MC adds her personal touch to the apartment. She takes photos of her, Cande, and the baby and puts them up over the photos Amador has of himself around. She thinks of Juanmi and how Padre Anselmo’s been wanting to tell her who her parents are.

Amador visits Nelson and gets some news about the upcoming baptism of his son. He learns that Beatriz named the baby Eduardo. He’s not too happy to hear that his son is being named after Ed. Nelson tells him that Ed is adored by everyone at that house, and that Nelson, himself, doesn’t think Ed’s such a bad guy. Just then Beatriz comes outside and sees Amador talking with Nelson.

Marichuy’s in the theatre, sitting in the audience during a rehearsal. Ceci walks in and spots her. Ceci comes up to Marichuy and says her name. Marichuy looks up and says “Usted?” END OF EPISODE

Labels: Cuidado

The entire town stands motionless, throughout the dark and stormy (but with a full moon) night, waiting to see if PadTad has “recovered”. Meanwhile, Eeyore, Mariachi and Capricho swear a blood oath that they will never ever work on a show like this again, and they pledge eternal brotherhood, para siempre. Sofia “leaves” the hacienda again, and Juan, Oscar and Franco try to figure out (again) where he left his doo rag (it’s on his pants, but he put them on “backwards”). On the other side of town…..wait a minute, wrong telenovela! Oh well, wouldn’t it be nice if ours was as fun as that, but Tontas is a “light comedy”, so let’s see what fun stuff happened.



Unfortunately, this was the leukemia episode. As we saw last time, Chava has leukemia, and in this episode, we see how all the people in his life find out, and how each one reacts. It tells us something about their character.

We begin with the Doctor telling Candy the results of the tests. Candy is shocked and distraught, staggers out of her office into the hall, and sinks to the floor. Santiago arrives, and when she tells him, he’s immediately supportive, telling Candy that leukemia is not considered a mortal or deadly disease any more, and Chava will be okay. The Doctor comes out and reaffirms this. He tells Candy that leukemia means “white blood” in Greek, and that’s where the name came from. It’s an excess of white blood cells. But there are treatments, such as chemotherapy, and bone marrow (médula ósea, in Spanish) transplants. Candy is still dazed and sobbing, and Santi says maybe we should go to the cafeteria and talk more calmly about this. Soledad and Meño come in, and Meño goes to comfort Candy, who is inconsolable.

Meanwhile, in our other theme for tonight, Alicia finds a bill for some womens’ clothes she didn’t order. She thought it was a present, but no, Patricio fesses up that they were for “the mother of his son”. Alicia is not too happy that Pat seems to be seeing more in Soledad than just “the mother of his son”, and warns him that if he continues with this, she’ll kill him. Pat’s too cool for this, and just throws out his better idea. Why don’t we get divorced? This was NOT what Alicia was hoping for.

Candy, Santi, Meño and the Doctor are talking in the cafeteria. The doctor discusses the treatment options, but Candy is still worried that Chava could die. Santi takes her hand and tells her Chava will be okay. Santi, Meño and the Doctor all pledge their support. Candy needs to go for a walk, and Santi goes with her. The first thing she’s worried about is how she’s going to tell Chava. She feels like dying, but Santi reassures her, telling her she’s a good mother, and will know how to tell Chava. He hugs her. The music plays a theme I’m going to call SIS (Santi is supportive).

Charly is arguing on the phone with his Mom, who had just told him Meño was gay. Charly doesn’t believe it, thinks Ma is making this up because she’s depressed or angry. She cautions him that he’s in for an unpleasant surprise, but he doesn’t buy it, and says he’ll prove Meño is straight.

Alicia is giving Pat a bit of a shoulder massage, while he continues to use the word pioja (louse) every two seconds, even calling her one in what he must consider a playful way. (As someone pointed out – I think it was Margarita – Pat’s two favorite words are “louse” and “sexy”). If he ever gets together with Candy, I hope she cures him of this, because these are not really too flattering for him). Alicia asks what Pat would do if she had a lover, and he responds that before killing him, he’d get divorced. Alicia notes that he has now mentioned divorce twice. Is he serious? Apparently so, as Pat coolly observes that they could still “just be friends”.

