Tuesday, June 03, 2008

Juan Tues. June 3 '08 Paula Bares Her Heart...And A Great Deal More

Alternate Title: "Be Careful What You Want, You May Get It!"

¡Dios mio! There was a lot of drama tonight and a lot of cleavage to go with it.

Here's how things shook out....so to speak.

Brief rehash of "Sandro" lamenting to real Sandro that his plan to win Paula isn't working; Juan ended up garnering her praise and admiration, not he.

And Juan blindsides poor lambypie Marely by saying he needs her at his side, the sun will cease to shine in the house if she leaves, he can't live without her, it breaks his heart to see her go and so on.

Is this a "broma de mala gusta" (bad joke) snaps Marely. Don't you have enough women...and prettier, more famous and richer than I?

Prettier, no! answers Juan, and besides, not one of them is my "official novia". And goes on to say how generous, how noble she is, the pillar of the family...the ideal woman, always ready to help. And Juanito will cry for a whole year if she goes to Spain!

What about Paula? asks Marely.

And wouldn't you know, the scene changes. We're back with "Sandro" and he's decided to take a new tack with Paula. He's groveling. He wants to talk. He feels like an idiot after this morning. She wants to go to bed early. He won't take much of her time. He could even come to the house. As he says to his doubting twin, the role of victim is my only weapon now.

And now a weird segue to the movie theatre where Herbierto is shrieking with each gunshot, spilling popcorn all over and finally wrapping himself around a bemused Gaytan, who spoon feeds the remaining kernels of popcorn into Herbierto's huge maw.

Back to Marely and Juan (this is like watching an automobile accident...it's horrible but you can't look away)

How long will this sudden love last? she asks. Five minutes, six months, a lifetime? Juan launches into an explanation that he was in love with two women when he came to Mexico City. And he had dreams of Marely as his companion, the mother of his children, someone to grow old with.

And then Paula arrived, and the dream vanished, Marely adds.

Yes, but what if Paula is the illusion and you are my reality, my destiny? Juan protests. Ay yi yi, my head is spinning and so is Marely's.

Quick switch to an equally uncomfortable tête à tète between Paula and "Sandro". He's whining that he took the job for her. He didn't need the paltry salary (yes, I know, you inherited a fortune, she snaps) but he was attracted to her.

Paula looks bored and uneasy but "Sandro" soldiers on. I wanted to show you I was worth something, I wanted the applause and admiration that Juan got this morning.

It's not a contest, replies Paula. Yes, it is! snaps "Sandro" losing his temper and being very Cesar Luis in spite of himself. I sense that you're not indifferent to me, he continues. You're attractive, she concedes,( not looking attracted at all.) I'm tired of solitude...I've found the ideal woman, he continues, really laying it on thick and getting nowhere.

And we're back with Marely and Juan while he tries to explain why he and Paula are a non-issue. We've hurt each other so much and ended up with nothing. But why now? adds Marely when I'm on the verge of leaving for Spain.

Because I'm an idiot, replies Juan (we'll agree on that point) and because, as the song says, "you don't know what you have until you lose it". He advises Marely to "consultar plumas de ganso" (which is like saying "consultar la almohada"...in other words to "sleep on it".

More discomfort...we really get to see Cesar Luis twisting in the wind. Paula insists on telling him how great it was with Juan and how she can't forget his caresses even as she tries to remake her life. CL looks like he's swallowed bile and them some. The humiliation is piling on and there's more to come, folks.

Marely now walks in on Yadira who is crying piteously and for a moment we think she's regretting her decision to divorce...but no, she's weeping over a telenovela and only reluctantly turns it off because little sis needs to talk to her.

Juan asked me to be his "novia" Marely says. And honestly, I don't know if "novia" in this context means "official girlfriend", "fiancée, bride or what. Take your pick.

Marely explains her doubts. Is Juan doing this just to get over Paula? Is it real love...the forever kind? Oooh, you want security, commitment, eternal love, laughs Yadira. That doesn't exist. Those are just pretty words.

Marely admits she doesn't know what to do. She's dreamed of this so often and now... What would you do in my place, she asks. Yadira doesn't hesitate...I'd stay with Juan. And lose the scholarship? Well, what do you want? A little adventure in Spain or someone to warm your feet for years to come?

Break to Juan, telling Juanito to hop into his pajamas. Earlier he told Juanito about Marely's decision to go to Spain and the little bugger won't let up on Dad. Well are you going to let her go!? Juan concedes he asked her to be his "novia" and Juanito is pleased. They both look at each other, hands on hips. These mirror scenes with these two are really cute. I'll miss those.

We have a brief skirmish with Yadira and Kike. She yells "Where were you!?". He reminds her that they decided to treat each other with respect. She tones it down and tells him they have a date with her lawyer tomorrow. Have your lawyer talk to my lawyer, he replies.

Now the inevitable scene with Nidia and Marely. Mom admits she just happened to overhear the news about Spain. Because she had her "oreja pegada a la puerta" (ear pressed to the door). And she's ready for a real tear-jerking scene a la Libertad Lamarque (Argentine actress who was known as "the novia de America" and appeared in 65 Mexican films).

She tells Marely it hurts to see her go. Who'll keep Nidia in line? Who'll make her recite her "our Fathers" and "Ave Marias" when she needs to? But in a surprising turn, she adds, don't take anyone else into consideration...think of yourself and what you want. It would be great for you to travel, know the world a little, grow up, develop as a person.

But why so sad? Does getting your dream lead to depression? Nidia adds. Juan asked me to be his "novia" explains Marely. And we break with Nidia looking muy muy muy impactada.

When we come back, we have a repetitive scene with Ana and Paula. We've seen this one a gazillion times. Ana is saying, get rid of that "Sandro" (Cesar Luis insert here). Juan is your true love. No, I don't interest him anymore. It's too late. Resign yourself, mom, as I have.

The mother daughter discussion continues...but with Nidia and Marely. Nidia is musing on her life, messing around "sin ton ni son" (without rhyme or reason) looking for love and ending with nothing. She wants better for Marely.

Marely, of course, protests that Nidia's life was meaningful and every good thing about Marely comes from her. Follow your dream, insists Nidia, don't sacrifice because you'll pay for it.

But what if my dream is Juan? Well, welcome to the club! laughs Nidia. But I'm not sure, adds Marely. No way to be sure, other than to dig a hole and jump in, confides Mama.

Now we're at the office. Paula notices that Marely looks exhausted and assumes her sleepless night is due to thoughts of the trip and changes to come. Marely confides that her mom already knows and is encouraging her to go. Paula laughs and says, "For the first time in my life, I'm in agreement with Nidia Cachon!"

Well, I don't know if I should tell you, hesitates Marely, but Juan last night asked me to be his "novia".

Paula goes ballistic. No no no! You've never been more than a friend! This is just Juan's selfish way of trying to keep you around. He'll say anything. He's a liar. You supported him, you were a confidante, but that's all it is!

Mercifully, we get a break from all this shrieking. The scenes switches to a pensive Juan and Kike at the breakfast table. Kike is all about what a great idea it is for Juan to hook up with Marely. She's the perfect woman, meant for you, great for settling down with ("sentar cabeza"). Ya think so, says Juan hopefully.

Shriekfest at office continues. Paula is downright insulting, refusing to believe Juan could actually love Marely and so our little rose garden unloads all the lovely things Juan said about settling down, having a family, she's his happiness, his mood brightener, his reality, his destiny...rather than the illusion of Paula.

So what did you say? Paula finally asks. Nothing, Marely answers...and he's waiting for a reply. Do you love him? From the very first moment. I hid it. I tried to forget him with Fernando and with...she trails off. But he never left my heart. You don't know how I've suffered. I felt such jealousy...all those women! (half-sister Paula among them), but finally HE LOVES ME! Marely concludes.

Well, will you work out as a couple? Paula queries. (I'm pretty sure she means Will you be compatible in bed...like she and Juan surely were!) And Marely admits she's scared about that. What if it falls short, what is the relationship is unreachable, only in my imagination. Should I accept? she adds.

Paula slips out of answering by reminding Marely that she's much more sensible than herself. She's made such a mess of things. She's sure Marely will make the best decision.

And when Marely leaves for the embassy Paula wails (and I do mean wails!). WHY HER!!?? WHY JUAN...WHY HER!!!???

Cosy little scene with Pastor playing nursemaid to a feverish Angarita and Angarita not liking it one bit. We're not kids, Gaytan remonstrates, you've got to take care of yourself. No hanging around Casa Cachon, no going to work.

And speaking of no going to work, Alirio is sacked out and snoring on the bed after being out all night boozing it up with Gutis. Compassionate Nidia wakes him up by clanging two frying pans together and telling him to take a shower, wash off the stink of cigarettes and look for real work!

Juan in the meantime is looking for something special to bring to Marely. Flowers? No, too humdrum. A ring? Whoops, no, that has never worked well for him. A stuffed animal? Grow up Juan! Chocolates? she may be on a diet. CD's...boleros by Lucha Villa? (most famous singer of "rancheras", born 1936 in Mexico).

He waltzes into the office with a blue bag, but we don't know what's in it. Notices Marely's empty desk. Has he lost? Has she gone off to Spain? Instructs Ivonne to have a chauffeur take Hillary's car back to her.

Brief scene with Marely at the embassy, wondering about all the papers she has to have for a whole year's stay, and the official reminds her that she must notify them if she wants to come back to Mexico at any time. She leaves and he looks with great interest at her backside.

Paula in the meantime is in full meltdown. And though I haven't mentioned it before, she's in a lavendar wraparound dress that didn't quite make it around her assets. We're seeing a whole lot of Paula and have to give the plastic surgeon credit...he did a great job.

