Thursday, July 19, 2012
Refugio Para el Amor #74 Wed 7/18/12 The Showdowns Begin
Mexico City:
We begin with the Marcial and Vio meeting and things aren't going well. Marcial lurrrvvves his Vio, if she waits a bit, he will be free. Vio isn't down with that he lied to her, he's still married, doesn't want anything to do with him. He is not taking no for an answer, when who should walk in, wait for it, Flor, Marcial's wifey. And boy is she pithed. Accuses Marcial of betraying her with this esta. Vio says I'm no esta, my name is Violetta. You will respect me in my own home. Marcial doesn't want to air his dirty laundry with Flor in front of Vio, but Flor says she ain't going anywhere!
Julie and Gagme are in Gagme's office. Julie gets a call from the hunkalicious guy she met the other night, for a meet. He's Italian or the wine is. Anyhoo, Gagme gets a call from her informant, at the Torreslanda's , we all know who that is, on the count of three, Frigid. Frigid informs Gagme that Luci's Moms, Paz has come to pay a call on ole Rosa. Gagme is shocked.
Norma and Claudio are in his office and he is telling her how much he loved meeting Luci's family last night. It was like a party, their hospitality was wonderful and he drank some tea, and enjoyed meeting the people from the North. He loves her family! (Note to Claudio: I hope you always feel this way).
Aldo is at the salon where Vicky works talking to Nichole. Aldo is telling Nichole how much he likes Vicky. Nichole tells him to stay away from Vicky, cause it is causing her problems, effecting her work, and his Tio will not be pleased.
Max is talking to Pato, via the computer. Pato tells him his therapy went well, but he's tired. Max reminds Pato that Dr. Drexel said that was part of his therapy was to rest. Max sends hugs to Pato. Afterwards, Max calls Vicky. He says great your dad is back at work. How are you? Miss you. Click!
Luci has picked up Marianita from school and is going to help her with her homework. Mari wants to know why Luci is not marrying *dead to me* Rod. He's busy lots of work, can't be together. Mari wants to know if she used Mari's magic wand to wish with all her might to marry Rod? Luci changes the subject and helps Mari with her homework.
Vicky is at home, arranging some flowers in a vase, when guess who has come to call? That's right, its the boogeyman, oh sorry, no it's Aldo. She has opened the door wide and is now trying to slam it in his face. Aldo, however, has got his foot in the door. Vicky tells him she doesn't want to speak to him, and how terrible his Tio can be. He tells her to calm down. Vicky tells him your Tio could kill us. Well Aldo is flabbergasted, but he goes. Vicky is releived.
Het Het:
The Chisme Ladies are walking down the street talking about Copio. They run into Dona Luchita who says she used the phone over at Don Serapio's and saw Copio there. She tells the ladies she is diversifing her clothing line and something about her reputation. She goes and the ladies have a little giggle.
Don A is in his office, seems he has a replacement for Copio already and is mad the guy is tardy. He is starting to witch at that ring tailed cat on his desk when the guy comes in, I think his name is Babosa, but I have a feeling this means monkey, lol. Anyhow, Don A wants him to be on time, don't interrupt when Don A is speaking and now go and do what I told you.
Mexico City:
Rosa exists her white SUV all nose in the air.
Meanwhile, Magda and Estella are in the kitchen talking a mile a minute and Frigid comes in and tells them that Senora Torreslanda has come home and to pipe down. They just look at her like she's dumb.
Paz is still with Mati in her room. Paz tells Mati now is the time for the truth and to finally confront that minion of satan, oh, excuse me, Rosa. Frigid has taken herself upstairs to announce that Rosa is home, and Mati and Frigid escort Paz down to the library.
Rosa is in the library, and Paz with her head held high, goes into that library. Rosa wants to know who are you, and what do you want? Paz with her stiff spine intact says I am Paz Jacinto Flores, mother of Luciana. Well that shuts ole Rosa up, she has the deer in the headlights look. Paz continues and says, yes I am Paz, wife of Galindo, mother of Luci. Mati and Frigid are still by the doors and Frigid is openly gawking. Paz tells Rosa, you know very well it's me. Well, Rosa turns to Mati and Frigid and tells them to leave her alone with Paz and no interruptions. You can tell Frigid wants to hear it all, but Mati is the one that closes the doors and makes sure they are closed.
Luci and Marianita are still talking and Luci explains to Mari that sometimes reasons keep people apart. Ariche walks in as Luci is speaking and he wants to know why she isn't marrying Mushashon. The poor boy looks heartbroken. Now Ariche wants to know where Rod is. Luci says busy working. Ariche wants to call Rod. He wants Luci to call Mushashon.
Now back to Paz and Rosa. Rosa starts right in. I know why you came back, you want more money as she reaches for her purse. Paz still with the stiff spine is very, very pithed now. Paz says she doesn't want money. Rosa is not listening, and says por favor, as she is stroking a check and asking Paz how much we talkin' here. Paz says this is all your fault about Luci. Rosa says she never wanted Luci to return there, eva. Paz tells her it's the Torreslanda's family fault. Now Rosa starts the name calling, calling Luci a wretch, as she sticks her index finger toward heaven. Paz, with that ramrod stiff spine, looks at Rosa and says how is Luci a wretch, what cause she fell in love with *Dead To Me* Rod, and because of your manipulations and lies she got her heart broken. Rosa reminds Paz she isn't to tell Luci anything about her true past. Paz tells Rosa she knows she is a liar, cause Paz went to Rod is Dead To Me and got the whole story out of him, with the other two brujas you ganged up on her and told a bunch of lies and the funny thing is there was noone here to defend my Luci. Paz then tells Rosa she is a miserable person with no heart. Paz rolls up her sleeve, like she is going to give blood, and tells Rosa she loves Luci like her own blood and that Rosa treated Luci shamelessly.