Candy and Santi are walking now, in a park or garden, with flower bushes and a high stone wall below them. Santi says it’s a magic place. He comes here when he has a wish. He shows Candy what to do. You take a flower petal, make a wish, and blow the petal off of your hand. No matter where it falls, an angel will come down, and take your wish to God. She wishes for Chava to be cured, and blows the flower from her hand, but she still is worried. (not to break the mood, but I sort of thought the actors were slightly laughing in this scene, because both flowers only flew about two feet and got stuck in some bushes, instead of floating down over the stone wall). Santiago says that he once heard that we’re all angels, but there’s just one wing, and the only way we can fly is to hug each other. SIS plays again. (Santi is sure ready with a bunch of magic places and treatments. There was a place on the beach, where there was something with two halves of the orange, last week he taught Candy the scream your name technique, and now blow the magic flower. There may have been more, but I can’t remember).

Charly’s upset, and Meño asks him about it. Charly was arguing with someone (his mother), but he really doesn’t want to tell Meño now, and wants to go see his novia. But he notices that Meño is upset, and Meño tells him about Chava. Charly is concerned, and offers to stay or help in any way needed, but Meño says it’s better for him to go see his novia now. As he leaves, Meño thought bubbles that Charly should never find out that Meño’s gay.

At the Institute, Bárbara, Lulu, Chayo, Ceci and Marissa are discussing the sad news about Candy’s son. Lulu’s uncle died of it, but Chayo’s more positive and hopeful because of modern medicine. Ceci thinks people can still die from it, but Chayo urges them all to try not to let Candy see them with such sad faces. Marissa says nothing, but walks out of the discussion, looking worried (but maybe not so much for Chava, but for herself and Santiago).

Chava himself is oblivious to the grown-ups’ preoccupations, and is playing happily with a toy plane while Gregoria fights back tears, and Meño urges her to try to laugh, so Chava won’t pick up on their worries. He tries to laugh himself, but it doesn’t come out too well.

Another depressing discussion is taking place, this time Chayo telling Ceci that if Ed gave her all those flowers, he feels guilty, and must be having an affair. Ceci wonders if she’ll stay quiet as usual, and Chayo doesn’t know what to do. She dreads (me da pavor) that he might leave, and the nights she spent at the Institute were terrible, she feels incomplete without Ed. The worst part – she thinks Ed’s lover is not just a little adventure, but something serious, that he’s been seeing the same amante for a while.

Raúl and Ed are talking about the same thing. Raúl thinks Ed’s time with his lover is taking him away from the guys. Ed upset about the situation, and says Santi’s been no help. And he’s upset that Chayo is still going along suffering in silence. For once, he wishes she’d kick, scream or claw! At this point, Ed’s cell rings, and it’s the amante. This time Ed tells her he cannot go out with her tonight, has she forgotten he's married? All this time he’s absentmindedly choking Raúl, who isn’t so happy to be on the receiving end of Ed’s confusion.

Marissa has called Santiago (still consoling Candy at the stone wall) to let him know that all the ladies at the Institute know the situation, and will be supportive. After hanging up, Santi promises Candy money, doctors, his friend the specialist or anything else Candy should need, and she is truly grateful.

Charly and Lucía are also talking about Chava. They’re worried, too, but each time they hug to reassure each other, Donato appears with a bullhorn saying “No hugging allowed”. Charly then tells Lucía the other thing on his mind. He wants to get Lulu together with his Dad (Lucía doesn’t realize this is for Charly to prove his mother wrong). Lucía has a great idea, how about a romantic dinner, in the form of a blind date! They scamper off to plan, as Donato’s bullhorn warns them against going into a “forbidden zone” (upstairs).

Continuing with our light entertainment for this evening, Alicia is now stalking Soledad. Soledad leaves her house, and Alicia (in another great outfit of sparkly black clingy dress and thigh-high grey suede boots) walks toward same house, holding something sinister in her hand.

At Santi’s house, Marissa tells Isabel about the leukemia, and right in front of Rocío’s half opened door, tells Isabel that Chava could die. Of course, Rocío heard.

By this time, Soledad’s back from the market with a few groceries. I guess what Alicia was holding really was sinister, because written in spray paint on the front of Soledad’s house are the words “You’re dead, bitch”, along with a smiley face. How nice of Alicia to add that little extra touch. Sole knows who did it, and calls Pat.