She's crying, she can't go on, she can't breathe, she's dying. Ivonne enters and is understandably sympathetic. A well endowed woman herself, she leans over to comfort Paula and the phrase "bosom buddies" comes to mind.

And now, further humiliation for faux Sandro, real Cesar Luis. Laura is futzing in his office, worried that Pastor will find out she's working for him. So what? Pastor is not more important than I am. Well, I'm really worried about upsetting Juan. Oh, you've fallen under his spell? Oh yes...I would really love to get something going with him, Laura assures him. CL looks like he's swallowing bile again.

Back to Paula, tears (and a few other things) spilling over. Hillary...I was jealous...but I could handle it. Laura with her cheap coquetry..I was jealous, but I could handle it. But Juan asking Marely to be his "novia". No no no...the man I adore, the man I dreamed of, the man I waited for, the man I learned to treasure TOO LATE!!!!....and on that shriek we end this evening's episode. ¡Dios mio!


Vocabulary:

consultar con plumas de ganso, consultar la almohada (pillow) sleep on it

sin ton ni son without rhyme or reason

despabiladar wake up, get with it, get act together

sentar cabeza settle down

lleva la papa a la casa bring home the bacon

la nave (lit. ship) car

ni falta que hace no matter

tracala trick, swindle

dar tirria a alguien have a grudge with someone

albur a chance, a risk (can also mean play on words, pun)

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Yo Amo a Juan, June 2, Mon. - So Juan as Lucy says to Marely as Charlie Brown, "Come on, just kick the ball one more time, I won't pull it, really!"

Another fun week of Juan lasting longer than anyone ever imagined.

The beginning recap on the show is Kike picking up his precious daughter Nidia Micaela and telling her how he hasn't seen enough of her lately and most important he tells her that she is the only good thing the her mother Yadira has ever done. An almost contrite Yadira listens outside the bedroom door.

Hillary explains she has left a message for Juan who, mysteriously, has not called. Papa tells her to get used to it, yesterday he straightened Juan out about a few things like the futility of trying to take advantage of his daughter. HIllary protests that Papa had no right... but he insists he will continue... but she presses on that Juan is the most, best, blahblah... Not all men want just her money, but Papa, like lots of caring suspicious fathers, thinks otherwise. HIllary feels like she has become just merchandise. But Papa says Juan is an ignorant and stupid (naco) who is newly rich [Ed note: nuevo rico es mejor que nunca rico, ¿no?] Hillary struts off declaring she will continue to date Juan.

Paula and Yvonne make faces at the door bell and sound of Heriberto bellowing for admission

Nidia actually discusses her heartbreak at Angarita's betrayal with Alirio. If you can call what they do a discussion. Alirio is more than happy to condemn Angarita, in fact Nidia's realization of the facts is an occasion to celebrate.

Heriberto has come to make his declarations to Yvonne. Paula walks through and tells him to lower his voice and calm down there are people sleeping in the house. On bended knee, Heri begins his declaration to a less than eager Yvonne who can't avoid hearing him out. He starts right off telling her she would be better with him than that thin donkey, Fernando [is it an additional insult that he uses the feminine burra flaca..]. As he holds her hand he loses his composure when she insists she doesn't love him, she loves and wants only Fernando. Then he angers and accuses her of two timing him, playing on two teams, being a ravenous (devoradora) eater of men. Paula finally breaks it up saying Yvonne has spoken. Heri leaves in a huff.

Juan is giving a "we are family" speech to Fern, Pastor, and Lorenzo who applaud appreciatively.

Angarita cries in his little pj's as Pastor tries to ask him he has informed Yadira of his suspicions (about his paternity) The destroyed Anga says no and how could he be taken as a dirty old man wanting her as a woman?? [Why indeed, this group isn't smart enough to be mind readers]

Juan and Juanito have their now familiar argument as Juan dresses in a special shiny tie explaining he has to appear like a king in front of Licenciada (Paula). Juanito scolds him that she isn't worth it and only one person is worth it. Juan just wants to know if Juanito doesn't need to pack his backpack for school as he continues to preen in front of the mirror. Down stairs they encounter a waking Kike on the couch [the most used prop in the Cachon scenes]. Kike yawns that he can't sleep in the same room as Yadira but at least his daughter is close by again. Juan inquires about Yadira's sudden return home to be informed about the nerve (descaro) of that Angarita. Juan asks with true surprise, what, badly positioned/silly little (desubicadito act has he committed. Kike launches into Angarita's fall from grace and Yadira can't even bear to go to the market again. Juan thinks he better investigate since clearly Anga isn't telling the truth yet...[duh, we could have cut a week or more of moronic dialog here...]

Kike enters the room for his things and Yadira says she doesn't want create a battle ground and ruin the peace of the entire household. Kike agrees that the parents errors are not the baby's fault. Yadira wants a civilized negotiation and they discuss getting another lawyer who can work out a favorable-to-all compromise. BREAK

Now in the office of the president, Juan proudly produces his pie chart and analysis to save money which includes outsourcing all the transportation costs including shipments and chauffeurs. When Paula gives an approving, good point, Juan moves on to the bar chart of points of sale. S2/Sandro (it's always CL in the office now, right?) jumps in to criticize that if they sell off the outlying stores (malbaratar) cheaply, it won't get them very much money. Juan pulls out another bar chart to show that they can expand sales with their special gourmet market. S2 tries to put this down as a new field they haven't tried before [isn't anyone asking how does Sandro know??] but Paula dubs it that magic word "diversification" and declares that his entire proposal is realistic and brilliant and will involve everyone in the company. Juan beams. Paula asks, And what does Sandro think?? His sour puss shows his chagrin.

Anga finally dressed is in the market asking Remolacho if Yadira has come. No but here comes her "EX", Kike appears but merely asks for the list of deliveries. As he walks away, Anga asks him if he has talked with Yadira. "What do you think?" he quips. Anga says thinks are not what you think they are, it is all a confusion. Yeah, a confusion in your head, says Kike. He adds that Yadira doesn't want anything to do with him and will not be coming back to work. As he leaves, Angarita begins to clutch his chest and sits heavily while poor Remolacho asks what's wrong. Anga merely barks, that he should mess in other's business but get back to work.

Back at the triumph of the charts, Juan continues to shine brighter than his tie while Paula, overlooks S2's ideas which he says are so like this, she says they should adopt Juan's proposal immediately to avoid (evitar) the layoffs (despidos) so no one will lose their work. Juan thinks how he loves having Paula's approval. Moments later the three face the lounge lizards en masse while Paula announces the good news that no one will lose their job. And the thanks goes to the brilliant financing ideas of their president Juan. Bows and applause and Juan really gets to give his "we are family" line. Next with the boys in his office, they all joke about Juan's triumph while Juan reminds himself that he is no longer the crude driver, but now has the reins of the company. Fern adds that his learning phase is over. Heri can't believe he still has a job but Juan assures him he will still be Pastor's assistant and he doesn't have to fear Sandro. Pastor is pleased and they all lay on the praise. Juan graciously shares the credit with his Santito de Atoche and his great friends who all helped him.

Yvonne tells Pastor that Paula had to run Heri out of the house for his grossness. She does defend that his his more wild (silvestre) than a brute. Pastor still has dreams about winning Heri for himself, but Yvonne very kindly tells him she isn't sure that Heri has the same preferences that Pastor has.

Juan tells Sandro, that Heri will not be layed off but S2 still gets to deliver a blow to Juan's happy hour as he announces that Marely has resigned her position. When shortly after Juan is questioning Marely, she tells him, finally, that she has decided to go live in Spain. [Ed note, Given your weakness for Juan, dear Marely, I would have sent him a postcard from Madrid for safety.]

Pastor and Heri continue discussing Heri's pointless quest of Yvonne. Pastor tries to be conciliatory and ends inviting Heri for a movie and dinner on him tonight.

Juan is thinking instead of talking to Marely but at least about her and how is he going to keep his rose garden, his little guardian angel who has always been there for him. Marely explains how she wrote the essay, got a grant and is so excited about her new future. What did Paula say, he asks. Well she was the first person to encourage her. Later, Juan is telling Paula how hard this will be for him and for little Juanito then drops the bomb that it will be for ONE year. Before we leave the office, Yvonne and Pastor discuss the handling of Heriberto who should not be bothering Yvonne anymore. Pastor demurs discussing his methods but how can he help but enjoy the results a bit with Heri turning toward him during his distress and loss.

A week can't go by without a visit to the garage with Gutis and Alirio discussing their dilemna. Alirio has the bright idea that they can drown their problems in wine.

Back to Juan having his series of flashbacks of the lovely Marely offering support and love to him and to Juanito on so many lovely occasions, and a little fantasy kissing thrown in.
But, YIKES. Out in the lizard lounge, Hillary arrives asking for Juan. While Paula, Marely, Yvonne and Fern watch with wonder, Hillary walks in after Yvonne announces her. Juan kisses her on both cheeks and she starts off saying she is so upset (apenada) since she heard what her father said to him. Juan tells her not to worry, he understands her father perfectly. While she warms up he continues to think of Marely and how he can't do without her smiles and wise council and care.... BREAK

Paula leaves the office alone after trying unsuccessfully to get Marely and then Yvonne to go with her. Inside Juan's office Hillary wants Juan to come to some event with her but he begs off to spend time with Juanito who has suffered with all papa's late hours lately. They decide to leave together while he tells her he will be returning the car she loaned him in another day or so. When he stops to say good night to Yvonne, Hillary gives her a pretty compliment about her hair and asks what kind of shampoo she uses. Juan thinks HIllary always has something kind to say to everyone. He looks over his shoulder at a less than thrilled Marely and rues the pinched look (estrujada). Off goe the beautiful couple just as Laura in the strangest tights seen yet sees them then Julia has the fun in cluing her in on how amorous Juan is with the famous Hillary. Laura stomps off on her ugliest of legs. Another elevator door opens and Kike comes in to flirt with Julia.