Meanwhile, Max and Rod have gone out to lunch. Max wants to know how Rod is doing, really. Max is concerned, what with the divorce, all the work Rod is doing, not speaking to Rosa and Frigid listening at doors. Ha! Rod asks if Frigid is a necessary evil, they laugh. Max just wants Rosa to be tranquil at home, as if. He tells Rod to go ahead tell him, it's better to talk about it. He's his dad and will listen. Rod regurgitates all the crap about Luci being a liar blah, blah, but Max tells Rod, you ever think the girl is innocent of all this crap? Max thinks she is. Well Rod is just shocked. How can he think that. Besides she has a little somethin', somethn' going on with Linares, you know our #1 enemy, she was even hugging him in public! Now we know Max knows what the real relationship is, so Max tells Rod he was happy married to Luci not happy now, go talk to her, make it right. We're divorced says Rod, yeah, but try to talk to her anyway, so what if you're divorced. Rod says you don't know Luci and why is his Papa defending her all of a sudden. Max says he isn't defending her, just that Rod's heart wants what Rod's heart wants. Max tells Rod he cares about both Rod and Luci and wants them to be happy. Max thanks Rod for talking to him and Rod is grateful to have a listening ear. Lunch is over and Rod hugs his papa and cries like a big ole baby on his shoulder.
Magda, Estella and Mati are all in the kitchen waiting on Paz. Frigid is there too, making her disapproval known by that face. (Note to Frigid, hey hope your face freezes like that, jus' sayin'). Anyhoo, the ladies are chatting and Frigid is starting the insulting comments she is so good at, and she is harping on Mati. Mati leaves the room, with Frigid right behind and Magda and Estella make a joke about Frigid. Someone please comment about that, cause they sure had a good yuk.
Now back to the showdown. Rosa is yelling at Paz. Rosa is trying to tell Paz they are both alike trying to protect their children. Paz says no way, she tells Rosa she is selfish, she has no charity, no kindness. Rosa reminds Paz she is responsible for what happened to Luci too, in the past. Paz tells Rosa that may be but it's Rosa's fault this happened. Rosa of course says this is so NOT her fault, (were we expecting anything less?). Paz is still holding her own in mama bear mode and lets Rosa have it. She tells Rosa due to the bruja's and their lying they broke Luci and Rod up. Of course, Rosa is shaking that head, (Note to Rosa, oh, are your screws loose again, jus' sayin'). Of course Rosa is saying that is all a lie. Paz says no its the truth, and not only that, Luci only worked at that job, ONE NIGHT, and how Rod defended Luci against Lastra. And that says Paz is the TRUTH. She says those brujas, along with you cooked up all these lies. Now Rosa is name calling again and calls Paz ignorant. Really. Now Rosa is trying to tell Paz that Luci is a liar. Well Paz is so not having that. Of course now Rosa is in screaming mode, and screams that her whole family was so happy, until Luci showed up, and that Rod was gonna marry a great woman (Gagme is great, just wait) and because Rosa saw with her own eyes, how Luci essentially stole Rod. Paz aint having that. No siree bob, she says Luci is way better than that. Roselena, oh, Senora Roselena, it's your fault and you are culpable. Rosa is now swearing Luci will never, eva come near her family again. So essentially Paz says, who died and left you in charge. Rosa tries the guilt trip now. She tells Paz oh, you sent Luci here, cause your husband died, you have a mountain of debt, you have many problems and you really came here for more money for your silence. Oh, Paz is sooooo pithed, way beyond pithed now. Paz lays it on Rosa. She says for being intelligent, you are pretty dumb. Rod came and chased Luci, he came to Het Het looking for her, Paz tells Rosa that she saw Rod face to face and he asked for Luci's hand in marriage, and Paz wants to tell the WHOLE WORLD the truth. ( You go Paz!).
Break time and back to the other showdown. I beleive Flor is saying that Marcial is a cop, investigating the Inferno! Vio is beyond mad now. She rounds on Marcial and thinks he used her to get info about Inferno. She pushes him around and is joined by Flor, who does the same. Well, Vio ain't having that, and wait for it, grabs a skillet (Note to whoever talked about the skillet waving on another tn's comments) and waves it around, chasing Flor right outta there! Next she waves that skillet at Marcial and tells him to LARGATE! She closes the door and has to take a little rest on the sofa where she cries her eyes out. One of the best scenes with skillet waving ,second best scene of the night.
Now back to the other showdown. Rosa says the only truth for her is that Paz took Luci away, and now Rosa wants her to LARGATE MI CASA! Paz says she isn't leaving until the whole world knows what she truly is, that Rosa is not a good woman, she doesn't tell the truth, and she ain't no good mama either. Rosa says you don't know me. Paz says oh, I know you, you are a liar and ruin people's lives. Now Rosa wants Paz to listen to HER!!!!!
Another comedic break, and this one is good. Magda, Mati and Estella are all in the kitchen having a little coffee, when Magda remarks that kitchen is nice, but Het Het is better, cause of the fresh air, when Magda notices something, goes over to the door and gives it a good wack with her leg, on the other side that door goes into Frigid's butt and side of her face. Well Frigid comes right on in, calls them animals and that all Luci's friends are animals, and Magda, Mati and Estella are all trying very hard not to laugh.Frigid wants to tell on them, especially Mati, whose fault it is of course. Magda says I'll go with and tell your boss all about your listening at doors! Frigid backpedals and says on orders of the patrona you must stay here! Frigid goes nursing that face and Magda, Mati and Estella finally let loose with the guffaws. Mati says she wishes she had thought of that and thanks Magda. Third best scene of the night.