It’s getting dark, and Santiago has been with Candy all day. They’re outside her house. She’s more tranquil now. She knows she has to be strong for her son. Santi tells her not to try to do it alone. Accept the support from her uncle, her mother, and her friends. She thanks him again, and as she goes into the house to somehow tell Chava, she gives Santi a look of deep appreciation for the strength he’s provided to her this day, and Santi returns the strong, assured look. The music’s a little happier. But after Candy leaves, we see Santi looking the other way, very worried, almost crying, with his pupils sort of spinning (the way they did in LFMB when he lost Lety).

It’s time for Candy to tell Chava. Chava wonders why she’s crying. She asks him to get Merengue. He brings back the cat puppet, and the puppet says he has a tummy ache. Chava is surprised that Merengue is sick, but Candy says it’s okay, because Merengue will get well, just like you. Chava happily shows his muscles, saying he’s not sick. Candy quietly relates that Chava is a little sick, and is going to have to go to the doctor a lot, and won’t be able to play fútbol, or do a lot of other things. With Merengue’s help, she gets Chava to laugh, and they pretend to have a laugh war, but Candy’s laughs barely hide her concern.

Pat arrives at Soledad’s to see Alicia’s grafitti, He says it could have been a kid, but Soledad saw a red car out of the corner of her eye, and knows it was Alicia. She’s crazy. What is Pat going to say to her? Nothing, but he’ll take care of the situation.

Lulu is showing a mysterious note to Chayo. The note is composed of letters cut out of a magazine (the way people do with ransom notes) , and is unsigned. It’s very colorful and happy, tho. In it, the writer says he needs to see Lulu, he’s a timid fool, let’s meet in the park. We know Charly and Luc wrote it, but Lulu thinks it’s from Meño, who’s too timid to sign it. She gets all excited, asking Chayo what to wear, what makeup, how to do her hair, talking a mile a minute, so much that Chayo can’t even get a word in.

Santiago is now reassuring Isabel and Marissa about Chava, saying that Chava is going to be okay, but we don’t have to worry Rocío yet. Isa tells Santi that Rocío already knows, and Santi also takes this in, but says we’ll all work together. Marissa then touches her tummy and asks “what about my baby?”. Great timing. Santi doesn’t get into any discussion, just repeats that everything’s going to be okay.

Beto arrives home to see Pat painting the front of his house (the grafitti has been covered up). He wants to know what’s going on, and Pat just tells him it’s a work of art. Beto says his Dad used to paint the wall before he left, and Pat says maybe Beto should call his Dad and ask him to come visit, and they can all paint. Beto wants to try his hand, so Pat gives Beto the paint roller, and they have a nice father/son bonding moment, painting the wall.

Now Meño has also received a note (prepared by the juvenile matchmakers) inviting him on a date. He shows it to Candy, and he’s excited. Who’s it from? He has someone in mind (a guy, I believe), but Candy says it could be Lulu. Meño can’t believe Lulu is really that determined (lanzada), but Candy says Lulu sure is. However, it could be someone else. Meño’s heart is palpitating at the possibility, but feels guilty to be happy about this. Candy thinks it’s fine to have something to be happy about. Okay. Meño will go on the date, but if it is Lulu, he’ll get out of there pronto (salgo disparado como tapon de cidra – literally, get away like a cork from a bottle of cider, I think), without Lulu’s realizing. Candy agrees, it’s a deal.

Santi is comforting Rocío on the sofa. Rocío wonders if Chava’s sickness is like a cold. Santi explains that it’s more than that, Chava will probably have to go to the doctor a lot, and maybe even the hospital, but he’s going to be fine. Rocío then asks if God’s punishing Chava, since a girl at school said illnesses are punishments from God. Santi says the girl is completely wrong, God is good, and would never do something like that. Chava will be okay (SIS theme plays again).

Well, even the Abandonados are out of hijinks. They’re sitting around a table eating dinner, with long faces, drinking wine instead of beer. Some of them say we shouldn’t be too sad, so let’s at least have a toast to Chava’s health, which they do, in a restrained way.

Pat is fuming mad at Alicia, knows she painted Soledad’s wall, and says the next time you do anything like that, will be THE LAST. Alicia is not to be deterred, and asks if Pat’s in love with her. Pat reiterates, he was only in love one time (with Candy). Maybe Alicia shouldn’t have asked.

Raúl briefly gives his support to Candy, and leaves. Candy can’t sleep, so Gregoria will get her some tea while she works on her column, when the doorbell rings, and it’s Santi again.

