Caray, Caray!

Recap by Corazon Salvaje

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Blue Bungalow Kitchen: At the refrigerator, Berto grabs Celio from behind and slams his head into the wall. Celio lands face down on the floor, but Berto flips him over so that Celio can easily identify his blue-eyed perpetrator in the possible police line . Anyways, terrified Celio lies helplessly, staring vacantly into Berto's face and sh*tting cement blocks. Understandably, throttling butlers can burn a lot of energy, and since the refrigerator door is wide open, Berto reviews his snack options. He spies a paper bag filled with what could to be some delicious Bolo Bar leftovers, but instead of ribs and slaw, he discovers the guns. He runs away, leaving Celio lying in a halo of his blood.

Apparently, a grown man, sprinting down the street and across a parking lot, in the dark, dressed in all black and wearing black gloves is not an oddity in Mexico. Berto runs to a dumpster and tosses his gloves, but keeps the mask since it's hiding the bag. He calls Jose Luis and lets him know that he’s got the guns. Jose Luis tells him to bring them to the Platina Hotel. They'll meet up later. Berto wants to return to the Casa Bonita, shower and change into something more comfortable and less IJustMuggedSomeOne-ish looking.
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We open on a festive family scene - a lovely couple descends the stairway as their daughter throws flower petals. We hear applause and cheers and there are hugs all around. The party is very small, just the happy couple, their servants, and a few guests.

Another party scene. Isabel looks lovely in a royal blue strapless dress. "Where's Fernando? He was here just a moment ago." Her friend Gabriela doesn't seem surprised and mutters, "It never fails." Isabel is not amused. She warns Gaby about bad-mouthing her man. Gaby nods and makes the the "zipping her lips" gesture. I already have the feeling that the yet unseen Fernando is a schmuck.

Back at the house the small family party is all smiles. Eugenia tells Arturo that she is the luckiest woman in the world. Eugenia's daughter Aranza jumps onto her mother's lap, smiles at her parents and proclaims them the bestest parents in the world ever. Eugenia tells the maid (whose dress reminds me of Dorothy's in the Wizard of Oz) to please bring a glass of milk for Aranza to join in the toast. Everyone raises their glasses. But where is Aunt Sonia?

Sonia is upstairs emptying pills from a brown bottle into a small container. She closes the container and puts it into the drawer of the nightstand, then puts a single pill into a kleenex. She tucks the brown bottle back into her evening bag and snaps it shut. "Oh, Eugenia. You think you're taking anti-coagulents." She smirks. "I just wish these pills would work faster." Sonia stands and straightens her hair as the maid comes into the room. "They're waiting for you."

"I was just on my way down." Sonia walks out. The maid looks skeptical and glances around the room. Nothing seems out of place... but still...

Downstairs Sonia gives Eugenia the kleenex with the pill inside. "Gracias, Sonia. You're always so concerned with my health." Eugenia puts the pill on the coffee table. "First, we must toast." Everyone raises their glass and shouts, "Feliz Aniversario!" Glasses clink. Everyone drinks. Sonia lets her eyes wander over the happy scene with just a touch of malice on her lips.

Isabel's missing husband Fernando enters her office. He crosses over to a desk and picks up a black handbag. He removes something from it. It's a checkbook. "Oh, Isabel my love. It is so easy to steal from you. Seriously." Yes. I was right. Fernando is a Grade A Schmuck. He rips a check from the checkbook, folds it and tucks it into his inner jacket pocket. He puts the checkbook back into the purse. "And all the money I have left to steal." He smiles.

Fernando walks into the party saying "Buenos Noches" to everyone he passes. Very few return his greeting. Okay, if that's not a tell I don't know what is.

He walks up and takes Isabel by the waist, "Are you happy, Beautiful?" Isabel grabs hold of him. "Oh, yes my love! We've been waiting to cut the ribbon!" She tries to get Fernando to stand by her side. He brushes her off with "It's your moment, my love." Gaby is having none of this. She growls at Fernando, "Hurry up Fernando! We haven't got all night!" Fernando moves closer but as the women count down to the ribbon cutting, "Uno...Dos...Tres..." he backs away. The ribbon falls to the floor amid cheers. Isabel pulls Fernando close to her side. He protests, "No photos. You know I have a fear of photos. They steal your soul." Say what?? "Besides, I have a surprise for you." He turns Isabel around as fireworks light up a sign that reads:

"Wow! Fernando!" Isabel is ecstatic. She grabs Fernando and plants kisses on him as a photographer snaps away. Fernando spots him. What to do? What to do? Fernando decides Isabel must have her favorite drink, a Cosmopolitan, but he can't seem to find a waiter. He moves off as Isabel waves a waiter down. "Get her a Cosmopolitan."

Arturo talks to his guests. He is very happy in his marriage despite his parents' objections. They wanted him to marry Maracel, but Maracel would never have made him as happy as Eugenia has. But Arturo's marriage has cost him. He was cut out of his inheritance.

Eugenia and her mother Tita talk about Bruno. He needs a woman. He needs a family. His life is nothing but work, work, work. Sonia walks over, "Did you take your pill?" Eugenia hasn't, so Sonia offers to get her a glass of water. A cell phone rings. The doctor answers and has a very brief conversation. It's an emergency. He must leave. Suddenly everyone must leave. I guess they all came in the same car. The small party starts to break up. All that food...

Isabel and Fernando are canoodling. He sees something across the room and pulls away. "I have another surprise for you. But it's in the car." He leaves and Isabel gives a blissful sigh.

Fernando has followed the photographer out of the building. "Give me the film from your camera." "Perdon?"

At the anniversary party Tita and Bruno head for the door. As they leave Eugenia suddenly clutches her forehead in pain and has to sit down. Did no one ever tell her not to mix alcohol and pills?

Arturo and the Doctor talk outside. "Your father is all alone now that your mother has passed. I'm sure he'd enjoy being a Grandfather to Aranza." "My father is free to visit. My door is always open." The doctor consigns himself to the father-son rift and says his good-byes.

Tita and Bruno come down the stairs. In this lighting her hair matches her blouse. Tita tells Arturo she isn't leaving, she's being taken. Bruno wonders why she always has to make a scene. "He always wants to leave when we start talking about him getting married." No wonder he's hustling her into the car.

Eugenia and Sonia talk in the living room. Eugenia's headache is getting worse. Sonia offers to call the doctor. "No, No. I'll be fine. I'm just tired. Please don't tell Arturo about this. I don't want to worry him." Famous. Last. Words. I think I see a vulture sitting on the mantle.