Back to the showdown again of Paz and Rosa. Rosa warns Paz of the consequences of telling about the baby napping. And by the way during this whole part of the convo, Rosa has, what I'd like to call, the manicomio look on her face. Rosa is laying it on thick that Paz wasn't a mama to Luci only for the money. Now Paz, poor thing, is starting to lose it, she is starting to cry (Note to Paz: Por favor straighten that spine, she is only messing with your head, jus' sayin'). Paz says that may be true, but I have loved Luci, ever since you put her in my arms, like my own, with all my soul. Now Rosa is trying to scare Paz, by telling her that Claudio has a relationship with Luci and what would Claudio think if the truth came out, about Paz taking Luci all those years ago? Do you think he would forgive you? Rosa warns Paz if she opens her mouth, there will be all kinds of grief for Luci. Besides, Claudio thinks his hija is dead, let it go. Now Rosa is trying to convince Paz it's too late to tell the truth. Besides if you tell the truth Luci will be lost to you foreva. Paz says you don't know my Luci. Rosa is trying to convince Paz, who she has by the arm now, to go back to Het Het with Luci and Luci will always beleive that Galindo and Paz are her parents. What good will it be to tell the truth now, anyhow? Besides she is laying the guilt trip on Paz, how this is really Paz' fault. Poor little Luci.
Melissa has come to see Claudio with her thesis. I think she put some finishing touches on it and is going to submit it. She thanks him for all his help, cause he was a big part of it, and he says you did the majority of the work. Claudio tells Norma he is going to Luci's and Melissa is going with.
Hanna and Boris are at school and I guess Boris is looking at the cd Hanna made for the project and Hanna is wanting to know how she did , when Boris snaps on her. She wants to know what's up. He says he's precoccupied. And what about she asks? He jumps right in and asks if she likes Lorenzo. She has a secret little grin and doesn't answer.
Vio gets company again, but it is Lorenzo and Fabian this time. She is telling them how much she was in love with Marcial and now its a mess. Lorenzo and Fabian assure her, she'll find someone better, when there is a knock on the door and it is Polo, with a bouquet of flowers for Magda. How sweet and bless his heart.
Magda and Estella are still in the kitchen and talking about Rosa being Mati's boss, and something about the devil, someone please clarify. They were still laughing.
Conny has come home, sees Mati in the hall by the library and Mati brings Conny up to date on the Paz/Rosa meet. Conny tells Mati not to worry. It will take care of itself. Conny goes off to see Pato, and he is happy to see her. Pato tells her about Luci going to therapy with him,he was very happy and Conny wants to know if Pato likes Luci. He says yes, and wants her back at the house. Conny says well maybe in time, and does some hand therapy with him. Conny also tells him, you will never guess who is meeting with Rosa as we speak, Paz the mama of Luci. Pato can't beleive it.
Paz and Rosa, meanwhile are winding up their convo. Rosa tells Paz that now it is in her hands, what to do. Paz has gotten her spine back, and says damn right, not really but Paz is determined. Pato, on hearing Paz has come to beard Rosa in her hellfire pit, comes in and greets Paz, as Rosa gives them the stinkeye. He says Dona Paz and she says jouven you must be Pato, and he says pleased to meet you and she says no the pleasure is mine as she grabs his hand and holds it.
In the best scene of the night, Ariche is in the court yard in the hood with a slingshot, when Rod has come to call. Rod calls Ariche's name, and Ariche turns around and wants to know why Rod isn't marrying Luci, while Ariche aims that sling shot straight at *dead to me Rod's* head. (Note to Ariche: Little dude you are one brave mushashon, but really aim a little lower, it will hurt *dead to me Rod* more and he will be begging for mercy, jus' sayin).
Advances:
Will Paz tell Luci the truth?
Gala says Rodrigo es Mio, SOLO MIO
Rod meets with Luci
Labels: refugio
Abismo de pasión #91 7/18/12: the loud water works are threatening Hoover Dam, but we have team Elisa at full force, Gab gets a broken face and team LoopGael bid for putting on a PI agency
Labels: abismo
Wednesday, July 18, 2012
Por ella soy Eva #3 7/18/12
Helena goes to her kid's school to console him. The other kids have been teasing him about his absentee father, and he got roughed up a bit. A triple scratch on his cheek makes it look like maybe a squirrel attacked him. What kind of school is he attending?
Anyway, she brings him to the friends-house-cum-travel-agency. She tells the him that grandpa can't know about about the business (because she payed for it by taking out a mortgage on his house without his knowledge).
Helena does her own share of foreshadowing, joking with her friend about what she'll do when her "hombre ideal" shows up. Cue Juan, who bursts into the agency for his meet cute. He's dressed absurdly, with a little kerchief about his neck and a silly shirt. He clonks heads with Helena about 3 times, she drops her stuff, their eyes meet, the whole deal! She wonders who he is. Him: "Yo soy Juan........ uh........ PERON [emphasis mine]...... de Argentina"[!!!!!!!!!!!!!!] I laugh out loud. I was surprised that my mom didn't recognize the name (Juan Peron, immensely popular, immensely devastating beloved/hated populist autocratic president of Argentina off-and-on for several decades with an exile before the third term), but it's a real crackup. And his fake accent really made me giggle. He claims to be representing a bus of tourists arriving to D.F. in an hour and desperately in need of a tour guide. She says she's a bit rusty but agrees to give it a go.
Somehow, he came up with a bus full of people for her to guide. Maybe it was just some random tour bus. They give the tour together, are super cute, and even dance up top of the double-decker bus! We see many sights, but where's the tower they always include in every telenovela shot of Mexico city? They get off. He praises her tour guiding talents and tries to find out about her beach development project. He will continue his investigations when he takes her out to a fancy dinner tonight, ostensibly to discuss her leading more buses. I love the way he's stumbling at trying to figure out the "vos" form in his fake Argentinian accent.
Then Juan discusses the situation with his bud, who sees her as just another one of Juan's dames and wants to know if she's plebian, cortesana, o marquesa (some kind of chauvinist/bro-vinist classification spectrum).