Back in Casa Cachon Yadira tells her mother that Kike hates her. Kike tells Julia that Yadira has returned but he is still planning the divorce. They continue planning their brilliant business in trucking together.

Heri struggles in the exercise machines with a breathless Pastor at his side when the ultimately thinkable happens: The WIG (peluca) finally snaps off onto the floor!! [Ed note.- how many months have we waited for this?]

CL and Sandro discuss that Juan is smarter than CL gave him credit for. The strategy simply isn't working. What will work, CL ponders....BREAK

Paula tells her Mom how he came through, probably by luck, to save the company and give all his heart to save the situation for his friends and fellow workers. Ana says it isn't luck, it is because Juan is a noble wonderful person.

At home, Yadira tells someone on the phone that her sister isn't there. When Marely appears she hears that she is to appear at the embassy to get her papers at 12 tomorrow. Gracias a dios. She now tells Yadira for the first time that she has a grnat to study in Spain. No one knows, but now the eavesdropping Nidia behind the door knows too. Cut to her crying out to Juan that she is destroyed. Cut to Juan entering Marely's room where she is packing and he sits down to tell her something so important. She is the pillar of this family and how can they get along without her. Juan starts to think his romantic thoughts before he comes out with the ending sentence that he wants Marely to be his girlfriend!! END

********Vocabulary*********
naco = stupid [the most used adjective in this entire TN, everyone better get this right in the exam to follow]

burra flaca = skinny burro [but hey, it's feminine used to describe a guy, extra points on the insult scale]

devoradora de hombres = man eater

descaro = nerve

desubicadito, desubicado = badly positioned or silly

malbaratar = to sell off cheaply, or at a loss

evitar = to avoid

despidos = layoffs, dismissals

silvestre = wild

apenada = upset

estrujada = pinched, squeezed

peluca = wig

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Main Cast (Elenco) of Querida Enemiga

LORENA DE LA CRUZ (Ana Layevska)

Tenacious, active, intelligent, intense and with much courage. Lorena is a young woman with a sense of humor, character and great integrity. In spite of adversity, she has maintained the will to live. Lorena has a natural talent for cooking. Her goals are to study and become a chef, and to have (form) a family. She always strives to resolve any problems with the people around her.




***************************************************************

ALONSO UGARTE (Gabriel Soto)

A young physician. He’s manly, a protector, a hard worker, responsible, gallant, loving, firm and clear-headed (de ideas claras). He’s a good son and brother. Alonso is a man who, in spite of his youth, has successfully made his way to excel in the world of medicine. Medicine and Lorena are his passion, but on account of Sara’s schemes, he believes Lorena has been unfaithful to him, and thus he breaks off his relationship with her and begins one with Sara.



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SARA DE LA CRUZ (Carmen Becerra)

Impulsive, fearless, ambicious, vain and egotistical. She has no limits in accomplishing her goals. Sara is amoral, cynical, intelligent, and very dangerous. She calls Lorena her friend, but deep down she envies Lorena. Sara usurps Lorena’s place as the granddaughter of Hortensia, whom she admires and gets along with very well. Sara is enamored of Alonso to the point of obsession. Her secret lover, Chalo, supports Sara in her misdeeds.



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ERNESTO MENDIOLA (Jorge Aravena)

Ernesto is a successful chef who has (enjoys) a good situation. He loves good food, good wine, and life in general. Ernesto has sworn not to marry, perhaps because he never has really fallen in love. Maniacal, described as an ogre by his students, he’s a person who loves to cook, and it is this love that brings him into Lorena’s sphere.



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HORTENSIA ARMENDÁRIZ (María Rubio)

A manipulator, materialistic, despotic, Machiavellian, dominating, without scruples and racist. Hortensia is elegant and refined--she loves what is beautiful and expensive; she is a perfectionist to the point of madness. Her children and grandson disappoint her. Hortensia rests her hopes on Sara because she sees herself reflected in Sara.



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CHALO CARRASCO (Mike Biaggio)

Macho, handsome, muscular and virile. Chalo is a simple man, unrefined (coarse) and very sensual. He complains about his bad luck and his economic situation. Chalo is the lover and accomplice of Sara, with whom he is hopelessly in love, but she only wants carnal pleasure from him. She takes him to heaven with her passion and drags him down by humiliating him. Since he is the one person who knows the truth, Chalo constantly blackmails Sara.



Jeanne

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Pasión de Gavilanes - June 1 - That baby is 6 months old and doesn't have a name!

Well, we certainly moved the plot forward in yesterday's episode.


Norma had her baby. At first, I thought she had given birth to a six-month year old but then it was clarified that time had passed. This baby does not appear to have a name. I assume naming is going to be clarified once Juan finally gets to see his son;


Norma is divorced from Fernando. This seems to have driven Feonando over to the dark side since he tried to hurt the baby;


Los Hermanos Reyes are running their hacienda and buying land that adjoins the Elizondo hacienda. That was cute when Juan was opposed to making a counter offer on the property until he found out that it would give them access to the Elizondo estate

Juan and Óscar are sad to have lost their loves (Óscar doesn't seem all that sad with his new Beamer convertible) and Juan is concerned that Franco doesn't have any love;

Rosario is tired of touring;

A skanky new female is going to make a play for Juan and her family are now enemies of the Reyes; and

Jimena has a career being a model for Indian Savage cologne.

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Guapos: Monday 6/2/08- "Seven Studs Strut Their Stuff"

The episode starts off with the leftovers from Friday’s show…..the end of the game…the fighting between Hugo and Mateo…..Alejandro carting Mili off like a cave man and confronting her in the church. He begs her to admit that she still loves him, she tries to deny it. He demands that she swear it in the church. She breaks down and admits it and they kiss.

Mili pulls back from the kiss and tells Al to not kiss her. He says he can’t stop himself and she shouldn’t ask him to stop. She says it is bad, especially here where God is watching (I’m afraid he watches everywhere, not just in church…..this is a concept that many people fail to realize-- you can witness in the church parking lot right after mass ends on Sunday morning as the attendees all attempt to get their cars out on the street, no one letting anyone else go ahead. I want to scream--you just left God's house people, show a little kindness, but I digress). Needless to say, Al doesn’t understand what Mili is saying and she starts to tell him that he really doesn’t have any idea of what she’s talking about. He says that he would give everything he has and everything he is just to be with her (awww). She laments that she wishes she could be someone else so she could be with him. She admits again that she loves him very much and then she runs out of the church. Al turns to the crucifix and thanks God, he needed to hear this.

Padre Manuel scolds Hugo and Mateo about fighting on the soccer field and what kind of example they were to the orphan children. Hugo isn’t interested in the lecture, he just wants to know where Mili went. Sor Cachete tells him that Al carted Mili off. Hugo doesn’t like this news.

Constancio is paranoid to use the phone in his office. He demands that Andrea get the lines changed. She, working her new scheme concocted with Damian, tells Connie that the bank in the Caymans called and there is some sort of administrative glitch. Connie, always clueless when the blood shifts lower in his body, doesn’t question this but instead starts to dictate a memo to her, demanding she remove her clothing. She must like the idea of this because she smiles as we cut to the next scene.

Padre Manuel is on a roll today. He currently is grilling Chamuco about his relationship with Gloria. The first thing PM wants to know is what his Christian name is---Carlos. His lecture gets interrupted, so he has Sor Cachete take over as he leaves the room to attend to another matter. SC decides that the couple needs a little sex education. Chamuco questions “you’re going to give us advice about this?” SC starts with a couple questions about kissing and lists off some different types of questions about besos---kisses on the cheek, kisses with lips rubbing, French kisses. She wants details on what types of kisses Chamuco and Gloria have had. Gloria starts to spill the details and Chamuco seems flabbergasted that this conversation is even happening.

Mili is with Padre Manuel. She admits that Al just kissed her. PM doesn’t seem bothered at all, but Mili doesn’t pick up on this. She tells PM that what she did is a sin. He tells her that love isn’t a sin and it was only a kiss. She admits that the kiss brings up other things like how she just wants to spend the rest of her life in his arms with his kisses and that she wants Al to be the first man in her life. She states this again just in case PM missed her meaning the first time (I would think it would be better to tell a priest that she would want Al to be the only man in her life, because labeling him as the first leads one to think that she intends to have a second, third, fourth, etc. Not that there is anything wrong with that, but she is talking to a priest after all). Mili questions why God has put Al in her life only to take him away. PM suggests that they pray about this, to find peace. So the kneel and pray. We are treated to the voice over of PM’s prayer as he asks God’s guidance in how to help Mili find the truth and still protect her from Luciana. PM states in his prayer that Al and Mili deserve to be together.

In the car shop, Horacio and Rocky rehash the happenings at the game then they move onto other subjects. Horacio tells Rocky that Val’s been “grounded” by Constancio. They talk about how Connie is opposed to Rocky and Val’s relationship and Horacio warns his friend to be careful or he might just end up 6 ft. under.

Al fills Bobby in on what happened with Mili in the church. Bobby’s head is spinning just like the rest of us—the relationship is on, it’s off, it’s on, it’s off…..make up your mind already! Bobby (once again the voice of reason, scary, I know) asks Al about the wedding plans with Florencia. Al says that he intends to cancel the wedding. Right about now Braulio comes in to tell Al that Domingo (Flo’s papa) is downstairs waiting for him. Brau and Bobby exchange some weird looks here that I can’t interpret.