Aranza tells her mom she is tired. It's late. Eugenia and Sonia take her up to bed. The maid takes a full cheese plate from the table. Suddenly I'm hungry.

Outside, Fernando asks the photographer, "Do you want to make it home alive? Do you want your kids to be orphans? Do you want your wife to be a widow?" Well, I guess that's one way of getting straight to the point. The photographer shakes his head no, no, and no. He quickly takes the film from his pocket. He hands it to Fernando. First it was checks and now film. All paper, nothing digital. Fernando is an old-school criminal. Fernando pockets the film and tells the photographer, "Now, see how easy that was?" He smiles an evil smile and heads back into the party.

Aranza wants her Papa. Sonia offers to go and fetch him. My, Sonia certainly has been helpful tonight hasn't she?

Downstairs, Arturo is gazing lovingly at a picture of his wife and daughter. A woman's hands encircle his waist from behind. We see a smiling Sonia rest her head on his shoulder. Arturo smiles and leans his head against hers until he realizes it's not his wife that has him wrapped in this tight embrace. He jumps away. Sonia tells him that she just came down to get him. Aranza wants him upstairs. Sonia looks at him innocently. Arturo appears thoroughly rattled by what has just happened.

Fernando smiles at Isabel. Then we see the same smile in a black-and-white photo in a small shabby room. A young woman, Andrea, is playing on the bed with a toddler. Her older son tells her, "You never pay any attention to me." She tells him, "Come on. We can jump on the bed together!" They laugh and jump. Andrea's mother Mine storms into the room. "Enough! Enough!!" She screams that she is tired of the noise, she is tired of watching the kids, she is tired of the kids themselves. "I wish you'd take your kids and get out!" The poor kids are crying now. Andrea looks ashamed.

Back at the party Fernando takes Isabel aside. He tells her not to scream and opens a small box. It's a gold band with diamonds. There is much screaming and excitement. Isabel puts the ring on and wags her hand toward Gaby and her friends. They are all impressed. They should be. Something tells me Isabel paid through the nose for that cheap cubic zirconia.

Eugenia and Sonia say their good-nights as Arturo and Aranza kneel down together to pray. Eugenia and Sonia talk in the hall. "I really appreciate all you did for us, Sonia. You are the best cousin in the world. You're like my sister."
"Wasn't your anniversary party rather small?"
"Yes, but Arturo prefers it that way."
"Still that was a lot of expense for just a few people.... I'm worried about your headaches."
"I'll see a doctor soon. You know every day I thank you for introducing me to Arturo." Did I detect a wince from Sonia?

Andrea is looking through the paper. Grandma Meanie wants to know what she's looking for. "I'm looking for a second job."
"You don't expect me to watch your kids while you work more hours at the hospital?"
"No, I'm hoping to find something that I can do from home."
"Ha!" She laughs, "Like doing something on the Inter-neeet?"
"We don't have a phone."
"No we don't and it's your fault. All the money gets spent on your kids."
"I'm sorry. I'm so sorry."
"You're always sorry. You still believe that worthless Fernando will come back."
"He will come back. He's my husband and the father of my children."
"He'll come back and leave you with another child. You're a fool. Open your eyes." Mine gives a derisive snort. She walks out calling on The Lord or a Saint to open Andrea's eyes.

Eugenia and Arturo are cuddled on the sofa. They are talking to Sonia. Sonia suggests they take a trip. A second honeymoon. She offers to take care of Aranza. They tell her they only take trips as a family. Besides, Sonia is the one who needs a man and a honeymoon! How about Bruno? Sonia blasts that idea like a clay pigeon. Bruno just doesn't do it for her. Sonia tells them she is already in love with someone who doesn't realize how she feels. He's the only one for her. But now it's time to go. Sonia rises to say good-night. Arturo offers to walk her to the car. He goes toward the door. Sonia sits beside Eugenia and tells Eugenia she should have another child. Suddenly things get awkward. Sonia kisses Eugenia good night. Eugenia looks like she is going to cry.

A car pulls up in front of a fancy highrise. Fernando helps Isabel out. Inside, he tells her to close her eyes and take off her shoes. "I want you to feel the texture with your feet." He opens the door. "Walk. Another step. Keep your eyes closed." Isabel ooohhs at the feeling under her feet. He tells her to stop, then pushes a button. Music fills the room. It's her favorite song.

"Open your eyes." There are several boquets of roses. Rose petals and candles make a path on the floor. Isabel is overwhelmed. "I love you." She looks out at the candle-lined balcony. They kiss. They slow dance. "I don't know how I'm going to pay you back for all this love." Oh, Honey. It's on your Visa card. And you are going to pay it back. With interest.

Eugenia asks Arturo about the party. There were only 3 or 4 people here. Don't you miss your father, your family? "You are the center of my happiness." "But you left your father and your family for me." "You and Aranza are my family. And your cousin and Lucha and Gabina." He nuzzles her neck and hair. "I'm happy. You are the perfect woman. Better than any of my fantasies. I am crazy about you." Eugenia leans against him. They sigh blissfully. The vultures are circling.

Morning. Time for school. Eugenia asks Aranza about her homework. She finished it in the afternoon. She doesn't like doing homework at night. In the kitchen the maid asks Aranza what she wants for breakfast. A quesadilla. The maid announces, "I'll make a quesadilla for my girl!" Eugenia asks what else is cooking. Scrambled eggs. Beans. The maid lifts her spatula with a florish and announces "A quesadilla for my girl!" as she puts it on the plate. Wow. Play-by-play announcements on the food. They don't do that on Master Chef.

Isabel and Gaby arrive at CasaArte, "Decoration and Design". So that's what the party was for! I notice we have some Home Depot product placement here, but it's been pixelated. I guess that's a good idea. Why go to a fancy design studio with a security guard at the door if you can shoplift buy the same thing at Home Depot?

Fernando has sent Isabel a lovely boquet of yellow roses. Her co-workers are gushing over them. Isabel is so lucky to have a great guy who send flowers and gives her surprises like this. Isabel flashes her ring at her co-workers. What a guy! Honestly if I were her I'd check to see if the band was leaving a green ring around my finger.

Andrea is carrying her toddler while walking her son to school. He asks, "Why isn't dad here?" Andrea tells him that his dad is busy, he's working. "Does he have a phone so we could talk to him?"
"No. He's trying to raise money so we can have our own house."
"If I eat less, we'd have more money."
Honestly, this is killing me. Such cute kids. They don't deserve a schmuck like Fernando for a father. Andrea tells her son he has to eat to be big and strong like his dad. They go on their way to school.