Meanwhile, Raúl is now discussing the situation with Marissa, who really doesn’t care as much about poor Chava as she does about poor Marissa. She can’t believe Santi said he was in love with Candy’s “youth”. She’s no old hag. Raúl asks whether Santi might just be marrying Mari out of obligation, because of the baby, but Marissa says no way, he loves me, he’s just confused. Raúl wonders if Marissa’s fooling herself, maybe she should just break up with Santi. Mari insists Santi will change, as soon as they get married, just as he did with Paulina. Raúl doesn’t understand what Paulina has to do with this. Well, she left him alone with a kid, and he changed. No problem. But Raúl says Candy’s not Paulina, Santi might really love her. No way, says Marissa, maybe Candy just wants his money! Raúl gets mad about this part, and pleads with Marissa to get real. She’s acting like novias of alcoholics, who think as soon as they get married, the guy will stop drinking. Marissa doesn’t want to hear this either, tells Raúl all he does is yell, it’s like a drill on her ear, go yell somewhere else. Or maybe it’s like a right handed punch (derechazo, also a right handed pass with the cape in bullfighting). Well, go punch somewhere else. Raúl goes off maybe to do just that.

And now, we finally have a “Fuego” moment, as the half charm that guy left for Candy the other day magically glows as Candy lights a candle in front of Chava’s picture (only we can see the magic, tho). Santiago has stopped by just to give her one more moment of support (and play the SIS theme), but the real reason (as far as we’re concerned) he stopped by was so he could also see the magic amulet glowing. He picks up the amulet and asks Candy where she got it. Someone just gave it to her, saying that (and then he finishes for her) when she finds the other half, she’ll have true love. She is a little astonished he knows, but after he leaves, she squeezes the talisman, and prays to God for Chava to be cured.

In the morning, Candy visits the doctor. His brother is a specialist, and in the meantime, they can start treatment, and maybe at some point, do a bone marrow transplant.

Bárbara is “helping” Chayo, saying all men are the same, Ed must love Chayo because he hasn’t divorced her yet, Ed’s one of the worst womanizers, lots of other helpful things. Thanks, Barb.

Raúl, like a bull in heat, bursts into Santi’s office to give him the derechazo Marissa demanded. He grabs Santi’s throat and while shaking him, tells him he’s a traitor, and he better marry Mari or he’ll be very sorry. Santi pushes him off, saying what kind of idiocy is this, what right do you have to come into my office and shake me (zangolotearme) like that! He says Marissa told him he she couldn’t get pregnant, so he was taken by surprise. Then you don’t want the baby? roars Raúl. No, I want it, it was just unexpected. And if you don’t calm down, I’m just walking out of the office and leaving you here. No, I’ll leave, shoots back Raúl bitterly. But you know what you have to do, he adds on his way out.

The doctor has come to Candy’s house to set out the regimen for Chava’s treatment. He tells Candy, Meño and Gregoria the new realities. From now on, try to avoid any contagious things with Chava. Only one or two people should be with him at a time. Anyone near him has to have totally clean hands, and they have to wear facemasks (tapabocas). You have to be very careful with his food. And even after the operation, he’ll have to be cared for very delicately. Is the operation dangerous, asks Candy? Well, the real danger would be not to operate.

Santi is typing a letter to Raúl on his computer, since speaking directly was causing too much anger. Santi is calmer now, and in the letter, he admits that he is in love with Candy. The love took him by surprise, and for a while he didn’t realize it. But don’t worry, Santi will marry Marissa. Santi loves his two daughters, but he’ll love the new baby just as much. The baby is innocent, and deserves to live a happy life. But Raúl, he adds, don’t ask me to be happy when I’m giving up the woman I love, and you don’t know how much it hurts me. Un abrazo, Santiago.

Pat was driving when Meño almost walked into his car. He gets out and asks Meño what’s wrong. Meño says Chava’s name, then thinks better of it, and says, sorry, I can’t tell you. He leaves Pat wondering what is going on.

Candy, wearing the facemask, goes to Chava’s bed, explains to him that he can’t play with Beto for a while, he’ll have to go to the doctor a lot, but later everything will be back to normal. Chava’s still in an excellent mood, and asks if Mom can bring the television into his bedroom. She will.