Damian arranges for Hugo to open a bank account for him (Damian) to deposit money. It is all part of the Damian/Andrea scheme. Hugo asks if the money is dirty and Damian doesn’t answer outright, but Hugo knows something’s up. Hugo agrees and Damian tells his son he’s made him really happy.

Al tells Dom that the marriage is a no go. Dom doesn’t like this news and he’s going to make Al keep his promise. Dom goes on about how powerful his comany is---they even do business in Saudia Arabia (whatever that means). He then makes a comment about his daughter picking losers (so why do you want to support this and make this “loser” marry her?).

Meanwhile, Flo is trying on wedding dresses with her sister and expresses her joy about becoming Mrs. Belmonte in two weeks.

Valeria goes to Mili and tells her about being forced to stay in the mansion. Mili vows to help and comes up with a plan to get Val out of the house that night. She’s going to Rodeo with the girls. The next scene we see Val disguised as Carlitos---equipped with the baseball cap and a long black wig.

Downstairs, Luci’s imbibing and Connie tells her she’s pathetic. Lina, Gloria, and “Carlitos” head out. Connie asks “Mili” a question and Val mumbles an answer which seems to satisfy him. He asks about Val and is told she’s upstairs asleep.

Braulio and Mili head out (I assume in a different direction than the girls, or else the whole sneaking Val out of the house plan would be for naught).

It is Gay Night at Rodeo. Rocky and Horacio are there and the straight boys are feeling a little uncomfortable. Mili and crew arrive. Val, still dressed as Carlitos, heads straight for Rocky and gives him a kiss. He’s confused and tries to tell the “boy” that he’s not into guys. Val kisses him again and again and he finally realizes that it is his chiquita. He’s surprised she got out of the house. She informs him that not only did she get out to see him, she also came there to work. We are later treated to some scenes of Rocky trying to teach Val how to work a taco stand.

Up on stage we are treated to a performance which is a cross between a boy band and Chippendales. Strange.

Mili fills Brau in on the theme for tonight’s event. Brau is shocked that Mili knows he’s got an alternative lifestyle. She tells him to come out of the closet already, it is OK. He seems relieved and he gets his flirt on. Right away, Brau gets hit on by a big bear of a guy.

Bobby & Al and Mateo & his friend all show up at Rodeo. Hugo arrives too. Mili sees them hanging out at the front and she takes pleasure in informing them all of what the evening’s theme is. They’re not too happy. Mili tells the bouncer to not let this five into the club. Pedro (Rodeo's owner/manager) runs up to her at this point and tells her there’s a catastrophe in the making…..Los Bomberos Ardientes are not going to be able to perform tonight. Mili hasn’t heard of this group and Pedro tells her it is like Solo Para Mujeres, but for hombres. Oh what will we do? (and we, the audience, can see where this is headed). The light bulb goes off in Mili’s head and she says she’ll fix everything. She then goes over to the five boys and tells them if they want in the club, they’re going to have to do her a favor.

Back inside, Mili gathers Chamuco and Rocky. Val is left trying to run Taco Naco (or is it Naco Taco? I can’t remember) with Horacio’s help. Rocky is pretty trusting.

Mili fills all of them in on her plan. Needless to say, they are pretty hesitant about performing at a gay event---I’m sure it is their lack of practice that has them holding back. Mili promises Mateo, Hugo, and Al that she’ll make one of them her novio once this is over. This seems to get them to agree and both Al and Mateo have to coerce their friends in to helping.

We are then treated to quite a show. The seven- Al, Bobby, Chamuco, Hugo, Mateo, his friend, and Rock- are all dressed in firefighter uniforms. They head out on stage to perform for the crowd. Bobby’s shy and hangs back, but Al pushes him forward. Rocky shakes it. Al wiggles his butt. Chamuco is the first to take off his shirt and Mateo’s friend removes his shirt and rides it like a pony. They all seem to really get into the performing aspect of the show. Needless to say, it was hilariously funny. The women (what few there are in the crowd) love it. Brau seems shocked, but seems to enjoy it-- as does the rest of the crowd.

Connie heads up to Val’s room to talk to her. He says what he's doing is for her own good and a bunch of other fatherly things. He's about to head out of the room, but goes in for a kiss and discovers pillows under the covers. He knows that she’s flown the coop.

Back at the club, the Chippendale boy band is back on stage. Lina tells Bobby that he was the sexiest of dancers. He appreciates the compliment but fails to realize that Lina’s making a play for him (or does he? I think he's clueless rather than playing with Lina's affections). He starts to talk about his girlfriend, Mareceli (Flo’s sister).

Al tells Hugo that his wedding to Flo is off. Hugo's not happy to hear this.

Mili tells the three men that her novio decision will have to wait until tomorrow.

Padre Manuel tells Nestor that Luci and Connie refuse to tell Al the truth. The brothers talk about Nestor’s situation. He’s in a loveless marriage. His wife is in Europe and although he knows his brother won’t approve, he wants a divorce. Nestor tells PM that Luci is the woman he’s always loved. END OF EPISODE

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La Traición, Mon, June 2 - Hugo gets 5 minutes with the baby and 45 minutes of abuse from the Obragons; Alcides fires Eloisa


Marina enjoys al fresco bathing with an audience


Hugo offers what little he has to help Soledad's family

Antonia is checking out the bag of money when Ester comes in. She asks where the money came from. Antonia says that Ursula was playing with the baby and found it and doesn’t know where it came from. Ester knows – it’s a gift from God – a miracle from heaven. Antonia says that being poor is driving Ester crazy. They can’t just take the money. They don’t know where it came from. Ester says that the bag of money was on Soledad’s bed – they should ask Soledad about it. Aurora seemed very interested in the money as well.

Soledad comes into the living room and Ester says that Ursula found a bag of money in her bedroom, where did she get it? Before Soledad can answer, Hugo follows Soledad into the room.

Hercu-less ask what Alcides plan is to confront Arturo. Alcides says that he will be ready in case Arturo attacks him but he has something much more important to do. Herc says that he can’t stand around doing nothing (‘no me puedo quedar de brazos cruzados,’ literally, ‘I can’t remain with crossed arms’). Arturo took his woman. Alcides gives fatalistic advice: “If she’s meant to be with you, she’ll be in your arms soon.” He will help Herc rescue her and Herc will be responsible for Alcides’ security and for taking letters to Eloisa. Once again, no need for letters. Eloisa appears. Alcides says, “I’ll have to order those secret passages in the house shut.”

Gladis continues to abuse Arturo for bringing Margot into her house. What will she says to ladies who come over for tea? Arturo replies that if the ladies who come for tea know that Margot worked in a tavern, it’s because they were there too, which makes them as shameless as Margot. Margot laughs and Gladis asks how Arturo can talk to her that way – she’s his mother. Gladis says that she won’t tolerate this disrespect. She will get Hercu-less to get that woman out of her house. Arturo tells her that the traitor Herc now works for Arturo’s worst enemy – Alcides de Medina.

Hugo politely says good evening to Ester, Antonia and Ursula. Ester says its isn’t a good evening for her because he has come back to their house. Soledad says that they have already discussed the situation. Antonia says that’s true but they still don’t like having Hugo in the house. Hugo says that it their right. Soledad says that there should not be any more confrontations. Ursula asks what they should do about the bag. Soledad doesn’t understand who could have left a bag of money on her bed. Ester suggest that is was someone who wanted to bribe them so he could wander around the house. They all look at Hugo.

Eloisa tells Alcides that she couldn’t wait around so see what he had done to Dr. Dan. She is a nervous wreck. Alcides sends Herc out to patrol the estate and to keep himself armed and ready in case of trouble. Eloisa asks what happened between Arturo and Herc. Alcides says it doesn’t concern her. Eloisa asks if Alcides killed Dr. Dan. Alcides says that he can’t kill him right now. He just got engaged to Soledad and if Dr. Dan died now, he would be converted into ‘Saint von Chirac.’ Eloisa takes credit for advising Alcides not to kill Dr. Dan in the Obragon garden. Alcides says that he was enraged when he saw Dr. Dan kissing Soledad but now he can’t act on impulse like he did before. He flashes back to meditating with Vlad. Eloisa asks if he is telling her the truth or is trying to make her believe that he is an angel from heaven.

Margot tells Arturo that he behaved like an angel is defending her from his mother. Arturo says that he did it to annoy his mother. He is sick of her stories about the family’s noble ancestry. He tells her that ‘abolengo’ is when a family has illustrious ancestors like the Linares. Margot giggles and says Arturo says beautiful things and in spite of what he has done, she thinks he is a good man. Arturo asks how she can say that since he forced her to leave her man and work here. Margot replies that she knows that he will let her go when he calms down. Arturo says that won’t happen. Herc has to pay for his betrayal. Arturo asks how much Margot loves Herc. Margot says that she loves him a lot and even if Arturo keeps her here in this house of ‘abolengo,’ she will continue to love Herc. Arturo asks if Margot told Alcides that he was impotent. She says that she did to prove that nothing happened between them and that’s why she knows that Herc won’t try and hurt Arturo.

On his rounds, Hercu-less spies Marina taking a bubble bath out on the lawn. He seems most appreciative of the view.

Boris is leaving the forge. He picks up the jam and flashes back to Ursula bringing it to him. He tries some of the jam and flashes back to kissing Ursula.