Isabel wants to know why Gaby doesn't like Fernando. Gaby makes a snarky remark about Fernando's honesty. Isabel gets angry and storms out into the hall. Gaby follows her and tells Isabel, "We're more than friends. We're like sisters. I don't think Fernando is honest."
"I'm happy. I ask you to respect my relationship."

A co-worker approaches. She has a bill from the factory that Isabel needs to sign. The two continue their talk. Gaby says, "We don't know where Fernando works, what he does for a living or where he gets all the money he spends."

"He negotiates with clients. He is doing well. I feel like I don't deserve everything he gives me. I am looking forward to having him as the father of my children. I can hardly wait to become a mother." "It will happen." They hug.

Grandma Meanie unwraps a bandage from her leg. She mutters how the pain in her leg will spread to her back. She prays. There's a knock at the door. She hastily rewraps the bandage and hobbles to the door. It's her neighbor Agatha. "I brought sweet bread. Can I make you some coffee?" "I thought it was Andrea back with those kids." Grandma Meanie starts on a rant about her daughter. Agatha tells her it's hard to be alone with kids. She asks, "Don't you love your Grandsons?"
"No. I don't love them at all."

Arturo eats breakfast and tells Eugenia about the new construction on the bridge his company is building. Eugenia is hanging on his every word as if all this talk about an overpass is the most fascinating thing she's ever heard. "Soon we will see cars driving over both levels." "No", she says. "We can get a convertible and drive over the bridge together." They talk happily as they walk to the door. Lucha and Gabina smile. "It's a blessing from God to be in a house where they are so happy and so much in love." They sigh, smile and hug each other.

Gaby is going over the business's receipts. It seems the business has less money in the bank than they thought. Isabel believes it's because of the Grand Opening party. Don't worry, it's temporary. We'll make it all back very soon. They laugh.

Mauricio storms into the room. Mauricio asks Isabel if she has any receipts that she has neglected to give him. Before she can answer she has to take a call from a new client who wants her home remodeled. Isabel leaves to take the call. She'll be back to talk to Mauricio. Gaby asks, "What's wrong?"
"I'm afraid Isabel's accounts are nearly empty. Her personal accounts. Large amounts are missing."
Gaby thinks it's Isabel's good-for-nothing husband.

"It looks like embezzlement. This is very serious."
Isabel enters the room. "What Mauricio? What's this about?" They all stare at each other.

Labels: siempre

Recap By LatinainMD
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This the page for comments on La Reina del Sur and all other things Telemundo and beyond (except Diabla and Marido).

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This is where posts on Marido en Alquiler go!!

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Hey friends,
Sorry I've been absent. Actually the tv situation in my house is so bad I don't know how to watch tv any more (my son upgraded it beyond my technical understanding) so I haven't seen a novela in months. There are so many of you now! Here are my two requests:

1. Please put the actual name of the show you're recapping in the title. Many people do not know them by the initials and you will not be found in a search.

2. PLEASE input your posts using notepad or other plain text editor. Some of the posts have been so full of coding that it breaks the blog design for some people. If you must input in Word etc. here is a workaround: after you cut-and-paste the document into the compose window, then cut-and-paste it again and put it into the html window. That way all the coding will go away.

Thanks,
Jane (melinama, blog mom, chapel hill fiddler - google has taken away my pseudonyms!)

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Ahoy, Amigis! The title of this recap is taken from a song by Alejandro Fernandez. Please enjoy the link Tantita Pena 


Gracie sends Dimwit to Ale's to make sure he shows up at Pedro's shinding. Make something up if he isn't wanting to go Gracie opines. Speaking of Gracie we are opening a new table on the Patio called, "The Tasteful Fashion Police". Cap'n Sylvia and Doris are the first ones there ; ) We will be critiquing Gracie's unfortunate taste in clothes, but especially the shoes. Speaking of shoes here is another link for your listening pleasure In These Shoes




Pedro's Shinding:
As Nadia, Pedro's wife, plays the "Moonlight Sonata", Gracie and Lottie are in the corner talking about her piano playing. Lottie thinks she's good Gracie, meh, not so much. Speaking of Gracie, did she just roll out of bed, she looks like she's got the "Bed Head". Product suggestions anyone? Seems Pedro likes showing Nadia off, but he's nowhere in sight, he's talking politics in his office with who knows who according to Gracie. Lottie remarks how Ale just walked in and he is devouring Monse with his eyes. Oh, la la, say oooo la, la Y'all! There are some smoldering looks between Monse and Ale. Monse is moving toward Ale and Lottie thinks this is a bad idea. She should let Ale come to her. Gracie is all for Monse taking the lead. Monse greets Ale and the look between them a little flirtatious a bit shy, and says she'd like to talk to him, but not there. She takes his hand and he clutches her hand and off they go. Gracie is over the moon thinking Lottie gave Monse some good advice.
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Capítulo 39

Lo Del Pasado:

Cesar has returned from the seminary to Lucina’s B&B, ignoring Raquel’s “I told you so” remarks, to right things with Mama. Now that his dad’s living there as well, Ruben has managed to confess to his son about his past--the why and how of his years ago succumbing to Mathilde’s charms and her expected inheritance, and thus leaving Fidelia to fend for herself. (Not exactly what Viewerville would deem true love on either account. What a frickin’ waste, Fi! You could have done so much better!)

Oriana has set up Jose Luis to meet with Dona Paloma the next morning, per Paloma’s request. She’s also agreed, per Ric’s request, to counsel Fabiola regarding the need for birth control since self-control effectively dissolved into stardust and Sebastardo’s male lust. Ric has also emphasized to Oriana that if she goes back with her husband, there won’t be any “negotiated” terms on JL’s part; that a guy like Jose Luis simply takes what he wants.

Lo Del Nuevo:

Ric and Padre Mariano have now decided that it’s time to tell Paloma the truth so that Jose Luis won’t catch the old woman off her guard during their heart-to-heart, possibly killing her from the shock of the surprise. He calls Oriana over to the rectory for a meet with Lucina and them later that day.