At dinner, Juan is smitten by Helena, though she looks kinda like she did this afternoon. He falls all over her. "I don't drink," she says, but his plan was to get her drink, so uh-oh. I love watching him squirm when she gripes about that bastard Juan at grupo imperial who trashed her project and fired her for being a woman.
Plutarco's makeup romantic dinner, to which he conveniently accidentally invites his boss (so he can puppet-master his wife into asking her brother for some shares for Plutarco). He pushes the unhealthy stuff on his wife - she'll have the ribs AND the shrimp fountain! A shrewd boss (Adrian?) won't talk business, and frowns at Plutarco as the beloved whale (man, the fat jokes are getting old quick) smears her face with rib sauce.
Juan Peron wants to dance. Isn't it funny that he will change his identity into Eva from Juan Peron? Just as Eva Peron (remember Evita) picked up the populist mantle from her dead husband? As they dance Juan grabs her butt and tries his line, but she slaps him and storms out. But before making it to the door she sees Plutarco at his table and flips out (remember, she got the identities mixed up, because Plutarco was the only executive upstairs when she led her woman-revolution up there for the attack.
Juan tries to defuse her. He says HE will talk to them, and hauls her back to the table to try and fix everything. Awesome cliffhanger!
Then the avances show us nothing new - more like a preview of what they'll show in the in the recap tomorrow at 8:00 PM. Tune in!
Labels: por-ella
Abismo de pasión, #90 7/17/12: Of orange killers and blue houses and black widows, of damaged kidneys and broken hearts.
Bumble accompanies the Killer Orange back to the quinta.
At Casa bien Castigada, Elisa, still stained with Augusto’s blood, wails. Really loudly. [Mr. Maven hollers from the next room to turn down the volume but I can’t because then I can’t make out the mumblers and the low talkers. A door shuts noisily in the Maven house.]
Horacio recites Carmina’s alibi, as ordered. Lucio restrains Carmina. The draped body is removed on a stretcher. When Lucio says that an autopsy will be done, Carmina howls in protest: “Criminy! He killed himself with a shotgun! Why can’t they leave him in peace!”
Say what? Who said anything about a shotgun?
The new:
Elisa’s pathetic Nancy Drew (You just got here! How did you know about the escopeta?) is no match for Carmina’s mad improv skills. The shotgun? It was sitting out in the open, fully loaded, when she and Horacio left, right H? Even Dolores has to admit she saw the weapon. Oh woe! If the Orange Widow had known what Augusto was going to do, she’d never have left the damn quinta!
Alone in her room, the Rotten Citrus blubbers: ¡Tuve que hacerlo! (I had to do it!)
Hacienda Harango: Alfonsina tells Gabino about Chente’s accident. No skin off his nose. Wow. Cold, dude. Even Alfabitch shakes her head. Later, however, Gabino rides over to the Health Center. He lurks briefly but doesn’t enter.
Centro de Salud: Toña weeps over the ashen-faced Chente. She and Braulio are being tested for compatibility as kidney donors. (I’m betting neither is a match for the crucial filthybandanahandwrap factor.) Doc Tovar has scheduled the transplant first thing tomorrow. Medicine moves lightning-fast in La Ermita.
Wait ... Chente speaks. He’s calling for his dad. Awww. Braulio is touched. Until Chente says “Tell Gabino to come, mamá, I need him here.” Oh, THAT dad. Braulio storms out, undeterred by Toña’s pathetic protests.
Hacienda Harango: Paolo won’t take the blame for Chente’s accident. And if Alfie is sick of him, the feeling is mutual. After Flor’s wedding, he’s history.
Maru stops by the hacienda looking for Dam. Since he’s still out squabbling with Flor, she has to settle for leaving word of Augusto’s death with Alfie. Oh yes, Alfie will be sure to tell him.
When Maru leaves, Alfie, stunned as she may be, has the presence of mind to tuck this metaphorical amulet in her metaphorical bra. No way Dam is getting that message tonight. When he and Flor get back home, Alfie’s hands are sweating but her botox mask is more inscrutable than ever. As soon as Dam walks toward his bedroom, Alfie shuts off the house phone. Yes, she’s a bitch. But as our Cap'n has noted, she’s magnificent.
At Casa bien castigada, the decibel level is still unbearable. Dolores and Lucio soldier on. Elisa finally asks to be alone. She wanders into the study and picks up the phone, dials, and gets a busy signal. “Ay Damián, te necesito.”
You think you’ve got problems?
Braulio arrives to find Horacio comforting Dolores. Dolores asks innocently: “How’s your son?” “My son” Braulio echoes bitterly. He’s not in good shape. But Braulio’s there for another reason. “You mean about what happened with don Augusto?” That’s the third shock of the night for Braulio but that’s not why he’s there either. Horacio knows Gabino, right? Where does he live?
Now it’s Dolores who tries to phone Damían for Elisa. No luck. What about calling Padre Lupe and Gael? “Go ahead, they have to be told.”
Meanwhile poor Lucio has to shlep Carmina’s heavy suitcases back to her bedroom and then broach the delicate subject of funeral arrangements. There won’t be a wake, she declares. Let’s just get that sucker in the ground. And not next to my sister, either. He’ll be next to MY SON. “I think you should ask Elisa what she thinks” suggests Lucio mildly. “She...” begins Carmina, “is in no condition to make any decisions.” “But Carmina”, protests Lucio. And the Killer Orange thunders loudly: “Absolutely not! I don’t want him next to my sister!”
Back at Hacienda Harango, Flor follows Dam into his bedroom, and half-heartedly follows her seduction script. He boots her out saying he doesn’t want Mommy Dearest walking in on them again. It’ll have to wait until they’re married.
Will there be Passion in the Pit tonight?