Gregoria came to tell Alicia the news, too (at least just about everyone knows now, they got that part over with – on my recap night, thanks a lot). Gregoria thinks Alicia should tell Pat, but Alicia says no way, he’s not going to find out, he doesn’t have to find out. At this point, Pat walks in, asks what do I not have to find out?, and we’ll have to wait until Monday for Alicia’s response.

Not quite the happiest of episodes.

But next time – Chava’s going to need a donor (what a surprise!).

Vocabulario

Médula ósea – bone marrow
Me da pavor – it gives me dread, or terror
Lanzada – determined
Salgo disparado como tapon de cidra – I’ll hurry away like a cork from cider (not sure of this one)
Derechazo – a right hand punch in boxing, a right hand pass in bullfighting
Zangolotear – to shake somebody
Tapabocas - facemasks

Labels: Tontas

Capítulo 187

As we in Viewerville begin another of our nightly forays into the land of Mexiloon, we join-in-progress as two-thirds of the Reyes Brothers’ brain trust is at the Double E (Hacienda de las Elizondo y del asqueroso ese, Escandon) watching Fernando throwing papers from his safe into a satchel. Ah-hah! Fer has left the mysterious little wooden chest behind so Franco immediately hands it to Oscar, the crip on the crutches, to open. However, before The Disabled One can perform this nifty balancing act, Fernando suddenly grabs the mystery-box out of his hand and stashes it along with the rest of his stuff into the satchel then exits stage left. (“It’s a fine mess you’ve gotten us into, Stanley!” --Sorry, but the similarity to Laurel and Hardy here is just too overwhelming to ignore.) Now all the incriminating evidence is gone in a flash cuz Feo’s got his stash.

At the same time back at Comisario Central, Muttonchops is forced to let Darth Rico go for lack of evidence. However, DV cannot leave town because there’s still a homicide investigation. Darth says no way he’d dream of leaving this berg till he’s finished what he came for. He makes a show of ambidextrously checking his two pistols and struts out the door. Padre Tadeo, who’s come to get Fermin released, walks out from the cell area and is told that Raquel Uribe was found dead at the bottom of a ravine and that Juan has accused Darth of killing her. Pad Tad thinks to himself that he hopes now Gabi will wise up and kick out that murderous bunch from her hacienda. He then takes Fermin back to the rectory.

Back at the Double E, Juan goes upstairs to his room after seeing Fer walk out the door with his man-purse. HIs brainiac brothers tell him what just happened. We get two minutes of Larry, Curly and Mo arguing about how they just let Fer get one over on them. The only thing missing are the eye boinks and the head-slaps.

Meanwhile, Feo enters the rectory office and hides his m'urse of goodies in the base of a pedestal underneath a statue of St. Francis of Assisi. (¡Qué ironía!) Padre Tadeo enters immediately afterward and asks him why he’s there. Feo fudges and says he has been waiting to speak to him and the priest lights into him immediately about being in no mood to hear a confession about his murdering Raquel Uribe. For only the second time in his life Fernando is honest and denies any knowledge that Raqui was offed. Fermin is unlucky enough to walk in behind Tadeo. Feo warns him about opening his mouth. Pad Tad jumps in to tell him to save it because Fermin fears not, that Fer’s time to pay for his wicked ways is fast approaching and BTW, Gabriela has now confessed and repented whole-heartedly of all her sins so not to go counting on help from her end either. Feo knows she’d actually have to have a heart first so he just stands there and smirks.

Speaking of the aforementioned Heartless One, she is now sitting in her bed and devising another plan to keep Jimena and Sarita with her at the hacienda indefinitely (if not longer). She tells herself that if Sofia leaves then they’ll follow her and she’ll be left all alone there. So, whatever it takes, she’s got to keep Sofia there for her own protection.

Sofia, meanwhile, is downstairs telling her sisters she’s leaving the hacienda because she’s finally had enough of Mama’s guff. Jimena says she’s coming too and asks Sarita if she’s still determined to stay by Mama’s side and give up her chance at happiness with Franco. (Yeah, Sarita. So how’s it working out for you so far? --Will somebody head to the drugstore in town and get Dr. Phil on the phone, cuz this gal is in definite need of some serious intervention.)