Lina cajoles her “abuela” to invite her daddy over to live with them in the big mansion, one big happy family! (This is when Viewerville thinks "cute" needs to take a hike and manners needs a major leg up to the table.) 2nes tries talking Lina out of the idea, but the little girl is a litigation marvel, a natural, and she wins the argument with her mommy. 2nes exits the bedroom and calls Jose Luis. He’s at the Twenty-Four/ Seven Lounge with Berto and takes her call on his cell. “—We have to move the appointment with Paloma to later tomorrow. She’s too tired. Oh, and BTW, I lied when I said she knew I wasn’t Ines.” No problema, replies JL amorously. “--I wouldn’t ever betray you, mi vida. Besos.” Berto claps at the “act”, obnoxious as ever. The two men continue their discussion about Lila wanting to legally contest the will now that the do-do has hit the wind-manufacturing apparatus. JL says let her. What does he care, anyway?

Berto points out that the scandal may be so great for the company that he chooses to relinquish his stock in the company, selling off to the old lady who’d then be ripe for the picking since she’d need a strong man running things there. JL ignores that to ask if he has found the pistol Rick took from him. The house is so large, complains Berto, that he’d have to go through it room by room and there are dozens of rooms! That’s a pile of crap, says JL to the butt-faced one. “--Get it done and I don’t care how you do it. Got that?” Just then Joaquin arrives, gives Bertie the brush off, and then takes his place of pompi-pomp-assed priority on the cushioned purple couch. JL tells him Berto is a useless idiot that he now finds more of a pain than an asset. So, in the old days, offers Joaquin, we used to make those kinds of guys disappear. Problem solved.

Joaquin orders a drink and informs JL that in a day or so he’ll have the signatory problem with the bank account in Colombia solved for his wife. JL is relieved, but Joaquin tells him not so fast. He owes him another one now for this additional favorcito. “—I can’t understand why you want to retire from the business. You look like one of the upper crust and fit in perfectly. You can talk rings around them and stand to earn a huge amount of money at this.” “—My wife would never accept it.” Joqi guffaws and suggests JL shower her with gifts. Works for him. “--Not all women are alike.”

Meanwhile, Berto figures he’ll hit on Marilu for skinny on Ric. He hits her with a sob story and asks her out for happy hour and pumps her hard. Marilu unwittingly gives him the hours Ric keeps, tells him that Ric’s living in the bungalow attached to the side of the main manse and that his manservant leaves every evening and returns first thing in the morning. No, he doesn’t throw parties and his old maid auntie doesn’t either. They’re both pretty much sticks in the mud who do very little entertaining.

That evening Oriana arrives at the rectory and sees Lucina there with Padre Mariano and Ricardo. Ric explains that the time’s come to tell Paloma that she’s not really Ines Valdivia. Oriana realizes that she cannot continue lying to Paloma any longer. “—Yes, I’ve put it off too long already.” Ric is certain that Paloma won’t turn her into the police. Mariano and he advise her to move in with Lucina for a while. As for the three million pesos Lucina and Raqi owe Paloma, he’ll be happy to hand that amount over to Lucina so she can repay it to Paloma in full. She shouldn’t have to feel obligated to go back with Jose Luis, either, they opine, just because she is still married to him.

Oriana has second thoughts about causing the old woman another heart attack. She cares a great deal for Paloma and that’s the last thing she’d want to have happen, she tells them anxiously. Ric reminds Oriana that at some most inopportune moment, Jose Luis could let the cat out of the bag accidentally on purrrr-pose. Or, Lucina adds, if he wants to have sex he’d be able to hold that over her head, demanding his rights like men do. “--JL may sweet talk you by saying he’d always respect you, but men never do,” let alone the malevolent, self-seeking Mafioso type Jose Luis is now. Lucinda adds that if her hubby does get those charges dropped and has a document to prove it, then Oriana can get a divorce finally and be free of him. Mariano seconds that, saying the Church will also allow a separation if the husband becomes involved in criminal activities.

Oriana asks how she’s supposed to fix the assumed identity problem. Lucina suggests telling their whole story to Manolo, her cop buddy from San Carlos. He’s as much a friend as a cop to Lucina and will be able to suggest something that makes sense she believes. Oriana tells them that Lina wants her daddy to move into Paloma’s house, which is another headache to consider. Ric jealously says they’ve already discussed that and it’s not doable. Lucina is totally against that idea also, but for more sensible reasons. “—You can’t do everything your child wants you to. Lina is only a little girl and you need to live your own life, unless you want to end up a bitter old woman, or worse yet, a nun!” (Hive Fiver to Lucina!) Mariano suggests taking Lina to a child psychiatrist for therapy to help her understand their situation better.

After much persuasion from Lucinda, Oriana agrees that she’ll join the others to make a clean breast of it all, but only if Paloma’s cardiologist is there in case the old lady’s heart palpitations get the best of her, She then calls Jose Luis, who is now boored stiff while “partying” with Joaquin and a stable of dancing doxies, to change the appointment with Paloma till the next afternoon. She lies and says it’s because the cardiologist is coming for a routine follow up in the morning. JL sees no problem and agrees.

The next morning everyone sits in Paloma’s office area of Paloma’s bedroom waiting for her arrival so they can begin the whole miserably embarrassing, wretched story. Lucina gives Paloma the “once upon a time” version. Paloma soon realizes she’s hearing 2nes’s past and that it means 2nes is not True-nes Valdivia after all. Paloma, now tired and saddened by the realization, wants to know why they tricked her. Ric explains gently that Oriana had no choice if she was going to protect her daughter; but he emphasizes quickly that she also was worried about Paloma’s health because she truly loves her and wanted no harm to come to her. “--Then where is my granddaughter? Where is Ines?” Mariano slickly remarks that she’s joined her mother in heaven. Lucina relates how Ines came to her hotel and the next day died from an overdose of drugs while swimming in the ocean, and without any I.D. on her. Lucina clarifies that because she was unidentified, she was eventually cremated with all the other unidentified bodies the police find. She hands Paloma the only thing of value that was left in her hotel room. Paloma recognizes it as the gold locket she’d given her daughter before she was run off by her father. Lucina wipes away her tears. “—If you want to blame anybody, blame me. I was the one who planned and caused this whole mess. I thought falsifying the documents and the passport would be the best way to insure Oriana could keep hold of her daughter.”

Just about that time, Mathilde comes sniffing around and enters the room, wanting to know what the gang is talking about that’s got her aunt so disturbed. Ric walks her back into the hallway. He tells her this doesn’t concern her and to let them finish up. Wouldn’t you know it, though! A minute later, Mad Hilde opens the door, in demand stance again. Ric, very perturbed, leaves with her and tells her it’s undignified for a “lady” like herself to be eavesdropping through a closed door the way she’s been. “--Be kind enough not to do this!” He has to warn her twice, second time not as nice.