Ursula says the person who left the money must have come in through the window of Soledad’s bedroom. “Like a thief,” says Antonia, “but instead of taking money, he leaves it there to blackmail us later.” Hugo asks how they could consider him capable of such a thing? Ester says that he is capable of many things. Hugo points out that he doesn’t have any money. He lost it all. What he makes in the blacksmith shop is barely enough to live on. Where would he get that kind of money? He says that he would never enter their house without permission, much less go in Soledad’s bedroom. Soledad says that she believes Hugo. “Yes,” says Ester, “We believed in him before and look where it got us.” Antonia tells Soledad to wake up. Hugo has only brought problems into her life. “Enough already!” says Soledad. She says there is only one person who could have put that quantity of money in her bedroom – Michelle. “Or Alcides,” suggests Hugo.

Ester is ready to believe it was Alcides. She says that evil last name is in their house again to harm them. Soledad says she will take the bag to Alcides tomorrow and demand an explanation. He can’t just come into the house when he wants to. Hugo points out that he has no proof it was Alcides. That was just his speculation because everyone knows Alcides is a millionaire. Soledad is sure that it was Alcides but she is creeped out that he came into her daughter’s room. He shouldn’t come into the house without permission. Ursula takes Hugo to see the baby. Soledad says, “It really was Alcides.”

Eloisa tells Alcides that she doesn’t like it that he distrusts her. They are allies. She has a right to know what he’s doing. Alcides says that she has no rights. He has given her money for months to help him win Soledad’s heart and he hasn’t gotten anywhere. Eloisa says that she tried. She never missed an opportunity to say how great Alcides was but Soledad doesn’t want anything to do with him. Alcides says that she was supposed to become Soledad’s confident and help him win her heart and now von Chirac has just proposed to her. He wants to know what she has done for him in all this time. He asks her to give him one reason why he should continue to pay her, one reason.

Arturo tells Margot that she shouldn’t have told Hercu-less about his personal problems. Herc will go and blab about it to everyone. Margot says that she told Herc about taking care of his wound after Dr. Max killed himself and he hasn’t blabbed about Arturo losing his hand so why should he talk about the impotency thing. Arturo says maybe so. Margot has helped cure him and one day he will make her his. Margot says that if he keeps thinking about it, he will never be able to do it. Gladis knocks on the door. She is looking for Margot. Arturo says that she isn’t there but Gladis says that she has looked everywhere else. Arturo asks why she is looking for Margot. Gladis says that if Margot is going to be a servant in her house, she wants to teach her the rules. Arturo tells Margot that she will have to face the wicked witch (‘la bruja del bosque’, literally, ‘the witch of the forest’). Margot says that she is used to being insulted by women like Arturo’s mother. Arturo says that at least is mother is letting her stay. He tells her to wait a few minutes and then go find Gladis.

Hercu-less continues to enjoy the view of Marina bathing. She realizes he is there and asks what he is doing. He says he is looking for Alcides. Marina stands up in the tub covered only with bubbles and says that she heard Herc told Arturo and she and Herc were having an affair. Herc says that is true but it was a lie to protect Alcides. Herc leaves.

Ester asks in the nastiest way if Hugo will come to visit the baby every single day? Soledad says that she doesn’t know and not to ask her anymore. Antonia asks how Alcides came into the house and went directly to her room and no one saw him. Soledad recalls that it isn’t the first time that happened. When the investors searched the house, Alcides snuck in without anyone noticing. Michelle comes in. Soledad asks if she came because she knew Hugo was there. Michelle says that she knew Hugo was there but that isn’t why she came. Maybe this isn’t a good time. Soledad says that she wants to ask her a question: she didn’t happen to leave a bag of money in Soledad’s bedroom?

Hugo, obviously not holding the real baby, says that his daughter is so beautiful. Does she know that she has the prettiest eyes in San Marino? She is as beautiful as her mother and very soon she will be cured and will live a life like the rest of them – a normal life. Hugo thanks Ursula for telling him that his daughter was ill. She says it was nothing. Lucas comes into the room on crutches and is impactado to see Hugo. Ursula takes the baby out to bathe her. Hugo starts to say something to Lucas but he says that they have nothing to talk about. Everything has already been said. “Please,” says Hugo, “Let me take advantage of the fact that we are seeing each other after the trial. Don Lucas, I want to apologize. It’s my fault that you couldn’t walk for a while.” Lucas hobbles forward and asks if Hugo thinks that this is walking? If so, he accepts Hugo’s apology. Hugo thanks Lucas for letting him see his daughter. Lucas says that it is better if he goes back to his room. Hugo says that he knows that nothing will change Lucas’ opinion of him but he wants Lucas to know that there’s not a day in his life that he doesn’t think about the damage he caused to Lucas and his family. He asks Lucas to believe him.

Michelle says absolutely not. Breaking into someone house and leaving bags of money like an intruder isn’t her style. Soledad says that is what they thought. Michelle says that besides she has offered Soledad her help many times and Soledad has always refused. Antonia says that Hugo was right. It must have been his brother Alcides. Michelle is surprised. Ester says that one brother breaks in and the other asks permission to come in – they are at the mercy of these criminals. “How shocking!” says Antonia (¡Qué horror!)
Michelle says that she doesn’t like Alcides at all. Soledad is right not to trust him. Soledad asks why she says that. Did something happen? Michelle tells Soledad about how Alcides looked at Dr. Dan when he was treating Aurora. . Soledad says that she has seen that look many times. Michelle says that if looks could kill, Dr. Dan would be dead.

Eloisa says that she did all she could to make Soledad consider Alcides. Alcides says that she didn’t do enough. Eloisa asks what she could have done? Every time she mentioned Alcides name to Soledad, she reacted as if he were the devil. It’s not her fault that Soledad doesn’t like Alcides. Alcides says that it is her fault. She should have done something and now Soledad and that ‘medicucho’ – stupid doctor – are engaged. “What should I have done?” says Eloisa, “told her that Daniel is a monster after he saved that old man, Lucas? After he miraculously helped him walk again? And if that weren’t enough, he’s looking for a cure for that brat’s (mocosa) disease!” Alcides raises his hand to her. He says that the child she calls a ‘brat,’ is his niece. “You’ve dug your own grave,” Alcides says to her, “You’ve shown me in one second that you won’t help my plans. You’re fired (Estás despedida). Eloisa is impactada.

Dr. Dan is sleeping. He dreams of Soledad telling him that he is the kindest man she has known in her whole life. They embrace. He tells Soledad that she is the most beautiful woman he has known in his whole life. They kiss. Hugo comes in and says that Soledad will never be his because her heart belongs to Hugo. Soledad asks Dr. Dan to forgive him but Hugo is right. Her heart has always been Hugo’s. Hugo turns into Alcides. Dr. Dan says that he’s not going to let him take her away. He has been waiting for him. They go for their guns and Alcides shoots Dr. Dan. Dr. Dan says to Soledad that Alcides shot him but if she leaves with Hugo, he’ll die of a broken heart. He kisses Soledad again and Alcides shoots him again. Dr. Dan wakes up. He says that he has to calm down. It was only a nightmare or was it a warning from his conscience?

Gladis finds Margot dusting. Gladis asks where she was and Margot says that the house that is so full of her family’s heritage was very messy. Gladis wastes no time. She gives Margot a uniform that she must wear whenever she leaves her room. She is not to make eye contact with any of the guests. She should greet the guests by bowing her head. When she hears the bell, she should come immediately. Other than that, she is never to leave her room. Margot says that the uniform is out of style but Gladis says that she has to wear it anyway. Gladis is expecting guests for breakfast and Margot should behave as if she were a lady. Gladis says that Margot especially is never to go to Arturo’s room. Gladis says that she know that women like Margot get themselves pregnant to get to her money. Margot thinks that if Gladis knew that her son was impotent, she would die.

Poor Hugo. His castigation by these Obragons never ends. Lucas tells Hugo to look him in the eyes. Lucas says that if Hugo is here, it is because of his granddaughter and that’s the only reason. Hugo thanks him for the opportunity. Lucas says not to thank him but to thank Soledad. She fought for him. Hugo says that he understands. Lucas says that he is going to speak to Hugo, man to man. He is going to tell Hugo what hurts him the most. He won’t say it in front of his daughter because he doesn’t want to cause more problems but what hurts him the most is his dignity. He is now a man who lives in shame. He is supported by the women of his family. Hugo says that he would like to help him.. Lucas tells him to shut up. Doesn’t Hugo understand? Lucas is a kept man (un hombre mantenido), a man with no strength after the heart attack that Hugo caused. “You would have preferred that I died on the gallows, that day, right?” says Hugo. “No,” says Lucas, “I would have preferred that you had never met my daughter.” He hobbles out.

Soledad tells Michelle that Hugo saw her wearing the ring that Daniel gave her. “You were wearing it when he arrived?” says Michelle, “Does that mean you’ve accepted Dr. Dan’s proposal?” Soledad says no, she was thinking about it and trying on the ring and at that moment, Hugo came. “And now you feel bad,” says Michelle. Soledad says that she doesn’t know how she feels; she’s confused. “You are confused about your feelings for Hugo?” asks Michelle. Soledad says no, there is no doubt about her feelings for Hugo. That’s not the problem. She is confused about her feelings for Dr. Dan. She knows he is a wonderful and good man but she is not clear about her feelings for him. “I can imagine,” says Michelle.