Somehow Padre Tadeo has lost track of Fermin and comes back into the rectory office looking for him. He spies a note supposedly from Fermin saying he’s run away because he’s too freakin’ afraid of Fer. Pad Tad tells himself that he must understand that not just anyone can face Eeevil. Speaking of which, the Blood-Sucker, Fernando (note the hanging garlic framing his malevolent mug at the market stall) stops to look at a number of nasty-looking knives. He thinks back to Padre’s words of warning. He snickers to himself and says no, it’s more like time has come to get rid of his enemies and knowing Gabi the way he does, there’s no way she is ever going to truly repent for her sins. He chooses the dagger he wants.

Night falls, and time stands still, as the everlasting “luna llena” (full moon) of Mexidoom rises. Gabi goes downstairs and tearfully begs her daughters not to leave her. Sofia says she’s getting what she wants most, her hacienda, and they’re leaving her to it. Gabi pulls a tantrum and cries that her daughters are all that really matter to her. She even gets on her knees just to make it look good. She promises to change her ways, but Jimena and Sarita tell her she’ll never change. (Hey, is that a suitcase in Sarita’s hands? Hmmm. Maybe Jimena’s a better life coach than I gave her credit for.) Gabi then promises to give her consent to their relationships with the Reyes’s. Just then Juan and his brothers arrive to take the three of them back to the Double R (Hacienda de los Robles-Reyes) with them. She whines and snivels on Juan’s shoulder and tells him she’ll even consent to them with her daughters. Just don't please take them away just yet. Everybody thinks the old witch has gone ‘round the bend.

Pad Tad and his faithful donkey, Platero –yes, the donkey does have a name—are walking back through the woods to the rectory after a very successful day ministering to the faithful when the Grim Reaper suddenly appears from behind in the moonlight. Fernando, jumps out at the priest from the bushes to crescendos of Phantom of the Opera-style refrains. Disguised once more behind a scarf, a serape and a huge sombrero, he attacks Padre Tadeo and stabs him in the gut. (Feo took the tiniest dagger in the bunch. Granted a four-inch blade can kill, but I still find it hard to believe that he actually was able to penetrate through two or three layers of smock and undies or whatever and mortally wound Tadeo. That little thing doesn’t look like it could cut butter, let alone mortally wound somebody. Silly me.) Lightning flashes from the heavens and Padre Tadeo helplessly drops to the ground as Fernando sneers at his handiwork and thinks to himself, “Good riddance, little priest!”

Juan is disgusted with the whole Mama scene and tells Gabi that it’s come to this because nobody can stand her any longer, and both Franco and Oscar tell her they won’t permit her or anybody else to abuse the women they love any more. She promises never to insult them or to interfere with the three couples again. Juan gives up in frustration then and tells Sofia and her sisters it’s their choice. He says they’ll stay there to protect them but just until her mother is recovered, though as far as he’s concerned he doesn’t believe a word of it. Sofia gives in and they all agree to stay on till she’s better. Mother Hen pecks her way back upstairs and her three little chicks follow. (Ugh.)

Oscar tells Juan and Franco he thinks she’s faking too, and it’ll be forever till they get their women back. Juan swears he won’t fall for that again and it will only be until Gabi gets better. (Ha! Oscar is on to something here. A woman with a heart condition that calls for surgery might not ever get well again. They could be waiting till Hell freezes over.) Franco reminds them that the priest told them she’d confessed her sins and repented, but Juan figures she deceived the priest.

Speaking of which, the poor prelate is prostrate as the rain storm moves in. He asks for forgiveness and waits to die. Fernando takes off his disguise and looks over at him from a clearing in the bushes. “Poor Padre Tadeo. Well that’s life! Good things don’t last long.” Suddenly lightening flashes and causes two crossed branches to catch fire. (Holy symbolism, Batman!) Fer walks away in the opposite direction.

Back at the Double E, Oscar is still complaining to Juan about Gabriela’s faking. Juan says he’ll make sure the old lady doesn’t go back on her word and then he reminds them they still need to find their parents’ and Libia’s murderers and to see justice is done.

Upstairs, back in her bed, Gabi thinks to herself that she really hated all that begging and groveling she did in front of the Reyes’s to make sure that her daughters would stick around. She figures that at least Juan will be good protection against Fernando and if worse comes to worst she might even tell Juan about Fernando’s being the one responsible for killing his sister.