It begins innocently enough. Gael comes looking for Paloma because he feels bad about the way they left things between them. They’d better walk to the other side of the cenote so Ramona doesn’t see Gael. She’s pretty mad at him right now.
Casa Tovar
Bumble comes home to find Enrique and Sabrina in a shouting match mostly about Paolo. They are silenced by the sober look on their mother’s face. “Where’s your father?” she asks. “Something really tragic happened.”
It will be a while before the news reaches Doc. He was on his way home, he really was, but on an impulse, he turned around and drove to Mérida. Too late, though. Curls had gotten tired of waiting for him and had left the restaurant more than an hour before. (Trust me, Edmundo. You don’t know how lucky you are.)
The Blue House of Shame
Gabino lounges. He’s grouchy and suspicious and maybe feeling prickles in that teeny-weeny vestigial conscience-like thing of his. When Curls gets home, he tells her that a boy who works in the Pro Ce had an accident.
Ramona’s choza
Enrique is looking for Paloma. When Ramona tells him she’s not home, he reassures her – she probably went to Elisa’s when she heard the news about Augusto. The news? Oh, Ramona didn’t know? “Parece que se dio un escopetazo.” (It seems he blasted himself with a shotgun). Ramona is absolutely stricken. Enrique is frightened by her reaction to the news and wants to help her but she sends him away.
This is a singularly unpleasant scene.
Flor’s room in the hacienda
An Alfie invasion. How can Flor expect to get knocked up if she sleeps alone? Flor explains tartly that “Damián se puso pudoroso” (he became modest, or ‘chaste’) after Mommy Dearest walked in on them. And why is Alfie pushing so hard anyway? Isn’t Elisa safely out of the picture? “Hazme caso” (listen to me, sweet cheeks), “when you’re married and carrying his baby in your belly, then you can loosen your bandage dress.” (Well, that’s a rather loose translation.)
This scene is just evil. We can deal.
Elisa’s bedroom in the casa demasiado castigada
Elisa stares at her reflection in the mirror. The Killer Orange approaches. She is wearing black and affecting the grieving widow. She knows Augusto had many problems and didn’t deal well with emotional stress but it was Kenia that drove him to this. He couldn’t live with the guilty knowledge that a 17 year old girl had drowned herself because of him.
Yeah, yeah, Elisa knows all that, but she knows how much grief the aunt brought him.
With desultory cruelty, the homicidal Orange announces: “No va a haber velorio. No pienso seguir prolongando ese sufrimiento.” Having deposited her poison, she leaves. Elisa collapses, desolate and teary, on her bed.
Here is the most unpleasant scene of the night.
Damián’s bedroom in the hacienda
Alfie brings her boy a bedtime snack, apples and milk, and tells him to go boink Florencia. She dismisses Damián’s gut feeling that there is something very wrong going on (besides his mother invading his bedroom and attempting to orchestrate his sex life, that is).
In the Centro de Salud
Toña weeps over Chente’s bed and prays that he won’t be punished for her sins.
Here is the best scene of the night. No kidding.
On the outskirts of town, Horacio leads Braulio to the Blue House of Shame. (Just don’t say I told you, okay?) Braulio enters and, after expressing mild surprise at seeing Curls there, walks up to Gabino and begins to beat the crap out of him. (We have to get as much pleasure as we can out of this tonight because tomorrow, Irritating Curls is probably going to conk Braulio on the head or Gabino will pull a knife or something. Carpe diem, folks.)
The second best scene of the night.
Paloma keeps blathering about Elisa. She’s not woman enough for Gael and he’ll never feel for her what he feels for Elisa, she says. Gael shushes her. “Any man would feel proud to have a woman like you at his side.” He moves in very close. “You think I don’t feel anything when I kiss you, when I caress you ...” They move in for the smooch. The music swells in the background...
Scriiiiitch. The scene changes abruptly. Ramona interrupts Padre’s prayers with a startling declaration: “It was my fault! I provoked it! I killed him!”
Avances: In the dead of night, Elisa seeks out Damián at Hacienda Harango; Damián mounts his white steed and goes forth looking for Elisa. Let’s hope they manage to connect.
Labels: abismo
Tuesday, July 17, 2012
Por ella soy Eva #2 7/17/12: Everybody Yells at Juan Carlos
Rebeca cheerfully explains to Helena: you're getting dumped as part of the new austerity plans. You're always wanting special consideration because you're a single mother. Helena asks to get her project back, Rebeca denies having it. It turns out all the fired employees are women - either old, or single mothers.
JC and his buddies are striking out: all the projects he and his sidekicks review are lousy. He even goes to bed with the somewhat middle-aged Victoria Infante in hopes she has some ideas for him. He calls her his countess; she knows about his fiasco...
... and she tells him Playa Majagua is the next big thing, there will be tax breaks etc, but he better hurry, the window of opportunity is closing. He leaves her to make her own sandwich while he goes off...
... to trawl through the trash - he finds Helena's precious project soaked with ikkiness and her dvd is broken.
Meanwhile, Helena remembers the Canadian guy and calls him... he takes her to lunch and says he'll do business with her if she'll open a travel agency -- he as a foreigner needs a local legal entity. He makes her promise not to accept an offer from anybody else, especially G.I. and they sign an agreement.
Helena drags her fired butt home. In private she tells her mom she's been fired ("don't tell your father") and that she needs 200,000 pesos to start a travel agency. The mom takes out a mortgage on the family home the next day. The cranky dad tells her son Lalo: "Your dad was an irresponsible coward, he ran away, he never wanted you." BUMMER. Later Lalo tells his mom it was his fault the dad left. "You think my dad loves me?" "I think he's losing the chance to see a wonderful boy grow up."