Soledad asks Michelle how she is. Michelle says that she is fine. Soledad tells Michelle that she knows that she left the laboratory when she didn’t feel well. Soledad asks if Michelle is upset that Soledad told Hugo that he could come to the house. Michelle denies that. It’s just that she saw Soledad, Hugo and the baby as a family and had a moment of confusion. Soledad and Hugo are united by circumstances and feeling that, all of a sudden… Soledad says that Michelle knows very well that there can never be anything between her and Hugo. Michelle says yes but sometimes the head and the heart can’t reconcile their differences. Michelle says that she thought of leaving San Marino. Soledad replies that Hugo told her that. Michelle is surprised. Soledad says that she is glad Michelle changed her mind. Michelle says that she isn’t sure that she has completely given up he idea of leaving. She told Hugo that she would stay on condition that their relationship didn’t hurt Soledad. Michelle asks Soledad if she thinks it is possible that she and Hugo could be happy without hurting Soledad. Soledad doesn’t answer and Hugo comes in. He didn’t know Michelle was there and asks her (politely) to leave so that he can talk to Soledad. She says it is no problem. She has something to do. She leaves saying how much she admires Soledad.

Eloisa says that Alcides can’t end their relationship. He asks why not. She says that she knows all his secrets. Alcides says that she is referring to Jeremias’ treasure. She will tell everyone that he has it. Eloisa tells him not to give her ideas. Alcides says that she is about to cross the line. If she does, she will have to hide but he will chase her to the end of the world and kill her. Eloisa asks for another chance. Alcides says why. She can’t even find out who Soledad’s real father is. Eloisa says that she needs more time. She can’t just ask Ester something like that. Eloisa tries sex. She says that she will give Alcides a massage. He is so virile, such a man. He asks if she’s finished. “No,” she says, “I want to give you everything you want. Just ask me.” “Perfect,” responds Alcides, “I want you to leave my house.”

Paquito tells his girls that the inauguration of his place is tomorrow and he is desperate for a pianist. In any other place, there would be a line of people willing to do the job but in San Marino – nobody. The girls suggest that Paquito play himself and he tries but it is not a success. He says this is a disaster. He has less than 24 hours and he says that he doesn’t know what he will do but he will find a pianist even if he has to look on the bottom of the ocean.

Antonia tells Ester that she put an ad in the paper about giving piano lessons. She asks Ester if she thinks anyone in San Marino will be interested. Ester says that there are many cultivated and educated people in San Marino and playing the piano is an important social link. She should get many offers. Lucas comes in. He says that he ran into Hugo in his own house.

Margot says that the maid’s uniform is so ugly. She flashes back to when Herc almost called her a prostitute and contrasts that with a flashback to Arturo defending her from his mother’s insults. She says that Arturo has done for her what Hercu-less never did. Arturo defended her in front of his mother. Then she asks herself what is she thinking. She says that the uniform is horrible. It needs some alterations before Gladis’ morning visitors arrive.

Lucas says that Hugo was with his daughter when Lucas was in Soledad’s bedroom. Antonia asks if Hugo was rude to him. Lucas tells her to calm down. Lucas says that it was he who said a few things. The Obragon witches say that Hugo deserved everything he got. Ester says that if it were up to her, Hugo would not set foot in her house. Lucas says that Hugo is a changed man. Ester asks why Lucas says that. Lucas replies that after all the damage that he has done, Hugo has become a different person. Lucas says that he can see it in the way Hugo looked at him and the way Hugo talked to him. Lucas says that Hugo isn’t the same. He’s not the same. It’s clear that the Obragon witches don’t agree with these sentiments but at least for now, they don’t say anything.

Alcides is escorting Eloisa out of the house. He says that he doesn’t want to see her again. Eloisa says that he can’t throw her out like a dog (perro). Alcides says that she didn’t help him with his plans. Michelle is listening to this from behind a giant vase of flowers. (How did she get in?) Eloisa says that she and Alcides had an agreement and he can’t break it. Michelle asks herself what plans did Alcides have? Eloisa says that Alcides promised to share the treasure with her. Alcides tells Eloisa that if she says a single word about his secret, she knows what will happen.

Soledad and Hugo-
S: You should have left with Michelle.
H: I need to clarify some things. Soledad, I swear to you by the most sacred thing to me, my daughter, that I didn’t sneak into your house and leave that money in your bedroom. Please, I need you to believe me.
S: I believe you. Even if you’ve deceived my heart many times, I believe you.
H: Thank you. Now, I would like to ask you for another favor.
S: What?
H: (he reaches into his jacket and takes out a small wad of money) That you accept my help. (he laughs) It’s not much. I’m just starting with the business but every little bit helps (‘algo es algo,’ literally, ‘something is something’). I’m sure it will help. Please Soledad, don’t reject it. I know your family needs it. I want to help (colaborar). Use it for things our daughter needs. Besides, my business will do well. In the future, I will be able to bring you more. Soledad doesn’t answer. (But unlike Alcides, Hugo is clearly making points here.) The credits roll.

Tomorrow: Dr. Dan shows up inopportunely.

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Fuego, Monday 6/2 (#25): Through the door or out the window

Father Tadeo has asked Eva about Juan and Sofia. She hems and haws and says maybe it'd be better if Sofia tells him when she comes back.

Juan and Sofia finally reach the river. Amazingly, despite his recent infection-induced delirium, Juan is now doing better than Sofia, who is totally exhausted. She takes one look at that river and says they can't go on; the current's too strong. He says look, there's a rope!

Meanwhile, the search party pulls Oscar and Franco back up the slope. Aw, so close!

At the Eccentric Grandpa home, the creepy administrator is scolding Gramps and the others for their age-inappropriate behavior. (Maybe he should accept only applicants who are already dead.) Grandfather takes umbrage and says they're older youngsters; children trapped in worn bodies, perhaps, but children all the same. The administrator says it's dangerous for them to play. Grandpa says they're playing tag. "Tag, you're it!" (Roñoso="it")

The administrator (I don't know his name, I'm going to call him Dr. Ratched for now) says, "If you think you're going to get the same latitude here that you did at Miss Gabriela's house, you're very mistaken!" Grandpa scoffs and asks what's he going to do about it? "I will punish you. I"ll lock you up until you learn the rules of this place." There are cries of protest from all the residents, as well as Sister Mousie. (I can't bring myself to call her "Sr. Little Rat.") Sr. Mousie says if he's going to punish Grandpa, he's going to have to punish everyone. The residents cheer in agreement.

The orderlies reach for Grandpa's chair, but Grandpa and his new friends fend them off with weakly flailing arms. Dr. Ratched tells them to to calm down and he'll suspend the punishment, but it had better not happen again. The residents jeer at Dr. Ratched and his orderlies as they leave.

Juan and Sofia are having some kind of super-kinky monkey sex hanging from a rope - wait, no, they're just shimmying across this rope of unknown strength/origin over a raging river while megabuckets of rain pour down over them. Their feet slip, and now the hungry current is tugging at their feet as they hang from their arms halfway across the river - no point in turning back now. They get their feet back up, but the rope is starting to fray. Fortunately, they are now almost across.

According to the captions, Sofi is crying for help, but all I hear is the tense string orchestra. (No pun intended.) Sofi reaches the tree first; Juan is holding out his hand. She grabs it, but is strangely unable to hoist his hulking frame with her dainty hand. Now she's screaming with no sound, and there's not much left of the rope. It snaps! This time she does call for help as the river carries him off to Candyland, or wherever people go when they fall into the rapids during a storm.

Amazingly, however, Oscar and Franco are there, but it looks like they're either just passing through or fixing to leave. Oscar seems oddly unsurprised to see her, and doesn't seem to understand what she wants. Finally he gets the message and jumps into the river with a rope to help. (Cool, now two guys are going to Candyland!) Franco helpfully advises Oscar to be careful, and he and Sofia remind him to save Juan (do I smell an Emmy for some lucky writer?); meanwhile, Juan is sinking.

Ofelia apologizes to Rosario for being late and explains that the whole town is talking about Juan and Sofia being missing. (Rosario sighs with discomfort and she lowers herself gingerly into her chair; I don't want to know if that's because of last week's whipping or something else.)

Oscar tries to fish Juan out of the river; Franco jumps in to help. Here I am all excited that I'm going to finally see Candyland in all its splendor as our three heroes build themselves a beautiful house of gingerbread and candy canes, but no, it was not meant to be. The entire search party, plus the tiny slippery hands of Sofia, pull on the line and haul them back to safety.

Eva again tries to convince Crabiela that Sofia is really, truly missing, as is Juan, one of the builders. "Together?" Crabi asks. She can't comprehend why Sofia might be with such a nonentity. Again, Eva plays innocent and says only Sofia can explain. Crabiela is filled with concern... as to what the people will think.

At the river, it seems that the incredibly inconvenient rain has stopped, and now the sun is shining in everybody's faces. Juan coughs out all the water and complains about his arm. They're going to take him to a doctor.

The triumphant search party, now a rescue party, rides into town and are welcomed as heroes. Somebody at the church even rings the bell for them. Quintina, Hortensia, and Fr. Tadeo run out to greet them. Fr. Tadeo seems a little confused when Quintina kisses the boys repeatedly. He directs them to the dispensario.

It's now evening, and there's no sign of our beloved donkey outside the dispensario; maybe his agent demanded more money. Fr. Tadeo says he's going to go, and he wants to take Sofia to the convent. She says she's not leaving Juan's side.

Jimena is moping in her bedroom, wondering where Oscar is. Or Sofia, for that matter. She can't tolerate being shut in any more; she sneaks out the unlocked balcony door, then climbs down the rope that Oscar left earlier. She takes a quick look around and runs into the night.

The doctor shows up at the dispensario. Did Fr. Tadeo finally decide to embrace 19th-century technology and get a phone? If so, he's not telling! The doctor asks for a moment alone with his patient. Oscar asks him to take care of his brother.