Oriana now leaves to pack her and Lina’s things. She’s moving out. Ric begs her to stay a bit longer and to give her own version, to then ask for forgiveness and perhaps offer to leave after that—but not like this! Not like a thief in the night! Oriana, though, is certain the old lady will call the police down on her, though Ric says he doesn’t believe that will happen. Well, if nothing else she is certain she will never want to speak to her again in this lifetime or the next. As far as she is concerned, she is a thief. She’s stolen the old woman’s affections and she’s stolen her granddaughter’s identity!

Mad Hilde walks into the anteroom where Oriana’s left her bags. Whose are those, she asks? Ric and Lucinda explain they’re Ines’s. “--She’s going on vacation.” “—Oh, don’t tell me she’s really a whore?” Ric tells her to can the trash talk.

Outside, a few minutes later, Lina returns from school and sees the bags and the dog on the lawn. They’re leaving to stay at Lucina’s, says Oriana. They pack up and Oriana stops to cancel JL’s afternoon appointment. He doesn’t understand and doesn’t believe the excuse. Oriana clicks off without any further explanation. Mad Hilde show up on the lawn a minute later and demands the older maid tell her what’s going on. The old gal stutters out that she believes 2nes is going to live with her husband now. Maddy is pleased with herself and the news and jingles her collar bells with deliciously malicious delight. (Me-owwwwww!)

The doctor has needed to give Paloma some knock-out drops. Mariano wants to assure he’ll stay mum on the things he heard there this morning. The doctor says he’s just like a priest at confession when it comes to a patient’s personal life.

Once Oriana’s settled in at the B&B, she and Lucinda discuss whether she’ll be going back with her hubby or not. Oriana’s still not sure. She needs a job again, but she knows Lucinda can’t really offer her one. (As it is, she’s already getting free room and board.) The topic changes and Lucinda feels that having JL there will be too uncomfortable for Oriana (not to mention Raqi who is sharing his bed), so she’s going to ask him to find another hotel.

Down in the dining area, Ruben, Cesar and Raquel are chatting when Fakecisco shows up and greets them. He learns Cesar’s Ruben’s son and that he’s left the seminary to deal with his mother. Raqi mentions then that Paloma’s “granddaughter and great-granddaughter” are now living at the B&B. Lucina arrives and takes Fakecisco into her office to discuss her need for him to leave to find another hotel. He demands to know what room they’re in. “—I’m her husband and it’s migh right!” “—No, no! You’re “rights” come only as far as she wants them to. So many people know the truth about her past now that if we haven’t all gone to the police yet about you, it’s been to protect her and Lina. So, we need to ask you to find lodging somewhere else.” “Fine. Prepare my bill then!”

Raqi follows him to his room, staking out her territory with JL, and learns he’s leaving thanks to Lucina. No problem, though. He’s thinking to rent out a house and bring his family to live with him there. Raqi wonders what about her. Her? JL and she swap tongues and then he tells her that she’s been nothing more than a pleasant diversion. She slaps him and fights a second kiss, but the two of them enjoy the rough foreplay it seems. (Ehh! They’ll be seeing each other again if Raquel has anything more to say about it--and she’ll make sure she does, natch.)

Ric, meanwhile, mopes around his house in the dark. Oriana refuses to answer his calls. Raqi calls to rile him with the lie that the two turtledoves are back together again. He hangs up and races over to the B&B to find out for himself.

At the same time, Jose Luis bribes Felipe with a wad of bills to find out what room his wife’s in. He enters and gives her the news that Lucina has thrown him out but that he’s going to rent a house for them to live in instead. He threatens her, warning that if she doesn’t come live with him then he’ll see that the charges against her in Colombia are not dropped after all!

Ric gets to the B&B just as Jose Luis is schlepping his bags onto the courtyard. They stare maliciously at each other. Thunder booms and lightning crackles above. The rain starts to fall. Ric looks squarely at his rival and speaks first. “--So, Oriana came here because you were staying here?” JL laughs at him. “—Well, of course!” Ric tells him he doesn’t believe it. “—Ask her yourself.” “—You’re pressuring her, forcing her!” “—Get this straight: Oriana is my wife!” Ric immediately corrects him. “—No, she was your wife while she thought you were a decent man; but now Oriana is mine!” The two start circling and suddenly we’ve got major fisticuffs in the middle of the falling rain in the middle of the courtyard. Eventually it looks like JL has gotten the better of Ric and he knocks him down with a solid right hook to the jaw.

Ric gets it together again though, and jumps back on his feet. With the entire staff and guests looking on by now, Ric manages his own right hook to Jose Luis’s jaw, then does a quick kung-fu double legged jump-kick to the belly number on JL. This causes JL to fall flat on his back into the swimming pool. He sinks to the bottom. Oriana is drop-kick-me impactada when she sees her hubby rise back up to the top with a large pistol in his hand—and he is aiming it straight at Ric, his finger on the trigger…..

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Capítulo 39

Lo Del Pasado:

Cesar has returned from the seminary to Lucina’s B&B, ignoring Raquel’s “I told you so” remarks, to right things with Mama. Now that his dad’s living there as well, Ruben has managed to confess to his son about his past--the why and how of his years ago succumbing to Mathilde’s charms and her expected inheritance, and thus leaving Fidelia to fend for herself. (Not exactly what Viewerville would deem true love on either account. What a frickin’ waste, Fi! You could have done so much better!)

Oriana has set up Jose Luis to meet with Dona Paloma the next morning, per Paloma’s request. She’s also agreed, per Ric’s request, to counsel Fabiola regarding the need for birth control since self-control effectively dissolved into stardust and Sebastardo’s male lust. Ric has also emphasized to Oriana that if she goes back with her husband, there won’t be any “negotiated” terms on JL’s part; that a guy like Jose Luis simply takes what he wants.

Lo Del Nuevo:

Ric and Padre Mariano have now decided that it’s time to tell Paloma the truth so that Jose Luis won’t catch the old woman off her guard during their heart-to-heart, possibly killing her from the shock of the surprise. He calls Oriana over to the rectory for a meet with Lucina and them later that day.