At the same time, Feo pulls up in front of the barn. Darth Rico just happens to be skulking in the bushes and sees him. He follows him into the barn and notices him hiding something but doesn’t know exactly what. Darth confronts him but Fernando says it’s nothing that concerns Rico, but he has heard that Raquel is dead and he’s sure that Rico murdered her. DV sniffs. “What can I tell you? She deserved it for fooling around with you!” He slugs Feo unexpectedly in the snout. Fer gets up and tells him he owes him for betraying his father and that it’s his fault he lost everything and committed suicide. DV tells him his daddy was a simple-minded fool the same as Fer and it’s “Wrestle-mania II” for a while till Rico falls to the ground and Feo pulls a nearby pitchfork on him. He’s got his foot on Rico’s neck and Rico is too winded to get out from under him. “You’re time has come!” He’s just about to spear him when Rosendo walks in on them and asks what’s going on. “Nothing. Ricardo was just learning about farming implements and I was demonstrating.” Fer thinks twice about things then and throws the pitchfork back into the hay.

The Reyes’s ride out to Libia’s grave to tell her even though they’ve given up on vengeance for the good of their women and their little daughters, they’re still gonna grab the guy what done her in. It starts to pour outside.

We beam back to the Double E where Gabi has sent for El Coyote. “Pardon the informality of my bedroom.” She hands him the bottle of pills Feo gave her and asks him to check to see if they’re really what’s written on the label because she’s afraid that Fernando is trying to kill her.

On the way back from the Bat Cave, the Reyes’s come across Pad Tad’s half-dead body lying in puddles of mud and they take him into town.

Alone, outside the hacienda, El Coyote takes the pills and crumples the snake trim he’s still carrying with him. “You’re time has come, Gabriela Aceveda, yours and Ricardo Uribe’s also. Forgive me, God, but this is much stronger than I.”

The Reyes’s arrive back in town. Juan carries Pad Tad in his arms and s-l-o-w-l-y walks toward the little clinic as the town folk suddenly appear in droves with torches. (Ok. Now, the guy is bleeding to death—not that we see even the first drop of blood on him—and the whole town, Juan included, gets hit with an attack of Tortoise-ites?) It’s raining cats and dogs outside. Juan suddenly stops in the middle of the town square to pray to the diosito to save the priest. (Now, is it just me, or, shouldn’t he do that AFTER he drops him off at the clinic????? I mean, normally these people run around like chickens with their heads cut off whenever there’s the slightest emergency, but now everybody suddenly gets the S-L-O-W-S????) “Don’t take him from us yet, Lord.” (Yeah, at least not till they get him into the freakin’ clinic!!)

Finally the good doctor races out into the rain and tells them Tadeo's still breathing (now that IS a miracle) and they take him inside and leave him there, knife wounds and all. The doc examines him. (No rush to get an ambulance or a truck to race him off to the ER at the hospital in Puebla City like they did for Gabi and for Sofia. Nope. Nothin’ doin’. I guess Pad Tad’s on his own with this one.)

While all this is going on in town, Darth starts to search the barn for whatever it was that Fer hid. Eventually he finds the bloody dagger (conveniently wrapped in plastic) and slides it under his jacket for safekeeping till the time is right to use it against Fer.

Back at the Double R, Hortensia, Quintina and Eva discuss the fact that Juan and his brothers have started looking into their sister’s death again.

Over at the Double E, Rigo comes to tell Sofia and the others what has happened to Padre Tadeo. He takes Sofia and Jimena to town with him and Sarita stays to look after Mama. Once they get to the little clinic Sofia gets the rundown on Pad Tad from Juan. Everyone is in the waiting room waiting for news. It doesn’t look good. He may not last. Nabor walks over and tells them that he can’t prove anything, but Fernando Escandon has been threatening the priest for a long while now. Caras impactadas all ‘round.

Back at the bungalow Root is looking for Papa Bear. Suddenly Fer (the busy beaver) jumps her and starts choking her because she won’t tell him what she said to get Juan to give her back that document she signed giving Fer half her inheritance. Out of nowhere Coyote appears and pulls him off her. Fer tells him to stick his nose out of it and he starts to go after Coyote, but the posse appear just as suddenly out of nowhere and cock their rifles. “You’re pretty brave as long as you’ve got your men aiming at me, but one of these days I’m going to get you when you’re all alone.” “—Anytime! And don’t mess with Root again or you’ll have to deal with me.” Feo threatens him again but Coyote just stares him down. Feo brushes off his hat and leaves.