Outside the room, near the noisy peepee fountain (besides the annoying loud trickle, the lighting sometimes makes the water look yellow), Fr. Tadeo asks Sofia what happened. She tells him she was on her way to meet him at the church ("because it didn't occur to you to simply meet me at the convent where it'd be safer," she doesn't add) when along came a truck without lights. (In the flashback, the truck has its lights on. In fact, during this scene last week, I noticed that sometimes the truck had its lights on, and sometimes not.) She was afraid, and began to run, but some guys attacked her, and one of them was going to rape her (in the flashback, Feo is punching her). Then Juan showed up, they fought, Juan had just about gotten the situation under control when somebody shot him and he slipped off the cliff. She tried to help him, and then they both fell in and the river carried them away. Surely those guys left them for dead. Fortunately, they're alive, and nothing happened to her. And then they got rescued! (I think she skipped a few things, but that's okay.) She hugs Oscar and Franco to thank them.

Pedrito shows up at the convent with his little dog Mariachi to tell the head nun that Sofia's okay and she's in the pueblo right now. The nun is happy, but I'm thinking she'd be even happier if they got a damn phone so they wouldn't have to send a kid out by himself at night. The nun asks about someone named Delfina, who must Pedrito's mother or guardian. He says the rain caused her rheumatism to flare up.

The nun asks why he doesn't hang out with more kids. He says there are hardly any kids where he lives. Well, there's one, but they never let him go out. (HMM, I wonder who that might be *coughcoughRosario'ssonAndrescough*.) He lives with a woman who must be his grandmother. He thinks the boy's name is Luis.

To make sure that this subtle hint is lost on no one, next we see Rosario staring at her son's photo again and studying his drawing, wondering where they've hidden him. Ofelia tells her it's time to sing, so she needs to stop crying. To cheer her up, she says they found Juan and Sofia. Rosario says that's why she never stops believing in miracles - someday she'll get her miracle too, she'll get her child back and then they'll never be apart again.

The fountain at the dispensario is louder than ever; it sounds as though they've fitted it with its own microphone. The doctor comes out and tells them Juan's on antibiotics. He's young and strong, and he'll get well soon. The brothers hug until Oscar is red in the face.

Sofia and Juan make typical "I love you and I'm glad you're not dead" small talk. Juan says they're now one forever and no one can separate them; however, she's gotta go or else people will point and gossip and talk trash about her. She doesn't want to go, but he says his brothers will watch over him, and anyway, since they're one now, he'll always be with her wherever she goes. Until everything's been worked out, they don't want to arouse any suspicions. His brothers will take her back to the convent, and he'll be able to rest easy knowing she's safe. She agrees to this, but wishes she could shout to the world that she loves him, and that she is his and she loves him forever. He repeats that he doesn't want people to suspect their love. They kiss.

Jimena shows up at the dispensario and asks the Padre if it's true what they're saying in the pueblo - that Juan and Sofia were found. She asks to see her sister.

At the hacienda, Sarita asks Eva about Grandpa and Sofia. Eva says Jimena is probably wondering the same thing; she was just about to bring her dinner. Eva says Juan is missing too, "and don't ask me anything more because I don't have any response." Oh please, that's like saying "I have a big secret and I'm not going to tell you what it is." She repeats that she's bringing Jimena's dinner because Gabi was too tired to do it. Jingle-jingle, she's got the keys. "I'm going to open the door to see how she is," she explains needlessly as she opens the door to see how Jimena is.

Sarita brings in the tray and they note that Jimena isn't there. The balcony is not locked as expected. Sarita, being the clever sister, deduces that Jimena must have gotten out that way.

Eva is just in the middle of saying "if your mother finds out" when Crabi herself yells for Fatima, the maid, to bring her some coffee... in Jimena's room!

Sarita and Eva panic, and I wonder if Sarita is going to get in bed and hide under the covers and pretend to be asleep, or something silly like that. You never know, with this show.

Father Tadeo is shocked to hear that Gabi has been keeping Jimena locked in her room. She says it all started with that little luncheon, when she had too much wine. (I'd say no amount of wine would be enough for a gathering like that one, when they first met the Uribes at the height of their twittiness.) Her mother wants total obedience, and it's worse every day.

Fr. Tadeo offers to speak to Crabi again - I don't know why he thinks their next talk will turn out any differently. I guess this is a man of infinite perseverance! Jimena begs him not to do it now - she doesn't want Crabi to know she snuck out. The padre assures Jimena he'll do it at some other time.

There have been a few comments about the padre's forehead looking a little strange (like, a little too perfect, or maybe having something like a line of demarcation just above his eyebrows). We get a very up-close look at it during this scene. If you're curious, the actor's name is René Casados; you can search his name on Google and then click "Images" at the top of the page. At least you'll have some context for your research...

Also, I know this is totally out of the blue, but last week during a scene in his office, I noticed his pencil cup was filled with those same damn green pencils we saw in La Fea and in Destilando Amor. I wish I could send away for these amazing pencils that just float from one telenovela to another, never getting used.

But let's return the fascinating action.


Sofia is asking Juan to promise that he'll get some rest. They say they'll dream about each other. (Even though it's well after dark, there seems to be blue sky outside the little window - or is that just a decorative blue square on the wall? I noticed the same thing at Lety's house in LFMB.) They kiss, and they're still at it when Jimena walks in. She takes one look, impactada, and walks out. HA! There you go, Jimena, now you know how Sarita felt every time she caught you with Oscar!!

Crabi gets to J's room and asks Eva where Jimena is. "She's in the bathroom. It seems she's not feeling well." Ooh, that's much better than hiding Sarita under the covers - now I know why these writers make the big bucks! Crabi knocks on the door. Sarita moans sickly through a rumpled towel. Crabi continues to rattle the door; Eva suggests that it might be better to let her rest for a while. Crabi agrees but says they might as well take away her dinner if she's not feeling well. Eva sits there and nods in terror. Crabi prompts her for the keys. Eva hands them over and takes away the dinner. Crabi knocks on the bathroom door once more for good measure; Sarita cowers by the toilet, but Crabi gives up and leaves, locking the bedroom door.

Sarita timidly creeps out of the bathroom, nearly hyperventilating with terror; Crabi scolds Eva for taking too long with the tray; Eva tells Fatima to bring Crabi's coffee to Crabi's own room after all.

Sarita realizes she's locked in Jimena's room. She looks at the balcony and debates with herself whether she'd rather die falling off the balcony, or get caught by her mother; that's an easy decision. She crosses herself and looks down; I dunno, I'm a big wimp. I think I'd take my chances with Crabi. But Sarita knows her better than I do, and she's willing to chance it; so I say good luck, Sarita! Be free!

Eva is on the ground below to encourage her. She reminds Sarita to close the doors so they look locked.

Juan is still telling Sofia to leave, and says if she doesn't, then he'll have to go. (Take a hint, lady! The guy's been shot, he's tired!) Franco sticks his head in and asks if he can come in. Juan says why bother asking, since you're already in, dum-dum! Juan thanks Franco for saving them. He asks Franco to take Sofia to the convent. Franco says he'll do it, since Oscar is taking Jimena back to the hacienda. Sofi is surprised to hear that J is there.

Back at the hacienda, Sarita finally reaches the ground and complains about her hands and how scary it was to be in the bathroom and how Jimena is going to PAY for this. Eva offers to make some tea for her fear (chamomile, maybe?), but Sarita wants to wait in that spot until Jimena returns. Eva says in that case, she'll wait with her. If Mom asks what they're doing out there, they'll say they came out for some air. Sarita tells Eva she wishes her own mother were like Eva.

Oscar notes that Jimena seems uneasy. She tells him she saw Juan and Sofia kissing. "You didn't know?" he asks. "They're in love." She agrees to keep quiet about it until Sofia tells her. Oscar hesitantly tells Jimena that there are things we sometimes can't understand, can't comprehend, and especially when it's your own brother or sister, it's too powerful... I think he's referring to how he felt when he found out about Libia and Bernardo. Anyway, Jimena says she's not judging her sister. She doesn't - okay, say it together, folks - she doesn't love her husband, she has never loved her husband, and there is nothing between them. They sleep in separate rooms... Oscar is barely paying attention; I think he's still thinking about his sister!

She calls Oscar back to reality and he asks, if they sleep in separate rooms, why doesn't Furdnando leave her? "Because he doesn't want to give her her freedom."

Oscar clears his throat abruptly as Sofia enters the room. She and Jimena hug. Sofia says it was a nightmare, but now it's over. She asks about Grandpa. J has no news, and explains that Mom has locked her up, and Oscar left the door open for her and now she has to go back. Oscar offers to take her back on the horse, whew glad that's all sorted out. Sofia sends greetings and love back for the rest of the household, and Jimena says their mother is doing worse than ever, which makes Sofia sad. As they hug again, Oscar stares at them with a strange look. (Is he picturing them naked?)

Poor Juan is never going to get any sleep... now Franco is asking him what's going to happen next. Juan gets a goofy grin and says he doesn't know. Then the padre comes in and wants to talk to Juan; Franco leaves. Tadeo says he knows it's not a great time, but he won't be able to retire for the evening without asking Juan if there's anything he'd like to tell him. After some hesitation, Juan tells the priest to get comfortable...

Oscar tells Jimena he's happy to see how much she loves her sister. She says they're all different, but they're united and have always protected one another. Even though they are close in age, Sofia has always been like a mother to her and Sarita. Oscar says it's the same with Juan. He promised their deceased mother that he would always care for and protect them. When their younger sister died, they couldn't do anything, and they felt responsible; it affected Juan deeply. Oscar felt very guilty.

Jimena says losses are so painful. She has a cheerful disposition and many people think she's never sad, but that's not always so. She often thinks of her father, and his untimely death. She misses him so much. Her and her sisters' lives changed greatly after that. Oscar, crying, says it's the same for him and his brothers. He's embarrassed to be crying. They hug and cry together.