Lina cajoles her “abuela” to invite her daddy over to live with them in the big mansion, one big happy family! (This is when Viewerville thinks "cute" needs to take a hike and manners needs a major leg up to the table.) 2nes tries talking Lina out of the idea, but the little girl is a litigation marvel, a natural, and she wins the argument with her mommy. 2nes exits the bedroom and calls Jose Luis. He’s at the Twenty-Four/ Seven Lounge with Berto and takes her call on his cell. “—We have to move the appointment with Paloma to later tomorrow. She’s too tired. Oh, and BTW, I lied when I said she knew I wasn’t Ines.” No problema, replies JL amorously. “--I wouldn’t ever betray you, mi vida. Besos.” Berto claps at the “act”, obnoxious as ever. The two men continue their discussion about Lila wanting to legally contest the will now that the do-do has hit the wind-manufacturing apparatus. JL says let her. What does he care, anyway?

Berto points out that the scandal may be so great for the company that he chooses to relinquish his stock in the company, selling off to the old lady who’d then be ripe for the picking since she’d need a strong man running things there. JL ignores that to ask if he has found the pistol Rick took from him. The house is so large, complains Berto, that he’d have to go through it room by room and there are dozens of rooms! That’s a pile of crap, says JL to the butt-faced one. “--Get it done and I don’t care how you do it. Got that?” Just then Joaquin arrives, gives Bertie the brush off, and then takes his place of pompi-pomp-assed priority on the cushioned purple couch. JL tells him Berto is a useless idiot that he now finds more of a pain than an asset. So, in the old days, offers Joaquin, we used to make those kinds of guys disappear. Problem solved.

Joaquin orders a drink and informs JL that in a day or so he’ll have the signatory problem with the bank account in Colombia solved for his wife. JL is relieved, but Joaquin tells him not so fast. He owes him another one now for this additional favorcito. “—I can’t understand why you want to retire from the business. You look like one of the upper crust and fit in perfectly. You can talk rings around them and stand to earn a huge amount of money at this.” “—My wife would never accept it.” Joqi guffaws and suggests JL shower her with gifts. Works for him. “--Not all women are alike.”

Meanwhile, Berto figures he’ll hit on Marilu for skinny on Ric. He hits her with a sob story and asks her out for happy hour and pumps her hard. Marilu unwittingly gives him the hours Ric keeps, tells him that Ric’s living in the bungalow attached to the side of the main manse and that his manservant leaves every evening and returns first thing in the morning. No, he doesn’t throw parties and his old maid auntie doesn’t either. They’re both pretty much sticks in the mud who do very little entertaining.

That evening Oriana arrives at the rectory and sees Lucina there with Padre Mariano and Ricardo. Ric explains that the time’s come to tell Paloma that she’s not really Ines Valdivia. Oriana realizes that she cannot continue lying to Paloma any longer. “—Yes, I’ve put it off too long already.” Ric is certain that Paloma won’t turn her into the police. Mariano and he advise her to move in with Lucina for a while. As for the three million pesos Lucina and Raqi owe Paloma, he’ll be happy to hand that amount over to Lucina so she can repay it to Paloma in full. She shouldn’t have to feel obligated to go back with Jose Luis, either, they opine, just because she is still married to him.

Oriana has second thoughts about causing the old woman another heart attack. She cares a great deal for Paloma and that’s the last thing she’d want to have happen, she tells them anxiously. Ric reminds Oriana that at some most inopportune moment, Jose Luis could let the cat out of the bag accidentally on purrrr-pose. Or, Lucina adds, if he wants to have sex he’d be able to hold that over her head, demanding his rights like men do. “--JL may sweet talk you by saying he’d always respect you, but men never do,” let alone the malevolent, self-seeking Mafioso type Jose Luis is now. Lucinda adds that if her hubby does get those charges dropped and has a document to prove it, then Oriana can get a divorce finally and be free of him. Mariano seconds that, saying the Church will also allow a separation if the husband becomes involved in criminal activities.

Oriana asks how she’s supposed to fix the assumed identity problem. Lucina suggests telling their whole story to Manolo, her cop buddy from San Carlos. He’s as much a friend as a cop to Lucina and will be able to suggest something that makes sense she believes. Oriana tells them that Lina wants her daddy to move into Paloma’s house, which is another headache to consider. Ric jealously says they’ve already discussed that and it’s not doable. Lucina is totally against that idea also, but for more sensible reasons. “—You can’t do everything your child wants you to. Lina is only a little girl and you need to live your own life, unless you want to end up a bitter old woman, or worse yet, a nun!” (Hive Fiver to Lucina!) Mariano suggests taking Lina to a child psychiatrist for therapy to help her understand their situation better.

After much persuasion from Lucinda, Oriana agrees that she’ll join the others to make a clean breast of it all, but only if Paloma’s cardiologist is there in case the old lady’s heart palpitations get the best of her, She then calls Jose Luis, who is now boored stiff while “partying” with Joaquin and a stable of dancing doxies, to change the appointment with Paloma till the next afternoon. She lies and says it’s because the cardiologist is coming for a routine follow up in the morning. JL sees no problem and agrees.

The next morning everyone sits in Paloma’s office area of Paloma’s bedroom waiting for her arrival so they can begin the whole miserably embarrassing, wretched story. Lucina gives Paloma the “once upon a time” version. Paloma soon realizes she’s hearing 2nes’s past and that it means 2nes is not True-nes Valdivia after all. Paloma, now tired and saddened by the realization, wants to know why they tricked her. Ric explains gently that Oriana had no choice if she was going to protect her daughter; but he emphasizes quickly that she also was worried about Paloma’s health because she truly loves her and wanted no harm to come to her. “--Then where is my granddaughter? Where is Ines?” Mariano slickly remarks that she’s joined her mother in heaven. Lucina relates how Ines came to her hotel and the next day died from an overdose of drugs while swimming in the ocean, and without any I.D. on her. Lucina clarifies that because she was unidentified, she was eventually cremated with all the other unidentified bodies the police find. She hands Paloma the only thing of value that was left in her hotel room. Paloma recognizes it as the gold locket she’d given her daughter before she was run off by her father. Lucina wipes away her tears. “—If you want to blame anybody, blame me. I was the one who planned and caused this whole mess. I thought falsifying the documents and the passport would be the best way to insure Oriana could keep hold of her daughter.”

Just about that time, Mathilde comes sniffing around and enters the room, wanting to know what the gang is talking about that’s got her aunt so disturbed. Ric walks her back into the hallway. He tells her this doesn’t concern her and to let them finish up. Wouldn’t you know it, though! A minute later, Mad Hilde opens the door, in demand stance again. Ric, very perturbed, leaves with her and tells her it’s undignified for a “lady” like herself to be eavesdropping through a closed door the way she’s been. “--Be kind enough not to do this!” He has to warn her twice, second time not as nice.