Meanwhile JC gets the list of fired employees from Rebeca (while staring down her cleavage). "You're not thinking of re-hiring them?" she asks like a proper villainess. She gives him pills good for gastritis. JC finds Helena's number and calls her. He's suave, but she's furious: "I'm not setting foot in that business. You didn't have time for me, now it's too late." She hangs up on him. He tells his buddies: "They get their period, that's why I hate doing biz with women!"
He goes and fakes it with his boss, airily describing chains of hotels, restaurants, spas, all with the G.I. logo on them. "Like the Caribbean or the Mediterranean." Plutarco whispers in his brother-in-law's ear that it's all a bad idea. The brother-in-law (boss of both of them) says he won't put his own money into it. JC says he'll get private investment. Adriano says if it goes well, JC will get a chunk of the business.
Plutarco is indignant: "I am your brother-in-law and you never offered shares to me." "You're married to my sister, she has shares. And JC has never failed me - except that once." Plutarco goes to whine to Rebeca his girlfriend (the same one whose cleavage JC was ogling). They have an argument; she threatens: "Fire me and I'll tell the whale [his wife] we're lovers."
At home Plutarco's wife again tries to give him a massage and again he spurns her. Turns out she owns 40% of the company shares.
With the money from the bank, Helena and her friend fix up the friend's place to be the new travel agency, which they call Viajes Moreno. The Canadians come through (the subtitles amusingly call them the Alberta Trouble Company but it's really the Alberta Travel Company).
JC's buddies report that at the beach, they have no local buy-in - the locals only want to do business with Helena! JC says no woman can do as well as men. Plutarco calls the three of them "Hugo Paco and Luis," better known to us as Walt Disney's trio of baby ducks, Huey Dewey and Louis. Plutarco has come round with a huge empty box; he says that because of the austerity program they have to turn in their cell phones. JC says this is sabotaging him! Plutarco says people did without cellphones for centuries, consider the Aztecs!
Adriano steps up the pressure for a quick solution - he wants a formal report on the Playa project immediately. Plutarco is listening.
Rebeca wants a chauffeur but she is refused (austerity). She goes and yells at Plutarco. Unsympathetic, he suggests she take a taxi or walk. Or there's a microbus. She rubs up against him until he gives her his car keys.
JC realizes Rebeca knows something about the Playa project, runs after her, offers to join forces with her, they end up in bed. He says afterwards, "I never take this sort of 'meeting' with women I work with." "Then I'm special." As a reward, she tells him: "I have contacts - and I know that Trouble company has the project underway."
There's some problem at Lalo's school so Helena runs out of the travel agency.
Hewey tells Dewey he's found out about the Alberta Trouble/Travel Company having an alliance with Helena's Viajes Moreno. "And she's an employee you FIRED." Rebeca comes in to hear JC whispering about her: "The woman I'm here with is nothing special, she's a courtesan by vocation, I'm doing her a favor." She yells: "You pig! Some day you should feel what I feel, be in my shoes!" "Ridiculous woman, you think such a thing could happen?"
Tomorrow: he greases his hair back and goes with a false identity to hit up Helena.
Labels: por-ella
Refugio Para el Amor #73 Tue 7/17/12 The Truth According to Rosa; Pato Gains Ground on Rod in the Pool
R: I told him the truth.
C: What truth Rosalena?!
R: The TRUTH. Only the truth Connie.
C: There is only one *truth* Rosalena! And if you had told him, Claudio would be here, incriminating you for giving away his daughter when she was a baby.
R: What are you saying to me? I’m not Claudio Linares. Each person reacts differently. If Claudio has remained so tranquil after I told him the truth, then what do you expect me to do?
R: (Smiling and looking at Connie like she’s the crazy one.) Connie, I just asked you for some advice about my son Rodrigo. I didn’t want to speak about Claudio Linares. Ay, sister. At times you are so strange.
P: That’s why I came Matilde. To tell the truth! To put Señora Rosalena in her place!
M: (Shaking her head.) Mi niña, Rosalena. (Oh, how I want to slap Mati each time she says that!)
P: Yes, Matilde. If your patrona hadn’t seen fit to tear my Luciana to pieces, I wouldn’t be here. But I’m not going to allow her to keep harming her!
P: Tell me Mati, La Señora Rosa knew exactly who my Luciana is, right?
M: Yes Paz. Yes she knew. She found out a little while ago.
P: And even so, she had the cynicism to treat her as she did? That woman is a demon disguised (disfrazado) as an angel!
M: No Paz. What it is, is that she has a great fear that if the truth is discovered her family would judge her for what she’s done. (I don’t see how this negates what Paz said. Can I slap Mati now?)
P: That is an absurd justification! Cowardice! Wicked/Despicable! (Canalla) Not the actions of a woman who flaunts her morality/rectitude, her religiosity. With greater reason Mati, that she SHOULD have treated my Luciana well, if simply just to respect the memory of the woman who gave her daughter over to her care. Did you tell her that I was willing to come here and tell the whole truth?
M: Yes. And she told me that she was willing to confront you.
P: Well here I am. And if it’s necessary, yes I will tell. I won’t do it for me, but for Luciana. Because she’s lost part of her life. At what moment did my Luci decide to come here to try her luck/make her way? I should have never permitted her to leave the pueblo.
M: What you need to keep clear in your mind is that even if Luci learns the truth, for her, her mother will always be you. She adores you and will eternally be grateful to you and Galdino for all you have done for her as her parents.
Labels: refugio
Monday, July 16, 2012
Abismso de pasión #89 7/16/12: Can it Get Any More Irritating?
Lo Refrito
BANG!
Horacio: You are so screwed.
Carmina: No I'm not, you are. Ooo! Paper! Note from Kenia! Wait, we do have a way out. I'll keep my mouth shut and you keep your mouth shut.
Dam: Break up with Pal. You've got the road open for Elisa.
Gael: Dude. I broke up with Pal about four episodes ago.