Root wants to know why Coyote was there protecting her. He tells her they’ll get together the next morning and have a long chat, but he doesn’t have time right then for it. “You must learn (Grasshopper) that in order to survive one must be patient.” Root is mesmerized.

Back at the clinic, Eva rushes in to tell Juan and Sofia that the town is up in arms and looking to lynch whoever is responsible for attacking Padre Tadeo. (I say fine. It’s about time we get a little vigilante vengeance thing going where Feo is concerned.) Pad Tad regains consciousness just in time to make Juan promise he won’t allow the town to do something they’d regret later. Juan promises and then goes out to talk to the angry mob. Everyone mumbles. The Borg Sisters (resistance is futile) chant in unison, “Nothing that you might say will change our desire for revenge!” (Do-do-do-do. Do-do-do-do.) Juan wins out though, and he convinces everybody to pray.

Back at Hellhaven, Gabi tells Sarita that it’s too bad about Padre Tadeo, but after all, he was sort of looking for it by always meddling where he didn’t belong. Sarita can’t believe The New and Improved Mama would say such a thing, especially after getting right with God. Gabi is quick to correct her daughter’s errant thoughts. “I never separated myself from God, just from Tadeo’s parish. (Sorry, but I have always thought that huge cross on her wall should have been more appropriately turned upside down the way she practices religion.) They agree to visit him the next morning if he doesn’t croak first. Sarita drones on. Gabi nods as if she's listening but actually is lost in her own thoughts that it would be better for her if he dies now that he knows so many of her deep, dark secrets. The priest has just been a regular nuisance for her and she hopes to Hell that he does die.

The town prays for the priest outside the little clinic throughout the night and into the next morning. The good doctor checks Tadeo for vitals and tells Sofia and Juan that there has been a slight improvement. Juan and Sofia rush to his bedside and Juan whispers to him that he must make the effort to get better. He promises to never look for revenge again and to trust in the law. Sofia reminds the padre that the town needs him. He’s their hope and their faith, their word of God. (All right already. We get the picture.) Everything is sweetness and sunlight….

Meanwhile, Coyote is getting ready to drive back to Gabi with the pill bottle. He says to himself that the medicine has definitely been tampered with and if she continues to take it she will get worse day by day. (Woah there! What kind of new leather ghetto garb is our boy wearing now? Will you get a load of the fox collar on that leather jacket of his? Hey, far be it from me to say anything, but isn’t it like the middle of summer there?) Coyote tells himself that Fernando may want to kill her but he’s not going to succeed. Before he does, Coyote will do her in himself.

Coyote gets back to the hacienda and gives Gabi back her meds. He tells her they’re perfectly fine and to take one now to make sure she doesn’t mess up her schedule. She is all smiles and swallows a tablet. She fawns over how trustworthy a man he is. He says his respect for her is just as high, yada, yada. He asks her then why she feels Fer is trying to kill her. “He must owe on a few deaths, huh?” (Sorry, but that phrase threw me.) At first she balks, but he tells her that she needs to trust him and come out with it all so he’ll be forewarned should things come to that and he’s needed to protect her.

Gabi still is hesitant so Coyote says it’s obvious that she loves Fer much more than he loves her. She asks what he means. He explains that the night before he found Feo abusing Root and it seemed they had an odd sort of relationship. It seemed to him they had something going on between the two of them. (Anvil #2 has just dropped.) Gabi refuses to believe this. “It can’t be! He swore—“ “—Don’t get upset. I made a mistake.” He gets ready to leave her "in the hands of her husband whom she so greatly trusts.” Gabi calls him back and says he’s right, that she really does trust Coyote more than Fer. Coyote reels her in a little farther and says apparently not because she won’t open up to him like she used to.

Gabi finally gives in and says okay, to show Coyote how much she really trusts him she’ll tell him something only she knows. He’s all ears. “Speak to me in full confidence. I would never dare to betray you…..” “--I know. Okay. You’re right about Fernando. He’s guilty of a number of crimes.” Coyote knows he just hit pay-dirt. “Among them is the death of the Reyes’s sister.” Coyote realizes it’s not just pay-dirt. It's an all-out El Jefe sized gusher! “Yes," says Gabi conspiratorially. "Fernando murdered Libia Reyes.”

Labels: Fuego

Permalink posted by Jardinera654 @ 4:22 PM 56 comments