Oriana now leaves to pack her and Lina’s things. She’s moving out. Ric begs her to stay a bit longer and to give her own version, to then ask for forgiveness and perhaps offer to leave after that—but not like this! Not like a thief in the night! Oriana, though, is certain the old lady will call the police down on her, though Ric says he doesn’t believe that will happen. Well, if nothing else she is certain she will never want to speak to her again in this lifetime or the next. As far as she is concerned, she is a thief. She’s stolen the old woman’s affections and she’s stolen her granddaughter’s identity!

Mad Hilde walks into the anteroom where Oriana’s left her bags. Whose are those, she asks? Ric and Lucinda explain they’re Ines’s. “--She’s going on vacation.” “—Oh, don’t tell me she’s really a whore?” Ric tells her to can the trash talk.

Outside, a few minutes later, Lina returns from school and sees the bags and the dog on the lawn. They’re leaving to stay at Lucina’s, says Oriana. They pack up and Oriana stops to cancel JL’s afternoon appointment. He doesn’t understand and doesn’t believe the excuse. Oriana clicks off without any further explanation. Mad Hilde show up on the lawn a minute later and demands the older maid tell her what’s going on. The old gal stutters out that she believes 2nes is going to live with her husband now. Maddy is pleased with herself and the news and jingles her collar bells with deliciously malicious delight. (Me-owwwwww!)

The doctor has needed to give Paloma some knock-out drops. Mariano wants to assure he’ll stay mum on the things he heard there this morning. The doctor says he’s just like a priest at confession when it comes to a patient’s personal life.

Once Oriana’s settled in at the B&B, she and Lucinda discuss whether she’ll be going back with her hubby or not. Oriana’s still not sure. She needs a job again, but she knows Lucinda can’t really offer her one. (As it is, she’s already getting free room and board.) The topic changes and Lucinda feels that having JL there will be too uncomfortable for Oriana (not to mention Raqi who is sharing his bed), so she’s going to ask him to find another hotel.

Down in the dining area, Ruben, Cesar and Raquel are chatting when Fakecisco shows up and greets them. He learns Cesar’s Ruben’s son and that he’s left the seminary to deal with his mother. Raqi mentions then that Paloma’s “granddaughter and great-granddaughter” are now living at the B&B. Lucina arrives and takes Fakecisco into her office to discuss her need for him to leave to find another hotel. He demands to know what room they’re in. “—I’m her husband and it’s migh right!” “—No, no! You’re “rights” come only as far as she wants them to. So many people know the truth about her past now that if we haven’t all gone to the police yet about you, it’s been to protect her and Lina. So, we need to ask you to find lodging somewhere else.” “Fine. Prepare my bill then!”

Raqi follows him to his room, staking out her territory with JL, and learns he’s leaving thanks to Lucina. No problem, though. He’s thinking to rent out a house and bring his family to live with him there. Raqi wonders what about her. Her? JL and she swap tongues and then he tells her that she’s been nothing more than a pleasant diversion. She slaps him and fights a second kiss, but the two of them enjoy the rough foreplay it seems. (Ehh! They’ll be seeing each other again if Raquel has anything more to say about it--and she’ll make sure she does, natch.)

Ric, meanwhile, mopes around his house in the dark. Oriana refuses to answer his calls. Raqi calls to rile him with the lie that the two turtledoves are back together again. He hangs up and races over to the B&B to find out for himself.

At the same time, Jose Luis bribes Felipe with a wad of bills to find out what room his wife’s in. He enters and gives her the news that Lucina has thrown him out but that he’s going to rent a house for them to live in instead. He threatens her, warning that if she doesn’t come live with him then he’ll see that the charges against her in Colombia are not dropped after all!

Ric gets to the B&B just as Jose Luis is schlepping his bags onto the courtyard. They stare maliciously at each other. Thunder booms and lightning crackles above. The rain starts to fall. Ric looks squarely at his rival and speaks first. “--So, Oriana came here because you were staying here?” JL laughs at him. “—Well, of course!” Ric tells him he doesn’t believe it. “—Ask her yourself.” “—You’re pressuring her, forcing her!” “—Get this straight: Oriana is my wife!” Ric immediately corrects him. “—No, she was your wife while she thought you were a decent man; but now Oriana is mine!” The two start circling and suddenly we’ve got major fisticuffs in the middle of the falling rain in the middle of the courtyard. Eventually it looks like JL has gotten the better of Ric and he knocks him down with a solid right hook to the jaw.

Ric gets it together again though, and jumps back on his feet. With the entire staff and guests looking on by now, Ric manages his own right hook to Jose Luis’s jaw, then does a quick kung-fu double legged jump-kick to the belly number on JL. This causes JL to fall flat on his back into the swimming pool. He sinks to the bottom. Oriana is drop-kick-me impactada when she sees her hubby rise back up to the top with a large pistol in his hand—and he is aiming it straight at Ric, his finger on the trigger…..

Labels: robo

Here’s hoping all of you had a great holiday and wonderful Thanksgiving feast.

WTH, Univision? Another “two-hour” evening with another repeat of the previous night’s second hour, leaving us with only one fresh episode? And here we thought we were making progress. (I could be bitter about sacrificing my Thanksgiving evening, but the food is put away, the dishes are washed, and I’m ready to sit for a while.)

If You Didn’t Get Enough of the Club Scene
If one had only known, one could have made better plans for the repeat of Cap. 144—skipping either last night’s or tonight’s showing. I was weary enough from cooking to stay put and watch all over again.

There were the young lovers in their assorted triangles, hanging out at the club while watched over by cool and carefree Clementina. There was Alfonso, the man with the plan, persuading his fellow artists to fill up “his” exhibit with their talent. At least they get the satisfaction of seeing their work on display, even if he gets the credit. There were Celia and Tav, concerned that Mechita and MC would get bad reps from association with slimy Alfonso. And finally, we see many of our current characters eager to make an appearance at the exciting exhibit.

One of the Highlights of the Social Season
Although Tav appeared in person to complain to Alfonso’s mother and future mother-in-law, the selfish slimeball painter is determined to continue his pursuit of MC as both model and lover. Elsa, the very young former flame, calls to lodge another complaint with Alf. He claims he dropped her because she’s too young. That excuse doesn’t cut it with her, since he picked her up at school many times. She’ll see him at the exhibit! MC, hoping for a fresh start, tells Juanita they need to leave the hotel and find a house. (Finally feeling the need for privacy?)