Lo Nuevo the Short Version
- Carmina and Horacio get their stories straight. He was helping her move to Begonia's. Too bad Gael saw them drive off and can verify that she was NOT gone "all afternoon."
- Chente goes crash with Paolo's Phallocycle. Escuincle Baboso needs a kidney transplant. Tonia is gonna be screwed.
- Padre and Gael talk really fast. I'm pretty sure Gael's synapses are starting to fire and he's wondering why Padre has always insisted that Gael and Dam be best buds.
- ToadHead's body is discovered and Elisa wails and irritates all of Viewerville.
- Carmina mentions ToadHead shooting himself before she's supposed to know how he died. Ooops. Elisa yells and demands to know how she knew that.
Lo Nuevo in Detail
In Which Flashbacks and FF>> Opportunities Abound (Not necessarily as aired. I did some condensing)
- Quique kvetches to Doc Dad about Sabrina's relationship with Paolo. The other girls the Italian Stallion has knows were experienced (code for sluts), but Sabrina is innocent. She could really get hurt. Doc Dad agrees to talk to Begonia. As he leaves, Quique asks Pal to go to the movies with him. Doc, the greatest freaking boss ever, grants Pal the rest of the day off. He'll take care of the filing she never does.
- ING interrupts Doc's filing to tell him she'll be at a restaurant in Mérida around 8. He should meet her there. Later in the episode we see the stands her up. He tried to tell her he was going to be busy dealing with a family problem but ING wouldn't listen.
- Elisa sits under a tree and flashesback to one of her last conversations with Dad in which she tells him she and Dam will never work and ToadHead tells her he just wants her happy. Lolita arrives to tell her that Papá has sent for her.
- Guido calls Flor from jail. Quique isn't paying the bills anymore. Flor tells him not to worry. She and Dam are back together and he'll be paying the legal fees. They're getting married in two weeks! And since Fina is so worried about appearances, she'll make sure you're out for the wedding. Guido warns Flor about marrying a man whose mother will always be butting into the marriage. Flor and Guido hang up as Fina and Dam arrive. Dam assures Flor Guido will be at the wedding...his mom will take care of that. Flor smirks. Fina flicks the fan.
- Sabrina and Paolo snog in the plaza. She gets a craving and Paolo goes to get a snack. Chente (now fully bandanahanded) macks on Sabrina. Paolo comes up and calls him an escuincle baboso and runs him off. Chente steals and crashes the Phallocycle. Lolita screams. Paolo is pithed...his moto has been trashed again!
- Carmina and Horacio have the truck all packed. Carmina tells him that they are to say that he came to help her move all her crap to the Tovar's and they were gone all afternoon. They never saw ToadHead. They drive off, unaware that Gael has seen them leaving. He rings the bell but no one answers.
- Chente is unconscious in the street. The folks with heart call for an ambulance and a doctor. Paolo gripes about his moto. At home, Doc and Begonia are discussing the Sabrina. Begonia thinks Paolo is an ok guy since he has the Carmina Orange Seal of Approval. All that rapey snake business was Elisa's fault. Doc is pretty sure that it's a bunch of bunk since the whole world knows Carmina hates Elisa. Begonia lets him know that Carmina will be staying with them since she is having marital problems. The Ho arrives on cue and thanks Doc. Doc reminds her that it is HIS house and he doesn't want her there. If he has to, he'll say exactly why. Begonia is confused, but Quique and Pal arrive just before the can of beans and worms gets opened. Doc is needed at the Centro de Salud.
- Gael ponders why Elisa didn't tell Damián that they weren't hermanos and flashes back: to a young Gael preparing for a funeral and being told he has the OBLIGATION of saying good-bye to Rosendo. Padre comes home. Gael asks him why it is so important he and Damián be together on tragic occasions...like burying his sister; like when Rosendo died. Gael reminds Padre that he told him that is was his DUTY to say good bye to Rosendo. Padre says it's because Rosendo paid for his schooling. Things get heated (that's code for I had trouble understanding and the Spanish CCs are crap.) Padre thinks Gael is accusing him of keeping secrets. Gael says Padre didn't tell him about Dam's upcoming wedding nor did anyone tell Dam that Elisa is not his sister.
- Chente is not dead. Doc Tovar explains that Chente's kidney is injured and there is internal bleeding. A transplant will be needed because this was the most convenient way to out Tonia about the Gab business. Of course, Brau is ready to sign up for testing because Chente is his son. Tonia insists on being tested too, you know...just in case. She is so screwed.
- Elisa and Lolita arrive home and the wailing begins. It grates on my nerves. I ain't recapping this hot mess.
- Maru and Lucio return from their dinner date. He is embarrassed because she had to pay. He left his wallet. Maru finds the wallet between the cushions. She drops it as she hands it to him.The both reach down. Sparks, but no contact. They are interrupted by a phone call. It's Lolita telling him that Toad is dead
- Begonia is indignant. Carmina is not the one who should have been thrown out. It should have been Toad. Carmina claims she hasn't seen Toad since the day before.
- Padre and Gael talk fast (remember the code.) Padre talks about Dam and Flor. He fusses about Gael and Paloma. How would Gael feel seeing Pal with some other guy? Gael claims nothing would happen. Gael leaves in a huff. I need help with this conversation.
- Quique and Paloma are strolling the plaza now that the Chente emergency is under control. Quique admits there was a time he was prejudiced (predispuesto) against her 'cause of gossip. Pal messes with Quique and says she felt the same way at one time. She talks him into buying her a snack, but we'll never know about it because it was edited. QTH? Was the female vendor topless? They run into Dam and Flor. Flor brags about getting married soon and says she'll invite Pal. Pal says she doesn't go to weddings that are doomed for failure. Almost girl fight. Quique admits it upsets him that Flor is marrying. Pal can't catch a break from any guy.