Juan tells the padre he doesn't know where to begin. He struggles with his words, not making much sense, says "it was like a bolt of lightning..." (he bangs his hand against something and yelps in pain, then laughs - another unscripted moment, I think). Finally he explains that it's as if the forces of nature gave him a big shock, everything was dizzy, dizzy... it seemed the only thing to do was to hate Sofia, and take out his vengeance on her; but he looked into her eyes and his heart was revealed. He couldn't hate her. He was in love with her, a love so big, so true, and then he found out she was married, and he didn't know she was forced to marry him... (he pouts), but he's sure that she loves him as strongly as he loves her, and no one will ever split them up ever, no matter what.

Juan asks forgiveness for saying all these "barbaridades." Tadeo blesses him, and says he's blessing him the same way he has always blessed true love. He leaves Juan to rest; Juan wipes some invisible tears off of his face.

After all the mush-talk about how much she and her sisters love and protect one another, Jimena and Oscar are surprised when Sarita shows up, scolding J for for being thoughtless, letting them worry while she was hanging around with "this worker." Jimena says she went out to get news about Sofia. Sarita scoffs, but Oscar confirms that Sofia and Juan are safe and sound. Eva is delighted, but Sarita continues to sulk. Oscar says she should follow Jimena's example. Sofia needs their understanding, he says - not judgment, much less critiques. Poor Sarita has no idea what he's talking about. Oscar makes a tiny kissy-face in farewell to Jimena. Eva tries not to laugh. Oscar rides away.

Sarita wants a full explanation right there in the back yard; Eva advises them to go in the house. They agree that the important thing is that Sofia's okay.

Sigh. The episode's almost done, and only now does Feo show up. Too bad, because he's fun to recap.

He comes home from whatever dastardly deeds he's been up to. He starts up the stairs, and even from behind you can see that he's in a bad mood. He catches himself halfway up the stairs, comes back down, and thought-bubbles to us that he needs to change his expression and look really delighted when he tells Crabiela that Sofia and that damn bricklayer turned up.

He puts on his best Eddie Haskell face and goes back up the stairs like a happy schoolboy.

"How do you feel?" Oscar is asking Juan. Juan says he's feeling better. Oscar gives him a mushy speech about how they don't always get along, but he still loves him because he's like their father, etc. etc. Juan says Franco told him that Oscar jumped into the river to save him. Oscar says yes, they wanted to find him alive, because he couldn't handle another loss or imagine life without him.

Oscar says it's just the three of them, like three fingers that can move alone, but when you close them into a fist they're strong, decisive, united. "We are the three Reyes brothers! Only death can separate us." (Ahem, Oscar, you are the three Robles-Reyes brothers.) Juan scolds himself for crying. Oscar jokes that Juan cries like an old man. They hug and cry some more.

Next time:
Jimena tells Sarita and Eva that Juan and Sofia are in love. Only one of them is surprised.
Franco tells Rosario he loves her with all his heart, but he doesn't know what he feels for Sarita. (Rosario takes this poorly.)
Dr. Ratched seems to have lost track of an eccentric Grandpa.
Furd congratulates the happy couple on not being dead.

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Monday, June 02, 2008

Synopsis of “Querida Enemiga,” translated to English

Here is my translation – be sure you check the YouTube intro clips that our Anonymous source gave us in the Friday, May 30 recap comments on Yo Amo a Juan.

Lorena and Sara grew up together in an orphanage. They love each other as sisters although they are very different. Lorena dreams of starting a family, and what she loves most in life is to cook. Sara is materialistic; she has always resented the poverty of living in an orphanage, and her ambition is greater than her scruples.

Lorena dreams of becoming a chef; one day she says goodbye to the nuns who raised her, to go and study cooking (gastronomy) in Mexico City. The same day, the Mother Superior discovers that Sara has stolen all the money from the orphanage, and the Mother Superior suffers a heart attack and dies when she confronts Sara. Sara runs away with Chalo, her lover and accomplice, stealing her file and Lorena’s file. When she reads them, she finds out that she was found in a trashcan, but Lorena was abandoned in the orphanage without any explanation by her grandmother, the millionaire Hortensia Armendáriz. Sara's first impulse is to go in search of Lorena in order to help her confront her grandmother and demand her rights, but then Sara thinks it over and decides to usurp Lorena’s place in the Armendáriz gastronomic empire.

Totally unaware of this, Lorena finds work in the same company (her grandmother's) as a cook's helper. Lorena meets Alonso, a young physician with whom she falls in love, and becomes his girlfriend. But, Sara won’t rest until she separates Lorena from Alonso.

Hortensia uses all her resources to avoid confronting the harm she has caused to everyone around her.

When Lorena discovers Sara’s schemes, Lorena realizes that she never really knew the person she loved as a sister. In the midst of her suffering, Lorena has a confrontation and discovers a new hope from the hand of the person she least suspected could love her.

(Note: Also see Wikipedia, which translated has a slightly different translation and some elements added that esmas.com did not have).


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CAST of Querida Enemiga – more information on the main characters to come (esmas.com only has profiles on six of them)

Lorena: Ana Layevska
Alonso: Gabriel Soto
Ernesto: Jorge Aravena
Hortensia: María Rubio
Sara: Carmen Becerra
Chalo: Mike Biagio
Jaime: Luis Xavier
Bárbara: Luz María Jerez
Vasco: José Manuel Lechuga
Omar: Alfonso Iturralde
Zulema: Socorro Bonilla
Julián: José Carlos Femat
Diana: Luz Elena González
Bruno: Marco Méndez
Darío: Eduardo Rivera
Paula: Sharis Cid
Bettina: Danna Paola
Maruja: Patricia Martínez
Rossy: Bibelot Mansur
Arturo: Mauricio Aspe

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Here is the esmas.com original synopsis, for those of you who are interested:

Querida Amiga Sinopsis

Lorena y Sara crecieron juntas en un orfanato y se quieren como hermanas, pero son completamente distintas. Lorena sueña con formar una familia y lo que más le gusta en la vida es cocinar. Sara es materialista, siempre ha resentido la pobreza que se vive en el orfanato y su ambición es mayor que sus escrúpulos.

Lorena sueña con aprender alta cocina; un día se despide de las monjas que la criaron para ir a estudiar gastronomía en la capital. Ese mismo día, la madre superiora descubre que Sara ha robado el dinero del orfanato y al encararla, muere de un paro cardíaco. Sara huye con Chalo su amante y cómplice robando su expediente y el de Lorena. Al leerlos se entera de que mientras ella fue encontrada en un basurero, Lorena fue abandonada en el orfanato sin explicación alguna por su abuela, la millonaria Hortensia Armendáriz. Su primer impulso es ir en busca de Lorena para ayudarla a enfrentar a su abuela y luchar por sus derechos, pero luego recapacita y decide usurpar su lugar en el imperio gastronómico de los Armendáriz.

Ajena a todo esto, Lorena encuentra trabajo en la misma empresa como ayudante de cocina. Conoce a Alonso, un joven médico del que se enamora y al poco tiempo se convierte en su novia. Pero Sara no descansará hasta separar a Lorena de Alonso.

Hortensia, por su parte, lucha con todos sus recursos para evitar encarar todo el mal que ha causado a la gente cercana a ella.

Cuando Lorena descubre las intrigas de Sara, se da cuenta de que nunca conoció realmente a quien quería como a una hermana. En medio de su sufrimiento, se enfrentará y encontrará una nueva esperanza de la mano de quien menos sospechaba que pudiera amarla.

Jeanne

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English translation of "Bombon asesino" (Bonbon Assassin)

One of our readers posted the words to the Bonbon Assassin song in the comments. I tried to do a quick little translation (see following). Corrections welcome!

BTW "Bonbon" is a french word for candy.

BTW I think Ninel Conde looks much better in this picture than she does as Rosario in El Fuego de la Sangre - less makeup, and maybe less icing.

Mi cinturita
que parece que a todos ajita
si me pongo una falda cortita
El meneo me la sube todita

Gritan Bonita
Cuando bailo uno que otro se excita
si supieran que yo estoy tan solita
y les bailo porque soy dynamita

Si se sabe bombon asesina
Se sabe bombon piel latina
y me dicen bombon soculento
que por mi bombon cansamiento
saben que bombon que lo mueve
menea el bombon cuando quiere
me dicen bombon insaciable
que soy un bombon masticable
me dice bombon

My little waist that agitates everybody
If I put on a short skirt,
my waggling (moving, shaking) hitches it up all the way

They shout "Beautiful!"
When I dance, one after another they get excited
If they knew I was so alone
And I dance for them because I'm dynamite

Yes, I'm the bonbon assassin, latina skin,
Succulent bonbon, singing, I move them,
I waggle when it's wanted
They call me the insatiable bonbon,
A tasty (chewable) bonbon, they call me bonbon.


Ajitar is, I think, a version of agitar: Move with frequency and violence from side to side; bother, worry, move the spirit violently; provoke restlessness.

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Querida Enemiga-Index

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Saturday, May 31, 2008

Happy Birthday Mario!!Feliz cumpleaños para Mario!!




Today (Sunday) is the birthday of Mario Cimarro, guapissimo star of two novelas on Telemundo that are currently featured in recaps or discussions here on Caray Caray: La Traición and Pasión de Gavilanes.

To celebrate the occasion, here are five (all that I was allowed to upload) photos of Mario. Enjoy!!!



Mario as a baby! (thanks Marie Celeste)
Hugo escapes from the mine (Nancy's request)

My Favorites from La Traición:

Hugo in disguise
Iremos juntos de este mundo como cuando nacimos...

and Mario as Juan Reyes in Pasión de Gavilanes:




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