Doris is driving to meet Tav, sure that she’ll marry him this time, unless he’s still involved with “that woman.” MC speaks to Juanita as she heads off for the exhibit, dressed in a conservative ice-blue lace sheath. Juanita says she is very elegant, but MC thinks Doris may bring out the savage in her.

MC is speaking to Alf in the crowded gallery when Tav and Doris arrive. Doris looks deceptively sweet in a pink chiffon and lace dress, with one bare shoulder and a flying panel on the other shoulder. She trills “Buenos noches” at Alf and MC, while a sullen Tav and hostile MC refuse to acknowledge each other. Alf tosses out “bienvenidos” as they stride by.

Clementina, husband (name?), Celia, and Mechita chat in a group. Doris and Tav scan the paintings, zeroing in on the head and shoulders portrait of MariCruz. Doris’ opinion: “She looks prettier than she really is.” Anibal, the hovering creator of the abstract “Freedom,” is thrilled to hear Tav praise his painting. Tasha and Alf’s buddy toast the success of the exhibit.

Tav overhears two men gossiping about MC—she’s actually the hired companion of the painter’s mother, and possibly worse. He takes offense and huffily informs them he personally knows that she’s a lady, not a tramp. Then he attempts to grab MC, saying if she doesn’t get rid of that painting, he will! He tells Alf he doesn’t want to hear MC' name in everyone’s mouth: after all, she is the mother of his daughter. Next, he tells Doris they’re leaving, despite her complaint that all this has nothing to do with them.

The Art World Is Amazed at Alfonso’s Talent
The morning after the big event, Alf’s parents read the morning papers with the critics’ positive take on the exhibit. “Freedom” is a masterpiece. Alf is also reading and learns his exhibit “surprised the artistic world.” Anibal, the somewhat scruffy “Freedom” artist, comes to see Alf with his thanks. MC is also reading the critics’ comments, but less happily. She doesn’t like contributing to a deception and thinks the other artists must be suffering from the imposture.

Anibal is thrilled to see his work appreciated, but Alfonso doesn’t want to give up the painting yet. He wants to show it elsewhere and maybe win a prize with it. He would give Anibal some money, since he knows Anibal needs it. Anibal is counting on the world knowing he’s the artist sometime in the future. He’s troubled with shaking hands, which is bad news for a painter.

Meanwhile at Casa de Society Central, Celia and her friends are praising the exhibit and asking about Mechita’s wedding. Now, many of them want Alfonso to paint their portraits. (Ha! A perfect career for him—a soulless society painter, forced to flatter ladies of a certain age instead of producing masterpieces or seducing young models.)

An art collector/museum representative calls on Alfonso. He thinks “Freedom” is a masterpiece and will pay mucho dinero for it--$100,000. Alf smirks a little, but doesn’t want to sell yet, since he hopes to exhibit it other places. Buyer thinks he must have been truly inspired to paint like that. Since he is leaving for Germany in a short time, he wants to take the painting with him. Selfish swine Alf continues thinking: Anibal is sick and won’t paint much longer the way his hand shakes. I could give him money and besides, my signature is on that painting. It’s too good an opportunity to pass up.

Other Members of the Public Have a Lower Opinion of Alfonso and His Talent
Tav wonders why he continues to believe MC is pure. Doris mocks him for defending MC, but he feels like killing those who attack her. He thinks of Alfonso’s insinuation that he should get rid of MC’ portrait if it causes such a problem.

MC is busy at Clem’s Casa de Pretensiones, going through her new stack of invitations. She’s hot property socially, now that her son is the buzzword of the art world. Clem brags on ladies lining up for portraits. MC is happy for her boss, but says Alf doesn’t take his painting seriously. They acknowledge other painters contributed to the exhibit’s success. A news bulletin announces a burglary at the art exhibit. The portrait of MariCruz was stolen!

In Tav’s room, we see him with the stolen portrait, loudly chastising the painted MC as maldita (damned). If his one brain cell isn’t working, his emotions are. He takes a knife from his bag and slashes the painting, hacking away until only tangled pieces remain. He rips the canvas free, tearing it into smaller shreds and demolishes the inner frame.

This catharsis is interrupted by a knock on the door. Doris enters, surveys the mess, and says Tav is the thief! Now he’s made MC famous as the muse caught between the artist and a jealous lover. Why did he do it? Because of those men saying MC was Alf’s amante (lover). She warns him she could make a real scandal if she calls the police!

An official is interviewing the gallery owner, who says it may be personal vengeance. He is welcome to investigate on his own. Probably he will, since it’s a juicy story.

MC goes into savage mode and confronts Alf in his studio, saying they have to talk. She arrives as Anibal also visits the studio. Concerned for security, he wants his painting. Alf reminds him to be careful about saying that, since it’s traveling under Alf’s signature. MC hears him offer $2,000 to Anibal and questions Alf once they’re alone. He says a buyer is offering $100,000 so he can easily pay Anibal the smaller amount.

MC is incensed and rips into him as she did to the Emir Karim, so long ago. She says other painters would be interested to know how he operates. He’s the worst kind of petty thief! He warns her that she and Tav have as much to lose as he, if the entire mess is made public.

Preview—Continuing fallout from the artistic scandal.

Labels: Indomable

Antonio reports to Francisco that he has the financial info from Trejo Bonfil to hand over.  Francisco asks if Ricardo went to visit Trejo Bonfil, but Antonio doesn't know.  Antonio asks about his salary.

Eliseo phones the big boss man in the DR to report that things are rotten in Hermosillo.  He explains that JL, er, "El Zorro" (The Fox)  is mixing business and pleasure.  As is the big boss man with his secretary, it appears.

Fabiola, shrouded in Piero's coat, walks into his apartment, sobbing.  Piero offers her some water and gets her to sit down.  He encourages her to tell him what happened.  She disputes him calling her "innocent" and says she isn't anymore.  Piero tells her that what's done is done and we have to learn to deal with it.  Fabi says she feels dirty. Piero babbles about youthful mistakes made in the heat of the moment and tells her not to be so hard on herself.  "I didn't want to.  I couldn't stop him," Fabi sobs.  She says Sebastian was like a beast and she can't tell her mother or her mom will kill her.  "I don't have anyone."  Piero hugs her, but Fabi asks to use his bathroom to clean up so she can go home.  She gets him to agree to drop her off close to home, but not at her house.  She asks if it's true that Sebastian's mom is…"sick?  Yes."

Lucina, Raquel, and Ruben share some drinks to celebrate Ruben's new job with a friend who just got a big contract.  It won't be a lot, but he'll be comfortable.
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Labels: mentir