- Elisa won't leave her Papito's side. Lucio manages to drag her away while she wails and screams. He takes note of the gun, the note from Kenia and a bag. Horacio arrives on the scene and recites his alibi to Lucio as Carmina instructed. Lucio calls Carmna at Begonia's. Carmina pushes until Lucio tells her Augusto died. Carmina acts surprised. Begonia goes with her to the house.
- In her bedroom, Elisa wails some more. Elisa figures Lolita was sent to fetch her so he could say good bye. Elisa thinks Toad must have killed himself because he felt he was responsible for Kenia's death.
- Dam tells Flor she didn't need to be so rude to Pal. Flor starts to figure out that Dam is not as happy about the wedding as he should be. She accuses him of wanting to keep it secret. Dam really doesn't answer that question.
- Carmina arrives and hugs Lucio. She plays the role of grieving widow. She wants to be with Augusto, but Horacio tells her the authorities are there. That stops Carmina in her tracks. Lucio tells her that Toad killed himself (se quitó la vida.) They roll out the body. Carmina wants to know where they are taking him and Lucio tells her there has to be an autopsy. It's the law. Carmina says it's clear he shot himself with the rifle and why can't they just let him rest in peace. Ruh roh, Lucio never told her HOW Toad died. Just that he killed himself. Elisa arrives for one more round of screaming: How did you know he shot himself if you weren't even here?? Answer me!!!!!!!!!! Yeah. Whatever. Nothing is going to happen. There are too many episodes. left.
- Pal and Gael get it on.
- Dam and Flor do not.
Labels: abismo
Por ella soy Eva #1 7/16/12
We open with our heroine Helena at the cemetery. A strange guy in a hoody (Juan Carlos, now JC) is lurking behind trees. She has flowers for him because it's his birthday. Along comes another woman, and another, one leaves a red bra on his tombstone, the aunt of one of them comes along (she also was one of JC's conquests).
Here comes a batch of mariachis accompanying a couple drunk women, one in a fur coat, they call themselves JC's courtesans and say "He shared with all but gave his heart to none."
Heroine, who's been watching this in amazement, says "That guy deceived all of us, he just deserves to be forgotten." Dozens more women arrive as the mariachis wail. Behind the tree JC whispers: "Helena, you are the only one I've ever loved. When will you forgive me?"
MONTHS EARLIER...
In Acapulco: JC pulls up in a nice car and a nice white suit. The Grand Resort hotel is opening, joint project with a US firm. Reporters swarm him - he blabs smoothly, then grabs one of them and makes an appointment for later.
With his buds Santiago y Fernando by the pool, all three are ogling. One sidekick is married so he's sad looking at the unavailable fruit. JC says to the other: "don't ruin your life, there's time to get away from her, jeez, you already smell married." Then: "Remember our code: no very young women; old women and single mothers don't exist." JC wants his own children, not somebody else's.
"A goddess" arrives in a red dress. JC moves in and though his line is very crappy, she takes a look at him and immediately accompanies him into the empty hotel where they proceed to make out against a wall...
... while her FIANCE, an old gringo dude, turns out to be boss of the US company and is signing papers to join his gringo $$$ to Grupo Imperio... He says his future wife is "The ideal woman: young, beautiful and only opens her mouth when necessary."
While bragging about the up-to-the-moment security of the hotel, they turn on the closed-circuit tv feed and JC's groping with the affianced goddess is shown to all, with the result that the old gringo dude tears up the contract and leaves snarling, "You'll be hearing from my lawyers."
In Mexico City: In her son Lalito's bedroom, Helena practices a presentation on her six-year project, the eco-touristic Majagua Beach.
She lives with her parents. Her dad has been grouchy with her for years - I think he'd like to charge her rent. He scolds her for a marriage that left her with debts. He hands her a hefty private school bill she has to pay. He says nobody will pay attention to a project created by a woman. Helena's mother is nicer.
Turns out Helena had an appointment today - made three months earlier - with JC himself - to discuss her project! But he's in Acapulco... She sits down to wait, and she waits and waits, but then she gets a call from her friend at the hotel where she works - she's needed. She leaves her notebooks with the G.I. secretary saying, "This is my entire life, put these right in JC's hand." She leaves.
Moments later, of course, Adriano Reyes the boss re-arrives from Acapulco after the shattered deal, followed by everybody (the evil Plutarco, JC's buddies, JC, etc). The secretary gives Helena's notebooks to JC and he immediately tosses them in the trash on his way in to his boss's office. Because no project cooked up by a woman could be any good.
The boss yells at him and says, "Unless you come up with a project as good as the one you just ruined with your skirt-chasing, you're fired and so are your buddies."
Behind the hotel desk, Helena fixes something very efficiently for a guy connected with the Canadian "Alberta Trouble Company" [sic]. Impressed, he says she's over-qualified for her job and hints he might have something for her (his business is in competition with Grupo Imperial)
Later she goes home and her son (who is not horrid so far) reminds her that if her project is a success they will be able to buy a house and a dog.
In the hot tub: Plutarco and his girlfriend play wet footsie. He is married to Antonia (the plus-sized sister of big boss Adriano Reyes, himself a sexist skirt-chaser), whom his girlfriend calls "the manatee." Antonia calls him and he goes home briefly (after all, she IS the boss's sister). She is dressed in lingerie. There are sadly going to be a lot of fat jokes. Plutarco spurns her and goes, I guess, back to the hot tub, where he plots with his girlfriend to kick JC while he's down.
In a big house somewhere: JC goes to see his mother Eugenia who was in the theater and now has memory problems. She says she can fix his woes.
Finally: Helena gets a phone call from Grupo Imperial and goes in. She think's it's JC calling her in to discuss her project, but instead it is Rebeca Oropeza, who mocks her for thinking she could see such an august personage as JC: "He doesn't have time for you. But he left this for you. You're fired."
Labels: por-ella
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